Valmere Barman

Valmere Barman was a California beach blonde who came to Hollywood because she was a looker. Her career, predictably, failed, but her later life was very interesting and to some degree cosmopolitan – she lived in the far east and was a very active woman! Let’s learn more about her!

EARLY LIFE

Valmere Barman was born on December 14, 1922, in Los Angeles, California to Wademar Jacob Barman and Edith Gay Barman. Her older sister, Edith N., was born on May 5, 1918. Her father was a refrigerator engineer.

Valmere’s childhood was pretty uneventful – she grew up in Los Angeles and developed an interest in the performing arts from her teen years. She was the assistant for the Mystical 13 Magician Association when she was 15 and her nickname was “Dolly”. She attended John Marshall High School and after graduation, opted to continue her education and go to college.

I could not find which college Valmere attended, but she was seen by a talent scout who bought her to the attention to Paramount studios – they signed her in 1942 and there she went!

CAREER

Valmere started her career in the low-budget Gene Autry western, Call of the Canyon.Who boy, can’t thing to anything more to say about these movies. Austry isn’t even half bad, so Valmere can even consider herself semi-lucky to star in his western. Happily, she did a bit better for herself in her next feature – Lady of Burlesque. A murder mystery set in a seedy, underworld burlesque house. Despite mixed reviews, this is a solid, entertaining movie with lots to offer, especially if you like burlesque, of course! Babs Stanwaxck is her usual great acting self, and there are plenty of underrated female talent here – Iris Adrian, Gloria Dickson, Stephanie Batchelor… A unique combination of Miss Marple and Gypsy Rose Lee, it’s a definite recommendation!

Like most of Paramount contract players, Valmere appeared in Duffy’s Tavern, a cavalcade of various dancing, singing and vaudeville segments with some very nifty names to feature (Bign Crosby, Betty Hutton, Paulette Goddard, Alan Ladd and so on). Then, Valmere played a schoolgirl in Our Hearts Were Growing Up, a sequel of the better known Our hearts were young and gay. Continuing the adventures of Cornelia Otis Skinner and Emily Kimbrough, it’s a charming but lukewarm romantic comedy, base entirely on the fact that pre 1920s girls were as a naive as smuck in terms of men and sexuality. While people from the 1940s could understand this and actually laugh at it, today it’s a bit sad and even a bit shocking to watch it. But still, Diana Lynn and Gail Russell and are easy on  the eyes and good enough actresses to pull it out. As a bonus we have Brian Donlevy playing a bootlegger who romances the girls. Whauza!

Valmere then appeared in Blue Skies, a well known, classic Bing Crosby/Fred Astaire musical, written by Irving Berlin. Valmere than graces one of Cecil B. DeMille’s epic movie, Unconquered. It’s a story of early America, about the struggle between the colonists and the Indians. Gary Cooper and Paulette Goddard star, and they make a fine couple, looking exquisite together. While the movie is lavish, stupendous and mesmerizing in its sheer scope, it has all the failings of such a production – namely, it’s not accurate historically , the plot is far-fetched and the characterization could be better –  but who cares when it’s so much fun!

In the interim Valmere made a few short movies – Boogie WoogieThe Little Witch, where she played prominent roles. Fittingly, she finished her career with one such a short, Gypsy Holiday.

And that was it from Valmere!

PRIVATE LIFE

One of Valmere Barman’s treasured possessions was a letter from Mrs. Harry Houdini. Since she worked closely with magicians from the time she was a teen, it’s safe to assume Valmere liked the whole hocus pocus industry. Valmere also performed on stage as well on screen, dancing and singing as a member of the Bob Hope Stateside USO tours during World War II.

When Valmere landed in Hollywood, she wasn’t a happy-go-lucky unattached girl looking for swains – she was in a committed relationship with her John Marshall High School sweetheart, Charles Eugene Dickey.

After a long engagement, Valmere and Charles, then a recently discharged marine sergeant, were married by Rev. W. Don Brown on November 6, 1945 at Trinity Episcopal Church. They were attended by seven bridesmaids and seven ushers.

Dickey was born on January 10, 1922 in Illinois, to Charles R. and Marie Heaton Dickey. He had a younger brother, Howard. The family love to Los Angeles, where Charles Sr. worked as a retail paint salesman. Charles grew up in Los Angeles, and after graduating from high school was drafted on February 12, 1942.

I always wonder what happens to couple that date for ages get married and then divorce in a span of one year (or something similar). Relationship fatigue? Anyway, the point of this story is that Valmere and Charles’ marriage didn’t work and they were divorced by 1948. Dickey stayed in California, remarried in the 1950s and died on June 3, 1982.

Valmere was out of the public eye by then, so little was written when she married her second husband, Frank Kasala, on September 1, 1949, in Los Angeles.

Kasala was born on May 5, 1922, to Frank Kasala Sr., whose parents were from Czechoslovakia, and Kathryn Bureker, daughter of German immigrants. His younger sister Barbara Leone was born on August 1, 1924. The elder Frank worked as a clerk. Freshly graduated from high school, Kasala was drafted into the army in 1942 or 1943.

He was a scenario writer before he entered the service and has continued in his profession as much as possible while in the service. Kasala won 3 battle stars for his work in the European theater. During the war, Kasala married Eleanor Canoy (born on July 10, 1923) on June 30, 1944 in her hometown of Marion, Oregon. Eleanor was a Majorette in the American Legion Band. Their daughter Gail Lynne Kasala was born in 1945. Tragically, the girl died just a few months after birth. The Kasala’s marriage never recovered after this, and they divorced in 1946.

Terri remarried twice (second time to to John Yeager) and lived the rest of her life in Oregon – she and her husband die don the same day in 2005.

The Kasalas lived in Los Angeles, Valmere retired from movies and ready for motherhood. Their daughter Valmere Lynn was born on March 4, 1951. Their second daughter, Cathy Gay, was born on May 14, 1953. Their third daughter, Diane L., was born on March 30, 1956. After her daughters grew a bit, Valmere worked as the Dietitian at the Pilgrim School in Los Angeles from 1961 to 1963.

In 1964, the family moved to Japan for work reasons.  The family lived in Japan from 1964 to 1968 and Hong Kong from 1968 to 1975.  In Japan Valmere taught as an elementary teacher at the International School of the Sacred Heart and was a swim team coach for the Yokohama Yacht Club from 1965 to 1968. In Hong Kong she taught as an elementary school teacher and also conducted the school choir at the Hong Kong International School in Repulse Bay. While overseas she loved to race day sailboats and sail for leisure with her family.

They returned to the US in 1975. Now, what exactly happened in the East and then in the US I cannot know, but my own take (so could be purely fiction), based on the information I have found – Frank and Valmere grew apart, their marriage slowly deteriorated, Frank fell in love with a Japanese woman, divorced Valmere and married the lady. The facts: Joe and Valmere divorced in November 1977.

Kasala remarried to Shinako Kasala, they had a son, Craig, and lived in California, where they were both passionate golfers. Shinako sadly died in 2007. Kasala died in 2017.

Valmere returned to California after her divorce. On September 13, 1980, she married Robert C Barnhart.

Robert was born in Johnstown, Pennsylvania in 1920 to Robert C. Barnhart Sr. and Edna Adams Barnhart, Bob went to Valley Forge Military Academy on a trombone scholarship prior to attending the US Naval Academy. Immediately after graduation in 1944, Bob reported to the USS Astoria as a gunnery officer and saw action at Iwo Jima and Okinawa.

After WWII, Bob served int he Navy and won a bronze star during the Vietnam war. Bob completed his 30 year career in the Navy as Chief of Staff in Philadelphia. After his retirement from the Navy, Bob settled in Lake Forest, California, where he worked for General Dynamics, Pomona for 10 years before completely retiring.

Bob married Paula Jeen Gay of Long Beach on March 24, 1945, and they had four children, Bobby, Randy, Annette Colver and Gary. Paula died in 1979.

Bob’s passion was fishing, and he and Dolly would often summer at the family fishing cabin in Pennsylvania. They also volunteered at Saddleback Hospital when not traveling.

Valmere Barman Barnhardt died on February 2, 2012 in Lake Forest, California. Her widower Bob died on December 15, 2012.

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Myrla Bratton

Girls that came to Hollywood in the 1930s could be neatly boxed into a few categories (trained actresses, chorus girls, models, debutantes and so on…). Myrla came from the “beautiful but not trained” background. Most of these girls never amount to much in terms of a career and sadly this goes for Myrla too. But, here is the catch – instead of marrying and settling into sweet domesticity, she decided to stick out on her own as a theater actress. After her acting days were over, she worked as a secretary. Kudos to Myrla and all the women that did more than well for themselves! Let’s learn more about her!

EARLY LIFE

Myrla Cook Bratton was born on February 12, 1910 in Cave Spings, Alabama, to William Bratton and Tennie Bell Bratton. She was the oldest of four children – her siblings were Harvey William Bratton, born on March 2, 1912 , Myra Ethel Bratton, born in 1914 and James Leon Bratton born on August 11, 1920. Her father was a farmer.

Myrla and Harvey were taken to live with their maternal grandparents, James and Nancy Danley in Florence, Alabama, in the late 1910s. Myra Ethel remained with her parents, as did James Leon. I can assume money was scarce so the Danleys took care of the two elder children, but it’s only a guess. Myrla grew up around horses and was an accomplished rider from early childhood.

Sadly, William Bratton died in the mid 1920s, living Tennie a widow. The family bunked together once again, and by 1930, Harvey was the keeper of the family, working as a potter.

