Marcella Martin

A pretty large number of budding actress came to Hollywood hoping to win the coveted role of Scarlett O’Hara. As we know today, the role went o Vivien Leigh, and the rest was history. Of all the girls who were in the pecking order for the role, most of them failed to parlay the sojourn into a stable career. On the other hand, a few of them actually developed impressive careers later (Susan Hayward is an excellent example), and some established mid tier, solid careers Sadly, Marcella Martin belongs into the former category. Despite her obvious talent and pleasing looks, she opted to remain a theater actress, and made only two movies of lesser quality. Let’s learn more about her!

EARLY LIFE

Elsie Marcella Clifford was born on June 5, 1916, in Chicago, Illinois, to William Clifford and Clara Kessberger. She was the oldest of three children, three sisters – her younger siblings were Catherine C, born in 1918, and Ruth C, born in 1925.  Her father was a State Senator of Champaign, making her a high society debutante.

Marcella grew up in Chicago, attended high school there and discovered an intense love for acting when she was a teen. Determined to become an actress, she got a degree in dramatics from the University of Illinois, where she was active in the debate club. Ready for bigger and better things, she said “goodbye” to her home town and started to look for opportunities around the US. Her first serious acting job was a few months tour with a Midwestern stock company. After a peripatetic life with a touring company, she settled in Shreveport, Louisiana, where her first husband was from. She wasted no time in gaining acting momentum, and immediately joined the local Little Theater. She started her acting tenure by appearing in two sound stage hits, “Stage Door” and “Tovarich”. Marcella studied southern diction on the side and became quite an expert at it. People could rarely detect that she was originally from Illinois due to this handy skill.

Sadly, acting gigs hardy payed the mounting bills, so Marcella started by selling various merchandise, at firsts az Felbleman’s-Sears, Roebuck and company and then at Goldring’s,  but rehearsing diligently at the local theater at night. In 1938, Maxwell “Max” Arnow, scout for David O. Selznlck, saw Marcella in a rehearsal at the local theater. He was touring the South in search of actors to play parts in Gone With ‘ the Wind” (Including for the elusive Scarlett). Thus, Arnow “discovered” Marcella.

Arnow reported his discovery to Selznick in a memo dated Nov. 16, 1938. “The results of the eighteen day trip through the South were quite meager with one exception. In Louisiana, at the Shreveport Little Theater,” he wrote. “Ran across a girl by the name of Marcella Martin. This girl is quite good-looking, has a nice figure, and is a grand actress. Without doubt she is the best of the hundreds of people who I interviewed during my trip.” Very kind words from Mr. Arnow indeed!

A short while later he wired Marcella to go to New York for screen tests. And so she went.  Two weeks in the rush and bustle of New York studios, and she was back in Shreveport. Then she was called again this time to Hollywood for further screen tests. Once in Hollywood, she was originally tested for Scarlett and Melanie. Along with two other Southern girls, Alicia Rhett and Bebe Anderson (in the future known as Mary Anderson), she was given a bit role in the movie, but that was just a part of the prize – she got a long-term contract, a possible crack at bigger things.

And this is how she landed in Hollywood!

CAREER

Marcella was tested for the role of Scarlett, which went to Vivien Leigh (and the rest is history, as they say!) got a memorable consolation prize. She earned the speaking role as Cathleen Calvert, who confides the inside skinny on Rhett Butler to O’Hara during the classic barbecue scene. “Cathleen, who’s that?” Scarlett asks as she locks eyes with Clark Gable’s Rhett Butler for the first time. “Who?” “That man looking at us and smiling,” Scarlett answers. “The nasty, dark one.” “My dear, don’t you know?” Cathleen answers with a grin. “That’s Rhett Butler. He’s from Charleston. He has the most terrible reputation.” Scarlett looks away for a second, then back. “He looks as if… as if he knows what I look like without my shim”. Great moment! On a side note, a columnist wrote that the producers had to compromise when casting Scarlett, for this reason: “The compromise may be forced in the matter of waist-line. The specifications call for a 17-inch girth. Even the most rigorous Hollywood diets haven’t achieved any such miracle as this.” (how true :-P) Also, Marcella was Leigh’s trailer roomie on location and taught her how to speak with a Southern dialect.

Marcella appeared in only two more movies before retiring altogether. The first one was West of Tombstone, a totally obscure low-budget western with Charles Starrett in the lead. The plot concerns Billy the Kid and his alleged demise – is he dead or not? UnfortunatelyWhat is funny about this movie is how Marcella is attired – the story takes place in the early 20th century, 20 years after the reported death of Billy the Kid, but she wears strictly 1942 fashions, with knee-length skirts, high-heeled shoes and bobbed hair. Ah, Hollywood!

The second movie was another low-budget western, The Man Who Returned to Life. This is another better-of-forgotten type of movie, about a man on the run from the law for murder (of course he’s not really guilty). Marcella plays the third female lead, after Lucile Fairbanks and Ruth Ford.

And that was it from Marcella!

PRIVATE LIFE

Marcella married John “Jack” Martin in about 1935, and moved with him to Shreveport, Louisiana. The marriage didn’t last, and they were divorced by 1939, before she landed in Hollywood.

Marcella met her second husband, James Ferguson, in the theater – they acted together in several plays before getting hitched in 1940 at the home of the Marcella’s parents in Champaign, in the presence of relatives and a few close friends.

James Ferguson was born on August 15, 1913  to Mr. and Mrs. William Ferguson in Izmir, Turkey. His parents were British subjects. He attended elementary school in Scotland and later moved with his family to Whittier, California, becoming a naturalized US citizen in 1930. He graduated from high school in 1931 and from Fullerton Junior College, California, in 1934. He enlisted in the Army Air Corps in October 1934 and underwent flying training the following year and completed it in July 1936. He was a flying cadet for one year before being commissioned as a second lieutenant in June 1937. Later, Ferguson He rose to the rank of full general in the Air Force.

Ferguson acted for fun, and this is how he met Marcella. This is a short article about it:

Marcella Martin and James , Ferguson Have Leads; Opens Oct. 10 , Miss ‘ Marcela Martin and Lieut. James Ferguson will have the leading roles In the first production of the Little Theatre season “Tovarlch,” to open at 8:15 pm, Oct. 10, John Wray Toung, director of the theater, announced Tuesday. Miss Martin will play the Grand Duchess Tatiana Petrovna, the exiled White Russian noblewoman in Jaques Deval’s comedy. Lieutenant Ferguson will ‘ play her husband, Prince Mikhail Alexandrovitch Ouratleff.

He he he, the fun doesn’t stop here – there is a whole juicy story of the Ferguson-Martin courtship. Listen to this: In early 1938, Marcella’s first appearance on the Shreverport Little Theater stage had her in a minor role in “Stage Door,” which also featured in its cast a Barksdale Field lieutenant, William E. “Ed” Dyess. Her co-lead in “Tovarich” was another Barksdale Field flier, Lt. Jim Ferguson.

One of Marcella’s best friends from Chicago was Marajen Stevick, a publishing and media heiress. It seems that Marcella hobnobbed with the Chicago high society, and often asked them to visit her in Shereverport. There was a lot of rivalry going on with Dyess and Ferguson, as they were after Marcella, both of them. Marajen was Marcella’s house guest and ended up with Dyess, and Marcella ended up with Ferguson. Dyess was the third of Stevick’s five husbands.

Dyess died a hero in World War II. A survivor of the Bataan Death March, he survived a year’s captivity in a Japanese prisoner-of-war camp, escaped, was on the run for three months, was rescued by a submarine and returned home to write a gripping account of the Japanese brutality to their prisoners after the fall of the Philippines in 1942. A recipient of the Distinguished Service Cross, second only to the Medal of Honor, he was promoted to lieutenant colonel. He died heroically in a training accident Dec. 22, 1943. He was flying over heavily populated Burbank, Calif., when his airplane caught fire. Instead of bailing out, he stayed with the airplane to make sure it didn’t crash into a school full of children. Dyess Air Force Base, near Abilene, Texas, is named in his memory.

Stevick became an Italian countess a through one of her later marriages, she died on the anniversary of Dyess’ death, Dec. 22, 2002.

Despite the fact that Marcella got her big break via Shreveport Little Theater, she left the city for good after 1939. She returned in the early 1940s to sign various legal papers relating to end her previous marriage but never lived there again. She was active in the theater for a few years afterwards, appearing in plays by Tennessee Williams among others, before retiring for good in the 1950s.

Years later, Marcella’s younger sister Ruth Brown, remembered meeting Leigh in New York City in 1963 through Marcella. Oddly enough, Leigh was performing in a stage version of “Tovarich,” in the same role Martin had played when she was discovered 25 years earlier. Vivien suffered from a bipolar illness, tuberculosis of the lungs and was divorced from Laurence Olivier, but nonetheless won a Tony Award for her work in “Tovarich. Marcella sent a note back to Vivien, She wasn’t sure she would remember her, though they had been very close in the making of ‘Gone With the Wind.’ It was wonderful. The people making ‘Gone With the Wind’ wanted Vivien to listen to Marcella’s accent. She had lived in Louisiana so long she had picked up pretty much a Southern accent, but it wasn’t too much. The producers didn’t want a real ‘Y’all’ accent, they wanted a ‘soft’ Southern accent, and Marcella had it. They didn’t know she had grown up in Champaign.”

Marcella and James Fergson divorced in the late 1940s or early 1950s. Laterm he remarried to Roberta Wilkes. He served in Korea and from 1955 until 1970 he was based in Washington DC. In 1966 he became a full general, and retired in 1970. Roberta died in 1977. Ferguson died on July 13, 2000, in Sarasota, Florida.

Marcella married her third and last husband, Robert Lee McGratty, in 1953 in Duval, Florida. McGratty was born on October 22, 1908, in New York City, to Charles and Frances McGratty. He grew up in Suffolk, New York, and worked as a hotelier in Florida, running the Floridian hotel.  He was married in 1943 to Frances Stuart but the marriage didn’t’ work out, and  he divorced her a few years later.

The couple did not have any children, but enjoyed a happy and harmonious marriage. They moved to Houston, Texas after McGratty’s retirement. McGratty died there on January 21, 1979. Marcella remained in Texas after his death, opting not to remarry.

Marcella Martin McGratty died on October 31, 1986, in Houston, Texas. She is buried with her father, former Illinois State Sen. William E.C. Clifford, and her last husband, Robert McGratty, in Champaig, Illinois.

 

 

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Rosemary Colligan

Rosemary Colligan was a beautiful model that came to Hollywood to trade on her looks. She did just three uncredited appearances in movies, but managed to snag quite a prize – the great George Raft himself. However, it was anything but a bed of roses! Let’s learn more about her!

EARLY LIFE

Rosemary Colligan was born in 1925 in Dunmore, Pennsylvania, to Joseph Colligan and Helen Roach. She was the youngest of three daughters – her elder siblings were Celestine, born in 1919, and Mildred, born in 1923. Her father worked as areal estate salesman. The Colligans were a typical tight-knit Irish family, and Rosemary remained extremely devoted to them her whole life.

The family lived in Dunmore in the beginning, and then moved to Scranton, Pennsylvania where Rosemary was educated. After graduating from high school, Rosemary decided to become a model, and moved to Philadelphia, where she enjoyed her first professional success.

By 1948, Rosemary moved to New York, and became an even more successful model there. She became a Camel Cigarette girl, was considered Miss America of 1949, and was signed with the prestige John Robert Powers agency. By 1951 Rosemary had decided, like many models of her stature, to try her hand at acting. This is how she was seen by a movie scout who directed her towards Hollywood, and that is how it all started!

CAREER

Very slim pickings here – Rosemary appeared in only three movies, none was a classic and she was not credited even once. The first one is the completely forgotten Run for the Hills, a typical Cold War paranoia movie turned into a hilarious comedy. NOT! While it is a typical Cold War paranoia movie, it’s also a cheap, Z class production, with the always wooden Sonny Tufts playing the lead, an Average Joe insurance man who moves to a cave to avoid the potential nuclear warfare. Yep, you heard it right, he dives right into a cave! The simmering sexpot (but sadly a limited actress) Barbara Payton plays his wife. it’s a completely forgotten movie, but boy, just look at the cast, look at the story and the money involved, and I can make a educated guess about where that was going. Rosemary plays a Cave girl, reminding me of Carole Landis in all her prehistoric glory (with beefy Victor Mature next to her).

