Wilma Francis

Sometimes, we want our actresses not to be cute girls next door like Rosemary Lane or Teresa Wright, but full-blown, over the top divas. Someone like Bette Davis or Gloria Swanson. Well, Wilma Francis was a diva. She was flamboyant, did things her own way and dated men by the bucket-load. Unfortunately, she never achieved a level of fame to make her comparable to other well known divas, but it seems she sure had a fun life!

EARLY LIFE

Wilma Francis Sareussen was born on November 26, 1917, in New Orleans, Louisiana, to John Sareussen and Frances Eleanor Ader. Her father was a wealthy ship chandler but by no means was he a true Southerner – he was born in Norway. Her mother did come from an old Louisiana family (think Scarlett O’Hara!). Wilma’s older sister Elinor Marie was born on December 10, 1915. The family resided in New Orleans, where Wilma grew up.

After graduating from high school, Wilma attended Tulane and Loyola universities, studying journalism. Now, how the story goes from here makes little sense – she, daughter of a prominent family and educated in top schools, while a student, ended up in a typing pool in an insurance company office in New Orleans. What?!! Anyway, this was the story she later sold to the papers, so I don’t know if this is true or invented, but why did they have to invent it anyway? Cinderella syndrome?

Anyway, Wilma landed in Hollywood because a scout for a film company (Ben Piazza) spotted her when she was working in the office of the insurance company, and signed her with Paramount.

CAREER

Wilma made her debut in Florida Special, a run of the mill crime movie with Jackie Oakie as a worldly journalist trying to stop a train robbery. Yawn! been there, seen that at least a hundred times… Her next movie, And Sudden Death, was hardly any better – featuring Randolph Scott and Frances Drake, it was a cautionary tale about traffic and speeding. As it usually happens in much films, traffic cop falls for a young woman who simply drives too fast… Blah, blah.. It goes into overt dramatics too soon and becomes a sappy, low budget miss. It’s a shame, since the topic of driving too fast and too furious in traffic is very relevant today (and boy, so much!).

Wilma finally snagged a credited role in Lady Be Careful, but the movie is so utterly forgotten today there is nothing I can write about it. next. The same goes for her netx movie, Hideaway Girl. 1937 started a bit better for Wilma – her first movie of the year, Bank Alarm, was a bland and uninspiring film about G men fighting against a group of bank robbers, but at least the movie left the smallest of traces for prosperity. Unfortunately, this did not mean further career enhancements for Wilma – she spent the rest of 1937 far from the movie cameras, and only came back in 1938 with Trade Winds, a witty, sparking and elegant screwball comedy, with a top-notch cast (Joan Bennet!! Fredric March!!) and more than one twist to keep you occupation.

Wilma then left Hollywood for a short time, returning in 1940 to make Stolen Paradise, where her then husband, Leon Janney, was playing the lead. Unfortunately it was directed by the king of camp, Louis Gasnier, who ably helms it into “bad acting and bad script territory from scene one. The story is not half bad, and actually pretty deep in some aspects – a young man who wants to become a priest falls in love with his step sister and does not know how to deal with his emotions – it really sounds good, but the execution is awful. Skip! Next came the only slightly trashy Under Age – yep, as the title suggest, the girl here and pretty, nimble and under age.  It’s an early movie by future legend Edward Drmytryk, but boy, while he does show signs of brilliance, it’s still way too much. The muddled plot is a hotbed of complicated feelings, bratty teens and love triangles. Skip. Wilma’s last and best movie from this batch was Borrowed Hero, a more than decent B programmer about a lawyer who after a stint of bad luck finally hits the jackpot – and how his life unravels afterwards. Florence Rice is in it – a plus for sure!

In the 1940’s she worked for a while as an assistant to director Sam Wood’and made her last billed appearance in a motion picture in Wood’s 1945 film Guest Wife. She then did some TV work (which I will not go into any detail), and appeared in minor roles in two more movies – Hotel and Airport. And that was all from Wilma!!

PRIVATE LIFE

While in Hollywood, in her spare time, Wilma builds boat models. She revealed to the press that she learned the craft from her father, by then a retired naval officer.

Since Wilma was of a prestigious ancestry, bits and pieces were written about her family in the papers. Here is an early example:

One of Paramount’s younger players, Wilma Francis, has the most interesting antique bracelet in Hollywood. It is a family heirloom and has been handed down for many years with a legend which traces back to Cellini’s days when the piece of jewelry is supposed to have been made by this famous master. It is of dull gold with a floral tracery which has been filled la with black platinum. The design resembles a wide leather strap with a buckle and the bracelet has a safety clasp which is held with a fine golden chain.

Wilma started dating Conrad Nagel in August 1936, and their relationship blossomed nicely in the comings months. Already in November of 1936 there were rumors that they might wed. She told the press: “Conrad is the dearest person in Hollywood. We are constant companions. Of course, I am only 18 I’ll be 19 on Thanksgiving day. And Conrad is 37. Marrying him wouldn’t hurt my career.” However, there was a lull in the fairytale when Paramount refused to renew her contract Wilma used the opportunity to visit her mother. At the train to bid her farewell was none other than Conrad Nagel. The trip sparked a “finis” to their romance because at the time Wilma was doubtful whether she would return again to resume her career. However, Wilma returned to Hollywood, but not to Conrad. After a brief fling with director Wesley Ruggles, from March until May 1937, she dated noted novelist B. P. Schulberg. After she ditched Schulberg, she resumed with Conrad for several months in mid to late 1937. Again, there were rumors of their impending nuptials. They dated, on and off, for more than a year, breaking up in December 1938. In the interim, Wilma dated Latin charmer Antonio Moreno.

In early 1939, Wilma took up with Leon Janney, juvenile actor. They were married in March of the the same year, although they kept the marriage a secret from the press for at least four months.  Janney was born on April 1, 1917 in Ogden, Utah. He started acting in earnest in 1927, when he was 17 years old. He was very active until 1932, and afterwards he got into the theater, where he met Wilma. They were all lovely dovely until June 1940, when something bad happened and they separated in August – they reconciled in September and tried again. This was a flop also – they separated again in October, tried to patch things up but were kaput by December 1940 and started divorce proceedings early in 1941. Wilma charged cruelty (she charged he threw a pack of cards at her during a bridge game) and they got their final decree in May 1941. Janney remarried twice and died in 1980 in Mexico.

Wilma then changed her life a great deal, got out of acting (more or less), and moved to New York.  Then, in November 1946, Wilma hit the papers big time as a witness in a case of a major money swindle. The main perpetrator was Jimmy Collins. This is a short excerpt from the article about the swindle:

Sally Haines, blond film actress and dancer, admitted last night that she was a close friend of Jimmy Collins, sought as suspect in the Mergan-thaler Linotype Co. swindle in New York. Her attorney, Milton M. Golden, went further. He admitted that she and Collins shared a Safety deposit box in a New York hank, the box which New York police said yielded $5400 in cash. Golden also said Collins had been living in a New York hotel where Miss Haines and her actress friend, Wilma Francis, shared an apartment. However, as to reports that Collins helped finance a newly opened night club in Palm Springs, Golden was firm. “Not that I know of,” he said. The attorney explained the safe deposit box and its contents. “Yes,” he said, “the box is hers. The money is hers, too. There also probably were some other things in the box a few trinkets and some Jewelry.” ‘Might Have Married’ He explained the joint use of the deposit box by saying, “Well, you know, they were very good friends. It was possible that a marriage might have developed, from their friendship.” Miss Haines, Miss Francis and Golden told about the Collins friendship at a meeting with the, press in the home of AIDS POLICE Glenda Farrell gave information about missing swindle suspect. W) Wirept AT LARGE James Collins, also known as Julius Davis, who is sought in case, Mrs. Sylvia Garrett, 8235 Lincoln Terrace, in the Sunset Strip district. “I know him very well,” Miss Haines, former wife of Comedian Bert Wheeler, said. “I’ve known him about 14 months. However, I was not married to him. I last saw him Wednesday, We had been at Palm, Springs with a party attending the opening .of a club there. ,,The party returned and I saw him off oh’ an American-AU’iines plane. ‘ ‘ “He seemed a little nervous when he left, but I thought nothing of that. He said he would telephone me Friday night, but I didn’t hear from him. Knew Little. About Him “He is a man of a great deal of charm,” she said.. “Hp’s a medium-sized man, blue-eyed with a longish face, He looks something like Fred Astaire with hair,’ “I know surprisingly little about him considering how long I’ve known him,” she continued. “You know how it is. You don’t ask a person all about his business, where he’s from and who his friends and relatives are. He gave me a telephone number which ho said was that of his Importing firm in New York, where I could reach him. He said he was 43. Now I hear he is 53 or 37 or something else,” Miss Francis said she also knew Collins but nothing of his background, the city was that Burke and his wife .were ineligible for occupancy of tho veterans’ housing project because he had not served in the military forces during the war. The Burkes were moved from Rodger Young Village, another veterans’ home center in Griffith Park, some days ago when their eligibility was contested there. They then took up residence in the Channel Heights unit” …

After this unfortunate accident, Wilma returned to Los Angeles in December 1946, but by January 1947 she was bedded, with a nervous breakdown, probably due her involvement with Collins. By May, she got her groove back and was beaued by Dane Clark. Later in the year, she was seen with comedian Lew Parker.

In May 1949 there were rumor she’s hot going to altar-trek with Stacy Harris, star of radio’s “Your F.B.I.” Unfortunately, they were just rumors, and Wilma did not wed Stacy. In May 1950, she was pursued by actor Eddie Norris.

On September 29, 1951, Wilma married Roger Valmy. Valmy was quite a colorful character. Born in Egypt on October 1912, he moved to Paris with his mother and was a horse racing champion before the fall of Paris during WW2. He moved to the US and started a highly successful real estate agency in California. He was married once before in 1943 to Ruth Ownbey, a model and starlet. Later he dated and was very serious about heiress Barbara Hutton.

Wilma and Roger lived the high life in Beverly Hills, as she was Southern royalty and he was a wealthy and highly charming real estate tycoon. Unfortunately divorced after less than two years of marriage in mid 1953.

After he and Wilma divorced, Roger was married two more times – to Margarett Smith in the early 1960. They divorced in 1972 for the first time, remarried in 1974 and divorced not long after in 1976. In 1977 he was married to his last wife, Dana Kathleen Bond. He died in 2004 at the age of 92.

Wilma continued to date, but never remarried. Some of her post-marriage beaus were Jake Ehrlich Jr. in 1956. She returned to Louisiana to live close to her sister, Elinor, and worked as a very successful casting director.

In May 1958, she got into newspaper again, but not for a nice things – she changed four charges, including kidnaping, against a Gretna, La., policeman as the result of a fracas at a ferry landing there on April 2. Miss Sareussen, who used the name Wilma Francis in the movies, filed the charges with Justice of the Peace L. L. Traught of Gretna against Policeman Alvin Bladsacker. Gretna is across the Mississippi River from New Orleans. Miss Sareusson makes her home in New Orleans. She charged Bladsacker with assault and battery, kidnaping. false imprisonment and unauthorized use of movable property (her car).