After graduating from high school, due to hard time and little money, Myrla went to work too. As a typical starstruck teen who dreamed of acting, she got the perfect job as an usherette at the Tivoli Theater in Montogery, AlabamaFrank Dudley, manager of the Tivoli, would later recall her early ambition to “let a break in the movies.” This was in 1930 – by 1933, Myrla was in Hollywood, making movies (to learn more about her path to “stardom”, go to the Private life section).

CAREER

Myrla made her debut in Roman Scandals, a movie that is a literal golden mine if you are looking for shapely Goldwyn girls. The girls aside, it’s a very funny movie, with a good cast and some great dancing numbers – exactly what a quality 1930s musical should be – definitely one of Eddie Cantor’s best work.

A similar snappy, happy musical was Moulin Rouge, where Myrla was again a chorus girl. Same for Wild Gold, a completely forgotten pot boiler where Mryla plays one of the Golden girls (chorines by any other name).

Myrla then tried her luck in the low-budget western arena. She did one full length movie, The Way of the West, where she played the female lead (in most cases, that equally a decorative pretty girl who get kidnapped and screams a lot) and two shorts The Lone Rider and West of the Law. The Way of the wets is allegedly a truly abysmal movie, with a bad script, horrible acting and laughable action sequences. Myrla made one more western, Timber Terrors, where she was billed below the horse (figures, the horse has more acting time than her). Okay, being billed below the horse in a western is not actually that bad – but here, Myrla was billed below the dog. Yes, the dog! obviously this is a western where the dog is more important than the leading lady, so figures!

In the end, Westerns didn’t pay, so Myrla decided to return to dancing. As she was auburn haired, she found her way to the already legendary Redheads on Parade. If you like lavish, huge 1930s musicals, this is for you. Nothing too nifty, but good enough to watch.

Myrla tried her hand at the then popular college musical – the name of the movie is Collegiate (how imaginative), and it’s actually not that bad – the plot is very much predictable (A Broadway playboy inherits an almost bankrupt girls’ school and tries to save it by a big show) and the leading man, Joe Penner, is rightfully completely forgotten today (very annoying, one wonders how anyone in the 1930s found him funny – but hey, they obviously did). However, the day is saved by the ever funny Ned Sparks and the ethereal Frances Langford. Also watch out for an early role of Betty Grable!

Myrla’s last movie was Anything Goes, an adaptation of a Cole Porter musical with Bing Crosby and Ethel Merman. Yep, this is one of the few movies La Merman appeared in, and this is perhaps the strongest reason to see it. Of course, that isn’t saying much – the movie suffers from the censoritis syndrome. We all know how witty and punny Cole was, and the censors hated such a witty and punny men and tried to put them to size any time they could. Yet, there a some good stuff to be enjoyed int he movie, and it’s from the bottom of the barrel.

And that’s it from Myrla!

PRIVATE LIFE

In 1929, 19 years old Myrla married R.J. Renfroe in Montgomery, Alabama. Renfroe was born in Atlanta, Georgia, but I couldn’t find anything else about him (how old he was, what was his profession – all a mystery!). On June 17, 1931, Myrla gave birth to a baby boy – unfortunately, the boy died the next day. The Renfroe’s marriage didn’t’ survive this unhappy occurrence – they divorced the next year, and knowing full well how life is short and fickle, Myrla decided to “just do it” – she quit her usherette job and went to Hollywood. Kudos to her brave decision!

By the 1940s, Myrla was out of movies and on the stage In New York City, studying under John Hutchinson and made appearances in the then nascent television industry (but under a different alias I could not find, so no TV credits are known for her). All considering, Myrla did really well for herself, and managed to pave her way into real acting, something not many actresses managed to do.

Myrla married for the second time to a James V. Moriarty on August 30, 1958 in Reno, Nevada. I couldn’t find any concrete information on this particular James, sorry. Unfortunately they divorced sometime in the 1960s.

After her acting career was over, Myrla lived in San Francisco for a time where she worked as a secretary. She later lived in Dallas, Texas, and several years later moved to Billings, Montana. Since she lived alone and was seemingly not in contact with her family, she was transferred to Valley Health Care Center when she became too feeble to take care of herself.
Myrla Cook Bratton died from natural causes on November 16, 1987, in Billings, Montana.

Bonita Barker

Bonita Barker was firmly cast in a Hollywood stereotype – a pretty girl from a good family who wanted to dance since she was a toddler, and slowly her “talents” morph into a wish to become a movie star. Heard that story before? Oh yes, and most of them ended dismally – with the girls in question out of Hollywood before they did anything of worth. Same can be said of Bonita – after three short years and some dancing roles, she retired, married and led a quiet life of domesticity. Let’s hear her story!

EARLY LIFE

Bonita Beryl Barker was born on July 21, 1916, in Rocky, Oklahoma, to Omar Barker and Mable Morris. She was their only child. Her father worked as an automobile salesman, her mother was a housewife.

The family moved to Hobat, Oklahoma, in about 1918, where Bonita attended elementary school, before moving to Ventura, California in the mid 1920s. Her father ditched his auto business and went into the sand/gravel business, again as a salesman. He became quite successful and was an esteemed member of the Ventura society, making Bonita a type of young, up-and-coming socialite.

Bonita caught the dancing bug as a pre teen girl, and always by 1926, when she was barely 10 years old, she was dancing in various local events where the genteel people of Ventura would gather. She was the best pupil at the Meglin Dance Stadio and perhaps one of the few that went into dancing professionally. She became a dancing fixture in town and was well-known for her skills.

Pretty soon, by the early 1930s, she  was appearing in the famous Hollywood Bowl in ballets and in more than a score of amateur and little theater programs all around the US.

In 1933, barely graduated from high school, she was noted by agents and brought to Hollywood.

CAREER

Bonita made her debut in the semi-idiotic musical, It’s Great to Be Alive. Whoa boy what a way to start your Hollywood career! She fared a bit better in her next show, Arizona to Broadway, a very polarizing movie that gets many things right but ultimately goes wrong. Whats starts as a promising story about con-artists trying to con other con-artists melts into a cheap, no-brainer stupidity. Too bad! But still, things got better, and they got even with Dancing Lady. i know this movie is not top of the class, best musical ever made, but I for one love it. Joan Crawford looking her best, playing an independent, strong-willed dancing lady, Franchot Tone as a wealthy suitor plus Clark Gable as a rough around the edges choreographer – whats not to like? And a special bonus – Fred Astaire in one of his earliest movie role! Whauza!

Like tons of other chorines, Bonita appeared in Stand Up and Cheer!, which is less a movie with a normal narrative and more of a pastiche – depends if you like these sort of things – I prefer my movies with more story and characterizations, sho skip! And then Bonita went the usual downhill route – she started to appear in low-budget westerns. I know I may be too critical towards this, but most actresses that went this way ended up nowhere (there are exceptions of course, but Bonita ain’t one of them). The movie was Outlaw’s Highway and there is nothing substantial to be said about it.

Bonita made her first and only college musical (a genre popular back then) in 1934, called College Rhythm. It’s quiet a good example of the genre, with a solid cast and some decent music. The stories are more or less all the same – young people goofing around in college (and nobody ever studies!), but it’s the energy and the charm that count, and this movie has them enough.

After so many happy-go-lucky musicals, Bonita appeared in a bit more serious fare – Rumba – it’s not a cry your eyes out drama, but it’s more than fluff. Leads are played by George Raft and Carole Lombard (who were involved in real life – love there small trivia trinkets!). Unfortunately, it’s a pale version of the superior Bolero (with the same acting team) and with a somehow similar story (Raft is a dancer who comes from the wrong side of the tracks, Carole is a ritzy society girl). Raft can dance, that much is obvious, and Carole is a very capable actress and stunningly beautiful, but the movie lacks bite. One of the reasons is probably the newly minted production code that forced producers and directors to water down most stuff – and the white-hot chemistry between George and Carole was definitely one of them.

The Big Broadcast of 1936  is another of the pastiche musicals – IMHO, skip. There are tons of talented performers here, but that ain’t enough for a truly good viewing experience. Bonita’s last movie, made in 1936 was Anything Goes, an adaptation of a Cole Porter musical with Bing Crosby and Ethel Merman. Yep, this is one of the few movies La Merman appeared in, and this is perhaps the strongest reason to see it. Of course, that isn’t saying much – the movie suffers from the “censoritis” syndrome. We all know how witty and punny Cole was, and the censors hated such a witty and punny men and tried to put them to size any time they could. Yet, there a some good stuff to be enjoyed int he movie, and it’s from the bottom of the barrel.

And that was it from Bonita!

PRIVATE LIFE

When Bonita came to Hollywood, she expressed a particular lack of enthusiasm as far as men are concerned to the papers. This of course was all tell and no-show – girls sometime did this to gather publicity (“she doesn’t want to get married, gasp!!” effect).

Bonita’s first Hollywood beau was Sammy Finn, who was toting her around the Club Colony for months but it didn’t get to the altar.

Like most young, unestablished starlets, Bonita appeared in the fashion and coiffure columns with some frequency. here is an example:

A coiffure like Bonita Barker’s would be becoming to you. The hair is parted on the right side, combed off the brow with a curl coming down over the left temple to the eyebrow, a wave below this and curled ends over the ears.

Bonita also wrote about her eating habits. Due to being in the chorus, she had to work long hours and did strenuous dance routines, and dieting too much just didn’t cut it out for her. As they said about chorines:

A dainty little sandwich and a soda may be good for the thinning office girl at noon, but not enough for the girls who want to keep their curves to stay in the chorus, these days. These screen dancers must eat, to regain the weight they lose daily in their work, and eat they do, even if it’s a soda between meals.

It seems that Bonita was a serious antiques collector. Her prized possession was pipe with a twenty-six-inch stem which once belonged to Emperor Frederick III, father of Kaiser Wilhelm. Famous director Lewis Stone used to smoke from it when Bonita loaned it to Paramount.