That same year, Rosemary appeared in The French Line, a no-plot, plenty of scantly clad girls, singing and dancing type of a movie, and heck, it’s not even directed by Busby Berkeley! As I said, the non existing story is as it goes: When her fiancé leaves her, an oil heiress takes a cruise incognito in order to find a man who will love her for herself and not for her money. Well, if you forget for a moment how silly it is, we still have the luscious Jane Russell in the lead, and the sexy senor Gilbert Roland as her love interest. Not a bad cast, I must say!

Rosemary’s last movie was Son of Sinbad, a movie you can either hate of enjoy for the sheer campiness and so bad it’s good quality. Even the short blurb from IMDB shows us just how good-in-a-bad-way the movie is – Legendary pirate and adventurer Sinbad is in single-minded pursuit of two things: beautiful women and a substance called Greek Fire–an early version of gunpowder. Ha ha ha ha, you got that right! Dale Robertson plays Sinbad, and Sally Forrest is his dream princess, but there are more than 50 other girls to ogle at, and Rosemary is just one of them. A big, big plus for this movie is Lili St. Cyr, in one of her rare film appearances (love that woman!).

And that was it from Rosemary!

PRIVATE LIFE

I have to say that after reading a bit about her, I like Rosemary. In a world where man was king, she used them and just moved on to the better thing when she found it convenient. While this is not model behavior and I certainty don’t condone it in everyday life, when you look at the type of a men Rosemary dated, you’ll see what I mean. These were no ordinary, normal working class men who would get hurt big time if something like that happened – these were world class cads who used girls and women quite a bit (some more, some less). Somehow, getting the Rosemary treatment for them was almost like getting the boomerang right back at their heads. Anyway, read and assess for yourself.

Here are some quotes by Rosemary from the papers:

The stage door Johnny ‘”ain’t what he used to be,” Rosemary Colligan laments. “He used to be the theater alley Romeo with top hats and tails who waited outside,” the TV actress said. “Now he dresses in sport shirts and pounds at the dressing room doors”

About her hair:

For myself I prefer long hair because as a model I find that I am requested to wear my hair many different ways, and without long hair this couldn’t be done.

In 1951, Rosemary dated Matty Fox, a wealthy film and TV tycoon, but while he was crazy about her, she just liked him, and ditched him when a more interesting guy came along. And that guy was… Mike Todd!

What can I say about Todd? Born in 1909, he was a master illusionist, a devil may care, half crazy bon vivant who survived by sheer charm and a good dose of luck. he was married twice before, and his second wife was Joan Blondell, who was left bankrupt after his producing expeditions. He just ditched dames when a more interesting one came along, and he broke plenty of hearts.

Anyway, Rosemary and Todd used to ride about New York in his Cadillac, and it was clear that Mikey was all ga-ga about Rosie. But then, a movie scout saw Rosie, like what he saw and asked her to Hollywood, just left Mikey without a second glance. Mikey was crushed, but refused to admit defeat – he came after Rosie to Hollywood just a few short weeks after she departed. He came bearing gits – and what gifts those were – diamonds and diamonds! Mike was determined to keep Rosie, and it seemed that she truly was enchanted by him – they spend a wonderful few weeks in Los Angeles, and when he had to return to New York, Rosie was quite unhappy at the airport.

But alas, life goes on! In September 1952, just days after Mikey left leaving behind breathless notes and promises to see Rosie again, she met THE man, the man who changed the game for her – that old fox, George Raft.

In a space of few days, Todd was out and Raft was in, big time! And Raft literary fell like a ton of steel for Rosie. Raft was no stranger for beautiful women – he dated them by the loads, but he was rarely in love, and few of the women he loved were Virginia Pine and Betty Grable. Very inspired company, no doubt! He was also a connoisseur of local Los Angeles hookers, and employed their services for decades. He usually had at least two women a day – sometimes even more.

by the end of the year, Rosemary took George Raft home to meet the family, George charmed both ma and pa, and everything was tipped for marriage. Then, Raft had to depart US for Italy for a film assignment. He tried to persuade Rosemary to go with him, but she was unwilling to be separated from her family for such a long time, so she declined. George was so smitten that when he flew from Los Angeles to New York en route to Italy, he still (in vain) begged Rosemary via phone calls and cables to join him. As the papers wryly put it, Dapper Georgie hasn’t had it this bad in years!

While George was in Rome, Rosemary took siege in his palatial Coldwater Canyon home that once belonged to his swain, Virginia Pine), and moved her family there – mom, dad and sister. George gave them his blessings, and often called Rosemary long distance to profess his love and devotion. he planted item sin the local papers in this vein:

GEORGE RAFT is determined to marry showgirl Rosemary Colligan. And, when he returns from Rome, he’ll make his first serious try for divorce

The papers claimed that he wants to marry Rosemary at this point, but after trying at least twice during the twenty or more years he and his wife have been separated, everybody could bet he’d have a small chance of getting his freedom. He offered his estranged mate a fantastic, lifetime “deal” when he wanted Betty Grable for his Mrs. and again when he wanted to marry Virginia Pine, but she refused him both times.

This is what George wanted us to think. The truth is probably somewhere the middle – IMHO he was too cheap and chickened out whenever the deal was about to close. He really burned for the girl – be it Betty Grable or Virginia or Rosemary, but could never quite get himself to do it. He always put himself fin the first place, and that meant his money too. I refuse to believe that in Hollywood, where you can get divorced in a zillion different ways, he couldn’t persuade his wife to divorce him. Even after humiliating her time and time again by bedding literary hundreds of starlets and hookers.

Anyway, even after George returned home from Rom the Colligans showed no willingness to evacuate. George balked, but with Rosemary’s charms and Raft’s wise lawyer (who advised him not to cause any legal rumpus because of the publicity that would result in bad publicity) workings in unison, George shrugged his shoulders and decided to camp out. So, George shelled out $3,000 for his new upkeep, living in an apartment in Joan Crawford’s apartment house. George caught a heavy cold on the plane trip from Italy, and he was looked after by Rosie and her mother, so he spent a chunk of his time in the house anyway.

It was clear as day to all in Hollywood that Raft was head over heels for Rosemary. He even got her a spot at his nightly dancing show, in order to keep her close to him. He was on good terms with her family, and they spent quality time together. Rosie and Georgie were constantly seen everywhere, often dancing at clubs. It is disputable if George really curbed his well known 2-women-a-day routine, but for Rosemary’s sake let’s hope he did.

However, time went by, and no divorce was coming. Like so many women before her, Rosemary got fed up with all the waiting, and trouble began to loom on the horizon.

By October 1953, Mrs. Colligan became seriously ill, and George sent her and Rosemary to Memphis, to see a famed specialist. Rosemary’s father and sister continued to live in his Beverly Hills home. The specialist only confirmed that Rosemary’s mother was very ill and advised a change of climate. So Rosemary and her entire family went to live in Florida. George could finally give up his apartment and move back into his home, but it was a bittersweet pleasure. It was a difficult time in their relationship, as it was unclear if they were saying a permanent goodbye, or was it just temporal. When newspaper people asked Rosemary about it, she said: “It’s hard to tell. I feel that my first duty now is to be with my mother. I can always come back later.”

And indeed, in the beginning, Raft and Rosemary had a semi-successful long distance relationship, he in California, she in Florida. But, literary a few short weeks later, things started to fall apart. As there was a very slim chance that George would ever wed her, Rosie just decided to play the field like a single lady while she was on the other side of the county. Pretty soon, there were reports that she was discovered by wealthy Irving Geist. Raft panicked, but Rosie wouldn’t budge. Their relationship became icier by the second.

George was livid and unhappy with the state of the union, but could hardly do anything. Then, it all escalated with a very last phone call between them, on Christmas Eve 1953, when Rosemary called him from Florida to say that she doesn’t love him any more. And that was just that.

Same as with Betty Grable and Virginia Pine, George prolonged getting a divorce, and when the lady inevitably left him, he was shattered, like really, properly shattered. His friends were literary amazed at the torch George was carrying for Rosemary. Just a few months ago they thought he was trying to get rid of her and her family – obviously George tried to make himself a cool cat who couldn’t wait to nicely ditch the gauche Colligans and Rosemary, when the truth was quite different.

Here are some short articles that show just how devastated George was (and he WAS!):

THE MOST DEPRESSED and blue guy in our town over the holidays was George Raft. Not a wire, not a card, nary a greeting of any kind from Rosemary Colligan, her mother, father or sister who were George’s guests for over a year, living in the luxury of his home while he occupied a small apartment. “Is he carrying a torch for Rosemary?” I asked one of his pals who is frankly worried about Raft. “Maybe not exactly a torch,” his friend explained, “but he’s deeply hurt to think that these people, for whom he did so much even to paying for father Colligan’s major operation, didn’t even have a greeting for him at the holidays. There’s been no word from them since they moved to Miami, after George paid for their departure.

To add insult to injury, George had a minor car crash in January 1954:

George Raft’s auto crash injuries — five torn ligaments in his right arm — are healing a lot faster than his heart injuries-from the breakup of his romance with Rosemary Colligan. The numbness in the arm is disappearing but the hurt of Rosemary’s departure for Florida last November still throbs. In fact, George is carrying a terrific torch. “I had such faith in that girl,” he tells me, “and I thought I had done a lot for her and her family.”

It seems that for George, who only had a proper family unit when he was with Virginia Pine and helped raise her daughter Joanie, perceived Colligans as his family, and it hit him extra hard when they fell apart. So, his relationship with Rosemary wasn’t just a man-loves-woman – for him, it was a chance to, through a beloved female figure, finally have a family that had eluded him, by his own choice, for several long decades. Yes, it hurt extra hard, but since he (more or less) refused to wed a nice girl from a proper Irish family, what could he expect?

George took his time to recuperate, and reacted quite angrily when anybody mentioned Rosemary. When he was leaving for Puerto Rico and that deal Fred MacMurray to run 3 gambling casino, he was asked if he would stop in Florida to see Rosemary. Enraged, he said, “No. When she told me she didn’t love me, that was that!”

Indeed, it seems that George and Rosemary cut all contact after that, and never spoke again. I could be wrong, but Rosemary is not even a footnote in most books on George’s life – worse still, she’s not even mentioned, like she never happened! This is a pretty big omission, as Rosie was truly and earnestly George’s great love. Less glamorous than Virginia Pine, less famous that Betty Grable, she is unjustly never mentioned and this is why there is so little information about her.

Rosemary married wealthy William F. Sullivan in 1954 in Miami, Floria. Unfortunately, I could not find any other information about her afterwards, or is she indeed alive today.
As always I hope she had a happy life.

Jayne Regan

Jayne Regan was a debutante-wants-to-become-star type – a pretty girl from upper echelons of society who acts because she likes it, not because she needs it or because she is passionate about the art. Her career, although slim, still exceeds the careers of many other like minded debutantes, as she actually played leading roles (in low budget westerns, but still!). Let’s learn more about her!

EARLY LIFE

Augusta Jane Stoffregen was born on July 28, 1910, in St. Louis, Missouri, to  Herman C. Stoffregen and Anna Hartmann, both of German ancestry. Her older brother Carl was born 1905. Augusta came from a prestigious family – her father was a socially prominent and quite wealthy coffee importer. The family always employed at least one maid.

Augusta was a precocious, energetic child that was a holy terror to her parents and everybody around her by the ti,me she was 10 years old – as a passionate tomboy, she was constantly falling in trouble and getting injured. Fittingly, she was nicknamed Bobbie by her peers, and the nickname stuck her whole life. However, as she mature,d it was clear that Bobbie was a knockout, a truly pretty girl. Combine this with her family’s prestige and wealth, and Bobbie was a fixture on the local St. Louis social scene, being a much laded debutante that seemingly had it all – looks, money and charm.

