Marjorie Deanne

Beautiful Marjorie Deanne was a beauty contest winner that came to Hollywood, hoping for a big break. Like with the majority of girls who took down that route, her break never came. However, she became a proficient businesswoman, and in the end, retired to raise a family.


Clara Pauline Boughton was born on January 28, 1917, in Brownsville, Texas, to Walter M. Boughton and Catherine Lieb. Her father was a fire chief. The family lived in Meridian, Mississippi for a time after Clara’s birth, and her brother Edwin was born there in 1922. The family moved to Memphis, Tennessee, in the mid 1920s. Clara attended school there but was very much involved with her Texan side of the family and often visited them in Corpus Christi.

Clara was a natural-born beauty, and from the time she was a high school student, she attended beauty pageants and won titles like “Miss Southwest Texas” and so on. After graduating from high school, she decided to make a career out of it and entered showbiz.

After winning a trip to Hollywood through Corpus Christi’s Splash Day beauty contest in 1935, Clara’s acting career started. Joking! When she came to Hollywood for the first time in 1935, Clara at least she hoped something would happen. She would get an acting gig, she would dance, she would do something. But, alas, it was not meant to be. She spent 12 months knocking vainly at the studio gates and then, with her bank account drained and her courage a bit shattered, finally give up and took a job selling tickets for a Hollywood theater.  She had the usual luck of beauty contest winners and eventually got a job as usherette at the Grauman’s Egyptian theater. At some point, pursuing her regular duties, Marjorie ushered a man to a seat. It was director John Farrow. He decided Marjorie was a screen type and had plans to make her a proper actress. Unfortunately, as with many such cases, nothing happened, and Marjorie was back to square one.

Deciding to try other options a working girl had in that time and age (very, very limited!), she became a traveling saleslady. After noticing that the hosiery business was blooming, she started selling men’s shirts and socks. Soon, she started a profitable business in Hollywood as representative for an Eastern shirt and hosiery mill. Business was good and she hired a salesman. It kept on being good and she hired some more. Now she has 40 salesmen and they support her in luxury while she haunts the casting offices. She did some bit work in movies.

Marjorie, by then wealthy enough to work for and not for money, got a job in the Earl Carroll Theater as one of his beauties. She did some touring with the Theater going to New York in 1939, and then returned to Hollywood and finally started her tenure as a working actress.


Marjorie is most famous today for appearing in a string of Three stooges shorts – Violent Is the Word for CurlyDutiful But Dumb Matri-Phony Three Smart Saps . She also appeared in a string of other comedy shorts – The Nightshirt BanditMutiny on the BodyThe Sap Takes a Wrap and so on.For more information about this, visit Lord heath’s link about Marjorie Deanne.

As far as full length movies go, Marjorie made her debut in 1938 in The Goldwyn Follies, followed closely by Freshman Year and Girls’ School. All three movies are alike as they are the typical fluffy 1930s movie with no real depth but some degree of fun – While the Follies are a plot-less but entertaining musical,  Freshman Year a Dixie Dunbar college musical, and Girls’ School a juvenile story about high school girls and their love squabbles, with the radiant Anne Shirley in the leading role. Marjorie’s only 1939 role in a full length movie was A Chump at Oxford, the witty Laurel/Hardy movie. Marjorie then took a great from movie acting to tour with the Earl Carroll Theater.

She returned to movies in 1941, and that ended up as Marjorie’s most productive year – she appeared in no more, no less than 10 movies! let’s see her full length ones. I’ll Wait for You is a formulaic movie about a bad guy reforms after meeting hard-working, decent folks, only slightly elevated by the endearing performances by Marsha Hunt and Virginia Wiedler (this cannot be said of the leading man, Robert Sterling, performance – he doesn’t have enough gravitas to truly play a hard-core gangster). Then came West Point Widow, another forgotten Anne Shirley comedy, and then Kiss the Boys Goodbye, an interesting musical  based on a play by Clare Boothe Luce which was inspired by the search for an actress to play Scarlett O’Hara in Gone with the Wind. The original play had to be watered down to the extreme, and it works well as a musical/showcase for Mary Martin. Buy Me That Town was also based on superior material – a Damon Runyon story about a crook who wants to bankrupt a small town to suit his own nefarious deeds. The movie is sadly completely forgotten today, but except a solid plot it boasts a good cast (Loyd Nolan and Albert Dekker). Next was Niagara Falls, a completely silly comedy with the Jean Harlow wannabe Marjorie Woodward. The movie is watchable only if you try really hard not to take it seriously in any capacity. Equally dismaying was New York Town Design for Scandal, another Mary Martin semi musical, semi comedy.  