In the late 1930s, Bonita got engaged to Oren William Haglund , and actor and former husband of Warner bros actress Priscilla Lane . Oren and Priscilla were married for one day sharp – imagine what an awkward marriage that was. A wedding date between Oren and Bonita was set, but never reached. Yup, they never married. Who knows what happened between them, although Hollywood is notoriously cheap in this department – engagement were made and broken almost daily, like something extremely mundane.

Bonita traveled extensively after her Hollywood career. She visited Puerto Rico, Hawaii, and Europe several times. In fact, she was in Italy when WW2 started – she returned to the US from Genoa just a few days after September 1st. In 1940, she visited Cuba.

Bonita married Bennett Albert Robinson on October 7, 1941 in Los Angeles. Bennett was born on February 12, 1906, in Pittsburgh, Pennsylvania, to Louis Robinson and Rose Waxler. He studied to become a chiropractor and moved to Los Angeles for work. It was the first marriage for both.
Bennett was drafted into the US army on August 20, 1942, but after serving for a few years came back happily home (sometime before 1945).
Bonita gave up marriage to devote her life to her husband and family. The couple had one child together (couldn’t find the name, sadly). They lived in California where Bennett worked as a chiropractor.
Bennett Robinson died on July 10, 1982, in Los Angeles, California.
Bonita Barker died on May 11, 2006 in California.

Eleanor Prentiss

Eleanor Prentiss is one of those actresses who came to Hollywood owning to her looks, with absolutely no acting experience, and then fell in love not with the glitz and glamour of Tinsel town, but with the gentle art of acting itself. Eleanor thus became an serious theater actress and went into self imposed movie exile, without achieving any Hollywood success and frankly not even caring about it. Let’s learn more!

EARLY LIFE

Eleanor Josephine Johnson was born on October 7, 1911, in Fort Dodge, Iowa, to Edward H. Johnson and Ruth Stockman. She was the oldest of three children – her younger siblings were twins Wallace and Olive, born in 1913. Her father was an attorney.

She attended public schools in Fort Dodge, and then went to Iowa State College. While at university she majored in physical education. After graduation, she went to live and work in Chicago. In 1933, wearing the colors of the Lake Shore Athletic club, won the fifty yard dash in the Central A. A. U. swimming championships for women. Due to her exquisite blonde visage, Eleanor was selected by a group of prominent artists to represent a large soap company at the Chicago Fair.

Upon completing this assignment she decided to try her hand at acting and went to Hollywood. Her first contract was with a company producing Western pictures and she was starred in two of these films. Unfortunately I could not find any information about these movies, as she made them under a different  name.

Her all ’round athletic prowess stood her in good stead. An excellent horsewoman, it was predicted that she would be the greatest female Western star, but fate intervened again and she was chosen in a Los Angeles newspaper contest as the girl with the most beautiful face in California. This led to another motion-picture contract and here we go!

CAREER

Eleanore’s first known movie on IMDB is Thin Ice, the oh-happy -happy-happy Sonja Henie musical. You probably know by now, if you read this blog, that I am not a big Henie fan and find her movies brainless and only mildly entertaining. Thin ice is probably better than most, but still not good enough. Luckily, Eleanore’s next movie is a better type of musical (IMHO) – Something to Sing About, starring none other than the incomparable James Cagney!  Cagney always nails it as a dancer, and the same is true here – his wild kinetic energy just slips of him in doves when he does anything physical, especially dance! The plot is simple enough (a New York hoofer becomes a Hollywood star), and the solid music, good dancing and a decent cast make this a minor hit.

Her next movie, In Old Chicago, wasn’t too shabby either 😛 . A typical old school movie of quality, it boasts a very effective love triangle in the form of Tyrone Power, Alice Faye and Don Ameche, and an intriguing story based of the great San Francisco fire of 1871. Pair that with good production values and sturdy film making, and we have a winner!

Eleanor’s last movie, made in 1943, was Let’s Face It, a funny and breezy Bob Hope/Betty Hutton vehicle. Originally a very risqué comedy with plenty of sexual subtext, (the plot says it all:  if jealous wives pretending to have their own love nest to get revenge on their philandering husbands. Involved in their schemes are soldier Bob Hope and fat farm proprietor Betty Hutton, creating marital discord and getting hope in hot water with the army.). Sadly, it was watered down to a benign and not especially smart comedy, but Bob Hope make sit work.

And that was it from Eleanor!

PRIVATE LIFE:

Eleanor married her first husband, Earl Cooke, in Champagne, Illinois, in 1934. The marriage broke up by early 1936, and in 1937, so frequently seen with Nat Pendleton that people started to think the two were pretty serious. Pendelton aside, Eleanor filed suit for divorce charging her husband with punching her on the chin without provocation. She won her divorce in May 1937, claiming her husband threw her down the stairs on their first wedding anniversary. It seems that Eleanor managed to escape an abusive man, and good for her!

In 1940, Eleanor married for the second time, to Herschel Bentley. Born James Herschel Mayall on September 25, 1907, he was a noted theater actor from the late 1920s. The couple lived in New York.

After her movie career ended, Eleanor carved a theatrical career for herself in New York. Here is a short excerpt:

Most ordinary people would have been contented with this rather meteoric rise in their affairs, but not Eleanor. She wanted to become an actress and be known for her acting ability rather than her athletic qualities. In respect to this she says, “I put the cart before the horse and now I have to try and reverse it.” Suiting the action to the desire she got a release from her contract to come to New York to study dramatic art and in addition to her modeling she attends classes at the Moscow Art Theater three days a week. She has made a great deal of progress and now has a contract with a summer stock company for this season. At the present time she feels that her great love. is the theater and until she has become a success on Broadway she says she will not return to the movies, no matter how attractive the offer may be.

Eleanor also continued to do modeling assignments:

Eleanor came to our office with the same determination to be a success in this business that she has to be a success on the stage. She says that next to the stage she prefers modeling, because she finds that it gives her a real chance to display her dramatic ability. Artists like her particularly because she is a great help to them in improvising interesting poses. She is one of the few girls whom we didn’t have to tell how to make up. She is natural in her appearance and knows the value of it. She has excellent posture and she thinks that these two things are more than half the battle. “Walk with chin up and shoulders back and people will notice you. Be slovenly and you are one of the mob.” That is her advice to all women.

Eleanor settled into the summer stock/theater life and seemed very happy with it. Unfortunately, her marriage with Herschel disintegrated in 1948, and they divorced in 1949. Herschel remarried in 1952 to Isabella Hunnewell Lee Livingston and died on August 15, 1991.

Eleanor acted in her last Broadway play in 1948, and from then on she did some regional theater until her retirement.

Eleanor continued living in New York after her retirement. As far as I can tell, she didn’t remarry and had no children.

Eleanor Johnson Prentiss died on August  14, 1979. She was buried in Fort Dodge, Iowa.

Margo Woode

Margo Woode is great proof that it’s sometimes better not to take Hollywood too seriously, and try to bend its rules to suit your needs rather than the other way around – after some minor success, Margo left Tinsel town, devoted herself to family and other pursuits but still returned to movies when she had a chance. Let’s learn more about her!

EARLY LIFE

Margo Ketchum was born on April 11, 1922, in Phoenix, Arizona, to Raymond Ketchum and Alma Odell Bumph. Her older brother Raymond Sr. was born on October 6, 1920 and died four days later. Her father worked as an embalmer and undertaker. Newspapers later claimed that  Margo was of royal Indian descent , the great-granddaughter of a full-blooded Cherokee princess. I didn’t go that far in the family tree to try to verify it, but it’s entirely possible.

Margo grew up like any normal, happy child in  Phoenix and attended North Phoenix High School.  Luckily for Margo, her uncle was prominent dance teacher, Gene Bumph, and she studied at his Gene Bumph School of Dancing. She was discovered when she was 18 by Fred Astaire and began her film career that year under the direction of Hermes Pan. Darryl F. Zanuck signed her to a 20th Century-Fox contract and of she went to Hollywood!

CAREER

Margo had an uncredited role in Springtime in the Rockies, a cheery musical, in 1942, and then took a hiatus until 1945, when her career really took steam (eh, it didn’t blow full steam like with Bette Davis or Joan Crawford, but it’s better than most others). She appeared in The Bullfighters, a lesser Stan Lauren/Oliver Hardy comedy, the classical musical State Fair and had all of her scenes deleted in The Spider, but fortunately for Margo, the movie turned out to be mediocre and is more or less completely forgotten today.

Then, suddenly, Margo made a string of three movies that woodlice remain her only claim to fame in any shape or form. From an uncredited glorified extra, she actually had solid roles in solid pictures.

Somewhere in the Night remains Margo’s masterpiece. The movie itself is a minor classic, and Margo gave the bets role of her career in it. Somewhere in the night is one of those rare few noir that never reached cult status, but remain stunningly good films, with a strong metaphysical undercurrent and almost archetypal storytelling. Joseph Mankiewicz took a solid story, spins it the right way and made a dark, compelling and intense movie. What starts as a story of a traumatized veteran soldier ends up a meditation on identity and consequences of war. Unfortunately, this is still a B production, and what it lacks is a top-level leading man – John Hodiak is good, but he never managed to make a lasting impression, at least to me, in any of the movies I saw. Same for the leading lady, Nancy Guild, as stunning beauty but not a smoldering femme fatale at any rate (although she does play the good girl, but these characters tended to be boring). Yet, the supporting cast is excellent. Here we see the full power of the Hollywood studio system – so many good characters actor sin one place!