After finishing high school, Augusta went on to study at the Washington University in St. Louis. She was popular on the campus with the boys, and was named Queen of the School of Engineering. Unfortunately, other female coeds shunned her – was it jealously or something more, it’s impossible to say. Bobbie was also a pretty reckless driver – in 1932, a verdict of $3,500 for personal injuries was brought against her before a jury Circuit Court by F. E. Schellenberg, who claimed he was injured when a truck he was driving with an automobile driven by Bobbie. She also enjoyed Welch’s, the local bar. “After a particularly arduous exam or a dry lecture,” she told the papers “Welch’s is ideal for “bucking one up.’ It’s fine to add flavor to fruit punches too.”

Bobbie graduated from Washington in 1932. Two years later she met noted director Cecil B. de Mille at a social function in St. Louis. Cecil was a man with a keen eye for beauty and talent, and he advised her to try a movie career – he would help of course. This meeting resulted in Augusta’s admittance to the Twentieth-Century-Fox stock school, and of her career went up!

CAREER

Before I make a more through analysis, I have to say that Jayne appeared in her fair share of low budget westerners I will not write about, just list them: Ridin’ ThruWest on ParadeTerror of the PlainsThe Cactus Kid and Texas Jack. Nuff said about that.

Jayne also appeared, thankfully, in other genres. She started her career in 1932 in Cleopatra, a De CeMille movie from a time when he was sexy and edgy and not didactic and overblown, like many of his later works. And the cast, the superb cast! Claudette Colbert, Henry Wilcoxon, Warren William (I love that man!!), C. Aubrey Smith and the list goes on! Wonderful, and if you want a epic movie, this one is for you!

In 1935, after some dismaying westerns, Jayne appeared in One More Spring, a charming. bittersweet drama about homeless people living in Central Park, played by Janet Gaynor and Warner Baxter. Then came Dante’s Inferno, a measly Spencer Tracy drama, most notable for being a showcase for the dancing skills of young Rita Hayworth.

In 1936, Jayne was in Ladies in Love, one of the famous three girls seeking  husbands subgenre. The genre thrived all the way until the 1960s, with movies like Three Coins in a Fountain, The best of everything and the Pleasure Seekers. This one is even a bit above average, with Janet Gaynor, Loretta Young and Constance Bennett as the eponymous trio. And one of the man is played by Tyrone Power, whauza! The same year Jayne had a credited but smaller role in the too cute for your teeth Shirley Temple movie, Stowaway, where Shirley play, you guessed it, a stowaway!

Jayne was one of the many dancers who appeared in the Sonja Henie musical, Thin Ice (the less I write about Henie, the better). The year was 1937, and Jayne also appeared in This Is My Affair, a typical romance/drama with Robert Taylor and Barbara Stanwyck. What can I say, she had the acting chops, he had the looks, and together they made it push somehow. Joking aside, Babs was a much better actress than her hubby, and it shows, but their chemistry sizzles! The story is bland and predictable, with Taylor playing the same old boring hero, appointed by then President McKinley to uncover the band that systematically robs banks. Much more interesting in his role is Brian Donlevy as a bad guy. All in all, a meh-meh movie.

Jayne then appeared in You Can’t Have Everything, a typical Alice Faye musical. So, what makes an Alice Faye musical? Well, just one thing – it’s a movie where where Alice Faye plays Alice Faye. No matter what her name is, it’s always just her. Everything else is more or less secondary. The came a subpar romantic comedy, Wife, Doctor and Nurse, where Warner Baxter is the doctor, Loretta Young the wife and Virginia Bruce the nurse. And now guess the story! Formulaic entertainment for sure, but not a particularly bad one.

Jayne was finally credited again in Second Honeymoon, a same old, same old Tyrone Power/Loretta Young vehicle. She plays a beautiful young divorce who stumbled upon her former playboy husband just after getting married for the second time. Just In a few years Tyrone would gradate to swashbucklers, and Loretta would slowly go towards more serious drama, but this is a paper thin, very light calorie movie. While not bad, it’s not very good either.

Jayne appeared in two Mr. Moto movies,. Thank You, Mr. Moto and Mr. Moto’s Gamble. A bit more interesting was Walking Down Broadway, a overtly dramatic but female-centric movie about 6 chorus girls that have a get together years after the show they appeared in closed. It has a solid female cast (Claire Trevor, Lynn Bari, Phyllis Brooks, Dixie Dunbar…), and is an unusual movie of the period, so definitely worth watching. Similarly good was Josette, a sophisticated comedy about two young men trying to wrest their father from the clutches of a gold digger but by mistake think the woman is a young nightclub singer with whom they both fall in love. The woman is played by Simone Simon, and the men were Don Ameche and Robert Young, and it’s a charming old comedy. Then came Always Goodbye, a soapy, weepy but ultimately satisfying Barbara Stanwyck melodrama.

Jayne had her last starring role in White tiger, a low budget and lackluster jungle movie. That’s it – you know the type, bad sets, no acting, implausible plot, just set in a jungle and with an exotic slant. Jayne last movie was Keep Smiling, a charming Jane Withers vehicle. And that was it from Jayne!

PRIVATE LIFE

Jayne was 5 feet 4 inches in height, weighted 111 pounds, and had brown hair and grey-brown eyes. She was also very superstitious, loved to golf and played it often, and got terrible scores. She was painted in the papers as a St. Louis debutante who forsook the glittering society of the Midwestern city and came west to break into the movies and really wanted to act. She used to say “I’m really sincere in wanting to work in motion pictures, but I suppose the producers just don’t realize it.”

Here is a short background on Jayne:

She particularly likes historical biographies. Jayne also sketches and designs some of her own clothes. She’s written a lot of short stories none of which she has sold and has been trying to do a novels. She had hopes of becoming a topline singer but, after studying for some time, was convinced that she would miss the upper rung of the operatic ladder by some distance. Then she chucked music aside and now sings only in the shower. She and her mother have a Hollywood apartment and three or four times a year her father spends a couple of months out here with them.

Jayne made minimal newspaper coverage .She dated J. F. T. O’Connor, Controller of the Currency, for a time, but they didn’t get to the altar.

Bobbie married Jarrell Emmett Gose on December 18, 1937. Jarrell was born on October 29, 1901, in Wise County, Texas, to Stehphen Mathus Gose and Ollie Allie Jarrell. He was married to Kittie West SCHREINER in 1927, but divorced her by 1935. He left Texas for Los Angeles in the early 1930s, became a production manager at Twentieth-Century-Fox studio.

Not long after their marriage, Jarrell gave up movies to work as an independent oil distributor and real estate broker. Following suit, Jayne also gave up her film work to become a housewife.

The Goses lived a normal life in California until their 1951 divorce. It seems that the divorce turned nasty at some point:

Jarrell E. Gose. 43. real-estate broker, yesterday blamed his mother-in-law for failure of his marriage but his wife, Jayne B. Gose, 41, former film actress, said he drank too much. In court of Superior Judge William S. Baird, where their contested divorce hearing is under way, Mrs. Gose said her husband borrowed large sums of money from her to use in his business but that he did not work. She asked that the court order the money returned. trial, in which Gose’s main grievance is mother-in-law. Gose complained that Mrs. Stoffregen would not speak to him, or even to his relatives. Through Atty. Royal M. Calvin, he asked that the family home at 11121 Montana St, West Los Angeles, and its furnishings, be declared jointly his. Mrs. Gose said she was known in films as Jayne Regan.

In the end, Jarrell won the right to keep his portable bar, and was also awarded a radio, piano and violin. Funny.

Jayne wasted no time in getting married again – she married Milo Monroe Turner on August 8, 1952, in Los Angeles or Monterey. Turner was born on July 26, 1916, in Mason City, Nebraska, to Milo Turner and Kathryn Monroe. His younger sister Reta was born in 1919. Sadly, his father died a few months before his sister was born, in December 1918. His mother remarried to a Karl Losey, had another son, Karl, in 1921, and died in 1925. Milo and his siblings were raised in Shawnee, Kansas, and then he moved to Los Angeles. He served during WW2 in the US Army, and ultimately became a Lieutenant. After his return from war, he became as a stock broker in Los Angeles.

Long retired from Hollywood by now, Jayne enjoyed a life away from the spotlight and didn’t make any newspaper headlines, so information about her life from 1953 until her death are scarce. She occasional returned to her hometown, St. Louis, often for film festivals, to talk about her film career, and lived with her husband in Anaheim, California, for a time.

Jayne Regan Turner died on March 19, 2000,in Redlands, California.

Milo Monroe Turner died on May 15, 2002, in Riverside, California.

 

Lois Chartrand


Most of the starlets that came to Hollywood in 1940s and 1950s gave up their career to get married. Only a few of them gave up their career to get married to a clergyman. This is what happened to Losi Chartrand – and not a better woman could be found for this unique position in life, as Lois was a very religious young woman even before she met her husband. Let’s learn more about her!

EARLY LIFE

Lois Noreen Chartrand was born on March 13, 1930, in San Jose, California, to Browning Chartrand and Norah Houston. Her younger brother, Robert Browning, was born on April 27, 1936. Her father, born in Missouri, was a highly esteemed dentist who worked at the University of California, San Francisco School of Dentistry. The family lived with Lois’ maternal grandfather, Samuel Houston, in San Jose.

Lois grew up as a beautiful girl from a well off San Jose family. Unfortunately I could not find any information about her education, but I guess he was educated locally, in California. Lois started to attend Occidental College in 1947.  As one of the the prettiest and most popular students, she was often seen on various happenings around the campus, like the College Alumni Ball in 1948. Due to her beauty, she was named The girl with the prettiest lips by her fellow students.

In 1949, a talent scout discovered her in college (scouts often scouted local theaters in colleges of that period, although most of the actresses I profile here didn’t go to college, so most starlets didn’t come to Hollywood via that route.). After some tests she was signed to a seven-year contract for a weekly salary of $750 by the final week. And her career started!

CAREER

Lois appeared in only four movies. The first one was the abysmal Riding High, a remake of a Warner Baxter movie from 1938. It’s a typical feel good 1950s movie, with no big depth, a simple plot (a jockey trying to get his big break with a beloved horse) and no great acting performances – but it works somehow. Bing is his usual self, and Coleen Gray, despite not being a top notch actress, is pretty and can act well enough.

However, better and bigger things awaited Lois. She was cats in a substantial role in The Great Missouri Raid, a solid, middle of the road western about the James and Younger brothers and their adventures in the Wild west. Lois played a girl who was beaued by one of the James brothers – however, she was not featured in a starring tole – the female lead was, alas, played by Ellen Drew.

That same year Lois appeared in her bets known movie – A Place in the Sun. If anybody knows about Lois as an actress today, it’s this movie. Despite the fact that her role is not that big, it’s still flashy enough to warrant somebody to actually remember her. She plays a high society lady, and carried the role well enough. As for the movie, what is there to say? The story of one man’s greedy striving to wards the stars, no matter the obstacles and a unhealthy devil-take-them attitude is told with supreme delicacy and yet enough roughness to show that it’s not all martinis and canapes. Of course, the movie belongs to the stunningly good Liz Taylor, Monty Clift and Shelley Winters. No, this truly is a old Hollywood classic, a gem that shows you just how good movie could be, with a great script, very capable director and the well oiled studio machine in the background.

Lois had already retired from movies when her last movie, Something to Live For, hit the theaters. As I am a Joan Fontaine fan, there is no way I’m going to malign any movie she’s in, since IMHO she never made a truly unbearable movie. She had better ones, she had the little less good ones 🙂 This one is squarely yin the middle. The story is actually contemporary even today -Joan plays an actress who becomes an alcoholic and falls for the Alcoholic anonymous member, played by Ray Milland, who wants to help her. And he’s married! Sadly, Hollywood takes such a delicate script and turns it into a over the top melodrama, as it usually does, as it’s often unable to realistically portray emotion and relationships between people (it’s easier to overact, and as such, it’s easier to make a movie that’s overly emotional).  While not the worst movie even made, the script is lagging and never manages to make full use of the very capable stars it has – they make what they can from it.

And that’s it from Lois!

PRIVATE LIFE

When Lois first hit Hollywood, the papers wrote just one think about her for months – that she was a direct descent of famous poet Robert Browning. Since I love Browning and find his romance with Elizabeth Barrett one of the most heartwarming romances of all time, I decided to snoop a bit, and it seem this could be quite false – Browning only had one son with Barrett, and son never had any children (at least not legitimate). So this is either typical newspaper fodder or there was an illegitimate offspring who was, in turn, Lois’ direct ancestor.