I could not find any more information about the case, so let’s assume it just let it flow. Wilma completely falls of the radar from then on.

Wilma Francis died on in.

 

Constance Weiler

Unfortunately, there is a shortage of information about the lovely Constance Weilver, and this is going to be one slim post, so bear with me. While I dislike writing short posts, I fell in love with the above photo of Constance, and I just had to profile her. So let’s learn more!

EARLY LIFE

Constance Ellen Uttenweiler was born on September 17, 1918,in Toronto, Canada to Lebret Joseph Uttenweiler and Mable Wilson. Her older sister Bernice was born on May 11, 1917. Her younger brother Robert would be born in 1921. Her father was American, born in Michigan, her mother was a Canadian. The family lived in Toronto, where Constance spent her early years.

On April 30, 1927 at the age of 8 she immigrated to the US with her parents, arriving in Detroit by boat. They went to live with their paternal grandfather, Robert Wilson, in Detroit, Michigan.

In April 1929, her parents divorced, and a few days later her mother married Joseph Kirzinger. Two more children were born of this union (son Lawrence and daughter Iris). Only young Robert went to live with the Kirzinger newlyweds – the sisters remained with their dad and lived in Detroit (I wonder how the story went – why didn’t Bernice and Constance go on to live with the Kirzingers and Robert did? Smells like an unusual story!)

At some point, Constance landed in New York and found work there as a theater receptionist (have no idea which theater). Constance was signed to a term contract with MGM after talent scouts spotted her in a New York night spot in 1943.

CAREER

Connie signed with MGM, the most prestigious studio at the time, and made her debut in 1943 in The Man from Down Under, a Charles Laughton movie. In many ways, it’s a typical wartime propaganda movie – on the other hand, in many ways it’s not a typical propaganda movie. What makes it stand out, if only so slightly, is the fact that it deals directly with Australians and their bit in WW2. Tell me named of three movies about Australia from the golden age of hollywood. You see, hardly any springs to mind. Constance’s second movie was the more prominent I Dood It, a Red Skelton comedy classic.

Constance then made a string of well-regarded musicals – Broadway Rhythm and Bathing Beauty. No story, little character development, lots of singing and dancing. Constance returned to propaganda movies with This Man’s Navy, about  U.S. Naval Airships (Blimps) and featuring Tom Drake, who for a time seemed like the hot new thing then faded quickly into obscurity.

During this time, Constance was featured in several movies by the great but troubled actor, Robert Walker – The Clock (a superb, intimate drama with Walker and Judy Garland), Her Highness and the Bellboy (a so-so musical about a princess, played by Hedy Lamarr, and the unrequited crush the hotel bellhop, played by Walker, harbours towards her).

In 1946, the war was over and Constance’s career entered a new phase. Her first post war movie was Up Goes Maisie, a continuation of the adventures of brassy showgirl Maisie (played by Ann Sothern). Constance continued appearing in high quality movies that never hit top-tier. Meaning, she never acted in a movie that ended up a classic, but she did work in solid movies with a solid if sometimes phenomenal cast.

Such two movies were The Hoodlum Saint, a morality tale about a WW1 vet (played by William Powell) who will do anything to get rich (and the consequences of his actions) and Two Smart People, an unusual noir romance film, directed by Jules Dassin and headed by John Hodiak and Lucille Ball as two con artists in love.

The Arnelo Affair is actually a mediocre effort somehow undermined by the wooden acting of the female lead, Frances Gifford. The story is the same old cautionary tale for wives – don’t cheat on your husbands, and if you do… Well, you get the picture. John Hodiak is solid as the “bad guy”/affair of the title, and Eve Arden and Dean Stockwell are wasted in sub par roles. MGM could definitely do better than this! Sadly, It Happened in Brooklyn, her next movie, wasn’t quite the high quality movie to follow-up on a dismal one. It’s a nice enough musical, but the story and characters, being paper-thin, weight it down tremendously. Good musicals should have a simple but effective story, not some pastiche

Constance had a minor role (literary) in The Beginning or the End, a docudrama about the atomic bomb (and again shared the screen with Robert Walker).

Constance’s last movie made under the MGM helm was The Romance of Rosy Ridge, perhaps the most superior film of the post-war lot. Why? Well, for one thing, it deals with subjects that Hollywood often tended to avoid – the post-war animosity and hatred that still burns deep in the people. While it was made post-WW2, the plot is set after the American civil war, and illustrates nicely how people lived in Missouri in the mid 19th century. it’s surprisingly authentic for a Hollywood production of the 1940s, and despite a few song and dance numbers, never falls into the sappy/sweet routine. The leads are played by the young, fresh-faced Janet Leigh and Van Johnson – a good combo!

I guess Constance went freelancing, but appeared in only two more movies – a great one and a sadly lukewarm one. The great one was The Asphalt Jungle, a top-notch heist film, dark, gritty, intense, one of the best movies John Huston made. The lukewarm one was Three Guys Named Mike, a fluffy and brain-dead rom com with Jane Wyman as a stewardess who has to choose between three guys named Mike. It’s much better than most rom-coms today, mind you, still not enough to warrant a second look.

And that was it from Constance!

PRIVATE LIFE

This here is pretty thin. There were no articles about her love life, so I can’t say whom she dated while in Hollywood in the early 1940s… However, there was a short article about her in 1946:

Constance Weiler, on the set of “The Postman Always Rings Twice,” telling John Garfield and Leon Ames the thrill of flying one’s own plane. After six weeks, she’s just made her first solo hop. The payoff is she can fly a plane but doesn’t yet know how to drive an automobile.

Funny, she never appeared in the movie, at least it’s not among her credits. Constance’s career effectively ended in 1947, although she did bits and pieces afterwards, from 1946 onwards, there were no mentions of her in the papers.

Next thing we know, Constance married Douglas la Franco on June 7, 1957, in Los Angeles. Her career had been over for almost a decade by then, and she was consistently out of the limelight. Anyway, La Franco was born on September 25, 1929 to Ceferino la Franco and Edna Pullion. His father was from the Phillipines, his mother from Oregon (what a combo!). He grew up in California and was never married before he wed Constance.

Unfortunately, the marriage lasted a very short time, and they divorced in 1959. They did not have any children. In 1960, Douglas married his second wife, Pearl Colberg. Constance did not remarry and lived for the rest of her life in San Francisco.

Constance Weiler died on December 10, 1965 in San Francisco, California. Constance’s former husband, Douglas la Franco, died in 2006.

Carol Yorke

Carol Yorke started as a beautiful, feline model who tried Hollywood and failed. Nothing new here – tons of models went to Hollywood and never made anything worthwhile. However, Carol was not the one to take no for an answer – she completely reinvented her life and became one of the premier fashion connoisseurs and columnists of her time. Let’s learn more about her!

EARLY LIFE

Carol Yorke was born Carolyn Bjorkman on April 25, 1926, in Swissdale, a suburb of Pittsburgh, Pennsylvania, to Elmer and Ruth Bjorkman. Her paternal grandparents were Swedish immigrants – her mother was a native Californian. Her younger brothers were John, born in 1928, and Richard, born in 1934.

Carol’s parents died when in the late 1930s, and she and her two bothers were raised by their paternal aunt, Gertrude. In 1940, the Bjorkmann children lived in Swissdale with their grandparents, uncle, his wife, another uncle and Gertrude.

Carolyn was a talented child who, after graduating from high school in her hometown (Pittsburgh), attended Carnegie Institute of Technology Drama school. Due to her good looks, she soon landed into the modeling scene – she first modeled for the local manufacturer Joseph Home Co, and soon she was on the rise.

Buoyed by her successful modeling experience, she moved to New York in the mid 1940s and did work for John Robert Powers. She was a seasoned model when she tried Hollywood in 1947.

CAREER

Carol made only one movie, Letter from an Unknown Woman, directed by Max Ophuls. But, what a movie it is! Note this: Carol shaved three years of her actual age, and tried to pass of as a fresh-faced 18 years old in 1947.

Here is a brief summary: In Vienna, about 1900, a dashing man arrives at his flat, instructing his manservant that he will leave before morning: the man is Stefan Brand, formerly a concert pianist, planning to leave Vienna to avoid a duel. His servant gives him a letter from an unknown woman, which he reads. In flashbacks we see the lifelong passion of Lisa Berndle for him. Carol plays Lisa’s sister Marie in the movie, and you can consider her character a teenager.

What can I say, I love this movie. It’s like a finely crafted painting, made with impressionist sensibilities. Simple but extremely powerful. Acting is great, and this is one of the better roles for our favorite cad, Louis Jourdan (talented, but always played the same stereotype). Joan Fontaine (one of my favorites) shows us just how gentle and subtle an actress she was (a rarity in Hollywood, where they often value dramatics over something more elegant.) Overall, it’s an incredible work of art, one of the most emotional and earnest movies I have ever seen. So sublime it’s almost misty and unreal. Forget the story and just feel it all!

Not a hit when it was made, it’s considered a classic today, but sadly, did no favors to Carol nor her career. I have no idea why she didn’t make at least one more movie, but there it is, this was her first and last effort. It wa back to the East coast afterwards.

PRIVATE LIFE

Carol dated Artur Ramos Jr in mid 1948. Then she was seen romancing with Murray Sulzberg (who had oodles of millions) in late 1948. Early 1949 saw her with cheese heir Ed Brown.

Carol returned to New York after her unsuccessful Hollywood sojourn, and found work modeling and doing PR for famed designer Valentina. Valentina was a progressive, avant-garde woman and Carol met many a intellectuals and prominent people while in her employ. Her new-found social connections landed her a job at Saks Fifth Avenue as a buyer for a new salon called the Evening Room, specializing in evening wear.

Hungry for more of everything – fashion, love, hapiness – Carol departed for Europe and settled for a time in Paris. With a sharp eye for fashion, Carol was one of he first fashion people who took notice of the young, up-and-coming designer Yves Saint Laurent . In 1958, Carol contacted the young designer and secured his a phleora of rich American grand dames who wanted to become his clients. It was a lucrative deal for both Carol and Yves, and they remained lifelong friends. Another designer Carol discovered before everybody else was Halston – originally an innovative milliner, it was Carol and her fashion world connections that helped him catapult into full pledged sartorial stardom.

In October 1962 she was in Monte Carlo and wrote a letter to John Fairchild the editor of the influential fashion magazine, Women’s Wear Daily. He gave her a chance to write her very own column – she result was a column titled ”Carol Says”, which dealt with fashion, society and spot news and was syndicated in several papers. Carol knew everybody, was witty and light on her feet and easy on her worlds – endlessly charming, she gathered a wide fan base and became one of the most popular female columnists of the time.