Margo appeared in another B effort, It Shouldn’t Happen to a Dog. This one is more of a curiosity than a particularly good movie – made right after the war ended, we have this neither here nor there period when women still stood up for men in various jobs that would, just a few years later, become forbidden fruit. It is interesting to see Carole Landis as a female police inspector. In 1947, Margo appeared in Moss Rose, a serviceable 19th century drama/action movie with the alluring Peggie Cummings in the leading role. Just when Margo gained some momentum, it all stopped. She took an acting hiatus to give birth to two children an never made a movie that topped these three.

She returned to the Hollywood fold in 1950. She had the smallest role in No Sad Songs for Me, a cry-your-eyes out soaped with Margaret Sullavan (the woman was a dynamo, that’s for sure), then in When You’re Smiling,  a cheap and so-so Columbia musical with Frankie Laine. And then Margo disappeared again, to live in Phoneix, Arizona.

She did some minor television work in 1952, and then returned to Phoenix once again. She was Hollywood bound in 1957, and appeared in two movies – Bop Girl Goes Calypsoa kitschy, tasteless, cheap calypso musical, the sole reason to watch is to see Judy Tyler on-screen (she died at the tragically young age of 23 so not a lot of her movies left), and Hell Bound, a much better  film noir – despite it’s very humble C movie roots, it’s actually a powerful mediation on the world after WW2. John Russell is very good as a mobster hell bend on getting a cargo of drugs the military want to get rid of so he can sell them and get major money pretty quick. Margo plays his girlfriend who gets up her neck in trouble. Margo had a knack for playing in film noir, but sadly this proved to be her last foray into the genre. She sis some minor Tv work, and returned to film only in 1961, with The Touchables, a low-budget nudie movie. Margo’s last movie, Iron Angel, was made in 1964.

PRIVATE LIFE

When she came to Los Angeles, Margo began studying with acting legend Maria Ouspenskaya and caught the excitement of true acting. She ducked her dancing contract and made a bid for an acting contract, and this determined the course her career took later.

There was a bit of drama in Margo’s love life. Namely, her first serious Hollywood beau was Les Clark, a former vaudeville actor who rose to become a movie actor and ultimately a dance director. He was born in 1905, making him a bit older than Margo. They kept their relationship under wraps, but the general consensus was that they were going to get hitched sooner rather than later. Here is an article about I.

Reason pretty Margo Woode won’t play ball with studio publicists is because she’s secretly engaged to Les Clark, an actor

And then, all of a sudden… On July 22, 1948, Margo married proficient manager Bill Burton. They got engaged in April 1948. Literary a few months after making the papers with Clark, she was first engaged and them married to another man. Whoa, I would love to have heard what happened behind the scenes here, what made Margo make such a 180 turn. Here is a very revealing article form the period:

Les Clark, the dance director, and Marion Marshall, the Fox Star let, are going steady. He’s the lad his pals thought would marry Margo Woode until Bill Burton moved in

So, Les was probably blinded-sided with the breakup. Poo guy, but then again, who knows what exactly happened in the background. Anyway, little is known about what Les did afterwards, except that he lived for a time in the UK and died in 1959 in London.

Margo and Bill Burton honeymooned in New York. Margo also requested from her lawyers to end her contract to 20th Century-Fox. It seems a movie career took second place to something else. Burton was Margo’s manager – he was formerly manager for Dick Haymes, Maureen O’Hara, Margaret Whiting, Ray Noble, and Piano Students.

On May 3, 1948, Margo gave birth to a son, Niles Bruce. Margo gave birth to a daughter, Karen Nini, at Santa Monica on August 31, 1949. When Karen was about one year old that they decided to give up the hectic Hollywood lifestyle for something more family friendly and laid back. Burton as an agent had an especially gruelling schedule and as he was getting older, it was deemed that for his health, he should take it easy. So they decided to move to her hometown, Phoneix, Arizona.

Margo gave up her career last year so that her children might grow up in the “friendly warmth” of Phoenix. Burton, restless as he was by nature, didn’t last long in retirement he held out six weeks. And took the reins of KPHO as an executive-producer.

Margo commuted to Hollywood when it was needed. Sadly, her husband died n the late 1950s (could not find the exact date, but I’m guessing about 1959 or 1960).

After Bill’s death, Margo continued her acting career, but she was in Hollywood only sporadically. During one visit, she met another former student of her uncle, Ron Beckett. He was dancing in “Damn Yankees,” “Silk Stockings,” and on the Guy Mitchell Show. They hit it of right away, and married not long after. After their marriage, they decided to come back to Phoenix (where it’s fun to raise children), and take over Gene Bumph’s dance school. Thus, Margo and Ron were co-partners in their dance studios. Here is a short article about their school:

Margo Woode, Dancer, Star Of Pictures And Television, Local Housewife with Betty Grable and Harry James in “Springtime in the Rockies.” And for those who’ve lived here not quite that long, she was the wife of our first television station manager, Bill Burton in the midst of all the excitement our first television caused around here. “I’ve retired from show business half a dozen times,” laughs the pretty matron, mother of Gigi, 2, Bruce, 16, and Karen, 14. “I just keep slipping back into it.” man, or any other, or you will find yourself 21 years old with TWO failures. Now she runs a dancing school with her husband, Ron. Margo and Ron believe that dancing is wonderful for children, parents, and grandparents. Their-youngest student is 3, their oldest 83.

Beckett-Bumph School of the Dance was located at the 4741 N. Central Ave. The Beckett were great professional partners, but their private life also blossomed. Their daughter Gigi was born on August 3, 1962. It seems that it was a good life, in sunny Phoneix.

According to IMDB, Margo is still alive today, at 96 years old.

 

Tanis Chandler

Unlike many starlets, Tanis Chandler came from an upper class background, and when she decided to crack Hollywood, she hired a good enough publicist to do a major publicity stunt – namely, try to sell herself as a man! In time or actor-shortage (due to the war), this otherwise pathetic stunt worked, and Tanis found herself playing leading roles in B movies. Sadly, she never broke the mold to become a true success, and retired after marrying.

EARLY LIFE

Anne Scott Goldwhaite was born in Nantes, France, on August 20, 1924, to Henry Chandler Goldwhaite and Leone Lorfray DeRousier. Her father was a noted American pianist, organist, composer and conductor. He used this name for classical concert work but adopted the name of Rex Chandler for popular music work. Tanis’ mother was French. She had a younger sister, Patricia, born in 1929.

Tanis was educated in Paris, with private tutors, and at the Westlake School for Girls in Los Angeles. For a brief time she was educated in Mexico City, where she learned to speak Spanish. From earliest childhood, Tanis had an interesting calendar: Four months of each year she spent in the United States with her father, whose professional work required these visits; three months of each year were spent in England for the same reason. The rest of the year the family resided with Tanis grandmother in Nantes or in the apartment they maintained in Paris.

In 1936 the Chandlers came to New York, planning to reside permanently in the United States. Tanis’ father conducted the Ford and other radio shows, then became seriously ill. Forced to help out on the family finances, Tanis became a model while going to school. She worked for Powers, also free-lanced, appearing in many well-known advertisements extolling nationally known products. She continued this work when she came to Hollywood.

CAREER

Tanis started her career as a woman in uncredited role for RKO. her first appearance was in Higher and Higher, one of the few films where Hollywood tried to capitalize on the alluring Michele Morgan, then a major French movie star. What can I say, Hollywood totally failed to use this incredible actress, and she languished in low quality productions for a few short years int he mid 1940s. This movie is one of those – thus, unless you want to see Michele, not really worth watching.

Then came Janie, one of those idealized, thus completely unrealistic family movies Hollywood made during the War to keep up the moral – all the kids are wonderful, all the parents are wonderful, all the families are perfect. But still, they usually are heart warming, touching movie,s despite their lack of plausibility. Here we have Joyce Reynolds, forgotten by time and everybody else, and Robert Hutton ditto), so the cast isn’t even top-tier. Saving grace is definitely Ann Harding! Love her! She played mother roles by then, and she was superb in it, just like in anything else she appeared in. Similar in theme and feel was Music for Millions, another cutie pie musical, this time with Margaret O’Brien and June Allyson.

Tanis became a man for Wanderer of the Wasteland, a Zane Grey western. No comment needed.

Tanis was one of the tons of girls in George White’s Scandals. Tanis appeared in Cornered, a solid but not outstanding film noir with Dick Powell. Worse for wear was Dick Tracy, first of the low-budget series, but Tanis’ movie got better by a narrow margin.

Then came a role in The Madonna’s Secret. Now, this is an example of a movie that actually outshines its modest origins – concocted as a B movie with a slight story and no big acting names in it, a sturdy director, good cinematographer and capable actors make it work, and warrant it a watching many years after it was made. Next was lackluster Cinderella Jones, followed by the Bronte sisters biopic, Devotion. Not the best biopic ever made, but a good one nonetheless.

Tanis was then in Ding Dong Williams, a piece of silly, nonmemorable movie making. Another not quite memorable movie was The Catman of Paris, where she was even credited, but this sub par copy of Cat people didn’t raise anyone’s profile, Tanis included. She had a leading female role in Shadows Over Chinatown, a Charlie Chan movie, so we can say that at least Charlie Chan enthusiasts know her name.

Unlike many actresses on this site, Tanis appeared in a bona fide classic – The Big Sleep. She had a small role as a waitress, but this is still enough to warrant cinematic greatness (ha ha).

The rest of Tanis career is actually impressive, considering her modest starts – she played leading, or at least credited roles, despite the quality of the movies being dubious (to put it mildly).

