Patricia Alphin came from a family that was deeply integrated into the movie business in Los Angeles, and it was no wonder that she wanted to become an actress. A poor man’s Jane Russell, she was a buxom, pretty girl, but sadly not talented nor lucky enough to cause any ripples in the treacherous seas of Tinsel Town. She had some odd 20 plus movies, and then retired after getting married.
Patricia Cleora Alphin was born on 1927, in Phonerix, Arizona, to Harry Joshua Alphin and Bonnie Humphrey. Her father was a sound engineer, and due to his job the family moved to Los Angeles in 1929 where he started working for motion pictures studios. She had an younger sister, Harree Bonnie, born on March 10, 1931, and a younger brother, Harry Jr., born on August 27, 1935. Both of them were born in California.
Patricia grew up surrounded by movie people and wanted to become an actress from childhood. She attended and graduated from Burbank High School, and, as a true beauty, was active in the local pageant scene.
I don’t quite understand this, but in 1946 Patricia was crowned Queen of the Burbank Bethel of Job’s daughters. Confused? So am I. Anyway, here are some articles about it:
Jobs Daughters Guests Of North Hollywood Bethel North Hollywood Bethel No. 110, Jobs Daughters, had as guests Bethel No. 97 of Burbank, April 6th at the North Hollywood Masonic Temple. The meeting was presided over by Joyce Hanzel, honored queen of North Hollywood bethel, and Patricia Alphin, honored queen of Burbank bethel. Both the North Hollywood and Burbank officers filled the chairs, with the Burbank’s girls as courtesy officers doing the work.
As a Queen, Patricia had certain social obligations that she did with gusto:
Patricia Alphin Hostesses Tea Featuring the Easter theme In the table decorations, Patricia Alphin, honored queen of Burbank Jobs Daughters, hostessed a mother and daughter tea at her home, She was assisted by her mother, Mrs. Harry J. Alphin. At a tea table, beautifully appointed with a centerpiece of purple and white sweet peas, Diane Swagler. Nancy De Celle and Donna Bell poured. Approximately 100 attended the affair.
After graduation, via her dad, Pat started working as a messenger at Universal International studio. She worked in the mail room and zipped around the lot with tons of letters. Literary, she was a female mailman 🙂 It was in this room that she she was was “discovered” and signed to a contract.
After several years of hard work, and many disappointments, Pat got her first big film break. She was given the feminine lead in Abbott and Costellos The Wistful Widow of Wagon Gap. But she was taken out of the role when she was rushed to the hospital for an emergency appendectomy. This derailed her a bit, but as you know, you can’t keep a good girl down, and she was up and running once again, ready for big things!
And off she went!
Patricia had a sim career as she was almost never credited, but her filmography is interesting and varied and, what is very important, she didn’t fall into the low budget western trap like many of her contemporaries.
Her first movie was Idea Girl, a totally forgotten Julie Bishop/Jess Barker movie. Her second movie appearance was in Tangier, another completely forgotten Maria Montez WW2 spy movie (but Maria sure was something, definitely not an actress but a powerful personality who lit up the screen). Then came Night in Paradise, an absolutely ridiculous semi fairy tale movie with Aesop as the main character (played by the exotic Turhan Bey), and Merle Oberon, a favorite of mine, sadly completely wasted in a “sensual” role. Not much better was the shallow, stripped-bare crime movie Inside Job, about ex cons who are forces to do another robbery, and Lover Come Back, one of Lucille Ball’s lesser movies where she tries to get even with her philandering husband, played by George Brent (yes, since this was made under Code she doesn’t too anything to drastic, making this a insipid movie).
Patricia then appeared in the serial The Mysterious Mr. M, which, you guessed it, has been completely forgotten and overshadowed by more popular serials. Her movies got a bit better afterwards (but she still was not credited, mind you). White Tie and Tails was actually a charming comedy about a butler who wreaks havoc on the his’ employers house while they were away – you have Ella Raines and William Bendix in it, and I love both of these performers. Then came I’ll Be Yours, another fluffy musical-comedy-romances made by Deanna Durbin, who was so deeply stereotyped by then that she gave up Hollywood not long after (and moved to France, smart girl!).