During her tenure as a columnist, Carol interviewed celebrities, both notables from the fashion world and notables outside the fashion world, including politics, movies and so on. Carol always wished to be an actress, and there was a deeply intrinsic part of her that went unfulfilled and frustrated – she vented out her firstration by attracting attention wherever she went – most notably fashion shows. Often the reporters would completely forget the models and focus solely on her. She would enter in grand style, with her poodle Sheba under her arm, always highly dramatic, she would fling her coat so that everybody could see that is was a genuine Balenciaga.

As for her love life, little is known. She never married,  but it seems she had a special friend in the millionaire garment manufacture Seymour Fox and would regularly arrive at the office with her poodle Sheba in one of his collection of stretched limousines.

On 28 November 1966, Truman Capote threw his legendary masked Black & White Ball at the New York Plaza Hotel. It was the social event of the year. Carol was among the 500 prominent guests (some of the other guests were Mia Farrow, Frank Sinatra, Andy Warhol, Lee Razdiwill, Marella Agnelli, Joan Fontaine, Katherine Graham, Babe Paley and so on).

Unfortunately, time was running out for Carol. She contracted leukemia – in early 1967, she took a limousine to the Memorial Hospital for Cancer and Allied Diseases. She had a bar installed in her private room and entertained until the end.

Carol Yorke died on July 5, 1967, in the Sloan-Kettering Institute for Cancer Research in New York.

 

 

Dorinda Clifton

Dorinda Clifton started her movie careeer in a big – playing a leading role, receiving loads of publicity and critical plaudits. However, even with this powerful platform, she failed to gather any real attention. Afterwards, she valiantly tried to revive her career for more than 5 years, but after getting less and less attention, gave up movies to raise a family and later, become a writer.

EARLY LIFE

Dorinda Clifton was born on April 27, 1928, in Los Angeles, California, to Elmer Clifton and Helen Kiely. Her older sister, Patricia, was born in 1925 somewhere at sea (I wonder where!). Her younger brother, Elmer Jr, was born on April 20, 1932.

Dorinda grew up in the movie colony called Hollywood – her father was a movie director who worked with many silent movie notables. His short bio, taken from IMDB:

He acted on the stage from 1907 and worked with D.W. Griffith in various capacities between 1913 and 1922, including appearances in The Birth of a Nation (1915) and Intolerance: Love’s Struggle Throughout the Ages (1916). He became a director in 1917, with his best-known production probably being the big-budget whaling epic Down to the Sea in Ships (1922), which brought Clara Bow to the attention of audiences. Unfortunately, his career began to wane in the late 1920s; although he occasionally worked for such “major” studios as Columbia or RKO, he spent most of the rest of his career mired in the depths of Poverty Row, writing and/or directing low-budget westerns and thrillers for such low-rent studios as PRC and even lower-budget exploitation pictures for such quickie producers as J.D. Kendis and the Weiss Brothers.

It came as no surprise that Dorinda also wanted to continue the family tradition and to act. She was snatched by Columbia before she even graduated from high school, as this article can attest:

Columbia’s new 17 – year – old discovery, Dorinda Clifton, is starting her screen career on the exact spot where her father worked 30 years ago. The location is Columbia’s branch studio on Sunset boulevard at Lyman place, where Dorinda is playing the title role in the new movie version of Gene Stratton Porter’s “Girl of the Limberlost.” In 1915, Dorinda’s father, Elmer Clifton, was a young leading man in D. W. Griffith’s “Birth of a Nation,” which was made on outdoor stages at precisely the same place.

And thus her career started.

CAREER

Dorinda appeared in only one movie for Columbia, The Girl of the Limberlost. Based on the classic novel by Indiana authoress Gene Stratton-Porter, it’s raw, brutal and unpleasant, about a girl whose own mother hates her, but despite the sombre plot, the movie never goes over the line into truly hard stuff, as this is still Hollywood, no matter the story, they always make it a cut or two above depressed. Dorinda played the lead, and great things were expected from her. Unfortunately, the movie failed to gather much interest among the public despite genereally warm reviews -as a result, it’s barely remembered today, and Dorinda’s career tanked.

However, she chose to march on. She lost her Columbia contract, but signed with a poverty row studio. So, her next movie, was The Marauders. What can I say, low-budget westerns yet again! This is an above average Hopalong Cassidy movie, but it’s still a low-budget western so no bueno as far as I’m concerned.

Dorinda won a contract with MGM, hoping to obtain stardom thru a different path. MGM put her in a string of different genres, and she started her MGM years in two pretty famous musicals – On the Town and Annie Get Your Gun. She than branched into thrillers with Shadow on the Wall, an interesting movie which gave Ann Sothern  chance to play drama – and that didn’t happen often, mind you. Strong support is given by the ever suave Zachary Scott and Gigi Perreau.

Dorinda went back to musicals, and appeared in a string of them – Hit Parade of 1951Grounds for Marriage (a Kathryn Grayson/Van Johnson vechicle), Call Me Mister (this time a Betty Grable/Dan Dailey movie) and Excuse My Dust.

Then it was back t more serious movie fare with Slaughter Trail. Serious only in name – it’s another western, not quite a slow budget as Hopalong Casid but not a whole lot more. It does have a more impressive cast (Brian Donlevy, Virginia Grey), but it’s still the same old Cowboys vs Indians.

The last batch of movies Dorinda made under her MGM contract were excellent musicals – The Belle of New York (the weakest of the bunch, but still a good enough musical with Fred Astaire), Singin’ in the Rain (what more do I need to say?), Million Dollar Mermaid (one of Escther William’s best), Stars and Stripes Forever (worth seeing for Clifton Webb if nothing else) and The Band Wagon (the best Cyd Charisse and Fred Astaire pairing). Dorinda’s last two movies were adventures: The Golden Blade, a mid tier Arabian adventure type, with Rock Hudson and Piper Laurie, and Moonfleet, a beguiling mix of swashbuckling movie and Gothic horror. The male lead is Stewart Granger, truly a fitting replacament for the aging Errol Flynn, and the rest of the cast is equally good – George Sanders, Joan Greenwood, Viveca Lindfors.

After her MGM contract ended, Dorinda gave up on movies to devote herself to family life.

PRIVATE LIFE

For a time in 1949, Forinda was slated to marry Anson Bond, a “quickie” producer, when his divorce from Maxine Violet Nash was made final. Bond was a business partner of her father, and it seemed to me the scenario of “marrying the boss’ daughter” more than a love match. However, fate intervened – Dorinda’s father died in 1949, and she broke up the engagement not long after.

met her first husband, William K. Nelson, when served as Youth Director for the Congregational Church in Hollywood. They married in 1951.

William “Ace” K. Nelson was born Sept. 7, 1922, in Hollywood, California. Here is a short summary of his life, taken from his obituary:

Ace was a graduate of Hollywood High School and Occidental College. He got his nickname when he was playing guard on a never-defeated Hollywood High School basketball team. At the final bell he flung the ball from beyond mid-court and scored the winning basket. The next day, the papers reported Bill “Ace” Nelson’s amazing shot. The nickname followed him to college and onward.

While still at Occidental, Ace joined the Navy’s officers training corps, and after Pearl Harbor was sent to Columbia University to be trained as a “90-day wonder” Naval officer. He commanded an LST for three years in the Pacific during World War II. His was the flagship of his 60-ship convoy.

After graduation from Occidental with a major in economics, Ace and his friend Robert Hayward decided they didn’t want to sit behind desks all their lives. They therefore hired an old and wise Swedish carpenter to teach them the trade by building a house with them. Ace continued to be a (very contented) carpenter-contractor for his working life

The couple had three sons: Alec, born on August 22, 1953, Mark, born on October 29, 1953, and David, born on May 21, 1959. The family lived in Corona Del Mar, California. Dorinda gave up her career by that time and was a devoted mother and wife.

The Nelsons divorced in 1967, and William remarried to Joni, and moved to Oregon. He died in 2008.

Dorinda married her second husband, Anthony Lee Gorsline, on July 5, 1970. Gorsline was born on May 4, 1930, in California. He was married once before, to Stephanie Lorna Herrmann, in 1953, and they divorced sometime in the 1960s.

The couple moved to Brownsville, Oregon. Unfortunately, they divorced in 1976. Dorinda continued to live in Oregon and never remarried. Gorsline also stayed in the same city.

Dorinda became a succesful writer and was very active n the aristical communit on the West Coast. She started writing her memoir, and did so partial yin the 100 years old artist’s retreat, MacDowell Colony. When asked about her reasons for becoming a writer, she said:

“The reason I write is I have all these ghosts in my past, and I want to have them tell the story. Then I don’t have to live with this story any more.”

She finally published her memoir, Woman In The Water: A Memoir Of Growing Up In Hollywoodland  (check it up on the Amazon link), in 2005. The book was warly recieved and she continued writing, mostly childen’s books. Some of her works are: Take the cake, Everybody is somebody and Ginger Bird. She retired from writing in 2007.

Dorinda Clifton died on February 18, 2009, in Brownsville, Oregon. Her former husband, Anthony Gorsline, died just few months later, on June 17, 2009.

 

 

Jana Mason


Jana Mason was a talented singer who set aflame stages al over the States with her sensual, jazzy style. Unfortunately, this did not warrant her cinematic success – she never had a credited part and appeared in only a handful of movies. Let’s hear more about Jana…

EARLY LIFE

Ursula Comantadore was born on September 11, 1929, in Jersey City, New Jersey, to Joseph Comendatore and Frances Caiezza. Her younger sister Dolores was born sometime after 1940. Her father worked first as a fruit and fish salesman – he had his own stall, and her mother was a factory worker in the early 1930s. Later on her father worked at the shipyards – her mother became a housewife.

Jana grew up in Jersey City in scant circumstances. To help her family make more money, she had to give up on her education (she never got past the 10th grade), and started to sing professionally. She was soon singing in several radio stations and after she moved to New York, worked in various nightclubs. In the early 1950s, she moved to Las Vegas and slowly but securely built up her “brand”. Here is a short article about her:

Jana Mason, the canary with the fabulous figure (at Basin Street), is making a fast climb up the success ladder. In the same hour the past week, she signed to do two Bing Crosby shows and put her signature on a Decca contract. She’s been singing professionally for only 14 months.

She was already a seasoned performer with hundreds of concerts and appearances under her belt, and sang for more than the 14 months like the article claims.  Thus she easily landed in Hollywood in 1955.

CAREER

Jana’s first movie appearance was in Women’s Prison, a low-budget women’s prison movie (boy, the name does say it all!). but, that’s not the reason to watch this little “trashy gem” – rather, it is a great women’s cast – Ida Lupino, Jan Sterling, Cleo Moore, Audrey Totter and Phyllis Thaxter. Despite it’s overly dramatic story and obvious flaws, it’s entertaining and ultimately satisfying. Just beware, this ain’t Shakespeare!