For instance, Spook Busters, a Bowery brothers movie, perfect for boys of 13-14, and not much else… And then Affairs of Geraldine, the forgotten Jane-Withers-charms-everybody movie. And Jane always plays overgrown teenagers… it got a bit better with another Charlie Chan, The Trap. And then there was Lured, a very good thriller made by (surprise!) Douglas Sirk. Yes, the same Douglas Sirk who did glossy female melodramas like Michelangelo did statues. And yes, there is more to Sirk than it meets the eye! And an outstanding cast – Lucille Ball, George Sanders, Boris Karloff

After such a good movie, The Spirit of West Point seems like a total letdown, and ditto for 16 Fathoms Deep, an insipid, no very original underwater adventure film with a B cast and C production values. Tanis was playing leads – just not in the best movie, it seemed. from 1949 until 1952 Tanis was busy in TV production, and made her two last movies in 1951 and 1952 respectively.

The first, According to Mrs. Hoyle was a cheap Monogram programmer where Spring Byington, as an elderly schoolteacher, tried to reform some jaded criminals. Sounds wacky? Oh yes, but Spring is a gem and worth watching almost anywhere. Tanis’ last movie, At Sword’s Point, was a fun and breezy swashbuckler with Maureen O’Hara and Cornel Wilde – while it’s not a bad movie by any stretch of imagination, it’s hard to distinguish it from the hundreds of similar swashbuckler movies.

And that was it from Tanis!              

PRIVATE LIFE

Tanis was 5 feet 5 inches tall and weighed 119 pounds. She had deep blue eyes and lovely taffy-colored hair.

During her childhood Tanis wrote fiction and poetry and enjoyed considerable success in selling it. She still wrote during her Hollywood years, but only as a hobby but no longer made a serious effort to sell her work. She was interested in music for the pure enjoyment it affords, and in drawing and painting. Also she also spoke French and Spanish fluently. Due to her knack with languages, she did the French dubbing for about 30 foreign versions of pictures.

While attempting to get a foothold in Hollywood, Tanis supplemented her modeling with more than a year’s work in a Beverly Hills stock brokerage firm. Except this, she also did a teaching stint at the Goldthaite school, a kindergarten with an enrollment of 30 children, which she and her mother operated on the famed Sunset Strip in the 1950s. Also, another part-time job – modeling! Besides appearing inside the stylish magazines regularly and on numerous covers, she commuted between Paris and New York offices of the magazines with all expenses paid.

Tanis hit the papers for the first time in 1944, where she was a subject of a clever PR stunt (I refuse to believe it was anything else). take a look:

Pretty Miss Tanis Chandler did all right in masculine film roles, until she got a part as an un-shirted laborer. Then Miss Chandler had to say “no,” and tell Warner Bros, she was really a girl. She explained that she had tired of her job as a teletype operator and had capitalized on the current shortages of male extras. But before the unmasking, she successfully portrayed the role of a sheik in “The Desert Son”–her curves concealed by a long flowing Arab robe.

While they claims that she is earnest tried to sell herself offas a man, I highly doubt this – okay, if Tanis was a sturdy woman whose built at least went on the stronger side – but she was a slip of a thing, weighting a bit more than 100 pounds – such delicate man and few and far between. So, while it was possible, I do think was a stunt to make her more recognizable for the movie going public. It’s not like Hollywood never did such shenanigans. It was this, plus her voice, that landed her a contract with RKO.  Allegedly, an executive studio heard her voice on one of the first OWI programs to General MacArthur’s invasion troops and Filipino guerillas on Luzon, learned who she was and hired her.

In 1945, wealthy heir Bill Hollingsworth was often seen with Tanis. He even took her mother dining, meaning it was serious. She spent her 21st birthday with Bill, but by next month she was with Paul Brooks at Lyman’s. John Auer came next, but he didn’t last that long. In 1946, Tanis was seen with Al Herd at the Trocadero with some frequency.

In 1948, Tanis made headlines for an unfortunate accident. Here it is:

Blond screen actress Tanis Chandler was resting Monday following a brush with a leopard. She suffered gashes on her arm Sunday when attacked by the big cat at Trader Horn’s wild animal farm. Miss Chandler, who is starring in a film titled “Gee, I Tamed a Lion,” was training for the role when she was attacked

In 1949 Tanis was quite serious about attorney Milton Golden, and was a speaker at several woman’s gatherings, describing her recent trip to France and Belgium.

Tanis Chandler and Milton were quite strong for a time, going to double dates with Barbara’ Lawrence and Turhan Bey. Unfortunately, this also failed in the long run and they broke up in 1950.

In 1952, Tanis married music publisher Paul Mills. Here is an article about her wedding:

The lovely bride is the daughter of Mrs. Chandler Goldthwaite and the late Mr. Goldthwaite and her bridegroom’s parents are Mr. and Mrs. Irving Mills. Newlywed Mrs. Mills, known professionally as Tanis Chandler, was given in marriage by Harold Lloyd. Her wedding gown was fashioned of ivory-pink satin and a band of pale pink rosebuds held her shoulder-length veil of heirloom Brussels lace. She carried a cascade of stephanotis and pink miniature roses. Tanis and Paul left for a honeymoon in Northern California after the wedding

Paul Mills was born in 1922, in Pennsylvania, to Irving and Bessie Mills, one of seven children. He grew up in Brooklyn, New York, where he got into the music scene, and ended up in Los Angeles in the late 1940s.

On May 30, 1952, Tanis gave birth to a daughter, Amy Beth. Three years later, on May 14, 1955 a second daughter, Priscilla Leone, was born. Tanis happily slid into family life, far away from Hollywood and newspapers.

Paul Mills died in 1999.

Tanis Chandler Mills died on May 7, 2006, in Sedona, Arizona.

 

Nadine Dore

Nadine Dore had a pretty standard career path – beautiful girl who aspired to become an actress, stared dancing young, worked as a chorus girl, and got to Hollywood via the pageant route. And it all ended with Nadine, barely in the 30s, retiring from movies after a string of uncredited roles. Let’s learn more about Nadine!

EARLY LIFE

Pyhllis Nadine Redman was born on September 18, 1912, in San Jose, California, the only child of Joseph M. Redman and Nina Koehler. Her father was a florist.

Phyllis grew up as a California beach girl, very much interested in the performing arts, dreaming to become a dancer and actress some day. She started attending beauty pageants when she was 13 years old, and pretty soon was a regular on the circuit, winning more of them than not.

After Nadine graduated from high school, she packed her bags and moved to New York, becoming a show girl. Nadine proved to be quite popular as chorine, but for unknown reasons she returned to California a year later. She became a member of the cast in the revue at the Hollywood Music Box.

1931 was a big year for Nadine, and one can say that Pyhllis Redman became Nadine Dore right then and there. In a short time-span she was successively named “Miss Los Angeles” and “Miss North America” in beauty contests. After she became Miss North America, Hollywood came knocking on her door, and she started her acting career that same year!

CAREER

Nadine appeared as a Goldwyn girl in the aptly named Palmy Days, a very good Eddie Cantor musical. Don’t expect any real depth, but there are plenty of funny lines, physical gags and good music, so that’s all we are asking for! Then came Good Sport, a perfect example of the best of elegant Pre Code comedies, with an implausible plot (a woman unwittingly rents an apartment from her husband’s mistress while they are both in Europe – whoa Nelly!) , but made with a dash of style and panache! The only minus is that John Boles is in it – one of the least memorable wooden faces ever! And he always plays the nice guy (boring as heck). But a plus to Linda Watkins and Greta Nissen, both underrated actresses!
Next up was The Scarlet Brand, a forgotten Bob Custer western. Ditto Bill Cody’s Law of the North. Luckily, Nadine went back to non western movies afterwards. A Parisian Romance  was another funny pre-Code sexual romp, the kind of they don’t even make today.
Nadine got her first credited role in A Strange Adventure, a Regis Toomey/June Clyde murder mystery. Imagine a cheery 1930s film noir and you’ve got it.
Nadine was then in Dancing Lady, a Joan Crawford musical, where Joan plays, surprise, a working girl who becomes a star! So atypical for our Joanie, no? While this movie is no masterpiece, I love it – mostly for Franchot Tone, whom I generally adore. His relationship with Joanie is the movie was tops! Sadly, this means her proper romance with Clark Gable (as the male lead) just didn’t do it for me. Ah, that happens when you act opposite your husband and your lover in the same movie!
Next: She Couldn’t Take It, a very-rich-and-plain-crazy-family doing some crazy things screwball comedy in t he mold of My Man Godfrey (made several years later). Unfortunately, the leads, played by George Raft and Joan Bennett, fare better in non comedic roles and don’t quite have the punch to make it work, but the supporting cast is tops (Billie Burke, Walter Connolly, Donald Meek…).
Nadine lost her contract, and decided to give herself a seocnd life under a different name, Carol Wyndham. Carol appeared in as a lead in the low-budget western, Roamin’ Wild. But that was about it with leading roles. She was back to uncredited role with The King Steps Out, a totally romanticized version of the Franz Josef/Sisi courthsip (much like the popular 1950s movies with Romy Schneider, not grounded in reality one bit, sadly). The movie has Franchot (as Franz Josef) so it’s a go go go for me! Sisi is played by Grace Moore, whom I find to be a bland actress to meh! Carol marched on. Venus Makes Trouble is a completely forgotten comedy, and Start Cheering is actually a pretty decent romance musical with Jimmy Durante. And that was it from Carol Wyndham.
Nadine’s last two movies, made under her original name in 1937, long after the code had taken place, were When You’re in Love and Women of Glamour, both inspired, made-by-the-book comedies with no real merit…
And that was it from Nadine!

PRIVATE LIFE:

Nadine weighted 116 pounds in her prime and had brown hair and sparkling blue eyes.