In 1942, Marjorie appeared in only two full length movies: Tarzan’s New York Adventure and the patriotic Star Spangled Rhythm. I don’t think anything needs to be written about the famous Johnny Weismuller Tarzan movies – it’s something that you find either charming and educational and slightly idiotic. I guess Maureen O’Sullavan saves the day for both camps, as her warmth endears her to virtually anyone who ever watched the movies.

In 1943 Marjorie actually appeared in some solid movies, although not all of them were on the same level of quality by  along shot. The first was The Crystal Ball, a lightweight but funny Paulette Goddard/Ray Milland comedy. They were a pretty good combo, and have superb chemistry together, so it’s worth watching just for them. Next was Salute for Three a completely forgotten musical, and a Jimmy Rogers western comedy, Prairie Chickens, which isn’t half as bad as you would think it was. The bets movie of the year was For Whom the Bell Tolls, no more information necessary! So watch it! Marjorie was then in Let’s Face It, a watered and dumbed-down version of a saucy stage play, worth watching if only for Bob Hope and Betty Hutton. Equally sub par was Riding High, a Bob Hope cast off that went to Dick Powell – and he just isn’t the type to make it work. the plot is silly enough: A train arrives in the west and deposits a showgirl (Dorothy Lamour), an eligible bachelor (Dick Powell), and a swindler (Victor Moore), and the fun starts there. Dick and his leading lady, Dorothy Lamour, are completely overshadowed by a funny supporting cast (Victor Moore, Cass Daley and so on).  Luckily, Marjorie then appeared in True to Life, an above average comedy. The plot, while nothing special (A writer for a radio program needs some fresh ideas to juice up his show. For inspiration, he rents a room with a typical American family and begins to secretly write about their true life) lends itself nicely to the crazy family cliché that works because of a hilarious supporting cast. Dick Powell, Franchot Tone and Mary Martin are also top form, and do this kind of comedy with their eyes closed.

And that was it from Marjorie!


Marjorie dated actor Alexander D’Arcy at one point, and was on friendly terms with Frank Feltrop, tennis pro, and actress Movita, who later married Marlon Brando. Not much else was written about her private life.

Then, on March 19, 1944, Marjorie flew to New Orleans, Louisiana, to get married to Capt. Abraham Albert Manuck, attached to the Lifegarde General hospital dental staff there. It was noted that she expected to “settle down to a career of marriage with the captain.”

Abraham Albert Manuck was born on October 4, 1900, in Ehaterinslov, Russian Empire, to Benjamin Manuck and Rachael Sperans. he immigrated to the US, where he finished dentistry school and started to work as a dentist. He moved to San Francisco, and easily merged with the local high society. Manuck was married twice before – to Alba Baglione, whom he divorced in 1936 in Reno, Nevada, and Alla Manuck, whom he divorced in 1941 in Reno, Nevada. (guess Reno was his go-to destination for divorces).

Even before the marriage, Marjorie said to the papers she would not return to Hollywood and indeed cut her ties with the dream factory most thoroughly. She had obtained her release from the Actors guild and from Paramount studio, buying out her contract. Indeed, she would never return to Tinsel town and never made a movie again, opting for family life.

After the war ended, the family moved to Santa Clara, California. The couple had three children: Richard Albert, born on October 8, 1945, Stephen Bennett, born on December 3, 1948, and Denise Cheryl, born on June 19, 1951. All of the children were born in San Francisco. The Manucks enjoyed a happy family life in Santa Clara, and were active members of the local society, doing charity work and being quite civic-minded.

Clara Manuck died on May 21, 1994, in Redwood City, California.

Her widower Abraham Manuck died in 2000, aged almost 100.


Barbara Freking


One of the model-turn-actress crop, Barbara Frekign gave Hollywood a go for a few times, and achieved no bug success. However, she remained a highly succesful model for a long period of years and did more than well for herself!


Barbara Freking was born on January 28, 1920, in Chicago, Illinois,to Henry Louis Freking and Dorothy Edredge.Her father was a newspaper publisher, born in Louisville, Kentucky. Her mother was a housewife born in South Carolina. She had an older brother, Henry Louis, born on May 4, 1918 (who sadly died on May 7, 1918), and a younger brother, also named Henry Louis, born on July 21, 1922.

Henry, born in 1878, was already married once before Dorothy, to Ida Naomi Long, in 1900. They divorced sometime in the 1910s. Dorothy and Henry married in about 1915, lived in Indiana for a short while, moved to Chicago, where their first son and Barbara were born, and then moved to Michigan where the younger Henry was born. From there, they moved to Spencer, Indiana and later Atlanta, Georgia, where Barbara grew up and attended high school.