Jana’s next feature, 5 Against the House, one of the 1950s caper movies (let’s rob a casino!) that Rat Pack excelled it. No Rat Pack here, but he have some interesting substitutes – Guy Madison, Brian Keith, Alvy Moore, Kerwin Mathews. Let’s be clear, all of them were pretty boys that never won Oscars, but they are more than tolerable here, and Keith is still a notch above the median, and stands up as the best fo the lot.  What this movie does right is the psychological profile of the caperers – they are all different people with their own “demons and angels”. Another plus is a very young Kim Novak – as soon as she enters the screen, it’s clear there is something about Miss Novak that would make her a star a few short years later.

Jana was then featured in My Sister Eileen, the second adaptation of the well-known book. Unfortunately, it’s a lesser movie than the first adaptation (with the wonderful Roz Russell), but it’s still a breezy, happy-go-lucky movie, a true Hollywood delight for taking the blues away.

Jana’s last movie was The Wild Party. It there is one word that can descrive the movie, it’s sleazy. We have Anthony Quinn, playing an over-the-hill football star that holds a thrill-seeking wealthy couple captive. The movie was supposed to be a social commentary on the rich vs. the poor, but dilutes into a semi-exploatation movie with intense sexual innuendo and some pretty lurid scenes (for the 1950s). High art it ain’t, but it’s not a complete waste either. The social message, while it does get lost in the sleaziness most of the time, comes across to some degree, the cinematography is almost noir-like (always a plus in my book!), and Anthony Quinn, oh my! The man was a charismatic powerhouse and did most of his roles justice, and the movie would hardly work with a lesser actor in the leading role of the deranged football player. His supporting cast is less than stellar, but sturdy enough to make it work (Carol Ohmart, Kathryn Grant and so on).

Jana did some TV work on the side, but retired from movies after her marriage for good.

PRIVATE LIFE

Little is known about Jana’s early life. We know she had a cat that the press dubbed “the real cool cat”. It slept on the air conditioner. Funny.

Jana married her first husband, David Victorson, on December 28, 1953, in Los Angeles. Both of them worked in Las Vegas, just in different nightclubs.

David was born on June 23, 1916, to Louis Victorson and Hanna Smith. He was married once before, to Jean Victorson, whom he divorced in 1937. He and Jana met in New York and moved to Las Vegas to further their careers (but in reality to primarily further her career).

Their marriage was not long-lived. In 1955, Jana got involved with a man who would completely change her life – Jackie Barnett, the songwriter for Jimmy Durante. if the name rings a bell to you, I’ll just say it should – Barnett dated a string of Hollywood beauties in the 1940s and 1950s, and was even engaged to several starlets I profiled here on the blog. He sure had a rich social life!

Madly in love with Barnett, Jana and David divorced in 1956 in Las Vegas, Nevada. Victorson married Angela Velasquez in 1961 and died in 1973 in New Yersey.

After that Jana and Jackie went full yuh-voom. They were often seen together eating supper at the late bistros, seemingly without a care int he world and madly in love. However, the relationship was a stormy one, and they constantly fought only to make up later. Their first real break came in early 1956. In June 1956 Jana met sportsman Jim Kimberly, who would become a serious beau and later change the course of her life (read on to find out how!!)

Jana didn’t stick just to Kimberly – she also dated disk jockey Bill Williams. However, by early 1957, Jackie and Jana were back in each other good graces and in April there was talk that Barnett checked city hall about marriage regulations. His bride-to-be was of course Jana. However, nothing came out of it, and they were kaput once again by September 1957.
In November 1957 dated comic Phil Foster, of the “Halavah Hilarities” cast. She claimed it was an “An old friendship.”, and truly, it didn’t last. By December of that year she was back again with Jackie Barnett, and there were again rumors of an impending marriage.

But oh my, to everybody’s eternal regret Jana and Jackie broke up! (NOT). And this time, it was for good. But, Jana was in no shortage of male company. She was singing in Chicago back then, and the wolves-about-town lined up with mistletoe to greet Jana after every Camellia House performance. Jana took up with her old beau Jim Kimberly, and he then introduced her to .his close friend, socialite Freddie Wacker.

Their mutual interest in modern music was a starting point of what ended up a wonderful romance, ultimately culminating into marriage. Frederick Wacker was born on July 10, 1918, in Chicago, Illinois. He was a grandson of Charles H. Wacker, sponsor of the City Beautiful plan and of Wacker drive. He was a professional drummer and passionate race car driver – he participated in five Formula One World Championship races. Here is what their 1958 wedding looked like:

Frederick G. Wacker Jr., musician, sportsman, and industrialist, left the ranks of Chicago’s most eligible bachelors yesterday when he took Miss Ursula Comandatore as his bride in New York City. The ceremony took place at 5 p. -m. in the Madison Avenue Presbyterian church, with a reception in Hampshire House. Mr. Wacker, son of Mrs. Wacker of Lake Forest and the late Mr. Wacker, is a grandson of the late Charles H. Wacker who headed the Chicago Plan commission for 19 years and for whom Wacker drive is named. The bride is known professionally as Jana Mason and was singing in the Drake hotel when she and Mr. Wacker met a few months ago. Her parents are Mr. and Mrs. Joseph Commandatore of Jersey City, N. J. For the wedding, the bride wore a white lace gown and white pillbox to which a net veil was attached. She carried white orchids. Her only attendant was her sister, Miss Dolores Commandatore. Charles Wacker II was his brother’s best man. After wedding trip to Europe Mr. Wacker and his bride will live in his Lake Shore drive apartment.

The Wackers had three children: Frederick Wacker, III (born on January 5, 1960), Wendy, born on August 27, 1961, and Joseph, born in 1963.

Like many ladies whom I profiled on this site, Jana was a victim of a carefully planned burglary in 1965. There was a long and painful list of valuables taken, including several diamond rings and bracelets, two fur coats, and a fur stole.

Jana in the late 1950s and early 1960s was the embodiment of a seemingly dream-like existence – wealthy, healthy, she had an adoring husband and three wonderful children, but she was unfulfilled and wanted more. So, in the mid 1960s, she went back to work. She sang in Monetral, Chicago and Las Vegas. A short article illustrated her life back then:

Freddie Wacker, the social register’s only professional drummer, flew to Montreal to bring his singing wife, Jana Mason, home from her short but smash engagement at the Queen Elizabeth hotel up there. Freddie reportedly wanted no publicity in Chicago on the deal and isn’t overjoyed at talented Jana’s return to the night clubs.

However, her husband’s distaste aside, Jana found her re-enty into the world of showbiz shallow and insipid. Unhappy qand without a clear idea what can be done about it, she one day met a woman who taught Bible lessons, going from door to door. Jana’s interest was enflamed after she met the woman twice, and she joined their group and found a new meaning in life soon after. Determined never ever again to sing a secular song, she teamed up with old friends from the music industry, and recorded a gospel album. Thus, Jana toured the States with a gospel group for several years, and this completely changed her life. She would later say:

“Everybody tries to pressure himself to live up to the guy next door. I used to spend a couple of hours to get ready to go to a party. I was so uptight. Why? Insecurity? I seemed to believe that life revolved around me. There are no special people under God. We are all together, and we need more love. We need to be touched and loved. We are afraid to clap, to touch, to sing out.”

She retired in the 1980s from all forms of performing and lived quietly with her family. Jana’s husband, Freddie Wacker, died on August 18, 1998, at the age of 80. After his death, Jana divided her time between Lake Bluff, Illinois and Indian Wells, California, where her daughter Wendy lived.

Jana Mason Wacker died on August 22, 2013, in Illinois.

Jana’s son, Joseph, died in 2014.

 

 

 

 

 

Georgia Clancy

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Stunning model who went to Hollywood hoping for fame and fortune, Georgia Clancy was one of many that never amounted to much in the movie world. Yet, after both her acting and modeling careers were over, she became a highly succesful executive and paved her own way in life. Let’s learn more about her!

EARLY LIFE

Georgia V. Clancy was born on October 10, 1924, in Sayre, Beckham County, Oklahoma, to Elmzey George Clancy and Mary Etta Hervey. She was the second of four children – her older brother was Alvin, born on February 19, 1923, and her younger siblings were Helen, born in 1931 and Mary, born in 1932. Both of her parents were native Oklahomans.

The family moved from Sayre, Oklahoma to Texas for a brief time in 1932, (her sister Mary was born there), then back to Oklahoma (San Francisco, Oklahoma, yep, that place really exists) and finally to Compton, California in 1936. Georgia’s father was a carpenter and had his own carpenters workshop – her mother helped manage it. Both Alvin and Georgia worked at the workshop since their early teens – by the time she was 16 years old, she racked up quite a bit of work hours per week.

wanting for a better life, Georgia decided to try her luck in New York, where she went after graduating from high school. Not long after she became a premier bathing suit model and was summoned to Hollywood for the movie Bitter Victory in 1948.

CAREER

Georgia landed in Hollywood in 1948, under this guise: “Georgia Clancy, America’s top bathing suit model who became a mannequin hoping it would lead to an acting career, recently reached second base in her campaign to become a screen actress. The beauteous redhead rounded first base in the self-same campaign last week when Paramount called her to play herself in fashion salon sequences for “Bitter Victory.” She was one of the premier New York models sent to Los Angeles – the others were Billie Fuchs, Maruja, Vivian Easton, Georgia, Yvette Koris and Gini Adams.

The movie never being made (a Bitter Victory movie was made later, in the 1950s, with Richard Burton), Georgia opted to stay in Los Angeles and actually made her Hollywood debut in Neptune’s Daughter, one of the better Esther Williams extravaganzas. What can I say – they were top of the art in terms of technical excellence and innovation, but did not have back then, nor now, any big artistic merit. But they are nice’n’easy viewing for an afternoon movie session.

In 1950, Georgia actually had a speaking role in Buccaneer’s Girl, a movie low-budget, thin plot and mid tier actors – but still despite al of this a very amusing movie. Yvonne de Carlo plays the female pirate (while never a big talent, and IMHO not a particularly beautiful woman – I know many will disagree with me on this, but I just don’t find her attractive, De Carlo was superb for these swashbuckler roles and had a certain charisma).

Georgia then appeared in two very good movies: The Furies  and September Affair. Both are examples of superb classic Hollywood filmmaking, despite their relative obscurity today. The first one is a interesting psychological western centering on a dysfunctional but passionate father/daughter relationship (between Barbara Stanwyck and Walter Huston – two top actors!!!!). The second movie is one of the bets tear-jerker I’ve even watched – this is how sad movies are done, people! The story has to be a bit far-fetched (otherwise you’ll never get the over-the-top drama much movies need), actors should be top-notch and truly earnest in their roles, the direction should be unobtrusive and slightly, and their shoudl be plenty of truly emotional moments. September affairs has all of this and one. Joan Fontaine and Joseph Cotten are wonderful in their roles. Gorgeous music (the song, September Affair, was sung by Walter Huston!!! Love that man!!) and great cinematography are a well-earned bonus. definitely put this on your watching list if you like it elegant and tragic.