Nadine boasts a unique distinction of probably being one of the few chorus girls in history that owned an airplane and were able to fly It.  She was a proud proprietor of a swallow plane in which she took lessons in plain and stunt flying under the tutelage of Finley Henderson, stunt aviator. Prior to the purchase of the plane, when she was about 19 years old, Nadine had acquired a reputation for air stunting, but had never flown a plane.

Nadine married her first husband, Chester G. Miller, in Yuma, Arizona. Like most dramatic elopement cases, the marriage went kaput in short order. Already in 19134 there was this mini-scandal in the papers:

Beauty Charges Beating in Her Divorce Plea Nadine Dore Miller, screen actress and former beauty contest winner, filed suit in Superior Court yesterday for divorce from Chester G. Miller. Last Monday after accusing her of being too friendly with another man he beat and choked her, she charges in her complaint. They were married last April 22. As Nadine Dore Mrs. Miller won title of “Queen of Beauty” at the First National Beauty show in 1929 and in 1931 she was acclaimed “Miss North America” at the Ocean Park Municipal Auditorium.

Obviously that was hardly a high quality marriage. They divorced not long after.

Nadine Dore Suing To Rescind Contract 3 (Bv Associated Press) LOS ANGELES, Dec. 15 Nadine Dore, who two years ago was acclaimed as having the Ideal physical measurements for a screen actress, today filed suit against the Fox Film corporation to have rescinded a contract under which she never was paid more than $49 a week as an actress.

As we already learned elsewhere on this blog, suing a studio in the 1930s was a really, really bad idea, especially if you were a non name actress with no thick background. Olivia de Havilland and Bette Davis did it later in the 1940s, but they were both famous actress with plenty of clout – and Nadine most certainly was not.

So, Nadine decided to try again. he changed her name to Carol Wyndham, and tried to pick for stardom. As you ould read in the Career section, this also backfired. She did get some minor newspaper coverage over it – here is an example article:

Carol Wyndham started winning beauty contests when she was 14 and won too many. She says now it is hampering her chances for a motion-picture carer. She has changed her name to shake the jinx and has just been assigned a small part in a film.

She won the beauty contest titles of ” Miss Southern California” in 1927 ” Miss C a 1 i f or-nia ” in 1929, and “Miss North America ” in 1931, was espied playing a featured bit in the Carole Lombard-Fredric March picture, “Nothing Sacred,” at Selznick’s. Miss W y n d h am has her first speaking part in this film. Commenting on her long apprenticeship as a film dancer and part of the “beauty background” in so many pictures, this actress, now 24, uttered the following sage remark: “Too good a shape is a detriment for a girl in the movies. If a girl wants to be a star, it is her personality that she must make noticeable. ” After I won those beauty contests I thought for a while that I was wonderful But a couple of years in the movies knocks that feeling out of you,” she continued.

But no, it wasn’t really enough to fix the jinx. Nadine retired from Hollywood after Carol Wyndham outing, and married for the second time to Dell Henderson in Idaho in 1941.

Unfortunately, there was nothing else I could find about Dorine. According to the IMDB, she died on April 20, 1992, in Riverside, California. As always. let’s hope she had a happy life!

 

Adele Lacy

A Midwestern girl came to Hollywood armed only with a nice face, good body and some dancing skills, and actually got a chance to play leads in low-budget movies. This could go both ways – either it’s a springboard to something better or it’s a peak of an otherwise abysmal career. Unfortunately, Adele Lacy suffered the former fate, and after an initial short blast spent the rest of her career in the chorus.

EARLY LIFE

Adeline Charlotte Fergestad was born on September 8, 1911, to Morris Fergestad and Mina Johnson, in Minneapolis, Minnesota. Her paternal grandparents were born in Norway, and Mina’s family were also of Norwegian stock, making Adeline of the Minnesota Scandinavians. Her older brother Marvin was born in 1910. Morris Fergestad was a postal clerk at the local post office.

The family lived in Colfax Avenue, Minneapolis with two lodgers. Adeline was a vivacious red-haired child who had a knack for dancing and performing – she often played leads in local shows. She studied under Ruby Helen McClune of the Junior School of Expression. Beautiful and talented, she was appearing in several Kiddie Revues at the State theater, subsequently taking minor roles at the Schubert theater. When McClune went to Los Angeles to learn more dancing techniques, Adeline accompanied her. She loved the city, and vowed to return one day. But it was back in Minneapolis for now. Adeline’s first claim to fame was appearing in a Gus Edwards revenue in 1926 – she was chosen among hundreds of other Minneapolis dancers.

As for academia, Adeline attended Jefferson Junior high school and West school. In 1928, before Adeline graduated from West high school, she packed her bags and left for Hollywood, hoping to break into movies after getting some slack by appearing in Gus Edwards show.

In Tinsel town Adele attended Hollywood high school, from which she graduated that same year. She did dancing work and some minor uncredited work in movies (could not find any information about what movies). In 1933 her luck changed when she got picked From 1,000 actresses to be a leading lady for a series of western pictures starring Lane Chandler. And thus her career started

CAREER

Adele’s first known role, and one of the few where she was credited, was Vanishing Men, a lost low-budget western. Adele had the dubious honor of playing leading roles in two more low budget westerns The Wyoming Whirlwind and When a Man Rides Alone. While none of these movies have any impact on the world of film, viewers actually seem to like When a Man Rides Alone and it got strong kudos! You could say I was surprised – I never expect anybody to watch these old cheapies. Obviously, people still like Tom Tyler and watch his movies, but the question was, did Adele benefited from acting opposite such a western icon?

Short answer, no. Like most B western heroines, Adele’s career went nowhere fast. While she started pretty good – leading roles after all, it was dissolved from then on, and she remained a chorus staple in some good movies, but she was still just one of the chorus girls, rarely noticed.

She was a Goldwyn girl in The Kid from Spain, the ultimate Goldwyn girls classic. She was also in the legendary 42nd Street, and this is for sure the highlight of her career. It seems that being a Busby Berekely chorus girl was a career path many girls took when they arrive in Tinsel town. Too bad only a small fraction outgrew this fun and quite limited function.

Adele appeared in Busby’s movies with an almost alarming frequency: Gold Diggers of 1933Footlight ParadeRedheads on Parade. They are all the typical Berkeley musical – slim plot but lavish dance numbers and a whole loads of scantily clad girls to go over.

And sadly, that was it from Adele

PRIVATE LIFE  

Adele had natural red hair, hazel eyes, was 5 feet 2 inches tall and weighed 114 pounds in her prime.

Adele married her first husband, Madison S. Lacy, in 1929. Madison was born on August 2, 1898 in Philadelphia, Pennsylvania. He worked in Hollywood as a stills photographer from the late 1910s. He later became a successful cheesecake photographer and took photos of many famous pin-up girls and actresses. His best known work are the stills of Ingrid Bergman from 1944.

Madison undoubtably helped her wife carve her path in Hollywood, but other than that little is known of the marriage. They divorced about the time her career came to an end, cca 1935. Madison remarried to actress Lois Lindsay and died on April 26, 1978.

In 1935, Adele left her movie career to become a special correspondent in Shanghai, China for a U. S. news syndicate. She was there for roughly a year, and then moved to London, England, also as a correspondent. After a year spent in London, she returned to New York, went back to Minnesota for a short time, and decided to take the big plunge and get married again. My guess is that she met her future husband during her two years outside the US, but anything is possible.

Adele married Walter Abel Futter in December 1937. Futter was an interesting, larger than life character.

Futter was born on January 2, 1900, in Omaha, Nebraska. Walter and his brother Fred were known in the early 1930s as the “junk-men of filmdom” because of their successful stock footage library. The two started buying negatives of bankrupt firms and amateur cameramen in 1926, calling their firm “Wafilms.” By 1928 they made profits by buying “short ends” of movie reels and selling them at big prices. Futter also produced short movies for Columbia studios, specializing in travelogues – his biggest ace was Africa Speaks – where a Colorado expedition visited Africa. In a world before internet, where a majority of the population never left the continent, and where Africa was a half mythical country, these movies were a smashing success. He tried to repeat the formula several times after, but never managed to react the success of Africa speaks. He was also one of the first filmmaker to show a zombie on-screen.

Futter was married once before, in 1927, to Patricia Elizabeth Murphy, they divorced a few years later.

In 1938, the Futter moves to London, where he produced British movies. When the war started in Europe, they returned to the US, living in New York. The Futters moved to Market, New Yersey, in 1944.

Reports Wife Missing On Trip to Manbattan New Market Police announced last night that Mrs. Adele Futter, 34, of Poe PI., had been missing since noon Tuesday when she left in her car for New York City. According to Arthur H. Schlun-sen, police chief of Piscataway Township, Mrs. Futter was last seen in Manhattan Tuesday by her doctor whom she visited during the day. Five feet two inches tall and weighing 120 pounds, the missing woman is the wife of Walter A. Futter, producer of motion picture short subjects and travel films. The Futters moved to New Market approximately one month ago.

And here is it how it ended:

Mrs. Walter Futter, 34, of Coe place, former actress, who had been missing for nearly a week, has returned to her home, police revealed today. The woman, who had left home last Tuesday to visit a physician New York City and then mysteriously disappeared, stated last night she had been visiting in Moorestown, Pa., and did not realize her husband had been alarmed about her. Futter notified police late Sun day night he was satisfied where wife was and asked the tele type alarm be recalled. Mrs. Futter stated she had telephoned a woman friend she knew the Orient while in New York City and discovered there had been a death in; the family. She decided to visit the friend in Moorestown and had asked someone to telegraph her husband to that effect Evidently, she said, in the excitement of the invasion, the telegram had not been sent. Mrs. Futter immediately tele phoned her husband when she read in the paper she had bee missing and came home yesterday. Her husband is a producer of motion picture shorts and travel forms.