Her parents later moved to Bucks County, Pennsylvania, but by this time Barbara had already left their home and was living and working as a model in New York. She landed in Hollywood in 1947, when she was an experienced, mature 27-year-old looking to break into movies.


Barbara made her debut in If You Knew Susie, a entertaining,mid tier Eddie Cantor/Joan Davis comedy. While nothing outstanding, it’s a shining example of casual, nice, benevolent 1940s movies, led by some seriously talented people. Her second movie was the poor man’s Body and soul, In This Corner. We haven’t got John Garfield and Lili Palmer, but Scott Brady, a handsome but highly wooden actor, and Anabel Shaw, a nice looking but not overly talented actress. The story however is a good one, with tight noir moments and plenty of sleazy boxing underworld elements. Appointment with Murder was another entry into the Falcon movie series, and it any much better or much worse than the rest of them. The Falcon is played by notable magician John Calvert, who lived to perform at the ripe old age of 100 (interesting man!).

barbarafreking5Barbara moved up a notch with the A movie, East Side, West Side, a grim story of a shallow society man who ruins hi smarriage for a brief dalliance with an old flame. Boasting  a strong and capable cast, the movie is good enough, but not outsanding. Barbara Stanwyck, for one, is too old to play the leading female role, and James Mason, otherwise a wonderful actor, is pretty much wasted in his bland role. The supporting players have it better – Van Helfin is great, and is Ava Gardner. Next, Barbara was one of the Petty girls in The Petty Girl, a handsome but none too deep musical with Joan Caulfield (beautiful for sure, but not a good thespian), and Bob Cummings. Barbara then appeared in a string of prestige movies, not al of the same quality:

The Lemon Drop Kid is one of Bob Hope’s better movies, a brisk, witty piece of amusement, about a likable but flawed con artist who has to repay a debt. His Kind of Woman was a guilty pleasure, the type of movie you can only make when the leading man is Robert Mitchum and the leading lady is Jane Russell. Forget the story, the supporting characters or the direction – there are important but secondary – Bob and Jane are the reason to watch this. Two Tickets to Broadway is another one of those insipid, dull musicals that are ultimately likable enough to watch at least once. The Las Vegas Story is another Jane Russell movie, this time with Victor Mature instead of Bob Mitchum. And Vincent Price on the side. Barbara was then again in a Bob Hope movie – Casanova’s Big Night,. not one of his best effords but far from a total waste. Plus his leading lady is the outstanding Joan Fontaine.

Barbara’s last movie was Jet Pilot, a John Wayne vehicle. After this, Barbara went back to modeling full-time.


Barbara was a seasoned New York model by the time she landed in Hollywood, and probably had more amorous experiences than most starlets (of which we sadly know nothing about!)

In early 1949, Barbara went to Costa Rica to participate in the making of a documentary about a fabulous treasure-hunt expedition, led by James Forbes, by filmmaker Paul Parry. About that time, barbara was dating Horace Schmidlapp, former husband (and official widower) of Carole Landis. As Horace was shorter than Barbara, she often had to take of her shoes when the two went dancing. By April she was back from Costa Rica, and dating Franchot Tone (boy, that man really dated almost all of the Hollywood starlets!)

barbarafreking4By May, she was seen with Ralph Dandies. Barbara then moved to Columbia joining two other b.b.s from New York, Vera Lee and Marjorie Slapp In December 1949, she was beaued by Sterling Edwards, and they were often seen at the Mocambo. Edwards was far from the only man in Barbara’s life – she also dated rich Spaniard Ricky De Vega on the side.

In early 1950, Barbara took up with Howard Lee, wealthy Texan oilman and future husband of Hedy Lamarr and Gene Tierney. That man sure had taste! Then in mid 1951, Barbara started to date that man who would change her life – Oleg Cassini.

What to say about Cassini? Slick as a snake, handsome in a dry, Continental way, a true connoisseur of fashion and beauty, he had his good sides – but plenty of bad sides to match them. He was women as objects that needed to be conquered, put himself first and was the supreme bon vivant egoist. Cassini was still married to Gene Tierney when they hooked up, and by January 1952, it was clear that Gene would divorce Cassini, and that Barbara could seize her chance of becoming the next Mrs. Cassini.