Georgia’s last movie was the mediocre Two Tickets to Broadway, which I have reviewed to many times on this page to make it relevant anymore…

PRIVATE LIFE

When Georgia came to Hollywood in 1948, there were serious tried to make her more accessibe to the public by mentionign the frequently in incocequencial articles, like this one:

The legend that fashion models get their pick of handsome he-men is a lot of bunk, a green-eyed beauty said today. All she ever meets on the job is a flock of balding grandpas with romantic ideas.. Georgia Clancy, speaking. America’s highest-priced bathing suit mannequin. She has red hair and enough curves to keep a strapless swim suit from slipping. She’s also an expert at broken-field running. “You have to be quick,” says Miss Clancy with a shrug of her bare shoulders. “A lot of buyers get lonesome on out-of-town trips:” Georgia spends her working hours strutting her stuff before the delighted eyes of middle-aged executives. ‘ “We don’t have to date the visiting firemen if we don’t want to,” she explained. “But we have to be tactful in brushing them off. “When some homesick gent asks me out I usually smile and say, ‘oh, I’d love to, but mother expects me home for dinner.’ ” If she knows he’s married, it’s even easier. “I just hint,” she purred, “I’m certain his wife wouldn’t like my alienating his affections.” And she usually can tell a wolf before he even has time to make a pass. “Then I twist my signet ring around so it looks like a wedding ring,” she said. “It also helps to tell him I’m married to an all-American football tackle.” Miss Clancy’s in Hollywood with two other models for Producer Hal Wallis’ “Bitter Victory.” They have the same troubles she does…

After her Hollywood career evaporated Georgia returned to modeling. Sadly, in the 1950s not many women over the age of 35 worked as models, and the same applied to Georgia. However, she was far from disillusioned – she seeker her fortune elsewhere, became the number one executive of A.P. Management Corporation, run by the even interesting Al Petker. Taken from a newspaper article:

If radio isn’t dead yet and it isn’t much of the credit for keeping its pulse going can be claimed by Al Petker, known in the trade as The Contest Man. There can hardly be a man alive who has not heard a Petker-inspired contest on air.  He services some 8,500 disk jockey shows on 1,800 radio stations and also takes care of 119 TV stations with his two going enterprises: Gifts for Listeners and Gifts for Viewers. Whenever you hear a promotion contest on the air with a variety of prizes clocks, radios, watches being offered, you can take odds that it was Petker who dreamed up the idea and Petker who supplies the prizes. The prizes, literally thousands of them, are stored in a warehouse in Beverly Hills. It is, in fact, the only warehouse in Beverly Hills, a city which is very touchy about anything more commercial than selling mink stoles or poodle haircuts. He has his warehouse there, plus a luxurious swimming pool-home. He even maintains cordial relations with the Beverly Hills post office which handles an average of 2,000 Petker-pushed parcels every month and writes him fan letters about the nice way he wraps and addresses them

Petker, who only two years ago was flat broke, is today quite wealthy. Al’s income, of course, comes from the manufacturers of the products he gives away through the disk jockeys. They pay him an annual fee, in return for which he sees to it that the product is handsomely mentioned on the air in such a way that it not only doesn’t sound hike a commercial but doesn’t cost what a commercial would cost. He has, made a legitimate, good business out of what used to be (and in many Instances still is) a low earnign industry in the broadcasting business. When, for example, a comedian’s writers build a Joke or a sketch around some commercial products, such as a refrigerator, the writers are quietly rewarded by the refrigerator pee-pic. Petker is only 37; stands an even six-feet and is handsomely mustachioed. He lives , with his wife and two children and. an 8-month-old Russian wolfhound, and runs his A. P. Management Corp. (along with a dozen other related corporations) with the help’ of Georgia Clancy. Clancy, as she is invariably called, is his executive vice president and would be the hands-down winner of any contest for the most fetching executive v. p. in the world. But the Petker people have no interest in winning contests. They just like to run them. Pays better that way.

Georgia was by all accounts never married and the papers never mentioned a significant other.

Georgia Clancy died on March 8, 1981, in California.

Dorothy Dearing

dorothydearing3

Dorothy Dearing was another dancer who broke into movies, but found little success in her new career, managing plenty of uncredited roles. However, after Dorothy turned her life around and remade herself for the second time, this time as a succesful businesswoman. Bravo to her! Now, let’s hear her story!

EARLY LIFE

Dorothy Dearing was born on April 17, 1913, in Parachute, Colorado, to Erdix Dearing and Elizabeth “Bessie” Wilson. Her father worked as a commercial inker. Her older brother, Erdix, was born in 1912, and her younger brother, Edward, was born in 1916. The family moved to Alhambra, California not long after Edward was born. Dorothy attended elementary and high school there.

Her father died in 1925. Her mother rented the house to tenants for some extra money, but in order to feed the family, both Erdix and Dorothy had to go to work. Erdix worked as a salesman in a drug store, and Dorothy was a dancing teacher (at only 16 years old!). Her love for dancing soon overrode everything else, and, after she graduated from high school, she set her sights to Hollywood and left for Los Angeles with her mother.

Dorothy was one of those actresses that didn’t land a contract right away, in fact, she danced in Busby Berekeley’s shows by night, worked as a secretary by day and went to as many auditions as she could, visiting tons of casting agents. One of them gave her a chance, she got a movie contract and started her career in 1933 for 20th Century Fox.

CAREER

Dorothy appeared unciedted in fluffy, happy-go-lucky musicals – Dancing LadyRedheads on Parade and Song and Dance Man. As she was a trained dancer, this was probably easy-peasy for her. All of these movies are no works of art, but are more than fun and nice on the eyes.

dorothydearing5Dorothy then turned to a bit more serious fare with Girls’ Dormitory, an insipid drama-romance about a (gasp) girls dormitory, with Simone Simon in the lead. Tyrone Power was a secundary male character then. Then, Dorothy took a year-long break from movies (I guess it was for martial reason, but can’t be sure), and returned in 1938. Her first movie was Alexander’s Ragtime Band – and guess who was the lead? Tyrone Power, of course, in one of his Alice face musicals. It’s a pretty good movie, especially interesting to nostalgia people. Dorothy then had her first credited role in Up the River, a likeable and lively comedy about con men who work their own football team (the story was remade later with Spencer Tracy). For more about Tail Spin, perhaps the pinnacle of Dorothy’s career, read the Private life section. It’s Stage door just swap acting with aviation. Dorothy then had another credited role in the mediocre drama Wife, Husband and Friend, one of the tons of Loretta Young movies from the 1930s (that almost nobody remembers today).

Dorothy then appeared in Hotel for Women, one of the best women’s movies of the 1930s, with the young Linda Darnell in the lead (who goes on to live in the hotel for women), and an impressive supporting cast to boot (Ann Sothern, Jean Rogers, Lynn Bari, June Gale)… A year later, Dorothy also appeared in the sequel – Free, Blonde and 21, and this time Lynn Bari had the cake!

Dorothy returned to musicals in the pastiche Hollywood Cavalcade (with Alice Faye in the lead, again), and the so-so biographical movie, Swanee River, about songwriter Stephen Foster. She then appeared in a rare Lynn Bari vehicle, City of Chance, a mid tier comedy/drama about a girl going to the big city so she can save her boyfriend from becoming a gambling addict.

Next up was the pale remake of Wizard of Oz – The Blue Bird, with Shirley Temple. Nothing special to see here, so skip unless you are a Shirley fan. Then there was Girl in 313, a typical B movie, blend of crime, heist and romance, with the evanescent Florence Rice in the lead, playing a jewel thief. It was followed by The Great Profile, a thin but highly amusing movie in which John Barrymore spoofs himself, playing an alcoholic former movie star. I like Barrymore – he was a superb if a bit overtly dramatic actor, but his last years were truly a study in a wasted life. Then Dorothy was in Murder Over New York, a mid tier Charlie Chan movie.

dorothydearing2Dorothy captured some roles in higher up movies with Hudson’s Bay, an epic movie about early Canada (with Paul Muni, truly a gem among actors!), Tall, Dark and Handsome, a well made comedy/crime film with Cesar Romero and Virginia Gilmore (too bad about her – she was a capable, good actress, but was overshadowed by her husband, Yul Brynner). Dorothy appeared in another Alice Faye movie, That Night in Rio – same old same old, shallow overall, but fun, elegant and pleasing. She continued with more musicals – The Great American Broadcast, another same old same old Alice Faye vehicle, Moon Over Miami, a surprisingly charming Betty Grable musical (I was more interested in Carole Landis, who plays Betty’s sister – she was truly a stunner!).

Dorothy last string of movies were crimes or dramas. She appeared in the lesser movie, We Go Fast, a completely forgotten Lynn Bari movie where she plays a waitress who falls for the wrong guy, and in a better one: I Wake Up Screaming, a top-tier film noir, with a solid story (watch it to see it!) and a cast of not very talented actors who actually give above-average-performances (for them at least). Neither Betty Grable nor Victor Mature knew how to act, but here it works. Dorothy’s last movie was Thunder Birds: Soldiers of the Air, another William Wellman aviation movie, a must see for fans of the genre and a good-enough movie for the rest of us.

PRIVATE LIFE

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In 1934, not long after she started her movie career, Dorothy gave a beauty hint for the readers:

Ten minutes daily for a period of a month in training the muscles of the abdomen will do much to help the not-so-perfect figure Simply contract and relax , the muscles, slowly and systematically, and after a while improvement should be evident.

It was noted that Dorothy was an excellent spokeswoman, one of Hollywood’s most attractive blondes, and that her favorite hot beverage was Bokar coffee, because its vigorous and winey aroma.  Dorothy was well known in Hollywood for her resemblance of both Madeline Carroll and Dorothy Mackaill. She was also part of the “in crowd” at 20th century Fox, as this article can attest:

Each noontime at Twentieth Century-Fox, four young stock actresses—Alice Armand, Dorothy Dearing, Irma Wilsen and Helen Erickson—lunch with ex­ star Mae Marsh and chatter like so many magpies. Having often wondered at such conversational pep, I finally mustered courage to ask Mae, pointblank, what they had talked about. “Well, said she, “Today we discussed (1) Alice Faye’s new hairdress, (2) the rumored romance of Sonja Henie and Alan Curtis, (3) the new composition stockings, (4) possible use of the same material for undies, (5) winter wardrobes and (6) three other things that are none of your business!” Guess femmes are femmes—even if they are actresses.