The papers reported that Lois was so good looking she had been picked by Mack Sennett as his candidate for “Miss America of 1950” since Atlantic City pageant management announced they would skip a year in dating beauty winners. So, our Lois was named Miss America by a man who had seen it all 🙂

On the flip side to Hollywood and all the glitz and glamour, Lois was a very pious young woman whose religious daily life was very important. In 1950, she joined fellow Hollywoodites Colleen Townsend, Jane Russell and Hugh O’Brien when they traveled to Modesto to speak on how religion was the guiding influence in their daily lives. Colleen was quoted as saying on the gathering, “It isn’t hard discovering worthwhile things to do. While you’re helping others you’re also helping yourself.”

Almost nobody knew, but Lois was torn apart for the whole duration of her brief movie career. Why? Well, It was the matter of a movie career that might have stood in the way of Lois and her beloved, the handsome ex-Navy officer, Clarence Mason Harvey. He was her speech teacher at Occidental College, and they hit it off right away. After a year of concealed courtship young Harvey decided to enter the ministry and became a student at Princeton. Lois signed a contract with Paramount. It was very much unsure if the two would wed. But there must have been something that had cast a spell over the young couple. A year after her first movie Lois decided to quit her movie career and become wife of a student minister.

Yes, Lois gave up her career and her livelihood for a man who also had no job as he was a student. Okay, I understand that you want to get married young, before you finish college – but to expect your wife to give up her career when you have income is just plain weird. Couldn’t Lois have waited a bit before he finished school to quit her movie career? Ah, what can I say, it must have been love!

Anyway, the couple wed on September 5, 1951, and Lois said to the papers that she will accompany her husband to Princeton university where he has a teaching fellowship and “keep house” for them when he returns to school in the fall. Clarence had to go back to speech teaching to pay expenses of supporting a wife while he finished school.

Clarence Mason Harvey was born in China, in 1921, to missionary parents. His parents returned to the US, where he was educated at Occidental College. Harvey served In the U. S. Navy as a commander of a P. T. boat during World War II.

Harvey graduated from Princeton in 1952, and that same year the family moved to Denver, Colorado where Harvey became Minister to Youth at Montview Boulevard Presbyterian Church. He became a nationally-known youth worker, and received national publicity when Marilyn Van Derbur, “Miss America” of 1957 was credited him with being the one who started her on the way to her title. She was a member of his youth group.

Lois may have been retired from Hollywood, but in 1952 she was a leading lady in the Christian motion picture film “Decision”. The story of the picture is taken from real life experiences of young people who came to discover a reality in life at Forest Home mountain retreat and made the decision to dedicate themselves to religion. The movie’s main tag line was Lois herself – how she was a  former Hollywood Screen Star who has renounced her career to serve Christ.

Hmmmm… Now, this open for debate. Did Los really ditch a promising career for marriage and religious dedication? Yes, she did have s small role in a big movie, and maybe, with time and effort, she could have achieved a a lot more, the odds were against her here. IMHO, I just don’t see it. Firstly, she wasn’t Hollywood pretty, but rather went for the natural look that Ingrid Bergman favored, but that was a look that went out of vogue with the 1950s – it was time for sophisticates like Audrey Hepburn and blonde bombshells like Marilyn Monroe to shine. Secondly, while her acting chops are opened for debate, she obviously didn’t impress anyone enough to get a leading role – and as she wasn’t a pro actress, nor had any real acting experience, it’s very doubtful she was a top notch thespian. On the other hand, she did seem radiant. Ah, it is impossible to tell, and pointless of course to even try to further analyse, but the point is, Lois indeed did cut a nascent career for marriage and that was that.

The Harveys lived in Denver and had five children: StevenJeffMegan, Janice N, born on June 6, 1960, and Peter E., born on August 25, 1963. They lived a Christian family life in Colorado.

Lois Noreen Harvey died on December 26, 1978 in Marin County, California. Clarence remarried to Karen Harvey, and continued living in Colorado.

Clarence Harvey died on April 27, 2002 in Denver, Colorado.

Marjorie Deanne

Beautiful Marjorie Deanne was a beauty contest winner that came to Hollywood, hoping for a big break. Like with the majority of girls who took down that route, her break never came. However, she became a proficient businesswoman, and in the end, retired to raise a family.

EARLY LIFE

Clara Pauline Boughton was born on January 28, 1917, in Brownsville, Texas, to Walter M. Boughton and Catherine Lieb. Her father was a fire chief. The family lived in Meridian, Mississippi for a time after Clara’s birth, and her brother Edwin was born there in 1922. The family moved to Memphis, Tennessee, in the mid 1920s. Clara attended school there but was very much involved with her Texan side of the family and often visited them in Corpus Christi.

Clara was a natural-born beauty, and from the time she was a high school student, she attended beauty pageants and won titles like “Miss Southwest Texas” and so on. After graduating from high school, she decided to make a career out of it and entered showbiz.

After winning a trip to Hollywood through Corpus Christi’s Splash Day beauty contest in 1935, Clara’s acting career started. Joking! When she came to Hollywood for the first time in 1935, Clara at least she hoped something would happen. She would get an acting gig, she would dance, she would do something. But, alas, it was not meant to be. She spent 12 months knocking vainly at the studio gates and then, with her bank account drained and her courage a bit shattered, finally give up and took a job selling tickets for a Hollywood theater.  She had the usual luck of beauty contest winners and eventually got a job as usherette at the Grauman’s Egyptian theater. At some point, pursuing her regular duties, Marjorie ushered a man to a seat. It was director John Farrow. He decided Marjorie was a screen type and had plans to make her a proper actress. Unfortunately, as with many such cases, nothing happened, and Marjorie was back to square one.

Deciding to try other options a working girl had in that time and age (very, very limited!), she became a traveling saleslady. After noticing that the hosiery business was blooming, she started selling men’s shirts and socks. Soon, she started a profitable business in Hollywood as representative for an Eastern shirt and hosiery mill. Business was good and she hired a salesman. It kept on being good and she hired some more. Now she has 40 salesmen and they support her in luxury while she haunts the casting offices. She did some bit work in movies.

Marjorie, by then wealthy enough to work for and not for money, got a job in the Earl Carroll Theater as one of his beauties. She did some touring with the Theater going to New York in 1939, and then returned to Hollywood and finally started her tenure as a working actress.

CAREER:

Marjorie is most famous today for appearing in a string of Three stooges shorts – Violent Is the Word for CurlyDutiful But Dumb Matri-Phony Three Smart Saps . She also appeared in a string of other comedy shorts – The Nightshirt BanditMutiny on the BodyThe Sap Takes a Wrap and so on.For more information about this, visit Lord heath’s link about Marjorie Deanne.

As far as full length movies go, Marjorie made her debut in 1938 in The Goldwyn Follies, followed closely by Freshman Year and Girls’ School. All three movies are alike as they are the typical fluffy 1930s movie with no real depth but some degree of fun – While the Follies are a plot-less but entertaining musical,  Freshman Year a Dixie Dunbar college musical, and Girls’ School a juvenile story about high school girls and their love squabbles, with the radiant Anne Shirley in the leading role. Marjorie’s only 1939 role in a full length movie was A Chump at Oxford, the witty Laurel/Hardy movie. Marjorie then took a great from movie acting to tour with the Earl Carroll Theater.

She returned to movies in 1941, and that ended up as Marjorie’s most productive year – she appeared in no more, no less than 10 movies! let’s see her full length ones. I’ll Wait for You is a formulaic movie about a bad guy reforms after meeting hard-working, decent folks, only slightly elevated by the endearing performances by Marsha Hunt and Virginia Wiedler (this cannot be said of the leading man, Robert Sterling, performance – he doesn’t have enough gravitas to truly play a hard-core gangster). Then came West Point Widow, another forgotten Anne Shirley comedy, and then Kiss the Boys Goodbye, an interesting musical  based on a play by Clare Boothe Luce which was inspired by the search for an actress to play Scarlett O’Hara in Gone with the Wind. The original play had to be watered down to the extreme, and it works well as a musical/showcase for Mary Martin. Buy Me That Town was also based on superior material – a Damon Runyon story about a crook who wants to bankrupt a small town to suit his own nefarious deeds. The movie is sadly completely forgotten today, but except a solid plot it boasts a good cast (Loyd Nolan and Albert Dekker). Next was Niagara Falls, a completely silly comedy with the Jean Harlow wannabe Marjorie Woodward. The movie is watchable only if you try really hard not to take it seriously in any capacity. Equally dismaying was New York Town Design for Scandal, another Mary Martin semi musical, semi comedy.  

In 1942, Marjorie appeared in only two full length movies: Tarzan’s New York Adventure and the patriotic Star Spangled Rhythm. I don’t think anything needs to be written about the famous Johnny Weismuller Tarzan movies – it’s something that you find either charming and educational and slightly idiotic. I guess Maureen O’Sullavan saves the day for both camps, as her warmth endears her to virtually anyone who ever watched the movies.

In 1943 Marjorie actually appeared in some solid movies, although not all of them were on the same level of quality by  along shot. The first was The Crystal Ball, a lightweight but funny Paulette Goddard/Ray Milland comedy. They were a pretty good combo, and have superb chemistry together, so it’s worth watching just for them. Next was Salute for Three a completely forgotten musical, and a Jimmy Rogers western comedy, Prairie Chickens, which isn’t half as bad as you would think it was. The bets movie of the year was For Whom the Bell Tolls, no more information necessary! So watch it! Marjorie was then in Let’s Face It, a watered and dumbed-down version of a saucy stage play, worth watching if only for Bob Hope and Betty Hutton. Equally sub par was Riding High, a Bob Hope cast off that went to Dick Powell – and he just isn’t the type to make it work. the plot is silly enough: A train arrives in the west and deposits a showgirl (Dorothy Lamour), an eligible bachelor (Dick Powell), and a swindler (Victor Moore), and the fun starts there. Dick and his leading lady, Dorothy Lamour, are completely overshadowed by a funny supporting cast (Victor Moore, Cass Daley and so on).  Luckily, Marjorie then appeared in True to Life, an above average comedy. The plot, while nothing special (A writer for a radio program needs some fresh ideas to juice up his show. For inspiration, he rents a room with a typical American family and begins to secretly write about their true life) lends itself nicely to the crazy family cliché that works because of a hilarious supporting cast. Dick Powell, Franchot Tone and Mary Martin are also top form, and do this kind of comedy with their eyes closed.

And that was it from Marjorie!

PRIVATE LIFE:

Marjorie dated actor Alexander D’Arcy at one point, and was on friendly terms with Frank Feltrop, tennis pro, and actress Movita, who later married Marlon Brando. Not much else was written about her private life.

Then, on March 19, 1944, Marjorie flew to New Orleans, Louisiana, to get married to Capt. Abraham Albert Manuck, attached to the Lifegarde General hospital dental staff there. It was noted that she expected to “settle down to a career of marriage with the captain.”

Abraham Albert Manuck was born on October 4, 1900, in Ehaterinslov, Russian Empire, to Benjamin Manuck and Rachael Sperans. he immigrated to the US, where he finished dentistry school and started to work as a dentist. He moved to San Francisco, and easily merged with the local high society. Manuck was married twice before – to Alba Baglione, whom he divorced in 1936 in Reno, Nevada, and Alla Manuck, whom he divorced in 1941 in Reno, Nevada. (guess Reno was his go-to destination for divorces).

Even before the marriage, Marjorie said to the papers she would not return to Hollywood and indeed cut her ties with the dream factory most thoroughly. She had obtained her release from the Actors guild and from Paramount studio, buying out her contract. Indeed, she would never return to Tinsel town and never made a movie again, opting for family life.

After the war ended, the family moved to Santa Clara, California. The couple had three children: Richard Albert, born on October 8, 1945, Stephen Bennett, born on December 3, 1948, and Denise Cheryl, born on June 19, 1951. All of the children were born in San Francisco. The Manucks enjoyed a happy family life in Santa Clara, and were active members of the local society, doing charity work and being quite civic-minded.

Clara Manuck died on May 21, 1994, in Redwood City, California.

Her widower Abraham Manuck died in 2000, aged almost 100.