In march, there was this article in the papers: The Hollywood models who know.her best say that Barbara Freking will never wed dress designer Oleg Cassini, who’s been divorced by Gene Tierney. You know what? And they were right. 50 years after the fact, I do know that Barbara would never marry Cassini… But neither Barbara nor Cassini probably knew it back then. And I can only say – all the better for it. As a first danger signal – Cassini was also dating another model, June Myers, at the same time.

barbarafreking3Barbara spat back by dating producer Charles Feldman for a short time in late march/early april. She then dated a string of men – attorney Ralph Fields, Dan Dailey, theatrical producer Herman Levin, and returned to new York. obviously there was some correspondence between Cassini and Barbara, and when she came back to Los Angeles in October 1952, they were again seen together.

Everything was swell and fancy until April 1953, when things turned once again sour. Barbara was despondent, and in a fit of depression, took an overdose of sleeping pills. Only the quick thinking of her mother, who called the ambulance saved her from a grim fate – the doctors came just in time to save her. After this unfortunate incident, Barbara and Cassini reunited, both professionally and privately. A newspaper article followed:

 The Cassini charm was in full force yesterday for the opening duo of fashion shows presented by the Children’s Museum Guild In the William II. Block Company auditorium. Count Oleg was master of ceremonies, pointing out the highlights of his fall and winter collection. AH the guild members who modeled were sent out to buy waist cinehers to do .justice to his shepherdess line around the middle, and often came on the runway in pairs to show the same dress with belt or without. Asked about his stand in the hemline controversy, he said: “For the tight sheath I think a little shorter is all right. It is effective with a straiefit skirt, but full skirts I think should be longer.” Two New York models accompanied him for the show, Miss Carol Walker and Miss Barbara Freking. As Barbara was walking around the elaborate centerpiece the guild had created at the foot of the runway, Cassini asked her to tell whore she came from. Her answer vas “Spencer, Ind.” She still has friends there although her career has taken her to South Carolina and California before New York. The show will be repeated at 12:30 o’clock today.

They shuffled between California and New York and were firmly a couple, until another spat. The spat was named Grace Kelly, and it effectively ended their relationship… For then. Barbara was clearly devastated, and here you can see how Cassini operated – he just changed one beautiful woman for another. Barbara, obviously madly in love, couldn’t see the signs and always went back to him – Grace, on the other hand, was much more frugal and understood just what a cad Cassini was. She enjoyed his company for a time, then sacked him for a more suitable man. I can’t say I’m sorry for Cassini – IMHO, if you operate this way, you shouldn’t be surprised when it hits you right back in the heart.

barbarafreking2Barbara started to date mobster John Sorrenti in March 1954. Then she reunited with Ralph Fields, and casually dated Bill Eaton, famous man about town. In early 1955, Orrin Lehmann took over, and squired her all around New York. Jerry Herzfeld, the race track ace, took over by may 1955 from Orrin.

However, Cassini was never far from Barbara’s mind. They reunited yet again in early 1956. of Barbara, will you never learn! The relationnship lasted for a year-and-somethig this time. They broke up in early 1957. By June, she was dating Jerry Herzfeld again. Then Cassini cut in, AGAIN. They dated until late 1957. In January 1958, she was seen with Hugh O’Brian. By that time, Barbara and six other aspiring actresses lived in a sorority house they called “House of the Seven Garbos”.

It seems that Barbara and Cassini were business partners, and if they did date, it was half-hearted. Barbara kept Jerry Herzfeld on a short leash for a time, but he also settled for another lady in the end.

In his autobiography, actor/comedian Don Harron claims that Barbara had an affair with his second wife, actress Virginia Leith, before the two were married. If this is true, then Barbara was a bisexual, but this of course had to be kept from the tabloids of the time. Yep, it was expected of all women back then to be lilly-white and family oriented.

It seems that Barbara never married, and worked as a model for a long time. She retired to Connecticut at some point.

Barbara Freking died on August 25, 2008, in Greenwich, Connecticut.

Harriette Haddon


Pretty chorus girl who made countless uncredited appearances in many 1930s movies in Hollywood, Harriette Haddon was a true working gal for a time, before marrying into Hollywood royalty and leaving the industry for a family life.


Harriette Jane Northfoss was born on October 13, 1915, in Los Angeles, California, to Victor Northfoss and Jessie Blanpied. Her father, born in Minnesota, worked as a interior decorator. Her mother, born in Kansas, was a librarian.

Harriette was the couple’s only child, and grew up in Los Angeles, the city that would soon become the hub of most of the US film industry. She began dancing as a youngster, and was a sure bet to become a dancer. After graduating from high school, she entered movies in 1932.