Dorothy’s only true claim to fame came when she went on the Tailsip publicity tour. A short article about it:

Tailspin party involves more than 5,500 miles of airline travel. In each key city visited the party will deliver prints of “Tailspin,” which stars Alice Faye, Constance Bennett and Nancy Kelly.  Some of the personalities to visit Detroit will include Ruth Nichols, famous speed pilot, who has established many of her air speed records right here, and Margo Bain Tanner, world’s holder title for a speed record. Others in the visiting party will include Dorothy Dearing, Joan Valerie, Lillian Porter and Helen Erickson, youthful stock actresses from the Twentieth Century-Fox studios. The fliers and Hollywood starlets will spend Saturday night and Sunday morning in Detroit. They’ll be guests at a buffet supper at 7 p. m. Saturday at the Book-Cadillac Hotel, together with Detroit and Michigan members of the Ninety-nine Club, officers from Pelfridge Field, civic dignitaries and newspaper men and women.

Sometime in the 1930s, Dorothy was married, but I could not find any information about the groom nor indeed how long did it last. What I do know that by 1940, she was divorced and living with her mother, Bessie, in Los Angeles. She also dated comedy writer Curly Harris for a time in 1937.

Dorothy made her last movie in 1942, and saw the writing on the wall. Always an independent, capable woman, she decided to go into business – import/export business, to be exact. By 1944, she was pretty well established in the Los Angeles biz world. Here is an article from 1944:

Dorothy Dearing. an importer, just back” from Mexico City, brought us aevaral packs of American-made cigarettes which she purchased there. One pack of Luckies (where the revenue tax stamp should be) is marked: “Best Wishes from, the Hit Parade and Joan Edwards.” Free cigarettes meant for our troops overseas. She paid 10 cents per pack! Miss Dearing and several friends bought them at the drug store in the Reforma Hotel, Mexico City. They are now in the mails to examination,

dorothydearingDorothy Dearing and former actor Roland Drew began dating in 1944, while he was still serving in the US Army. After a brief engagement, they married on August 12, 1946, in Los Angeles.

Roland was born, as Walter David Goss, on August 4,1900, in New York,  to David Goss and Elizabeth Kennedy. His father was English. Roland, in silent days, played opposite such stars as Dolores del Rio and Gloria Swanson. Later he was prominent as a character actor on the screen and in radio. He gave up acting by the time he married Dorothy. He enlisted as a private in September 1942 during World War II. This was his first marriage.

Their son Damon Dearing was born on April 13, 1947. Dorothy left acting for good by that time, and focused on her family and her import business. Drew became a renown dress designer in California, catering to the posh ladies, and was very famous and successful. IMDB alleges that Dorothy became an alcoholic, and this contributed to her premature death.

Dorothy Dearing Drew died on April 19, 1965, in Beverly Hills, California. Her widower, Roland Drew, died on March 17, 1988 in Santa Monica.

 

Roberta Jonay

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Roberta Jonay had one of the most unusual entries into the world of fame – her boyfriend was a bodyguard for President Roosevelt, Eleanor Roosevelt took a liking towards her, arranged some “meetings” and whauzaa, there she went to the stars! Unfortunately, despite her obvious dancing talents, Roberta never made it as an actress. She signed with Paramount, made two dozen movies, but never jumped out of the uncredited tier.

EARLY LIFE

Roberta Jones was born in Philadelphia, Pennsylvania, on October 15, 1921. I could not find any information about her parents. Roberta grew up in St. Petersburg, Florida, and considered it her home town.

What we do know is that Roberta’s mom was a typical stage mom (allegedly her parents were showbiz people themselves) that pushed her daughter into vaudeville as early as mid 1930s. The mother-daughter duo went to New York to seek new opportunities. She studied at the Neighbourhood Playhouse and did some stage work on the side. Roberta catapulted to fame in 1937, when she met Earl Miller (more about that in the Private life section).

She was soloist and mistress-of ceremonies at Earl Carroll theater and danced all over the States in various shows and revenues. Her appearances in the Broadway productions of “Allegro” and “As You Like It” in the 1940s led to a contract with Paramount and thus her movie career started.

CAREER

As a dancer, Roberta naturally started her career as a chorus girl – she was a string of mostly mid tier musicals – Riding High, a Dorothy Lamour vehicle, Star Bright (a forgotten short), Here Come the Waves (this movie sure had a lot of starlets in it), Duffy’s Tavern (ditto), Masquerade in MexicoThe Stork Club (with Betty Hutton, our favorite little dynamo!).

roberta_jonay_2After this set of happy-go-lucky movies, Roberta was then featured in something more “mature”. She first had a small role in Miss Susie Slagle’s, a tear-jerker made with enough flair and style to make it one of the best movies of the year. With Veronica Lake, Sonny Tufts and Joan Caulfield in the leads, what the cast lacked in talent they make up in beauty and elegance. Plus notables like Lillian Gish and lloyd Bridges  give the true acting chops. Then, Roberta was in another of Veronica’s movies – The Blue Dahlia. What more is there to write about this movie? it’s a classic, nuff said.

For some lighter fare, there was The Well-Groomed Bride, a lukewarm Ray Milland/Olivia de Haviland comedy, and for some heavier fare, there was O.S.S, a pretty realistic WW2 spy movie with Alan Ladd and Geraldine Firtzgerald. And no, spying does not look like James Bond movies – kudos to Hollywood for not trying to fluff it up too much.

Roberta was back in musicals in Blue Skies, a mid tier Bing Crosby/Fred Astaire movie. it’s got good music and dancign numbers, but a vapid script and Joan, despite her great beauty, was no quality actress! Ladies’ Man was more of the same – thin plot, but loads of music and good comedy (with Cass Dailey and Eddie Bracken!). These musicals were followed by a so-so comedy, Suddenly It’s Spring –again it was a silly story but with good performances by Fred MacMurray and Paulette Goddard.

Roberta then appeared in The Imperfect Lady, a Ray Milland/Teresa Wright movie with conciousness. It’s a out-of-the-box movie, nothing too deviant but it does touch upon some delicate issues about women’s positions in society and their reputation. Next up was Golden Earrings, one of Marlene Dietrich’s lesser known movies, but what  a shame – it’s an interesting movie any way you look at it, part comedy, part romance and part serious drama. Strange mix for sure, but it works, and Ray Milland, the leading man, and Marlene have some good chemistry together.

roberta_jonay_3Afterwards came Variety Girl, the movie with just about everybody who was anybody on the Paramount lot. Roberta’s last musical was The Emperor Waltz, charming, fluffy but low-calorie, and with superb leads (Bing Crosby and Joan Fontaine).

Roberta appeared in just one more movie – Whispering Smith, Alan Ladd’s first western, and a sort of predecessor to the better known Shane (Alan plays almost the same character). Ladd, despite being slight and short, played the quiet cowboy quite well, and he has very good support (Robert Preston, Donald Crisp, Murvyn Vye). The direction was bit on the pedestrian side, but Leslie Fenton, a former actor and husband of Ann Dvorak, does the job ably (but not spectacularly).

Roberta appeared in some minor TV shows, and afterwards retired to start a family.

PRIVATE LIFE

Some bits of info on Roberta:

roberta_jonay_6

Roberta was a very, very ticklish. In fact, she was so ticklish that it was a herculean task to refrain from giggling in the midst of soulful love songs with her leading men, when he was supposed to touch her. Funny. Really funny.

One of Roberta’s earliest crushes was Marty McDonough, star Syracuse half back, but they were both hardly more than kids and the relationship was short and sweet.

roberta_jonay_4Roberta’s first TRUE beau was Earl Miller, a bodyguard for Franklin Delano Roosevelt and his wife, Eleanor,m when they lived in Albany. Earl was close to both of his patrons on a personal basis, and naturally introduced Roberta to the couple. Eleanor came to like Roberta immensely and develop a maternal relationship towards her.

Here is a bit about Eleanor and Roberta’s relationship:

Roberta Jonay, the girl who is  dancing at Northwood Inn just now told us about some of her rovings. Miss Jonay, protegé of Mrs. F. D. Roosevelt, has done plenty of getting-around for a girl, including visiting at the White House and being tossed into a concentration camp in Cuba. … She admits having been scared when she entered each of then, but got used to the first and got out of the second. We asked whether visitors at the White House ever tried to pump state secrets out of the President, and she said no, that people didn’t even talk much about polities around the house or at dinner. . . . “Mostly at dinner,” she said, “they listen to Mr Roosevelt cracking jokes.” . . . Mrs. Roosevelt generally went horseback riding very early, and Miss Jonay got up when Mrs Roosevelt returned and they went swimming, she said. . . . The most trouble she had was in running into Secret Service men before they had learned that she belonged there. It happened twice. Once in the house a guard thought she was a sightseers, but she explained who she was, and another time (and much more embarrassing) she got the brush-off by a guard at the front door, but an official who knew her explained

At a first glance, Roberta and Miller had everything they needed to be happy – both were young, healthy, with good jobs, and plus Earl could actually help catapult Roberta into a major career due to his connections in the White house. However, it was not meant to be. Roberta’s mother took an instant dislike towards Earl, and nothing he did was good enough for either Roberta or her. Even after he pulled strings and truly jump started Roberta’s acting career, Mrs. Jones did not consent to the relationship. It might have been fine if Roberta had a say in the matter – unfortunately, she did not. Her mother controlled every facet of her life, including her lovers. Under intense pressure, Roberta broke it off with Earl in 1939. He was shattered, and did the absolute worst thing he could – on a rebound, he married Simone Von Haven in June 1941. I have no idea what happened to Miller or indeed how did his marriage end up.

Roberta marched on with her love life. In 1939, she was to be married to Martin Jurow, 26-year-old Harvard law school graduate, then the company manager of What a Life (he was the youngest and most prosperous theater manager at that time). They didn’t get to the altar and Jurow became a premier Hollywood producer later, in the 1950s and 1960s.

roberta_jonay_5In 1941, Roberta filed suit for $20,125 damages in Superior court. The suit named Dr. Harry Singer, plastic surgeon. She said she went to him when advised that she needed nasal alterations to meet with success in the films. The operation was performed but her nose ended up crooked on the left side and a bump developed on the bridge. She claimed her movie career was damaged by the mishap.

In 1947, Roberta was seen with the dashing John Conte, but he left her for Katherine Lee, a ballerina, before the year ended. Due to her hectic lifestyle, Roberta gave some hints for the frequent traveller:

Roberta Jonay, who has the part of Jenny Brinker in “Allegro” at Taft theater this week, has worked out a basic wardrobe which keeps her looking well-groomed all day long when she’s on tour. At first glance, this may sound like a lot of clothes, but remember that Miss Jonay is on the road for months and months. She said the wardrobe listed below along with a cloth or fur coat sees her through the various changes of climate the average tourist encounters. This is what she takes with her: 1 black and 1 white lace evening dress, as these do not wrinkle. Suits of neutral colors with changes of blouses. ‘ 3 black cocktail dresses. 1 silk print dress. 4 hats, small models that can pack easily in suitcases. 8 pairs of stockings. 5 pairs of shoes. 2 nightgowns in addition to usual under-things. Miss Jonay said she never wears black suits on trains as they catch every bit of dust and you emerge at the station looking a mess. She recommends grays In a solid color or blue (not too dark).