This look normal to you? I am on the edge, this kind of gaffes can happen all the time, but something I feel something fishy… Maybe Futter was just an overtly dramatic man?

I’m guessing that Futter wasn’t  a picnic to live with (larger than life people seldom are), but the information about the union is scarce so no concrete evidence for that. Aside from that, the Futter lived in a small farm and even started to grow animals. Here is an article:

“Little lawnmowers” is what Mrs. Walter Futter of Burnt Mills Farm, Burnt Mills, calls the flock of sheep and lambs which she and her husband have on their farm. They advertise ‘today, “Choice milk-fed Easter lambs.” Mrs. Futter said that when they decided to get a few lambs some time ago, they were going to buy three “just to keep the grass down.” Instead, they got a flock of 24 and discovered they had to be fenced in properly or they eould eat flowers and shrubs as well as grass. Now the flock has grown to 80 and the Futters sell Easter lambs. Mrs. Futter also told us that the sheep is called “the animal with the golden hoof because Its manure, pounded into the ground with little hoofs does not disturb the sod and prevents weeds from growing. This is the kind of sod sold for landscaping. Mr. and Mrs. Futter also have a riding horse, chickens and French miniature poodles,

In 1953, Adele learned she had cancer – after a traditional treatment in the US, she moved to Mexico City for alternative treatment. Unfortunately, it was too late for Adele.

Adele Lacy Futter died on July 3, 1953 in Mexico City, Mexico, survived by her husband and brother.

Adele’s widower, Walter, married painter Howard Hoyt s ex-wife Betty Bartley in November 1955.

Betty got pregnant a short time later, and the awaited their child in June 1956. Unfortunately, when the baby was born it lived only 8 hours. Their one year marriage perished with it, and they were divorced by late 1956. However, the soap opera hardly stops here! In early 1958, they were in court again:

Walter Futter, 58, who is being sued by his blonde showgirl wife, Betty Futter, 35, for separation and $’.00-a-week temporary alimony, made it known today that from now on he wants her to pick up her own tabs. In a paid newspaper advertisement, Futter said: “My wife Betty, having left my bed and board, I am not responsible for her debts.” Futter was served with a complaint in Betty’a action last Friday. In her papers, Betty charged he was “insanely jealous,” falsely accused her in public and private of infidelity, and frequently beat her up.

The drama came to a halt when Walter Futter died on March 12, 1958.

 

Audrene Brier

Audrene Brier was a dancer who failed to become a proper actress, and mostly appeared in chorus girl roles. What sets her apart from tons of other chorus girls that never broke into acting is the fact that, after her “acting” career was over, she became a choreographer of repute and effectively had a second life in Tinsel town!

EARLY LIFE

Audrene Ethel Brier was born on September 28, 1914, in Los Angeles, California, to Huber Benjamin Brier and Lillian Abraham. Her father was a carpenter, her mother a housewife. Her maternal grandparents were British. She had an older sister, Lucille, born in 1912.

She was a child actress at 3, a protegé and a discovery of Gus Edwards, and worked in bits all during her younger years, but unfortunately I could not find these credits. Audrene was also enamored of dancing from the star – she had studied ballet with Ernest Belcher (father of Marjorie Champion) for ten years and tap dancing with Nick Castle for almost the same length of time. I assume she also attended high school, but could find no information about it.

Audrene was also socially active in various pageants and parades all around Los Angles, even winning awards for her frocks several times (it seems Audrene was a clothes horse!). However, she didn’t make a “proper” movie until she signed with Warner Bros in 1933, and off she was!

CAREER

Audrene’s career can be divided into three very distinct chapters. The first one were her dancing days in the early 1930s. She entered movies in 1933, under contract to Warner Bros. Her first movie was Gold Diggers of 1933, the best of the Gold Diggers string of movies. Warren William plays the lead what can I say, I love William and find him one of the best Pre-code actors. The plot is good enough, music and dancing are superb – exactly what you would expect from a Busby Berkeley production. Unfortunately, the rest of her output didn’t soar as high. It’s Great to Be Alive is an idiotic musical cum SF (yep, you heard that right), Too Much Harmony  is a typical Bing Crosby musical of the early 1930s, nothing to shout about. Audrene made three more musicals for Warner Bros, and all three of them were mediocre fare at their bets, and totally forgettable at their worst (Stand Up and Cheer! , All the King’s Horses and Redheads on Parade). She was literary one of thousands girls that came pouring to Hollywood every year, get their small chunks of movie time in the chorus, and get forgotten in a year or two. However, Audrene decided to stick around and make something more out o her not-to-impressive career.

She sailed to the UK in the mid 1930s, and tried for  a career there. The pickings were slim, but they were there – Darby and Joan , a completely forgotten comedy, Wise GuysThe Reverse Be My Lot , both likewise forgotten, but Audrene was credited in all of the movies and actually appeared on-screen outside the chorus line. While not much, it still was something. The war looming in Europe, Audrene returned to the States, and settled into a dancing life.

She returned to movies in 1941, and this begins the third “chapter” of her movie career – back to the chorus or at least to lightweight comedy. The first movie was Down in San Diego, a solidly done wartime adventure/comedy with all the usual suspects – Nazi spies, military secrets, the navy and so on. Bonita Granville is in it – that’s a slight plus if nothing else. Audrene played a secretary in Born to Sing, a formulaic and not especially good ‘let’s put on a show’ film – it’s decidedly B class material and that’s that.Even more preposterous was Joan of Ozark, a Judy Canova idiotic wartime movie where she singlehandedly foils a German spy ring. As one reviewer wrote, it’s a “propaganda films of very dubious quality”. While Judy can be amusing at times, the story is most certainly not. Like many other starlets, Audrene was in Parachute Nurse, and ended her career in Call of the Canyon, a cheap but able musical western. And that was that!

PRIVATE LIFE

After leaving movies for the first time, Audrene worked as a professional dancer. She appeared in Chicago fairs and doubling at the Congress hotel with Billy Taft for a partner and to Eddie Duchin’s music. She also did some nightclub work in both New York and Chicago, before returning to Los Angeles. Why did she return, you may wonder? Simple – love.

She married Nathan Rosenberg on February 12, 1936, in Los Angeles. Nathan was born on 1904 to Maurice Rosenberg and Sarah Carr. His uncle was renown producer Carl Leamme. Known as Nat Ross, he worked in the film industry as a director under his uncle’s guidance. He was a veteran of over 60 directing gigs by the time he married Audrene, and a well-known staple in Hollywood. Yet, his career was effectively over by 1931, and he dreamed of other, better opportunities for his talents.

Buoyed by a union of two artists who wanted something better than just scraps, Ross and Audrene decided to go to England, where he went inot producing movies and she acted in several of his features. The movies proved to be When she came back to America, she decided that she had enough of being an actress, and she devoted herself solely to being a dancer, thus returning to the chorus once again. Unfortunately, she and Nat separated, and by 140s, she was living with friends in Los Angeles (she is listed as their guest). Then, something quite horrible happened. Nat Ross, Audrene’s husband, was killed in a shooting in February 1941. Here is a brief article about it:

Nat Kerns, 36, identified by Detective-Lieutenant C. A. Gillan as a former movie producer and director, was shot and killed last night in a doorway of a rag factory of which he was foreman. Maurice L. Briggs, 25, a recent employee of the plant, was arrested a few blocks away. He was booked at city jail on suspicion of murder. Among 25 women witnesses to the shooting was Briggs’ wife Betty, 21, an employee of the factory. They were married five months ago. Gillan said Ross, also a part owner of the plant, formerly managed a New York city theater, then became a film salesman, joining the old Universal studio in 1920. He was an assistant to the late Irving Thalberg, produced “The Leather rushers” and “The Collegians” and for years was a director in Hollywood and a producer in London. Ross was married four years ago to Audrene Brier, an actress. Gillan said witnesses told him Rosa discharged Brings a month ago, re-employed him, then discharged him again two weeks ago. Carl Lacmmle, Jr., son of tho late head of Universal Studio, and Robert Hartman of Hollywood, a cousin of Ross, conferred with Gillan at the police station following the shooting. Laemmle identifield himself as a close friend of the dead man.

Unfortunately, there is only a brief mention of Audrene in the article, and it doesn’t mention their marital state, but I guess they were still separated when the tragedy happened. But anyway, it was a terrible blow to Audrene. She recuperated by working in movies again, and slowly moving from the front of the camera to behind the camera – she became a dancing teacher, and in time, a choreographer. he racked up some impressive credits to her name – Jolson Sings Again and Million Dollar Mermaid , just to name the most famous. Here is a short peek at her choreographing days:

 Audrene Brier to Assist Cole – Audrene Brier has been set as choreographic assistant to dance director Jack Cole on Columbia’s Cinemascope Technicolor musical, “Three for the Show,” which stars Betty Grable, Marge and Gower Champion and Jack Lemmon. Jonie Taps produces and H. C. Potter directs. Miss Brier previously served Cole in the same capacity at Columbia, when he designed the dances for Rita Hayworth in “Gilda” and “Down to Earth.”

Audrene married, secondly, to prominent set decorator Norman Rockett, a 06 Oct 1946 in Los Angeles, California. Rockett was born Norman Walter Harrison on August 8, 1911, the son of a laundry route salesman and a lingerie saleswoman who lived in Long Beach. After his parents divorced and his mother remarried, he took the name of his stepfather, Al Rockett, an executive with First National Studios in Burbank. He was drafted into the army during WW2 and served int he Pacific Theater – He had been assigned as a naval photographer’s mate to the Pennsylvania, only to arrive for duty a month after the ship was damaged in the Pearl Harbor bombing of Dec. 7, 1941.Later he used this experience when making sets for his most famous movie, Tora tora tora!