Harriette’s career lasted for 15 years, and can be divided into roughly three chapters.

She started as a fresh faced, naive girl barely 17 years old, when she signed with Fox Film Corporation. Make no mistake, her career would always remain a marginal one for Hollywood, but quality of the films wildly varied. Between 1932 and 1936, Harriette worked only part time in movies an dit showed. The Trial of Vivienne Ware was a hectic, well plotted 1932 quickie, less than an hour long, with some very good actors (Joan Bennet in an early appearance, Zasu Pitts and Skeets Gallagher). She did not fare so well with her second movie, a truly weird one, It’s Great to Be Alive. The story is center on the last fertile man in the world! Guess no more needs to be said… Arizona to Broadway was one of those comedies that have al the right ingredients but fall flat in the final run. Joan Bennett again (he girl sure made some strange movies early on…)Stand Up and Cheer! is a Shirley Temple movie with only 5 minutes of Shirley Temple. The rest is taken up by Warner Baxter as a theatrical producer whom Franklin Roosevelt appoints as the new Secretary of Amusement in order to cheer up an American public still suffering through the Depression. it’s a basically a pastiche of musical acts not worth your money.

Harriette Haddon1Kentucky Kernels is an average input into the Wheeler and Woosley comedy series. if you like them, you’ll like this, if not, don’t even come close. Similarly, College Rhythm is another one of the endless college campus movies of the early 1930s. Nothing to yell about, but not the worst either. Interesting if nothing than for seeing the Bing Crosby wannabe, Lanny Ross, who had a brief career and never managed to live up to his potential. The Lottery Lover is a lightweight romance movie, with a lukewarm script and mostly decent actors (Lew Ayres, Peggy Fears, Pat Paterson). Star for a Night was by far the most serious movie of this part of Harriette’s career. When the blind mother comes to visit her children in America, hoping to find them all well off, quite a different scenario occurs. Great actors like Jane Darwell and Claire Trevor light up this realistic movie. The next one, Rose Bowl  is, again, a college campus movie,with a convenient love triangle. Yawn. And more of the same in College Holiday, but at least it’s a very fun, feel good movie with several wacky performances (the crazy professor is here, and the crazy old rich lady played by Mary Boland). And Gracie Allen, George Burns and Jack Benny together are always a good combo.

Thus begins the second phase of Harriette’s career. She started to focus on her Hollywood career more, and do less nightclub work. With what results? Not so good, I’m afraid, but she had had several good credits to her name.

In 1937 only, Harriette made 8 movie! Turn Off the Moon is a Paramount 1930s musical, and as we already noted, Paramount was not the best place for musicals back then. While tolerable, they are barely able to hold a candle to the superior studios like Warner Bros and MGM. The stars (like Charles Ruggles and Ben Blue) do try but it’s never quite enough. Mountain Music  is one of the hillbilly musicals that could be absolutely hilarious when made by the right people. And here we have big mouthed by infinitely charming Martha Raye and the rugged Arkansas bum Bob Burns in a funny romp worth watching. Thrill of a Lifetime is the typical musical where the back story is absurdity itself but the musical numbers are well made and make the movie. And, typical for this type of movie, the lead often ends up the least interesting part of the exudation. Who would even look at Lief Ericson (handsome but never a good actor) when you have luminaries like Eleanore Whitney, Yacht Boys and Ben Blue on the screen?

Bulldog Drummond’s Revenge, a input into the Bulldog Drummond series, is again centered over the bad guys attempt to thwart Bulldog’s marital plans (the explosives they are carrying are secondary to this, the most malicious of all deeds). Poor Phyllis Clavering, always waiting for Bulldog and always the bad guys appearing just before she is about to catch her prize. Joking aside, it’s a solid entry, with John Barrymore, generally a superb actor, giving a good performance as one of the good guys. Bulldog is finely played by the handsome John HowardDaughter of Shanghai is a movie very important or minorities and women in Hollywood – it features an Asian leading lady! Anna May Wong, the alluring siren seen in more than 60 Hollywood movies, gets a rare opportunity to play the lead. One can forgive the movie even if it’s not a master piece (due to the story and the characters), but it ends up a surprisingly well made film. Good plotting and very good acting roster make it an unique experience for not only B movies but female lead movies.

Harriette Haddon2True Confession is a interesting blend of black and screwball comedy, with Carole Lombard playing the first prototype of a scatterbrained wife. Wells Fargo  is an unusual western about the early riders of the  US Post Office. Featuring the off screen life couple, Frances Dee and Joel McCrea, it’s quite realistic for the time and worth your money.