In 1948, Roberta started dating actor Judson Pratt, a Broadway alumnus like her. They married on June 3, 1950. Judson D. Pratt was born on December 6, 1916, in Brookline, Massachusets. He grew up in Massachusetts, and went to act on stage, ultimately ending up in Hollywood. From 1950 until 1980, he racked up more than 100 credits in movies and TV shows, making him a highly prolific character actor.

Their first son Michael was born in 1954/1955. Their second son, Mitchell W, was born on June 29, 1959.

Roberta lived a quite life outside the limelight in California and was a devoted wife and mother.

Roberta Jonay Pratt died on April 19, 1976, from cancer. Her widower, Judson Pratt died on February 9, 2002.

 

Lucy Knoch

lucyknoch1

A beautiful southern belle with a peaches-and-cream complexion, Lucy Knoch survived for over 10 years in the hostile climate of Hollywood, and none can dispute the fact that she accomplished a career much better than most starlets. Yet, she is miles away from standing toe to toe with proper actresses that left a mark on the film world.

EARLY LIFE

Lucy Claire Knoch was born on June 30, 1923, in DavidsonNashville, Tennessee, to Beverly and Annie Lee Knoch. She was the fourth of children – her older siblings were Beverly Louise, Horace and William, her younger siblings were Dorothy and Charles. Her father ran his own hardware shop.

She grew up in Nashville and attended school there. A lively, imaginative child, was active in school theatrics. In 1937, Lucy, then in the eighth grade students. and bunch of her classmates organized a program honoring the Constitution of the United States.

Lucy later told an interviewer Cordon Allemand the story of her childhood:

When Lucy become a model at the Hollywood Photographic Studio in the Nashville Arcade, never suspecting what the word “Hollywood” would someday mean to her future. Today this fortunate young lady, Lucy Knoch, it on her way to stardom at the Paramount Studios in the real Hollywood, which ia now her home. Lucy Knoch’s success story was related to me one afternoon in the living room of her home in Hollywood’s luxurious Alta Nido Apartments. Her warm Southern smile that’ makes you feel right at home is one of the first things I noticed about Lucy, and making me feel even more at ease was her genuine delight in learning that her interviewer was “homefolks” from back in Tennessee. “Honestly?” Lucy cried. “Why I was at Central High in 1939. I went to Woodbine grammar school out the Nolensville Pike. Nearly all my family live in Nashville and are in business there.” “Well just how did you get from Nashville to a Paramount contract?” I questioned. And this is Lucy’s story. “I suppose I was like lots of girls. All of us kids, my sister, Dorothy, and two brothers, William and Horace, went to Woodbine. I dreamed of being a movie star, but thought the nearest I’d .ever get to a stage was when I went to high school and joined the debating “team. A good one too, because we got several cups and ribbons.” She went on to tell of an early love for dancing and of being sent to dancing school three times a week. As a dancing team she and sister Dorothy appeared at many Tennessee festivals. Then came an end to school days and her first job. “I worked in the studio there for quite a while. Modeling. Maybe some of the Nashville people will remember me there. … Read the rest in the Profile section.

And she was in Hollywood in 1945, and started her career for Paramount.

CAREER

Lucy made her movie debut in The Affairs of Susan, a charming, well made Joan Fontaine vechicle. While no big brainer, it’s a delightful comedy with a good cast (Joan, George Brent, Dennis O’Keefe, Walter Abel). Lucy then continued to appear in movies of the same vein – decently made romance movies that never made it into the top category and are not that well-remembered today. Those are You Came Along (with Bob Cumings and Lizabeth Scott, an unusual but actually pretty good pairing), Incendiary Blonde and the short You Hit the Spot.

Then, Lucy’s career took an upswing and she stated to appear in some genuine classics. To Each His Own, Olivia de Havilland’s only Oscar win, The Blue Dahlia, one of the ultimate film noirs, and Blue Skies, a wonderful musical. 

lucyknoch5After reaching such a high point, there was a let down again, and she was back to the A budget mid tier movies. The first was Cross My Heart a True Confessions remake with Betty Hutton in the lead. The movie, a lackluster one ta best, still boasts a wonderful supporting cast – Michael Chekov, Iris Adrian and Howard Freeman. Sonny Tufts is his typical wooden  and Betty an energetic, fine performer, but no great actress.

Lucy then appeared in The Imperfect Lady, one of the rare Hollywood romances that goes for something slightly more mature. This is no fluffy, feel good, happy movie, and while it’s not a terribly dark movie either, it deals with some more tricky aspects fo the Victorian culture. Ray Milland and Teresa Wright lead a capable cast, and it’s generally a well dome movie, worth watching. Next came Welcome Stranger, a decent enough Bing Crosby/Joan Caulfield movie. What can I say about Crosby’s movies? Same old same old, but it certainly worked back then!

Lucy then appeared in the film noir classic, The Big Clock – now this is a movie more than worth your time! Slick, with a superb cast, nicely photographed and with an impeccable pacing, it takes a pretty simple story and makes it an intensive exercise in elegant filmmaking! Kudos for the always wonderful Charles Laughton as one heck of a villain, and to Ray Milland as the hero.

After appearing the short musical, Footlight Rhythm, Lucy was in Two Tickets to Broadway, a sub par Broadway pastiche musical. She then hit the jackpot again with The Bad and the Beautiful, one of the best outlook on Hollywood that Hollywood ever producer (whoa, this is one difficult sentence)! Kirk Douglas plays the ultimate fight-dirty producer who’ll do ANYTHIGN to get what he wants.

lucyknoch3Lucy started 1953 with The Clown, a nostalgic, sentimental story about a professional clown who barely makes ends meet but can’t give it up since he has a son to support. Nice, touching, with the right degree of pathos, and Red Skelton is pretty good in the leading role. Next was Sabre Jet , an insipid movie about the men who flew combat aircraft known as Sabre Jets during the Korean War. This ain’t Top Gun people, and the characters and the story if thin at best. Robert Stack, never my favorite actor, never quite manages to make it work as a romantic lead.

Half a Hero is a mediocre movie about a pretty much everyday theme – normal couple Red Skelton and Jean Hagen decide to move the family from New York City to the suburbs. Trouble ensures. Lucy had the biggest role in her career in Executive Suite, a well made Her last movie in 1954 was Athena, a Jane Powell musical with a surprisingly modern outlook on food and lifestyle!

Lucy worked for a time for Red Skelton, and changed her name. She did some minor movie work: appeared in Anything Goes, the Marilyn Monroe movie Bus Stop  and the swashbuckler The Buccaneer. Under her original name, she made one more movie, Frank Sinatra’s The Joker Is Wild , before retiring.

PRIVATE LIFE

Here is everything you need to know about Lucy in short, as written in a newspaper from the 1950s:

Lucille Knox has been a movie fan since she was five years old. Her favorite dolls were named Greta Garbo and Norma Shearer. When she daydreamed herself a husband it was always Clark Gable. When Lucy was a teen-ager she and sister Dorothy drove from their hometown of Nashville, Tennessee, to visit relatives in Tucson, Arizona. At dinner one night in a local .-hotel their eyes almost popped out when they saw Paulette Goddard at a nearby table. Naturally Lucy asked for an autograph. Miss Goddard was cordial and said, “If you girls ever come to Hollywood look me up at Paramount.” Shortly after that Lucy and Dorothy arrived in Hollywood. “Miss Goddard,” they were told at the studio, “is in San Francisco.” “We were disappointed and hungry,” said Lucille. “A restaurant a block away caught my attention because of its name: Lucey’s. The place was jumping with movie stars. We met Everett Crosby, Bing’s brother. I told him that Paulette had promised to show us the Paramount studios. ” ‘Well,’ he said, ‘since Paulette Isn’t here, I’ll show you the studio and I’ll also introduce you to the casting director.’ He did. And we both were signed to a Paramount contract.”

Lucille and her sister were not popular with the other girls on the lot. “We were real naive. In all the fan magazines we’d read back in Nashville all you did in Hollywood was sat at a soda fountain or in a popular restaurant and you were discovered. We thought getting a contract on the first day was par for the course. We didn’t know that some of these kids had waited years for a break.” Another day, another restaurant. Lucille was having lunch at the Tail of the Cock. Red Skelton was at the next table. “Would you be interested in television work?” he asked. For two years Lucille was an important part of the Skelton show. M-G-M director Vincente Minnelli saw her on the show and gave her the part of Gilbert Roland’s steak-eating girl friend in The Bad and the Beautiful. After that she played Louis Calhern’s sexy girl friend in Executive Suite and a process-server in Esther Williams’ Athena. Lucille Knox was born Lucy Knoch. Red Skelton changed the Lucy to Lucille. And she herself recently changed the Knoch to Knox. She’s 5 feet 5′,inches tall, weighs 119 pounds and is married to an insurance man. Skelton once wrote an article about her titled, “The Young Lucille Ball.” She has been carefully avoiding Desi’g Lucy ever since. She figures she’s been lucky enough just being herself.

lucyknoch4However, what Hollywood didn’t know was that Lucy came to town as a married woman – she was wed to Michael Joseph Rose on September 11, 1941, in Davison, Tennessee. the newlywed had scarcely any time to enjoy their wedded bliss – Rose went into the army in October 1945. Rose was born in 1915, son of Tony and Marie Rose. Little else is known about him. The marriage was short-lived however, and they divorced sometime prior to 1945.

When Lucy first came to Hollywood, she gave another interview:

Lucy stayed on and has just signed a new contract. “It’s been wonderful here at Paramount,” she said. “When it was learned that we were two Southern girls alone in Hollywood, everybody from producers snd directors on down helped and advised us. A Southern accent is no handicap when it comes to making friends. Everybody around the studio calls me ‘Honey Chile’ and ‘Tennessee’ and ‘Lucy Belle.’ And anybody from the South visiting the lot is rushed over to meet me.” “Nevertheless,” Lucy said, “I am trying to lose my Southern accent because you can’t play many roles with a Tennessee drawl.” AFTER she signed her contract Lucy’s days were occupied with a rigid training program, as they still are. As a member of the Paramount Starlet School she receives instruction in dramatics, diction, calesthenics, dancing. “I even had to learn to walk all over again.” she exclaimed. Also part of the training program has been Lucy’s appearance in IS major films. As a show girl, dancer, nurse, maid, Lucy has had experience before the camera. “It was a terrifying ordeal those first few weeks on the set. There are directors, assistant directors, cameramen, wardrobe women, scenery men, electricians, all watching you as if you were a trained seal going through your tricks. But I finally got used to it and don’t mind the shooting now.” Among the major films in which Lucy Knoch has appeared , are “Road to Utopia.” “Incendiary Blond.” “The Blue Dahlia.” “The Lost Weekend” and “Miss Susie Slagle’s.” Her newest pictures, all with Bing Crosby, are “Welcome Stranger,” “Blue Skies.” and “The Emperor’s Walta.” Honey-haired Lucy is 23 years old. five feet six inches tall, and weighs 121 pounds. She plays golf and rides, but her favorite sport is fishing. ‘ With her husband, tall dark Nicholas Can-cellieri (trucking-line owner whom she married in 1945), she spend most of her free momertts deep-sea fishing off Catalina or Malibu. The starlet loves California but misses the neighborliness of ber home town. “Here in California things are so big that your friends may be 20 or 30 miles away. And most of the time you scarcely have the opportunity to say more than “hello’ to the people in the neat apartment. It’s awful in a way. But you can’t have everything.” According to Paramount officials, however. Lucy Knoch does have everything, and it is easy to see why stardom for her is their prediction. And she seems to have Lady Luck on her side.

lucyknochlouiscalhernBut before he go farther, let’s look at her Hollywood private life. Lucy’s first serious beau in Hollywood was the former vaudeville star, Lyle Latell. He also dated starlet Beverly Thompson, so you can guess Lucy was not really a number one priority in his life. Then, she met THE MAN.