The couple lived quietly in Sherman Oaks (Audrene did mostly choreographing jobs by now, with no acting in sight), and raised a daughter, Susan, born on March 31, 1948. It was a harmonious and happy family life.

Norman Rockett died on April 5, 1996. Audrene Rockett died on January 13, 2002 in Los Angeles.

Patricia Mace

Hello! So sorry for not updating sooner, but due to a bad case of Reylo “fever” I was detained elsewhere 😛 Anyway, what can we say about Patricia Mace? She was literary one of thousands of girls who started as models and then decided to become actresses with no real training and only minimal experience. You can guess how that story ended…

EARLY LIFE

Meredith Patricia Mace was born on May 10, 1920, in Los Angeles, California to Warren Kenneth Mace and Helen Mar Smith. She was the youngest of four children – her older siblings were Janis, born in 1911, Warren, born on January 31, 1913, George William, born on November 1, 1918. Her father was a furniture salesman, her mother a housewife.

Her parents divorced in the 1920s, and her father remarried. In 1930, Patricia and her siblings were living with their father and stepmother in Los Angeles. As she matured, it was clear that Pat was a true brunette knockout, and she was a model by the time she was in high school. Pat was very eager to succeed and quite active – she tried to put herself out there on the modeling and acting circuits much as she could. After some bits and pieces, she managed to make a huge splash in 1938, when she was chosen as “Miss Motion Pictures”. Here is a short description of what made pat a contender to win:

Alluriance! She exuded charm and tin sort of sex appeal.that causes a strong man to feel new strength, but of a protective kind; she carried everyone back to the primitive, when men guarded their women with their lives. ‘ v Study Patsy’s photo. You will find, as we did, facial allure, a Helen Hayes’ type of charm, demureness, naivety, a schoolgirl freshness. You will not find glamour, but you will find radiance and positiveness. Veiled Fire Close examination of Patsy In the flesh reveals a veiled fire In her eyes, indicating capacity for deep feeling; a mouth pleasantly curved, denoting firmness and generosity; a nose like Katherine, Cornell’s, Indicative of sensitivity, and a forehead of noble proportions, ‘” , . . But Patsy has a bad point she is too tall. However, she can do as Kay Francis has done so often during her career , , . she can act in her stockinged feet. We’ll keep the camera line above her ankles. Because of her positive personality, Patsy Mace can play only leads. She’s the type that men want to fight about. Go to your mirrors, girls, and check ‘ your qualifications against Patsy’s Perhaps you will understand better the problems of the talent scout.

By the time she was touched by fame, Pat had graduated from Hollywood High School and worked in some Little Theater groups. To make life easier, she moved in with her mother (her younger brother also living with them) in 1939. And she was ready for stardom (that never came, but who knew it then?). Due to her new title, she was signed for a contract, and of she went!

CAREER

Pat never had a credited role in a movie, which is almost the norm with the girls I profile here.

Pat’s first movie was Grand Jury Secrets, a completely forgotten John Howard/Gail Patrick movie. This was followed by The Magnificent Fraud a very fun and effective Prisoner of Zenda style romp, with Akim Tamiroff playing an actor who must impersonate a dictator of a small South American country. I usually love this kind of movies, so I’m biased, I admit.

$1000 a Touchdown was a below average football drama with Joe E. Brown and Martha Raye. Sadly, Pat’s next movie, Disputed Passage, is forgotten today, but the plot, concerning a doctor who falls in love with a Chinese girl (played by Dorothy Lamour, as per usual in Hollywod of that time!) sounds very interesting. Too bad even IMDB has nothing on the movie! Same goes for Our Neighbors – The Carters – a totally forgotten movie! Next up was The Great American Broadcast, an early Alice Faye musical, and not a bad one at that. While no classic, it’s a serviceable product, with a good cast and solid music.

Then came Aloma of the South Seas, a typical “Dorothy Lamour in a sarong” movie. No big plot, no big characters, just exotic visuals, pretty as a button Dorothy and a handsome stud for the love interest. Still better than Fifty Shades of Gray! Sadly, Pat’s next movie, All-American Co-Ed was a cheap and short Frances Langford vechicle, and boy, it shows! Not recommended! Louisiana Purchase a Bob Hope/Vera Zorina musical, and it’s while no great achievement, is still a very good musical and quite funny in some places, and generally a good movie.

Pat’s movie turned serious with This Gun for Hire, a classic film noir. Nothing more needs to be written about the movie! Alan Ladd + Veronica Lake – always a watchable combo. Her good luck continued – she was cast in Road to Morocco, one of the famous Road movies. A must watch for all Bob Hope fans, but an acquired taste IMHO. Now it was time for some movie “Magic” – Arabian Nights! Jon Hall and Maria Montez, Sabu, Technicolor (and lots of it!), an exotic location, simple black and white story, dancing-girls galore – what more do you need? The plot is actually almost non-mandatory for such movies. Pure enjoyment, specially since it was made during WW2 when people really needed something like this to distract them. Happy Go Lucky, her next movie, wads made in the same vein, just it’s a musical with Mary Martin and Dick Powell. Truly a happy-go-lucky movie, as the title says. Similar were Prairie Chickens, a goofy but likable comedy and Crazy House, a Ole/Johnson comedy with the indomitable Cass Daley. Her next movie was Ladies Courageous, the story of the Women’s Auxiliary Ferrying Squadron. Loretta Young is nice in the leading role, and she has some pretty good support with Geraldine Fitzgerald and Diana Barrymore.     

In 1943, near the end of her career, Patricia changed her name from Patsy Mace to Patricia Mace, and with her new moniker, appeared in only two movies, The Powers Girl  and Riding High and neither of them is a piece of art! Unfortunately, in the end we can call Patricia movie career completely lackluster 😦

The Powers Girl is a… How to call it? It’s an overtly dramatic, not particularly smart movie. While is does have it’s good sides – good set design, nice to look at, plenty of beautiful girls – it has none of the substantial things that make a movie great – no character development, no great narrative, no particular depth. A plus is definitely the music, which is above average quality, mostly thanks to Benny Goodman.

Riding High is a very, very mediocre musical/comedy. Literary no better r worse than the hundreds such movies that were made yearly. Thus, as I said a hundred time on this blog, there is no real reason, 50 years later, that anyone would watch this one. It has a formulaic story that is barely a cover for a string of musical numbers. The music and dancing are forgettable. The actors are competent but nothing to shout about (Dorothy Lamour and Dick Powell – not their best work). The movie is too forgettable to have any impact today.

That was it from Patricia!

PRIVATE LIFE

The papers revealed that Patrici had brown hair and eyes, was 5 feet 6 and a half Inches tall, weighed about 120 lbs. It was also written that she could cook and a good and fancy diver and plays golf in the high 80’s.

After she won the title of “Miss Motion Pictures”, Patricia’s life changed rapidly. She was a born and bred California girl who hung out on the beach most days. In a matter of days, she was boarding the Matson liner Matsonia at the Wilmington dock for a sojourn in Hawaii, and was very much excited. Why? Well,  believe it or not, that was Pat’s first time going anywhere, really, since by then she had never been out of Southern California.

Here is a number of questions and answers that Patricia gave in 1943:

“Do you girls look forward to get ting married eventually?” “Yes! I know I’ll make someone a wonderful mother,” said Pat Mace, “I’m the maternal type.”
“What is your conception of an ideal man?” “It’s impossible to form a categorical conception of the ideal man,” said Pat Mace. “I’ll know the guy when he comes along!”
“What do you think about your job: “Modeling.” opined Pat Mace, “is one of the most stimulating professions offered to women. There’s no harm in trying.” .
“What is the principal topic cf conversation with Powers Girls?'””Men 100 per cent!”

By this time, Pat had been the girlfriend of Jack Warner Jr. for almost three years. They started dating not long after she broke into movies, in 1940. Pat literary dated Hollywood royalty – Jack was the son of Jack L. Warner, one of the founders of Warner Bros. Jack was born on March 27, 1916, making him only a few years older than Pat. They were often seen at the posh places in Hollywood, and it seems that his parents approved of Pat. They seems to have been very happy for a long time, but then Jack was drafted into the war and things started to change. He moved to

By late 1943, their relationship was plundering downwards fast. Pat dated Billy Wilkerson on the side, but still couldn’t shake of Jack. In one last desperate attempt to keep it all together, they decided to get married. She would come to New York and they would wed. In November, there were newspaper items that the news that Patsy was going to New York to wed Jack Warner, Jr. were slightly premature. She did go to New York, but to do modeling and perchance a play with no thought, so far, of matrimony. It seems to me they were playing Will they won’t they, but both knew deep down that they wouldn’t do it when the moment came.

Then, in early 1944, something monuments happened. Pat met the man she would marry – and guess what, it wasn’t Jack! To be blunt – Pat went east for modeling jobs and to be near Jack Warner, Jr., but then met young, handsome and wealthy George Clark, a Canadian Air Force officer. He was from a prestigious Canadian family. They hit it of right away, and started dating. The the end of the month they were engaged. So, after about three years with Jack Jr., Patricia literary ditched him for her crush of three weeks. And it proved to be the best decision she ever made. Patricia and George married in March 1944, had a child early next year, and she blended into Canadian high society effortlessly. The Clark family were close friend of Winston Churchill, among others. As for Jack Jr., he married to Barbara Richman in 1948 and had three children with her. They were still happily married when he died in 1995.

Unfortunately, I could not find any additional information about Patricia’s new in-laws, but it seems she and George led a happy family life with several children, and lived mostly in Canada.