 

Rowena Cook

Rowena Cook’s career might be considered lackluster by most standards, but she proved to be amazingly resilient performer in the long run. Rowena came to Hollywood via a contest, which is not good-by itself. Let’s be real,  most of the people who come to Hollywood by winning a contest (be it a beauty contest or anything similar) stay in the bottom levels of the pecking order, and Rowena was no exception – but unlike the majority of those people, she really wanted to act, not to become rich and famous. When such a person, with such aspirations, doesn’t hit fame in Hollywood, he find other outlets for his passion – and Rowena sure did! Let’s learn more about her!

EARLY LIFE

Rowena Sturges Cook was born on October 16, 1917, in Staten Island, New York, to Rowena Sturges and her husband, Wilburn Eugene Cook. Her older sister, Cordelia S, was born in 1906 in Mexico. Her father died in 1919 and, as far as I can tell, the family lived on his inheritance. Rowena and the girls moved to Traverse, Michigan in 1920, and moved to Pasadena around the time the recession hit.

After her education in Pasadena (of which I could not find anything), Rowena came to Chicago in the 1930s, working for about a year on a weekly radio show, before moving back to California in pursuit of an acting career.

In order to break into movies, Rowena entered the “Gateway to Hollywood“. It was a showcase for young up and coming actors, sponsored by Jesse Lasky, who conducts’ the search for new film talent via the show. She won, along with Ralph Bowman, Mary Jane Barnes and Lynn McKinley. And then it started!

CAREER

Rowena, as Alice Eden, was signed by RKO and got a decent role in Career, a movie showcasing life in a small Iowa town. And this is one good film – actually, it’s one of the few times that Hollywood realistically portrays the mentioned small town life. This ain’t no Andy Hardy, with his squeaky clean characters, perfect families and pristine streets – this is the real deal – as a reviewer on IMDB wrote:

This is a much grimmer world, where people are forced to face up to real issues, with no easy solutions; where panic and self-interest often take the place of reason and community-consciousness; where young love is often thwarted by ambition (and not just on the part of the career-minded male either); where the town drunk is not just a figure of fun, but contrives to be both boorishly obnoxious yet tragically sympathetic; above all, where venality is uppermost in just about everyone’s mind — except of course in the embittered storekeeper hero (revenge is what he’s after).

No wonder that the great Dalton Trumbo wrote the script – there is a ever present social undercurrent, and a very serious one. Sadly, the movie didn’t do any favors to anyone involved, including Rowena.

This is the story of a young girl who goes to Hollywood and hopes to become the next Sarah Bernhardt. Initially, Rowena was thrilled over winning’ the contest and getting a role and a contract. She’d spent years studying dramatic art, and naturally thought she’d be considered an actress. But she learned that people just thought of her as a contest winner. Her contract expired, and she was on her own. Instead of giving up hope, she decided that this was really her chance to make good. “I literally buried Alice Eden,” she said, the other day. “And started out to be just Rowena Cook.”

Sadly, Rowena Cook amassed only one credit. Kit Carson, an enjoyable but not particularly noteworthy western, with Jon Hall and Lynn Bari in the leads. A special bonus – Dana Andrews is also there!

That was all from Rowena!

PRIVATE LIFE

Rowena always maintained how she prepared for a theatrical career from her earliest days… When she got the Gateway to Hollywood contest, this is what papers wrote about her:

It seems that I will not have to worry about Rowena Cook’s (Alice Eden’s) future during the present year. She has 13 weeks of Alice Eden to do on the radio if she gets out of Des Moines alive. And then a picture and then the business of choosing between two or three contracts which have been slipped in the mail. Marvelously Lucky? You think that this little girl from New York has been marvelously lucky?

The sweet and dumb days have passed from Hollywood forever; a stupid grin and a good pair of gams are not enough at this time. Alice Eden is pretty enough to

Well, if you will start now and work for the next 17 years at plain and fancy dramatics, perhaps you will be lucky, like Miss Cook. She frittered away the precious hours during the first two years of her life and then someone told her that life is real and life ia earnest. “Oh, yes,” she said. “In June, 1939, only 17 years from now, Mr. Wrigley and Mr. Lasky will want me ta do a picture for them. Time’s a wastin’.” So there she Is as you will see her on Saturday.

Rowena’s only surge of publicity came when during that time, right after the win. As Andy Warhol would say, she had her five minutes of fame. Here is atypical article from that brief period:

Miss Eden, 21 and “blue-eyed blonde,” too was happy over her good luck and hoped it might lead to screen fame and fortune. Tuesday afternoon they presented medals at the A. A. U. and Wednesday night they will appear at the Varsity theater for the opening of the first picture In which they played featured – roles “Career.” Thursday morning they leave for Chicago and 13 weeks of radio work, and, in October, back to California.

It seemed like a wonderfully active, almost hectic life filled with interesting activities.. But it just didn’t last. On the other hand, Rowena’s co-star, John Archer (real name Ralph Bowman), enjoyed a long, if not especially successful career in Hollywood, amassed more than 100 credits, and married Marjorie Lord, and was the father of actress Anne Archer.
Rowena had a pretty low-key romantic life. On March 18, 1940, she married John Irving Laird, a fellow actor, in Los Angeles. Laird was born on December 10, 1911, to  Irving E. Laird and Ethel Taylor in Waukegan, Illinois, and came to Los Angeles for movie work as an actor. The marriage lasted eleven months, and they divorced in 1941. Laird remarried at least twice, second time in 1981, and died on August 5, 2003, in Florida.

By 1942, the US had entered WW2, and Rowena asked to be released from her contract so she could move to New York to help the war effort. This is what makes her such an interesting woman – when she saw that Hollywood wasn’t going to make her a top class actress, she opted to develop her skills in other ways and just left. No drama, just begin very efficient! In Nee York, Rowena began working as a trainer for new female Navy recruits at Hunter College in New York, and she did some part-time work as an actress, determined to become a legitimate stage actress.

In the theater circuit (during the run of John Loves Mary) she met director Vaughn Baggerly, whom she married in 1948. Vaughn Herbert Baggerly was born on April 18, 1917 in Davenport, Iowa, to Glenn Baggerly and Martha Crow, the youngest of two boys. The grew up and was educated in Davenport High School and attended the College of Theater Arts, Pasadena and then moved to Coral Gables, Florida, where he worked as a stage director. He was drafted in 1942, serving as a cryptographic officer and in the Special Services Corps. After returning to civilian life, he lived in New York.

The couple settled in Los Angeles, where their daughter Susan Rowena was born on July 31, 1949.  Despite his thriving theater career, Baggerly decided to become a professional Army officer, and was stationed in Tokyo during the Korean War. Rowena and Susan followed him there, and Rowena volunteered with a Red Cross at a local hospital. The couple returned to the US in 1955, and their son Vaughn David was born on July 28, 1955 in San Francisco.

Baggerly retired from the Army in 1964 with the rank of lieutenant colonel, then started to develop a recreation program for the Job Corps, and became head of the Job Corps office in San Francisco in 1965.

In their spare time, Vaughn was a director and Rowena an actress for the Theater of the Fifteen Company in Coral Gables – their love for acting never left them, and it was sure more than a simple fling but a deep passion. Not many actresses profiled on this blog could say that about their craft.

Vaughn retired in 1984 and he and Rowena settled in Laguna Nigel, Orange County.

Vaughn Baggerly died on January 20, 1990 and was buried in Illinois. Rowena moved to Barrington, Illinois, where she lived in a nursing home and was a capable illustrator and children’s stories writer.

Rowena Cook Baggerly died on March 2, 2004, in Barrington, Illinois.

Joan Thorsen

A very beautiful woman and a successful photo model before she came to Hollywood, Joan Thorsen was given a solid contract not on account to her thespian skills, but rather her looks. Like any other girl in the long line of models turn actresses, she did some minor work and left the industry. let’s learn more about her!

EARLY LIFE

Joan Marie Hoff was born in 1918 in Auburn, Indiana, to John Hoff and Lottie Wolford. She was their second daughter – her older sister, Mary J., was born in 1911. Her father owned an auto repair shop. The family lived with Lottie’s mother, Clara M. Wolford.

Joan grew up in Auburn, where she was a graduate of the Auburn high school. She then attended Northwestern university at Evanston, Illinois, for three years, where she was a member of the Kappa Kappa Gamma sorority.

As an interesting trivia, we can note that the Freshmen class at Northwestern University in 1938 certainly contributed its quota to the entertainment world. Living in the same dormitory were: our Joan, Anne Lee, later a minor Hollywood actress; singer Julie Conway (she was later vocalist with Kay Kyser), and Jennifer Jones. Girls were registered under their real names. All four have adopted different ones for professional use.

She has achieved fame as a model in New York City and her pictures appeared in many popular magazines. This is how she landed in Hollywood in 1942., primarily to make tests for the famous beauty lover, Howard Hughes, and she stayed there, hoping for a career.

CAREER

Joan made her debut in The Heat’s On in a not completely insignificant role – too bad the movie is a really, really insipid and bland Mae West vehicle – unfortunately, what worked in 1932, when Mae was a Hollywood leading light, was not quite what worked in 1943, and the movie did nothing for Joan’s career.

Joan was uncredited in A Guy Named Joe, a touching, high quality, touching WW 2 movie with an interesting duo of actors, Irene Dunne and Spencer Tracy. 

Despite her obscurity, Joan had the honor of being a (albeit minor) part of the wonderful MGM musicals of the 1940s and 1950s – as far as the genre goes, you couldn’t do much better than that! She was in Two Girls and a Sailor Week-End at the WaldorfThe Harvey Girls and The Hoodlum Saint. I’m not a particularly big fan of musicals and rarely watch them, but these movies make for fine viewing – a great Sunday evening viewing!

In 1945, Joan appeared in the slightly more serious Adventure, the first movie Clark Gable made after his return from war. He was paired with Greer Garson, and actress I absolutely adore, but sadly, it’s a polarizing film, parts lackluster parts pure genius. Much deeper than the plot suggests, it does tackle some quite profound psychological issued, especially for soldiers returning from war, but, like most ambitious movies, it gets lost in too many directions and fails to capture its own brand of charm. Gable and Garson are an interesting couple and an unusual pairing, but they didn’t really click like she did with Walter Pidgeon or he did with Claudette Colbert. All in all, worth a viewing, but nothing to write home about.

Joan’s last movie was Undercurrent, one of the woman in peril movies made popular by Gaslight. It’s a good, edge of your seat film, headed by Katherine Hepburn, Robert Taylor and Bob Mitchum. Yep, imagine, Kate and Bob int he same movie!

And that was it from Joan!

PRIVATE LIFE

During her college days at Northwestern University, Joan met and married the boy-next-door, Robert Edward Thorsen, in 1940.

Tragedy struck when Joan gave birth to a daughter on September 13, 1941, but the girl died the same day. Not long after, her husband was drafted. Lonesome and trying to ease the pain, Joan took up acting and due to her beauty, she was noticed by Hollywood. After being tested by Howard Hughes, she was signed to a seven-year Paramount contract in 1942. She was to receive 1350$ a week during the life of the contract (which is quite  a lot and left me quite surprised!).

Despite her new job, Joan tried to keep her marriage in top shape, and often visited her husband, then Ensign Thorsen, who was stationed at Cleveland in 1942 and 1943.

Joan did her part for the war effort, as this article can attest:

Joan Thorsen visited the Army camp near Las Vegas, and while there they showed the picture, “A Guy Named Joe,” in which she has just a bit. When she flashed on the screen, the film stopped, and the soldiers made her get on – the stage for a speech.

in her spare time, Joan took Spanish lessons in a Beverly Hills High school, along with fellow contractees Marc Cramer, Bob Sully and Bonnie Edwards.

However, the strain of being apart got to Joan, and by mid 1943, she started to date eligible Hollywood bachelors, like George Raft and Sherman Fairchild. Raft was even semi serious with her, dating her for a few months. Things didn’t look good for the Thorsen’s marriage, and they tried for a reconciliation in November 1943 while Robert was on a furlough, but it didn’t yell and Joan decided to declare game over.

In late 1943, Joan moved temporarily to the Last frontier in Las Vegas, in order to win a divorce from her husband. It was there that she learned she was pregnant, but hardly changed her mind – the divorce was still on. There she met writer John Gunther, who was also there trying to divorce his spouse, and the two got romantically involved. After her divorce came trough, she had started to show, it was time to go back to the safest place – her family home in Auburn.