Lucy married Nicholas Cancellieri in 1945. He was a trucking company owner, as noted in the quote above. Nicholas was very supportive of his wife and her career, and she continued to act for more than a decade after the married. In the late 1950s, after being in Hollywood for 15 years, Lucy gave up her movie work to raise a family with Cancellieri.

Their first son, Jerry D., was born on August 1,1960. Their second son, Dominic, was born on October 19, 1964. The family lived in California.

Lucy Cancellieri died on July 22, 1990, in San Bernardino, California.

 

 

 

 

Barbara Freking

barbarafreking

One of the model-turn-actress crop, Barbara Frekign gave Hollywood a go for a few times, and achieved no bug success. However, she remained a highly succesful model for a long period of years and did more than well for herself!

EARLY LIFE

Barbara Freking was born on January 28, 1920, in Chicago, Illinois,to Henry Louis Freking and Dorothy Edredge.Her father was a newspaper publisher, born in Louisville, Kentucky. Her mother was a housewife born in South Carolina. She had an older brother, Henry Louis, born on May 4, 1918 (who sadly died on May 7, 1918), and a younger brother, also named Henry Louis, born on July 21, 1922.

Henry, born in 1878, was already married once before Dorothy, to Ida Naomi Long, in 1900. They divorced sometime in the 1910s. Dorothy and Henry married in about 1915, lived in Indiana for a short while, moved to Chicago, where their first son and Barbara were born, and then moved to Michigan where the younger Henry was born. From there, they moved to Spencer, Indiana and later Atlanta, Georgia, where Barbara grew up and attended high school.

Her parents later moved to Bucks County, Pennsylvania, but by this time Barbara had already left their home and was living and working as a model in New York. She landed in Hollywood in 1947, when she was an experienced, mature 27-year-old looking to break into movies.

CAREER

Barbara made her debut in If You Knew Susie, a entertaining,mid tier Eddie Cantor/Joan Davis comedy. While nothing outstanding, it’s a shining example of casual, nice, benevolent 1940s movies, led by some seriously talented people. Her second movie was the poor man’s Body and soul, In This Corner. We haven’t got John Garfield and Lili Palmer, but Scott Brady, a handsome but highly wooden actor, and Anabel Shaw, a nice looking but not overly talented actress. The story however is a good one, with tight noir moments and plenty of sleazy boxing underworld elements. Appointment with Murder was another entry into the Falcon movie series, and it any much better or much worse than the rest of them. The Falcon is played by notable magician John Calvert, who lived to perform at the ripe old age of 100 (interesting man!).

barbarafreking5Barbara moved up a notch with the A movie, East Side, West Side, a grim story of a shallow society man who ruins hi smarriage for a brief dalliance with an old flame. Boasting  a strong and capable cast, the movie is good enough, but not outsanding. Barbara Stanwyck, for one, is too old to play the leading female role, and James Mason, otherwise a wonderful actor, is pretty much wasted in his bland role. The supporting players have it better – Van Helfin is great, and is Ava Gardner. Next, Barbara was one of the Petty girls in The Petty Girl, a handsome but none too deep musical with Joan Caulfield (beautiful for sure, but not a good thespian), and Bob Cummings. Barbara then appeared in a string of prestige movies, not al of the same quality:

The Lemon Drop Kid is one of Bob Hope’s better movies, a brisk, witty piece of amusement, about a likable but flawed con artist who has to repay a debt. His Kind of Woman was a guilty pleasure, the type of movie you can only make when the leading man is Robert Mitchum and the leading lady is Jane Russell. Forget the story, the supporting characters or the direction – there are important but secondary – Bob and Jane are the reason to watch this. Two Tickets to Broadway is another one of those insipid, dull musicals that are ultimately likable enough to watch at least once. The Las Vegas Story is another Jane Russell movie, this time with Victor Mature instead of Bob Mitchum. And Vincent Price on the side. Barbara was then again in a Bob Hope movie – Casanova’s Big Night,. not one of his best effords but far from a total waste. Plus his leading lady is the outstanding Joan Fontaine.

Barbara’s last movie was Jet Pilot, a John Wayne vehicle. After this, Barbara went back to modeling full-time.

PRIVATE LIFE

Barbara was a seasoned New York model by the time she landed in Hollywood, and probably had more amorous experiences than most starlets (of which we sadly know nothing about!)

In early 1949, Barbara went to Costa Rica to participate in the making of a documentary about a fabulous treasure-hunt expedition, led by James Forbes, by filmmaker Paul Parry. About that time, barbara was dating Horace Schmidlapp, former husband (and official widower) of Carole Landis. As Horace was shorter than Barbara, she often had to take of her shoes when the two went dancing. By April she was back from Costa Rica, and dating Franchot Tone (boy, that man really dated almost all of the Hollywood starlets!)

barbarafreking4By May, she was seen with Ralph Dandies. Barbara then moved to Columbia joining two other b.b.s from New York, Vera Lee and Marjorie Slapp In December 1949, she was beaued by Sterling Edwards, and they were often seen at the Mocambo. Edwards was far from the only man in Barbara’s life – she also dated rich Spaniard Ricky De Vega on the side.

In early 1950, Barbara took up with Howard Lee, wealthy Texan oilman and future husband of Hedy Lamarr and Gene Tierney. That man sure had taste! Then in mid 1951, Barbara started to date that man who would change her life – Oleg Cassini.

What to say about Cassini? Slick as a snake, handsome in a dry, Continental way, a true connoisseur of fashion and beauty, he had his good sides – but plenty of bad sides to match them. He was women as objects that needed to be conquered, put himself first and was the supreme bon vivant egoist. Cassini was still married to Gene Tierney when they hooked up, and by January 1952, it was clear that Gene would divorce Cassini, and that Barbara could seize her chance of becoming the next Mrs. Cassini.

In march, there was this article in the papers: The Hollywood models who know.her best say that Barbara Freking will never wed dress designer Oleg Cassini, who’s been divorced by Gene Tierney. You know what? And they were right. 50 years after the fact, I do know that Barbara would never marry Cassini… But neither Barbara nor Cassini probably knew it back then. And I can only say – all the better for it. As a first danger signal – Cassini was also dating another model, June Myers, at the same time.

barbarafreking3Barbara spat back by dating producer Charles Feldman for a short time in late march/early april. She then dated a string of men – attorney Ralph Fields, Dan Dailey, theatrical producer Herman Levin, and returned to new York. obviously there was some correspondence between Cassini and Barbara, and when she came back to Los Angeles in October 1952, they were again seen together.

Everything was swell and fancy until April 1953, when things turned once again sour. Barbara was despondent, and in a fit of depression, took an overdose of sleeping pills. Only the quick thinking of her mother, who called the ambulance saved her from a grim fate – the doctors came just in time to save her. After this unfortunate incident, Barbara and Cassini reunited, both professionally and privately. A newspaper article followed:

 The Cassini charm was in full force yesterday for the opening duo of fashion shows presented by the Children’s Museum Guild In the William II. Block Company auditorium. Count Oleg was master of ceremonies, pointing out the highlights of his fall and winter collection. AH the guild members who modeled were sent out to buy waist cinehers to do .justice to his shepherdess line around the middle, and often came on the runway in pairs to show the same dress with belt or without. Asked about his stand in the hemline controversy, he said: “For the tight sheath I think a little shorter is all right. It is effective with a straiefit skirt, but full skirts I think should be longer.” Two New York models accompanied him for the show, Miss Carol Walker and Miss Barbara Freking. As Barbara was walking around the elaborate centerpiece the guild had created at the foot of the runway, Cassini asked her to tell whore she came from. Her answer vas “Spencer, Ind.” She still has friends there although her career has taken her to South Carolina and California before New York. The show will be repeated at 12:30 o’clock today.

They shuffled between California and New York and were firmly a couple, until another spat. The spat was named Grace Kelly, and it effectively ended their relationship… For then. Barbara was clearly devastated, and here you can see how Cassini operated – he just changed one beautiful woman for another. Barbara, obviously madly in love, couldn’t see the signs and always went back to him – Grace, on the other hand, was much more frugal and understood just what a cad Cassini was. She enjoyed his company for a time, then sacked him for a more suitable man. I can’t say I’m sorry for Cassini – IMHO, if you operate this way, you shouldn’t be surprised when it hits you right back in the heart.

barbarafreking2Barbara started to date mobster John Sorrenti in March 1954. Then she reunited with Ralph Fields, and casually dated Bill Eaton, famous man about town. In early 1955, Orrin Lehmann took over, and squired her all around New York. Jerry Herzfeld, the race track ace, took over by may 1955 from Orrin.

However, Cassini was never far from Barbara’s mind. They reunited yet again in early 1956. of Barbara, will you never learn! The relationnship lasted for a year-and-somethig this time. They broke up in early 1957. By June, she was dating Jerry Herzfeld again. Then Cassini cut in, AGAIN. They dated until late 1957. In January 1958, she was seen with Hugh O’Brian. By that time, Barbara and six other aspiring actresses lived in a sorority house they called “House of the Seven Garbos”.

It seems that Barbara and Cassini were business partners, and if they did date, it was half-hearted. Barbara kept Jerry Herzfeld on a short leash for a time, but he also settled for another lady in the end.

In his autobiography, actor/comedian Don Harron claims that Barbara had an affair with his second wife, actress Virginia Leith, before the two were married. If this is true, then Barbara was a bisexual, but this of course had to be kept from the tabloids of the time. Yep, it was expected of all women back then to be lilly-white and family oriented.

It seems that Barbara never married, and worked as a model for a long time. She retired to Connecticut at some point.

Barbara Freking died on August 25, 2008, in Greenwich, Connecticut.