In Old Chicago, one of Harriette’s better known movies, is certainly a mixed bag. With a big budget, big stars it should have been a sparkling cinema hit, and it does have some fine parts, but it collapses under its weight before the credits are out. Everything seems to just be the interlude for the great Chicago fire playing for the last 20 minutes of the film. Tyrone Power, Don Ameche, Alice Faye – all secondary. Sad.

The Buccaneer is a typical Cecil DeMille film – historically inaccurate, with lavish production values, large cast and technically well made. Frederic March, while not the best choice of actor to portray what is basically a swashbuckler character, still does a decent job. The Big Broadcast of 1938 is one of the Broadcast series of movies, a flimsy excuse to showcase the studio talents like Bob Hope, Martha Raye, Dorothy Lamour and so on. Scandal Street is a forgotten movie.

Bluebeard’s Eighth Wife is a superb Ernest Lubitsch movie. While the verdict about the movie is well divided, I for one loved it and it figured much better than some of his other movies, like Design for Living. Cocoanut Grove is a nice little musical with Fred MacMurray showing he can do comedy easilyYou and Me is a scramble of opposing movie genres – crime, musical, melodrama, propaganda… And so on. Made by the great Fritz Lang and Kurt Weill, the bottom line was that crime does not pay, but the results are mixed. Worth watching, if nothing to see how an experimental mainstream movie looks like. Give Me a Sailor is a funny little musical about a love quadriple (Bob Hope, Jack Whiting, Martha Raye, Betty Grable). The Arkansas Traveler is a one man movie, a showcase for the many talents of Bob Burns.

Illegal Traffic is a formulaic, uninteresting crime movie with Robert Preston.  Say It in French is a breezy, elegant comedy farce, sadly forgotten today. Zaza is a little known George Cukor movie. While not his best by a long shot, it’s not his worst either – despite the story being a typical Camille rip off (married aristocrat loving a dance hall girl) he has very capable leads (Claudette Colbert and George Marshall) and even better supporting cast (Constance Collier, Bert Lahr, Helen Westley). Paris Honeymoon is a watchable but unmemorable Bing Crosby musical. Similarly, St. Louis Blues is another lightweight but amusing musical. Cafe Society is a typical social disparity movie, pitting the high class Madeleine Carroll (always a welcome sight for sore eyes) against the working class Fred MacMurrayKing of Chinatown is one of the Anna May Wong movies of the time, usually with the same cast and similar characters (mostly Caucasians portraying Asian characters). 

Harriette Haddon3Never Say Die is another Bob Hope/Martha Raye comedy. The two worked well togetehr and could salvage even pretty bad script writing. Undercover Doctor is a thriller made after a book by the man himself, Edgar J. Hoover. It’s nothing to rave about, but it does make a nice afternoon viewing. Man About Town is a typical Jack Benny musical comedy, where he always plays the same old,same old character (as one reviewer nicely wrote: “Different aspects of his cheap tightwad and his narcissistic would-be great lover popped up in many of his films, even his best ones”). A Yank in the R.A.F. was one of the better propaganda piece movies to come out of Hollywood, with real life lover Tyrone Power and Betty Grable playing the leads. Never Give a Sucker an Even Break  is the last W.C. Fields leading vehicle, and one of his best known and most enduring movies, well known today.

What to say about Thank Your Lucky Stars ? As the summary goes: “Two producers are putting together a wartime charity show with an all-star cast but the egotism of radio personality Eddie Cantor disrupts their plans.” Plenty of talent, a flimsy story, but nicely done. Casanova in Burlesque is a Joe E. Brown comedy, totally obscure today. The lively music, colorful locations and all around cheerful atmosphere is the saving grace of Harriette’s next movie, Brazil. The bland leads (Virginia Bruce and Tito Guizar) are overshadowed by the mentioned elements, and Edward Everrett Horton cannot take a wrong step in my book.

 Earl Carroll Vanities is a sad excuse to showcase the lucious Vanities, with a sorry plot and no good actors. It was time for some B westerns for Harriette. Bells of RosaritaMan from OklahomaSunset in El DoradoDon’t Fence Me InRough Riders of Cheyenne and Dakota are all B westerns, with varying degrees of success. Most of them are Will Rogers/Dale Evans, pairings, but we also have an early John Wayne/Vera Ralston movie (Dakota).

Harriette made several more movies in 1945 before she retired for good. The Cheaters is a touching and delightful film, perfect for Christmas family viewingHitchhike to Happiness is an uninteresting Dale Evans musical (yeah, you heard that right, before she became Mrs. Rogers, Dale was a promising musical movie alumna)Behind City Lights is a completely obscure but possibly interesting crime/drama.