Joan arrived in Auburn in May to spend the summer months with her parents, John and Lottie. Her baby was expected in August and she hoped to return to her motion picture work the last part of September. After a tranquil summer, that she spend in part corresponding with Gunther, her daughter, Pamela Christina, weighing seven pounds and twelve ounces was born on August 9, 1944. Joan still expected to return to Hollywood with her daughter in the near future to resume her work in motion pictures. First she went to New York in September 1944, and spent some time with Gunther. She returned to LA afterwards, and Gunther gave  a magnificent farewell party for her.

Joan’s mother followed her to LA to take care of Pamela. She tried to resume her career, and still dated Gunther, just long distance. She was also feted by Fefe Ferry, the famous impresario, who was also her manager. Another swain was famous humorist Robert “Bob” Benchley. Joan used to take her mother as a chaperone on her dates with Benchley, to the delight of gossip columnists 🙂 Allegedly, when Joan, after being invited to dine by Robert, asked if he would mind her mother accompanying them. “Mind?” he said. “I should say not. I am flattered!”

However, Gunther was the number one man in her life. In January 1945, her former husband came to see their daughter for the first time, but no reconciliation happened. She and Gunther dated for the better part of 1945- Then, in November 1945, Joan met a man who swept her of her feet and suddenly, Gunther was out. That man was Vincent Fotre, the former beau of Ann Miller. Things progressed pretty quickly, and the wed in December 1945.

Here is an article about Joan’s second marriage:

The marriage of Mrs. Joan Thorsen, daughter of Mr. and Mrs. John Hoff of 123 North Indiana avenue, Auburn, and Vincent Fotre of Beverly Hills, Calif., a millionaire shoe manufacturer, is being revealed. The wedding, kept secret, was solemnized on Dec. 21, 1945. The bride is a former well-known Auburn girl.  For the past four years she has been a starlet under contract to the Metro-Goldwyn-Mayer movie studios in Hollywood. She has appeared in a number of pictures. Mrs. Thorsen and Mr. Fotre were married near Las Vegas, Nev. The former was in a group of movie starlets who went to Las Vegas to pose in a series of six pictures for Liberty magazine which were used in connection with an article “From Sun to Snow in 60 Minutes.” Mrs. Thorsen was in one individual picture in a ski outfit and appeared with two other actresses in ski clothes, ski jackets and sweaters. Mr. Fotre flew from California for the wedding ceremony. On March 22 of this year she represented the MGM studio in a style show, “East Meets West,” at the Ambassador hotel in Beverly Hills, sponsored by the Theta Sigma Phi sorority. She modeled a Grecian gold green evening gown styled by Irene, the studio’s famous designer. Pictures- were taken of the style show in technicolor and will be shown throughout the country. The former Mrs. Thorsen and her daughter, Pamela, are now residing in the home of her husband in Beverly Hills. Mr. Fotre is the father of two children by a previous marriage. They are planning to erect a new home in Beverly Hills as soon as building restrictions are lifted.

Vincent Valentine Fotre was born on February 14, 1901, in Chicago, Illinois, to Jacob and Catherine Fotre. He was married once before, to Kathryn Guinnee. They had a son, Vincent G, born on May 10, 1924, and a duaghter, Patricia Anne, born on May 11, 1927. They divorced in the 1930s, and Fotre dated a few of the Hollywood starlets prior to the marriage.

Their son Terry Vincent was born on May 17, 1948. Their daughter Janet Christina was born on April 18, 1954. They lived in California and were socially active, but sadly divorced in the late 1950s.
Fotre remarried to starlet M’Liss McClure in 1966, and they divorced in 1970. Fotre died on December 20, 1975. 
Joan married James S. Kemper on December 29, 1960, in the Bel Air Country club. It was a third marriage for both of them.
James Kemper was born on April 14, 1914, in, to James S. Kemper and Mildred Hooper. His father was at one time the US Ambassador to Brazil. Kemper was a studied at Yale and worked as a lawyer all around the States before taking over his father’s company. He joined the Kemper organization in 1960. He was named chairman and chief executive officer in 1969 and remained in that position until his retirement in 1979. During Mr. Kemper’s tenure, the Kemper organization expanded in both the insurance and financial services marketplaces.
Kemper was nationally known for his work in the field of alcoholism. As a former alcoholic who went clean, he had plenty of experience and a lot of good will to help others. President Carter appointed him to the National Commission on Alcoholism and Other Related Problems. President Reagan named him to the Presidential Commission on Drunk Driving, and he was chairman of the board of trustees of its successor committee, the National Commission Against Drunk Driving. He served as a member of the Department of Health, Education and Welfare’s Interagency Committee on Federal Activities for Alcohol and Alcoholism. He was also a director of the National Council on Alcoholism.

Kemper was the father of five children:  James, Linda, Stephen, Judith and Robert. The Kempers lived in Golf, Illinois, and at a vacation home in Pauma Valley, California. They were both passionate about golf and very much active in civic affairs.

Kemper died on July 2, 2002. Joan continued to live in Illinois after his death, but I could not find any information as to what happened to her afterwards.

As always, I hope she had a good life!

 

Rosalee Calvert

Rosalee Calvert was a perfect California mannequin int he 1950s and 1960s, tall, lean and aristocratic looking – like man yo fher peers, she tried for a movie career. She was more successful than most, but still not enough to fully devote herself to acting. She remained a high sought after model for decades and seemed to have lived a happy life in California. Let’s learn more about her!

EARLY LIFE

Rosalie Coughenour was born in December 13, 1926 in Dearborn, Michigan, to Lowell and Rosa Coughenor. She was the youngest of three children – her older siblings were William, born in 1921, and Mary, born in 1925. The family moved to Los Angeles in 1937.

I could not find any information on Rosalee’s education, nor her childhood – what I know is that she was modeling by mid 1940s, and by 1948 she was featured as a new, promising model in the papers. It was only natural that Hollywood snagged her before long, and in 1949, she made her movie debut.

CAREER

Rosalee started her career in Little Women, the all time favorite classic, a decent adaptation of the beloved Louisa May Alcott novel. No Katherine Hepburn here, who needs her when you have June Allyson (insert irony here!)! Anyway, a good enough start for sure.

Next, Rosalee played a model in the so-so drama thriller, East Side, West Side. While the movie has a really good cast (James Mason, Barbara Stanwyck, Ava Gardner) and some , it’s overall a lackluster film – not nearly interesting enough, and too transparent to be truly thrilling. After a brief hiatus of a year, she appeared in The Lemon Drop Kid, a Bob Hope Christmas classic.

Then came an uncredited role in Here Comes the Groom, a typical Bing Crosby vehicle – lots of singing, thin plot and a pretty co-star (this time Jane Wyman). Roselee than appeared in a two more musicals that, while not top-tier classic, have a nostalgic, good sheen today – Two Tickets to Broadway and Lovely to Look At.

The last movie Rosalee made before a several year hiatus was the Mickey Rooney movie Sound Off . Sadly, Rooney was way past his prime here (and only 32 years old), and it shows. His character, a brash entertainer who gets drafted, is an unlikable egomaniac, and the public just never connects to him. For a musical, this is a major, major minus.

When Rosalee returned to moviemaking until 1959, when, as a total anthesis to happy-go-lucky musicals, she appeared in a lurid, even untasteful, shocking drama, the semi trashy The Louisiana Hussy While the story isn’t the worst ever and the production actually had more than 5 bucks for props, the acting is absolutely appealing! The only reason o watch the movie is to enjoy all the “badness”.

Roselee was off the screen until 1962, when she appeared in another wholesome, cute movie – If a Man Answers, a Sandra Dee/Bobby Darrin pairing. While I like Sandra Dee – she was a doll – and her movies often carry a sarcastic bite, it’s too naive most of the time.

In 1966, Rosalee appeared in Made in Paris – I have a true fondness for this movie, despite it being a total guilty pleasure. It has a ridiculous, over the top story and seriously pedestrian direction, but the actors and the character make it an enjoyable experience plus, I love movies with great fashion, and this one is a full clock of stunning gowns! And Ann Margret, with her kitten with a whip sexuality, so outdated today,y is incredibly charming! And Louis Jourdan, swoon, too bad he always played the same character, but he’s parfait in the tole!

Rosalee made her last movie appearance that year, in The Oscar, a camp deluxe 1960s film, in league with Valley of the Dolls. However, I have a soft spot for Stephen Boyd, who played the lead, and thus give it a carte blanche although it’s a worse movie than the mentioned Dolls.

That’s it from Rosalee!

PRIVATE LIFE

Rosalee gave a beauty hint to the readers:

Eyes will look larger and more wide awake with a white or light beige eye shadow.

Little is known about Rosalee’s early Hollywood life. She was an active Hollywood model from 1948 onward, but was low profile in the romantic department. In October 1951 Rosalee married Peter Coe in Ensenada, Mexico.

Peter Coe was born Petar Knego in Dubrovnik, then Austo Hungary (that fell apart literary the day he was born), today Croatia (making him by fellow countryman!). Trained at the Royal Academy of Dramatic Arts in England and came to the US, starting his Hollywood career in 1943. He played ethnic roles in a string of movies.

The couple had three sons: Armand Brian, born on June 9, 1952 in Los Angeles, Vincent L., born on May 7, 1957, and Peter C., born on September 7, 1960. The couple owned a ranch and lived the quiet family life when Peter and Rosalee were not working.

Rosalee’s acting career was finished by 1960s, but her modeling career lasted much longer and was more successful. Rosalee was tight with designed Jimmy Galanos:

West Coast designer Jimmy Galanos, whose small beginnings I remember, brought at least 150 new designs to town for his show at the Ambassador. Prolific Jimmy also fathered 50 hats and produced 40 pairs of special shoes by David Evins for his clothes. Before a packed ballroom, he paraded new versions of the jeweled, Persian-printed evening chiffon so many smart women are wearing this winter. His lates have jeweled. Paisley tops and white organdie skirts as full as a ballet dancers. If the price tags stagger you the winter Paisley cost just under $1000 remember that art comes high. Jimmy’s embroi of hair, who helped model the collection, is Rosalie Calvert, an outdoorsy California girl, who leads a normal, ranch house type existence with a husband and two little boys.

Being a model + having a stable family life – this is a great combo, and a one not that many women can achieve, so kudos to Rosalee!

In the 2010s, the octogenarian Rosalee gave an interview for the Palm Springs (you can see the whole interview on this link) , alongside Barbara Sinatra and a few others, about their lives in old Hollywood:

Rosalee Calvert of Palm Desert remembers a harder life. Breadwinner for her sons, an actor husband, and a housekeeper, she worked nonstop during her double-decade modeling career. A favorite of fashion photographer John Engstead, she says, “He saw me through three pregnancies. He’d call me up and say, ‘What’ve you got left, Rosie? Hands, feet, legs?’”

Though she made her name in Los Angeles in couture by Jean Louis and James Galanos (“She was stunning,” Galanos says), Calvert was an instant hit in New York. One of her first assignments was a Vogue post-deadline reshoot by renowned photographer Louise Dahl-Wolfe. It showed a patrician blonde in a leopard coat. Before long, her agent, the formidable Eileen Ford, could be heard fielding phone calls linking the newbie with two of the leading mannequins of the midcentury. “Well, I could give you Dovima, [Jean] Patchett, or Calvert.” Client: “Calvert?” Ford: “Page 52, current Vogue.” And then she’d hang up. “She loved to hang up on people,” Calvert recalls, chuckling.

“The most interesting and fun fashion shows ever were for [studio designer] Edith Head,” Calvert says. She modeled costumes for Carole Lombard, Lucille Ball, and Greta Garbo. “Lombard was sooo small,” she says, breathing inward and then adding, “John Engstead shot me in some of Marlene Dietrich’s costumes.” A close encounter with the icon herself followed.

“Marlene Dietrich was a good friend and client of Jean Louis.” She volunteered to help behind the scenes at a fashion show. Looking at Calvert, she said, “I’ll be your dresser, darling.” Calvert was nervous. She’d heard rumors, and worried that the diva wouldn’t know how to handle the frantic quick changes. But, Calvert notes, “She was excellent. She had everything unzipped and ready for me.” And Calvert walked away with the ultimate compliment: “You are so beautiful,” Dietrich said. “You look just like me.”