Since they were at the same studio around the same time, it was logically that Patricia would appear in movies with Yvonne de Carlo. Their first “collaboration” was Song of Scheherazade, a weird biopic about Russian composer Rimsky Korsakov. If nothing else, there is tons of good music and Jean Pierre Aumont (who plays the leading role) is the typical charming Gallic actor, immensely watchable! Pat was then in the above average Abbot and Costello movie, Buck Privates Come Home. Patricia had a slightly bigger role in Time Out of Mind, the first US movie made by the British star Phyllis Calvert. The movie, despite being a box office miss and having some serious problems, is worth watching just to see Phyllis and Helena Carter playing two interesting female characters. And Robert Hutton!! I cannot express my disdain for such a man! In Hollywood, where there were tons of incredibly talented people that never made it, we have a stone-faced, no-talent man with average looks who actually managed to snag some good B class roles. HOW??? Please explain how? I don’t expect every actor to be Laurence Olivier, but c’mon, Robert is a total block of wood when acting, with no charisma what so ever!
Luckily, Patricia’s next movie The Web is a minor film noir classic with a great pairing of Edmund O’Brien and Ella Raines, and with Vincent Price and William Bendix thrown in for good measure. The movie is all about who is going to double cross who, and despite being a tad bit predictable, keeps you guessing. The movie’s strength lies in the strong cast assembled and in the very good black and white cinematography. Next up was Something in the Wind, a typical Deanna Durbin movie (fluff!).
Perhaps the best movie on Patricia’s filmography is Letter from an Unknown Woman, an expertly made, magical but utterly devastating film, a deeply felt lament that manages to touch the viewers on a profound level. The story of a one sided, unrequited love is expertly directed by Anatole Litvak and played to perfection to Louis Jourdan and Joan Fontaine. Pat then went on to more cheerful stuff with Up in Central Park, another Deanna Durbin movie but this time with more zest and spice, and dealing with more than just pure romance – it’s a semi socially conscious movie about corruption in turn of the century New York City. And it has Vincent Price in it!
Patricia scored another very good film noir with Larceny, a John Payne/Dan Dureya/Joan Caulfield movie. Basically, it’s a film about a film about con artists and their techniques with a bit of romance thrown in, and it’s almost educational in this aspect. Pat then appeared in a mid tier Abbott and Costello movie, Mexican Hayride. Next she played a secretary in the very first Ma and Pa Kettle movie, Ma and Pa Kettle.
Up next was Johnny Stool Pigeon, a mid tier film noir with Howard Duff playing an agent who infiltrates a crime organization – always the same plot, but with a good cast and decent atmosphere, it’s an okay effort. Then came Yes Sir, That’s My Baby, a part sports part ‘battle of the sexes’ drama/comedy film, focusing on the conflict between the desire of college student fathers to play on the football team vs. their responsibilities in providing for their family and helping care for their babies. It’s nothing special, but Donald O’Connor has a few nifty dances in it, and Gloria deHaven and heavenly as always.
Pat’s last movie for Universal International was The Gal Who Took the West, her second Yvonne de Carlo feature. As with most of Yvonne’s movies, it’s a lusty, sensual affair with no great story and little to no character development, but hey,
Expect a small uncredited role in 1980 (in The Return), that was it from Pat!
Some of the tidbits Patricia told the papers: “The first thing I wanted when I graduated from high school was a fur coat. It makes a young girl feel that shes really grown up, and it makes that impression, too. You feel good in it, no matter what kind.
Patricia married her high school sweetheart, John W. Moorman, in a ceremony at 8 p.m. on June 28, 1949. The wedding was not without mishaps: Bonnie Alphin, Pat’s sister, lay on a stretcher as she served as bridesmaid because she was injured in an auto accident en route to the church. An ambulance took Bonnie from the scene of the crash to the church where and after the ceremony Bonnie was whisked to a hospital for X-rays of a back injury. Bonnie later recuperated fully.
A bit about the groom. John William Moorman was born in Los Angeles on December 28, 1926 to Paul Samuel Moorman and Aida Stephens. During the war he was an Air Corps member, and later attended Occidental College. The couple honeymooned in Mexico City.
The Moormans settled in Los Angeles had two children, a son, John Scott, born on May 14, 1951, and a daughter, Julie Kathleen, born on September 2, 1954. Little is known about their life, they continued living in Los Angeles, with Patricia long retired from movies.
Patricia and John divorced in September 1974. Moorman remarried to Marilynn Barber in 1976 and died on November 9, 1995.
Sadly, Scott Moorman, Pat’s son, died before his mother in unusual circumstances. He was a very gifted athlete and a Monroe High School running back. After get married, siring a son and getting divorced, he moved to Maui from Granada Hills in the mid 1970s and was an active sailor. In 1978, he went missing while on a fishing expedition, and his skeleton was found 10 years later on the Marshall Islands. It is possible that he lived like Robinson Crusoe on an deserted island for years. This is an incredibly intriguing but somber story, and learn more about it on this link: One dusty track.
Patricia falls out of the radar from then on, and I have no idea what happened to her. As always, I hope she had a good life!