HarrietteHaddon4Love, Honor and Goodbye is similarly forgotten. The fluid, well plotted The Tiger Woman (with the seductive Adele Mara as the nominal character) is a lost treasure of the 1940s B movies. Like one reviewer wrote, “Republic features were almost always entertaining, economical, professionally made, well-cast, and tightly paced”.

An Angel Comes to Brooklyn is an absurd, so bad it’s almost funny category of a movie. Just to taste it, here is what one reviewer wrote:

High up in Actors’ Heaven—where those actors who have taken their final curtain on earth still maintain a lively interest in theatrical activity—there is a bell which has been named Minnie. When a struggling young actor on Broadway has sufficient faith in himself—if he believes strongly enough in his ability and talent—then Minnie rings out clearly, signaling that the time is right for an angel to leave Actors’ Heaven and go down to earth to help a worthy, but-as-yet-successful actor or actress.

Ha ha ha. The joke’s on them at any rate. Obviously not worth watching.

That was all from Harriette.


Harriette started her Hollywood career in 1932, but also went on to seek more luck in other venues – one of them was night club performing. She was so good she ended up in London in early 1935, and was popular with the night club going public, but visa problems forced her to return to the US (and consequently Hollywood) before the year was over. There were signs, here and there, that Harriette could become more than a uncredited chorus girl, her name mentioned in the papers a few time, but it all ended up zero.

Harriette Haddon5In 1939, Harriette was involved with Jackie Coogan, a former child actor. The misfortune of such a match was that Jackie was just getting divorced from Betty Grable, and he carried quite a large torch for her some time after the divorce took place. Not even Harriette could alleviate it, and the two broke up in 1940.

Harriette married Hilliard Herbert Marks on November 23, 1942 in Jack Benny’s Beverly Hills home, just before he joined the US army to fight in WW2. Harriette was photographed for the papers in February 1943, still a newlywed, knitting garments for her corporal hubby.

Marks was born on June 29, 1913, in Seattle, Washington, to David Henry Marks and Esther Wagner. His older sister, named Sadie Marks, was to become Mary Livingston, a famous comedian and wife of Jack Benny. Benny proved to be one of the most important men in Marks’, and in effect, Harriette’s life.

Marks returned dot he civilian life in 1945. Harriette gave up her career in 1945 to take care of her family. Their first child, son Phillip Haddon Marks, was born on October 19, 1948. Their second child, a daughter, Victoria Jessica Marks, was born on February 23, 1952.

THarrietteHaddon7he Marks enjoyed a hefty Hollywood social life, mingling with Benny and his innee circle. Mary Livingston, Harriette’s sister in law, was an interesting woman herself. Mary’s adopted daughter, Joan Benny, wrote about her after her death:

She had so many good qualities — her sense of humor, her generosity, her loyalty to her friends. She had a famous, successful, and adoring husband; she had famous, interesting, and amusing friends; she lived in luxury; she was a celebrity in her own right. In short, she had everything a woman could possibly want. When I think of her it’s with sadness because I wish she could have enjoyed it all more

The Marsks divorced in January 1967 after more than 20 years of marriage. Marks remarried in 1971 to Virginia Amber Morrison. He died on August 19, 1982, in California.

Harriett did not remarry, and lived the rest of her days in California.

Harriette Marks died on March 1, 1999, in Los Angeles, California.

Suzanne Ridgeway



Suzanne was born as Ione D. Ahrens on January 27, 1918, in Los Angeles, California, to Ione Guinevere Campbell and Mr. Ahrens. She had an older brother, Frank. Sadly, by 1920, her parents were living apart and she lived with her mom, brother, grandmother Alice Davis Campbell and uncle in Los Angeles. Ione’s late grandfather was born in Scotland and came to America in the late 1880s, married Alice, and lived in North Dakota where his five children were born. In cca. mid 1900, they moved to Bakersfield, California.

On October 13, 1923, the elder Ione married Guy Rigway, and he adopted the children – their names were changed from Frank to William and from Ione to Dorothy. Thus, under the name of Dorothy Rigway, Suzanne continued living in Los Angeles with her parents, brother and grandma. Her younger half brother, Robert, was born in 1924. Suzanne was educated in Los Angeles, and started her career before she graduated from high school. Her stepfather died in the late 1930s, and she went to live alone in Hollywood in cca. 1938. Her brothers lived with her mother and grandmother in Los Angeles in 1940.