Interesting story, but when I dig a little, I noticed that Peter Coe was  a working actor for most of the 1950s and 1960s, so I still hope he did bring some money to the family table. They divorced in the late 1960s.

For most of the 1970s, Rosalee was dating Richard Gully. Now, one has to wonder, who is Richard Gully? When I first started to delve deeper into the world of old Hollywood, there were names that constantly popped up, but nobody could tel me exactly why were they mentioned in the papers (usually for dating starlets). They were not actors, producers, directors of anything remotely connected to technical aspects of movie making. Some of them, like Greg Bauzter, were lawyers, some were rich boys who came to Hollywood to squire pretty girls, some were con artists (Johnny Stompanato) and so on.

Richard Gully was one of those names. The bets I could find is that he was an aristocratic Englishman, born on June 8, 1907, in the UK, and was aide-de-camp for Jack Warner. Gully’s specialty was that he knew everybody there was to know in Tinsel town and had a very active social life. The gossip columnists all loved him, as he put forth a great deal of gossip fodder by dating eligible Hollywood bachelorettes.

Here is a funny little article about Gully and Rosalie:

Richard, first earl of Gully, with Rosalie Calvert and a gorgeous actress from Munich Birgit Bergen. Birgit kept eating grapes but first washing them in champagne. A touch of class.

Their relationship ended sometime prior to 1980. Gully died on October 4, 2000 in Los Angeles.

In the 1980s, Rosalee lived in Westwood, California, and was a grandmother several times over.

As far as I know, Rosalee is still alive today and living in Palm Desert, California. As always; i hope she had a happy life and is enjoying herself right now!

Carmen Clifford

Carmen Clifford was a trained pianist and dancer of some repute when she entered the Hollywood arena in 1942 – but for unknown reasons, she never made it past the uncredited roster. Later she became a songwriter and had an extensive TV career, so let’s hear more about her.

EARLY LIFE

Carmen Mary Scanzo was born on September 19, 1921, in Pittsfield, Massachusetts, to Patrick Scanzo and Inez Bascherie, both of Italian descent. Her mother was a hairdresser. She lived with her mother and grandfather for a time, so I wonder just what the exact state of her parents marriage was? Separated or divorced or maybe her dad was away traveling a great deal of time?

Anyway, Carmen was a musical prodigy, and took lessons in pianoforte, playing it daily from an early age. She also helped her mother in a beauty salon as a mini hairdresser and manicurist.

Pretty soon, Carmen took up dancing and excelled in it. She completed a three-year course at the prestigious local Roma Serra Studio. Carmen also studied tap dancing with Ray Hart. Carmen’s first dancing show was held at the home of her aunt. Mrs. Leon William, under the direction of Roma Serra. It was clear to all that Carmen was a girl with loads of talent who is going places in the near future.

In 1937, when she was just 16 years old, Carmen had been chosen as one of 15 girls to appear in a ballet ensemble at the International Casino, New York, to be staged by Chester Hale. She moved to New York and studied under Hale for some time afterwards. After living in New York for about five years, she moved to Los Angeles in 1942 to try her hand at movies. She managed to get work with a studio and started as a chorus girl.

While in Hollywood, Carmen became Miss Cheescake of 1944, but had little luck in the business arena. Carmen became the protegé of another Massachusetts girl – Eleanor Powell, who hailed from Springfield. Carmen was in the dancing chorus of one of Eleanor’s pictures, and the star became interested in Carmen, who was soon taken u n d e r the Powell wing, and is learning the best In dance tricks. And here we go!

CAREER

Sadly, we are pretty thin here. Carmen obviously danced as anameless chorus girl in movies from 1942 onwards, but imdb mentions The Blue Dahlia as her first movie – qhauza, you could do much worse for a firts movie, that’s for sure! Then we skip to 1949, and Carmen was in Always Leave Them Laughing, a mdiocre Milton berle Virginia Mayo pairing. Moving oN! 

Then came Call Me Mister, one of the lesser Betty Grable movies, with Dan Dailey playing her love interest. The story, a “lets stage a show,” is slim at best, and the only good thing the movie had to it are Betty and Dan – but even they can’t make this a classic! Carmen appeared in a bit better fare with Royal Wedding. While not a massive classical musical, it’s a pleasant, funny and at times funnily romantic fare with Fred Astaire and Jane Powell at their top form, plus Peter Lawford, seductive as always!

By 1951, Carmen was delegated to B class musicals, like The Strip, with Mickey Rooney (past his prime and playing a drummer who gets mixed up in some nasty company) and the light-on-her-feet Sally Forrest. The same year Carmen appeared in a non musical movie, the thriller The Man with a Cloak. This movie is one of many hidden gems that nobody ever heard of, but that have lots to offer. While not a top-tier movie, it’s well written, with great casting (Barbara Stanwyck and Joseph Cotten), good music and solidly directed. There is nothing much that detracts from its good qualities, but it just didn’t make it as a classic and remained buried and forgotten.

Carmen’s last movie appearance was There’s No Business Like Show Business. She went into TV but I could not find any credits. That’s it!

PRIVATE LIFE

While living in New York, prior to 1942, Carmen married a certain Robert C. Clifford, whose name she took as her nom de guerre. Unfortunately, I have no information about the man, except that they divorce prior to 1945.

Carmen’s second husband was Jack Passin, and they married on December 13, 1945, in Tijuana, Mexico. It was Jack’s third marriage. Since they married on December 13 and Carmen was superstitious, they did a retake assisted by Judge Griffith in Beverly Hills. Jack Passin was born on April 30, 1912, in Chicago, Illinois, to Morris J. Passin and Saide Hansberg. Little is known about him – he moved to Los Angeles in the 1930s for work in the movie industry, becoming an assistant director. He married Hazel Lee on April 19, 1942, and they divorced in cca 1944.

Their son Steve Michael was born on March 12, 1946. They lived in Los Angeles, both worked in movies, and often hosted Carmen’s mother, Inez. Sadly, the marriage did not work out, and they divorced after 1950. Jack later married Virginia Boyle in 1959. He died on October 29, 1983.

Carmen had a solid musical education, and in addition to her movie career, had a minor career as a lyricist. She collaborated with Nat King Cole in the 1950s, as this article can attest:

A former Pittsfield resident, Mrs. Carmen Scanzo Clifford, has collaborated with Nat (King) Cole to write a new song, “Calypso Blues,” which will be on sale here in a few days. Mrs. Clifford composed the lyrics, and Cole, the music. About a year ago. Mrs. Clifford wrote the lyrics for “Nina Nana.” with Cole.

As Carmen’s movie career hit the skids very early, it was clear she needed an alternative option to stay afloat financially. In a bid to stay an active actress despite her lack of success, Carmen switched to TV but sadly we have none of her TV credits on IMDB. Could be she used a different name, but no information is given. She explained her choice to work on TV to an interviewer:

CARMEN CLIFFORD … worked on Bob Hope specs screens she reported. During a telecast some shows are cut as much as 15 or 20 minutes. Some telecasts aren’t cut at all before going on the air. It all happens while the viewers are at home watching. In addition to working in TV Miss Clifford has worked in all the studios. However, she points out that studio work Is not booming like TV. “TV is more lucrative at the moment. The studios are feeling the recession. In addition, many of the musical specs are moving from New York to Hollywood where they can get top names. Naturally, this calls for more work,” she says. While discussing the current television topics, Miss Clifford says: … on Pay-TV: “Everyone I’ve talked to in Hollywood is in favor of Pay-TV In the event such an innovation is launched, TV would have real money for the big spectaculars. With Pay-TV viewers would see high grade, top entertainment. I just wonder how much longer the viewing audience will put up with westerns and quiz shows.” … on Videotape: “The swing to video is on in Hollywood. By the end of this month and the early part of Sept., I’m sure TV will be taping more and more shows.” … on new shows: “I’m presently working as assistant director to Nick Castle on a Japanese musical which will be presented at the Frontier Hotel, Las Vegas at Christmas. . . . Frank Sinatra is planning six specs for the coming season. . , . Dean Martin’s six shows will be launched throughout the next year.” Look for her. . You’ll be seeing a lot of her.

Carmen talked about the nature of TV work to the local press in Pittsfield in the 1950s:

Next time you tune in one of the musical spectaculars from Hollywood, Calif., take a closer look at the choreography. If you don’t see Carmen Clifford in one of the dances, it will be pretty safe to assume that she helped with the art of planning them. She may have done the dance-in. This means that she learned a dance, for say Dinah Shore, and taught her the steps. Miss Clifford has worked on such shows as: Bob Hope specs, “The Jerry Lewis Show,” “The Gale Storm Show,” “The Dinah Shore Show,” “Red Skelton,” and “The Frank Sinatra Show.” She danced in the “Playhouse 90” Emmy award winner, “The Helen Morgan Story.” “Ordinarily, (we work from 9 a.m. to 6 p.m., seven to ten days to polish dances on larger shows. There are times, however, when we are required to work late at night. Most of the smaller telecasts require three or four days work,” Miss Clifford explains. In preparing for presentation of “The Helen Morgan Story,” the actors rehearsed three weeks and dancers ten days. This “Playhouse 90” production, like most of its dramas, was very well-organized.

Sometime in the mid 1950s, Carmen married her third husband, Alexander Goudovitch. Goudovitch was born on May 30, 1923 in Paris, France of Russian ancestry, the son of Countess Anastasia and Count Basil Goudovitch of Monte Carlo and Nice. He graduated from the Pare Imperial at Monte Carlo. Afterwards he danced at the Ballet Russes, and during WW2 came to the US where he settled in Hollywood and worked as a dancer in the movies.

On January 25, 1945 he married Sharon Randall, glamorous musical comedy singer. The marriage did not last very long – they divorced in 1950, and Sharon later testified her husband stayed away from home at nights and when she asked him where he had been he struck her. When he married Carmen, he was an assistant to the director of the George Gobel Show.

Their marriage lasted for a few years in the 1950s, and they divorced as the decade was coming to a close. Alexander married Ida Mercier in 1962. He died on October 17, 1984.

Carmen married her fourth and last husband: Robert Rapport, on February 2, 1963, in San Francisco. Robert was born on February 9, 1901 in Patterson, New Jersey, making him a bit older than Carmen. He moved to California in the 1920s, got married to Florence Rapport, who worked in the movie industry as a secretary. Robert later managed a theater.

The Rapports marriage was a happy one. After living in California for some time, they moved to Pennsylvania to enjoy their retirement.

Carmen Rapport died on February 15, 1981, in Philadelphia, Pennsylvania.  

Robert Rapport died on November 22, 1996 in Bucks County, Pennsylvania.

PS: Some good news! This blog has been selected by Feedspot as one of the Top 30 Classic Movie Blogs on the web!! Thank you!! Check out all of these great blogs on the list!

Jayne Shadduck

Jayne Shadduck truly is an inspiring woman. Okay, maybe her Hollywood career is as thin as air and she never really tried to be a serious, accomplished actress, but she managed to more than make up for this slight by being a pioneer aviatrix and successful businesswoman (and this long after leaving Tinsel town behind). Let’s learn more about her!

EARLY LIFE

Jayne Dunham Francis Shadduck was born on July 1, 1915, in Walla, Walla, Washington, to Joe F. Shadduck and Francis Shadduck. She was their only child. Her father was a general director of an automobile sales salon, and the family was relatively well of.  

By 1930, the family had moved to Portland, Oregon, where Jayne attended high school. Jayne caught the dancing bug early, and was in the chorus before she graduated from high school. She moved to California and started her Hollywood career in 1932, only 17 years old.

She was one of the few girls who signed a contract with RKO. All the girls were chosen from a chorus recently developed In Hollywood by Busby Berkeley. There were eighty members of the chorus, who, in turn, were chosen from among more than 5,000 applicants. And Jayne was of!

CAREER

Sadly, Jayne appeared in uncredited minor, minor roles in only three movies. Two of those were top of the shelf 1930s musicals – 42nd Street and Gold Diggers of 1933. Forget the story, enjoy the visuals and the dancing!