Suzanne was a true professional actor, a one that, despite the obvious back of success in his career, marches on just like millions of other people and does what she is given with the best of her ability. I applaud her, as she, along with Bess Flowers and a few others, proved that you did not have to be a star to make a living in Hollywood for 20 years – in fact, you did not even need to get billing to work steadily and earn your paycheck.

With a lofty filmography of over 150 movies, it would be too daunting  a task to analyse every and each one of her movies.


Today, she is best known for her work with he Three Stooges.  Some of the movies are Rumpus in the HaremA Missed Fortune, and A Merry Mix Up. Often playing tall, lean chlorines dresses in skimpy outfits, Suzanne was a great foil for the thee wackos.

For most of he 1940s, Suzanne was featured in prestigious movies, starring great actors and actresses of the day. She was in absolute classics like Gone with the Wind , The Lady Eve , Citizen Kane , The Best Years of Our LivesGilda  and It’s a Wonderful Life – how many other people can say they appeared in at least two of these five movies?

She was also featured in less known, but top notch films like Panama Hattie , The Story of Dr. WassellMonsieur VerdouxArch of TriumphThe Luck of the IrishSorrowful Jones and so on.

But, by 1950s, the movies she graced with her perky presence decreased in quality, but stayed high in volume. She managed about 13 appearances in movies a year (with a special note she made 20 appearances in 1953, her peak year! Very impressive!). Some movies are very interesting ones: the gritty, dark edges film noirs Quicksand and Born to Be Bad, proto feminist films featuring independent, strong female leads like Anne of the Indies (Jean Peters in one of her best roles), Golden Girl  and Calamity Jane, and very good comedies with old, reliable stars (My Favorite Spy and Ma and Pa Kettle on Vacation).


Yet, many of them were Z class productions with ridiculous plots seemingly written by 7 year old children – Siren of BagdadMesa of Lost Women, Bengazi (just to name a few). And yes, there were a few stellar movies well remembered today: Show Boat, Strangers on a Train and The Man with the Golden Arm.

In 1957, Suzanne left Hollywood for some TV work in New York. She did guest parts in Suspicion  and Perry Mason, and returned to Hollywood to have a minor role in Cowboy, a Glenn Ford western.

Suzanne, after almost 20 years in Hollywood, was finally credited for her role in The Purple Gang, a decent gangster movie set int he 1920s with a solid cast of B actors – Barry SullivanRobert Blake and Elaine Edwards. Acting under her married name, Suzy Marquette, this was to be her last foray into the 7th art. She retired in 1959.       


Publicity to promote Suzanne possibly harmed her in the long run, as it happens every so often with a starlet who become a guinea pig for an elaborate, genius scheme, thought up by publicity experts (and Hollywood was full of them, but only a few were worth a dime). They showed her as… not beautiful, not accomplished, nor funny… But … Wait for it… STUPID.

wmzxrvr73790zmr9Suzanne became one of the most quoted personalities in Tinsel Town thanks to her totally moronic sentences. Examples: “I am French on my mothers side and German on my stepfather’s” and so on. What were they thinking when they did this? Not even the actresses who played dim witted fools had this kind of treatment.  It did nothing for her career after the initial burst of publicity.

Suzanne started dating MGM comedian Rags Ragland . Rags was good foil for her stupid persona, as he was a funnyman, bit nutty himself, who understood her whims and actions. Rags was a former boxer and burlesque man, wed once and father of one when they met. Well known for his libido and prowess in the sexual arts, one of his many conquests was the intellectual stripper, Gypsy Rose Lee. They dated for more than a year but broke up in late 1942. Rags tragically died from uremic poisoning in 1946, right after an alcoholic bender in Mexico with Orson Welles. Frank Sinatra sang at his funeral.

Suzanne married Jacques “Jack” Marquette, then a cameraman, in cca. 1944. His first cousin was the wonderful actress Pat Morison, still alive in 2013.

Jacques R. Marquette was born in New York City. The family moved to Los Angeles in 1919, where he later graduated from high school at Hollywood High. He then worked as an assistant to his older brother, who worked as a news cameraman. During the Second World War he worked as a cameraman for the United States Air Force . He then accepted an offer of $ 69 a week as a technician at the Techni Color Labs. He founded  Marquette Productions in 1957  to produce low-budget films. He debuted as a cinematographer in Nathan Juran horror film The Eye of Satan . In 1958 he turned to Teenage monster his only film as a director. 

Sadly, Jacques and Suzanne divorced in 1945.

Suzanne Ridgeway Marquette died on May 6, 1996 in Los Angeles. She was cremated and her ashes were spread over Point Fermin.