Jayne’s third movie was The Little Giant, a delightful, sharp and witty comedy with Edward G. Robinson playing a former bootlegger going straight. And fun ensures! Plus for featuring Mary Astor and Helen Vinson, both very capable, yummy actresses.

And that’s it from Jayne!

PRIVATE LIFE

Jayne gave a beauty hint to the readers in 1933:

Cologne is a boon for a variety of uses, such as scenting the bath, toning up tired pores and perfuming lingerie and handkerchiefs. When I am fatigued, I soak a pad of cotton with the refreshing liquid and press it to my temples, relaxing at the same time for a half hour, or as long as I can spare. It is most refreshing.

Jayne had a slight mishap during her early career, in 1932:

Jayne Shadduck, screen actress of “Forty-second Street” and “Gold Diggers of 1933,” was painfully injured yesterday while working in a tank scene in a new musical picture. “Footlight Parade,” on a Warner Brothers sound stage. She suffered a contusion of the nose when she struck the arm of another girl during rehearsal

In 1933, Jayne dated first Lyle Talbot and then left him for Mike Francovitch, Joe E. Brown’s adopted son and star footballer at the U. C.L. A. That didn’t last either – Mike married Binnie Barnes in 1940.

Next on the line was the much-married director, Eddie Sutherland (one of his wives was Louise Brooks), who just left Grace Bradley to date her. It didn’t last either.

Interesting to note that Jayne and Katherine Hepburn got their contract on the very same day at the same judge! Here is a short article about it:

Pair Choose Day of Jinx to Get Approval of Judge for Picture Work When Adalyn Doyle, “good luck girl” for Katharine Hepburn, and blonde Jayne Shadduck. raised their right hands in .Superior Judge Mc-Comb’s court yesterday and swore to tell the truth concerning their contracts to appear in motion-picture productions of the Twentieth Century Pictures, Inc., they crossed their fingers. “Oh, we told the truth, all right,” they chorused, “but, after all, It Is Friday the 13th and we aren’t taking unnecessary chances.” The contracts cover a period of years with gradual increases in salary until, in the event all the options are exercised, both will receive weekly salaries in four figures and without any decimals strewn therein. Both contracts were approved.

In late 1933, Jayne met playwright Jack Kirkland. Soon, she was telling the papers that the marriage to Jack was more desirable than a career in the movies. Here is a laughable and pretty silly article about Hollywood starlets and matrimony from that time:

Six of the Goldwyn girls who adorned Eddie Cantor’s “Kid From Spain,” “Roman Scandals” and other recent hits have called off their vow against matrimony. Jayne Shadduck, Vivian Bannon Keefer, Dolores Casey, Jane Hamilton, Barbara Pepper and Bonny agreed none would wed until all had progressed to be something more than show girls. Most of them had recent bits in Radio’s “Strictly Dynamite.” Miss Shadduck holds a studio contract and now she’s engaged to marry Jack Kirk-land and the other five girls declare it open season for orange blossoms.

This truly is a bit of make-believe – most starlets with no acting experience and no real wish to become the next Sarah Bernhardt didn’t’ come to Hollywood to establish a career – they wanted to have fun  and get married! Let’s not kid ourselves, most of the starlets I profiled here go squarely into this category. If they really wanted to act, they would have gone to a drama school and did theater before landing into movies. There will always be exceptions, but Jayne wasn’t one of them. She was aiming to wed and that was that.

Jayne was preparing a get-out for Hollywood, and get-in for matrimony. She married Jack on march 23, 1934, and left immediately for a honeymoon in Spain.

Like most hasty marriage,s this one ended in a fiasco. They got into an intense tiff and decided to divorce while on their honeymoon. However, when they returned to Los Angeles, the situation changed from day-to-day – one weekend they went from tavern to tavern , dancing and drinking together, the other they were separated and awaiting a divorce.

After an up and down period of about half a year, they finally did divorce in February 1935. Jayne testified that Kirkland often absented himself from home for days without an explanation, and that he was abusive in his language to her. The final decree was to come in February 1936.

However, even after they divorced, Jack and Jayne couldn’t keep their hands of off each other. They still went out regularly and maintained a very flirty and sexy front. The reporters predicted that their divorce would not last for long and that they would remarry. But, well, life operates in strange ways, and this is an interesting story.

During the throes of their post divorce passion, Jayne left for Honolulu for a short break. Kirkland, like a love-struck youth that he was, drove her to the ship and almost forgot to come off before the gang-plank was lifted. he was expecting Jayne to return in a few weeks so they can continue their liaison and probably get married once again. BUT!

A romance that started under a tropical moon in Hawaii in May 1935, and it wasn’t Jack. Jayne and Henry J. Topping, Jr., New York banker and wealthy heir, fell hard for each other, and announced, literary two weeks later, that they will be married next February. I can only imagine how Jack felt, but he didn’t waste any time in finding new swains – he married three more times (to Julie Laird, Halia Stoddard and Nancy Hoadley), sired several children, among them the famous ballerina Gelsey Kirkland, and died on February 22, 1969.

Jayne went to Reno to speed up the nuptials. The press joked that she had to pay extra fare to Reno because Bob Topping’s diamond ring is so big. In Reno, Jayne won a final divorce from Jack Kirkland, on. charges of cruelty and was boarded a night plane for New York to meet Topping. Like in a fairy tale dream, Topping was right on job to greet Jayne when she arrived by air from Reno. Oh, so sweet!

The happy couple wed in August 6, 1935. Bob and Jayne were the town before sailing on that South American honeymoon. After their return from the honeymoon (no honeymoon divorce this time!), they continued living the high life in New York City, a solid part of the local jet set.

One of the first female pilots in the United States, Jayne flew a six-passenger plane from Detroit to New York in 1937, for which she was featured in Life magazine.

However, in August 1937, Bob and Jayne parted! They went to Hawaii together. He returned from Honolulu solo and flew right on to New York. Jayne followed on the next boat and is flew east to woo him back. For the next few months, there was scant information about the couple, but then in October the bomb fell: Topping said he had told his wife,  to “get a divorce.”, but he refused to confirm or deny rumors of a $500,000 settlement. The soap opera continued, with ups and downs, much like her first marriage. Will they or wont’ they?

First, they were being sued by the Wall St. lawyer who once smoothed out their differences. Okay, so they had outside help in the marriage, but it seems that it didn’t work quite as expected. In May 1938, this happened:

The secretly filed divorce action of Henry J. Topping Jr. of Greenwich, big-game hunter and heir to a tin plate fortune, was revealed today when his pretty actress wife, Jayne Shadduck -Topping, petitioned the Superior Court that the action be thrown out. Miss Shadduck, accuses her husband of bad sportsmanship by violating the hard and fast rules of divorce procedure. Topping’s application to sever his marriage is based on grounds of intolerable cruelty and was written into the record last April 25. Apparently the decision to go ahead with the proceedings was delayed, since the original papers were dated April 16. He Charges Cruelty. Topping claims that a year and four days after their marriage, Aug. 6, 1935, in the elopers’ paradise of Armonk, N. Y., his actress wife started to show signs of cruelty. Her acts of cruelty, he states, continued until April 16 of this year.

In reality, Topping wanted to divorce Jayne so he could marry socialite Gloria Mimi Baker, and finally it cost him a pretty cool $500,000. Jayne put the price tag on the marriage and said: pay and get divorce or no pay no divorce. And she got her money. Such was Toppings passion for Gloria. Topping married  three more times after Gloria (to Lana Turner, Arline Judge and Mona Topping) and died on April 21, 1968.

Anyway, Jayne decided, wisely, to stay away from romance and enter the business arena: She said: “I have no romance whatever in my life now. And I’m not interested in romance. I’m interested now in the ice cream business.” In December 1938, she arrived in Hawaii, accompanied by A. Rost, who will be her partner in a Honolulu ice cream business.

Soon, Jayne was a staple in Hawaii and even started to sponsor various sports teams:

Jayne Shadduck Topping Signs Contract To Sponsor Gridders Jayne Shadduck Topping yesterday definitely decided to sponsor a football team composed of ex-college stars next fall, signing a contract to finance the team which will play in the Hawaii Football association, local senior circuit. The aggregation will be known as the Hawaiian Polar Bears. Bob Patrick will be associated with her as advisor, while Francis Brickner will be the business manager. John Masterson, director of the annual East-West Shrine football game, is the Mainland representative with headquarters in San Francisco. He will assist Mrs. Topping and Brickner in contacting and selecting the players. The team wm be selected by July 15

In January 1940, Jayne married her third and last husband, Richard Durant. She settled into a highly satisfactory family life in Hawaii afterwards. Richard Church Durant was born on April 25, 1906, in Great Barrington, Massachusetts to Mr. and Mrs. Clark Durant. He was a sportsman graduate of Yale and Harvard, and became a surgeon who helped found Kaiser Hospital in Hawaii.

The Durant’s daughter, Louise, was born on March 20, 1941. Their son Clark was born in August 1942. Their last child and son Payson was born on March 19, 1951.

Jayne was later embroidered a scandal concerning the divorce of James Roosevelt from his wife – it was the same scandal that touched fellow actress Andrea Leeds:

Denials that they are among the women named in letters from James Roosevelt to his wife were made yesterday by these two former actresses. Andrea Leeds (left), now the wife of Robert S. Howard, a millionaire resident of Palm Springs, Calif., said she “never had a date with the man.” She agreed with Mrs. Richard Durant (right), the former Jayne Shadduck, that the names listed could have referred .to any women so named. ” Her name was one of nine listed in a letter which Mrs. Roosevelt filed with her suit for separate maintenance. Roosevelt’s attorney is expected to file an answer today

Mrs. Durant said she had cabled Roosevelt demanding an Immediate public retraction of “the false, libelous statement” linking her name and his. Mrs. Durant declared today that it does not “exonerate him from the responsibility of smearing innocent person.” She said in a statement “a lot of damage has been done to a lot of innocent people. I cannot condone Mr, Roosevelt ever signing any document containing such damaging lies … in order to extricate himself from his personal problems … no matter what the circumstance.” Mrs. Howard said she felt compelled to make a public statement.

This one is open for debate, but I somehow believe, in this case, where there is smoke there is fire. Why would anyone put a random society woman living for years in Hawaii (by then) on such a list? While there can be some vindictive bastards who would do such things, I somehow think it’s not the case here. If the affair did happen, it happened around 1945, 5 years after Jayne married Richard.

Anyway, Jayne had a rich and varied life in Hawaii. She was vice president of the Hawaii Hotel Association in the early 1950s. She raced canoes with the Kahana-moku brothers and Doris Duke. She was also an ardent angler and landed many big tuna and marlin during fishing trips off Kona and Oahu. She was a member of the Friends of Iolani Palace. Durant was an avid traveler and had seen much of the world with her husband.

The Durants had lived in the penthouse of the Palms Condominium since it was built more in the early 1960s to replace the Palms Hotel. The Na-hua Avenue hotel, which Durant owned and managed, was often the vacation spot for Hollywood celebrities before and after World War ll. All in all, Jayne made quite a life for herself in Hawaii and it seems she led a truly happy existence there.

Richard Durant died in September 1973. Jayne stayed at the island and continued with her civic and professional work.

Jayne Durant died from cancer on May 29, 1993, in Honolulu.  Her last trip was to Kenya in November 1992, after she learned she had cancer. When she died, her grandchildren told these touching lines in her obituary:

Jayne Shadduck Durant, actress, pilot, hotel owner, deep-sea angler, world traveler, lived a life that was larger than life. After she learned last fall that she was terminally ill, she invited granddaughter Sonja Freebairn on a safari to Kenya, then they stopped in London to see some of the new stage shows. “Her life was more packed than anyone’s,” Freebairn said. “She was so much fun to talk to. In all those years, we never had the same conversation twice.” “She was a glamour girl,” said grandson Robert Freebairn.

The grandchildren were learning new things about her this weete as they found magazine and newspaper clippings about Durant’s full life. “She wasn’t a bragger,” said Sonja Freebairn. “She was so low-key about her accomplishments. ;. “She wouldn’t let us do a videotape of her stories. But she knew very much, she never forgot anything,” Robert Freebairn said. One clipping they found was about her piloting a small aircraft, breaking a flight record between Detroit and New; York in 1937. “

She was cremated and her ashes were scattered at sea.