Laurie Shevlin

Laurie Shevlin was an alluring Scottish lass who ended up in Hollywood as a chorus girl and made only one movie. She tried for movies a second time, but that was another kaput, and her road from there was rocky, but ultimately she managed to carve out a happy life for herself. Let’s learn more about her!

EARLY LIFE

Catherine Laurie Shevlin was born on March 15, 1914, in Annathill, Scotland, UK, to Frank and Annie Shevlin, the youngest of six children (Laurie had three brothers, one of them named William, and two sisters, one of them named Anna). Her father, an Irish immigrant, was a manual laborer, and allegedly once ran for Parliament on the Labor platform, although I find this very hard to believe. She spent her childhood in Glasgow, Scotland, but her parents decided to move to the land of opportunity, to the US.

Laurie arrived to the US in 1928 with her family. She was barely out of elementary school, but times were hard and all of the family had to go to work. There could be no more school for Laurie. She worked as a waitress and made more than her brothers. She was serving food in the public dining room of the Presbyterian Hospital, New York, when she won a beauty contest at a local theater. She was then 15. The contest caused her to be given a job in Earl Carroll’s “Murder at the Vanities” as the murdered girl. Wanting to improve her skills, she also started to attend Paramount School of Dramatic Art in New York.

Laurie stayed with the Carroll show two years, going to Hollywood to take part in the screen production, in the chorus. And that is how it started!

CAREER

Laurie appeared in only one movie – It’s a fast-moving, fast-talking, sexy movie all the way, the kind you couldn’t make after the Production code was enforced in 1934. The movie’s main highlight are giggly showgirls and a incredible blend of classical and hot jazz. The story is nothing to sneer at: a Murder investigation goes on back stage while The Vanities, on its opening night, plays on to an unknowing audience, but the movie mix and matched crime and musical so it’s an exciting novelty even today, 80 years after it was made. You can also see the infamous “Sweet Marijuana” number in this movie. Gertrude Michael, a underrated actress at any rate, has a meaty role as a bitchy actress and excels in it, making the leading duo of Kitty Carlisle and Carl Brisson somehow boring in comparison. Laurie of course played a chorus girl, just one in the pool of beauties.

And that was it from Laurie!

PRIVATE LIFE

Laurie was 5 feet 5 inches tall, and weighted about 120 lbs when she came to Hollywood.

Here is a beauty hint from Laurie:

To stimulate the growth of the eyelashes, a little castor oil rubbed on each evening before retiring is effective. Doing it regularly will result in thick, long lashes.

Sadly, Laurie’s stay in Hollywood was not a very happy one. Since she had arrived in Tinsel Town, she has had a narrow escape from pneumonia, has had dental trouble which necessitated a lanced jaw, and has fallen down stairs. On a side note, Laurie wasnt’ interested in getting married back then, like some of her fellow chorus girls. They said this to the papers:

Hollywood blonde; Marion Callahan, yellow head from New York; Dorothy Dawes, brunette from the same Big Town, and Laurie Shevlin, of Scotland, with snapping dark eyes, babble that they have always looked forward to careers, that they don’t know what all the fuss is about marriage, that they “prefer to be alive!”

Well said girls! When you are 20 years old, still learning and trying to find yourself, maybe it’s better to wait for the right time ot get married, despite all the societal pressure.

After she appeared in his one and only movie, Laurie was not recognized then as star material and came back to New York for an engagement with a Carroll troupe at a night club. Then she went into George White’s “Scandals” show. She decided she wanted to be a dramatic actress. She wrote and asked Oscar Berlin, chief talent scout for Paramount, and Cecil Clovelly, the director of the Paramount school, to let her enter. They granted her an interview, but turned her down at first, because of her accent. So she worked on it at home, on buses, in subways, at cocktail parties, making everyone correct her when she sounded like something fresh off the moors. Finally, her persistence and her charm overcame them. They let her in, but it took a great deal of work, every day, hour upon hour, delivering lines, learning to walk, learning to hold up her face so the strong lights of the studio would not make shadows. Before it came time to make her test, they put her through a course in how to dress herself, how to emphasize her good points. They tried to sell her as an rising star on this story – to make her a kind of a Scottish Cinderella whose voice had to be modulated before she could enter movies.

Here is a short article about Laurie’s elocution abilities:

, Tilt Gives Laurie Shevlin the Unique Charm Hero Captured by the Cameras In the Course of Her Test for a Film Contract. Compare This Photo of Her with That (Below) . . . By Dorothy Ducas S HE looked small and helpless sitting under the fierce glare of the studio lights. But when she spoke .her voice was as vibrant with youth and life as the mist-blue eyes under her curling, naturally long, black lashes. “You don’t believe thot? Well you con. It’s trrrue!” Delicately, but as arrestingly as a glimpse of purple heather, an accent lay upon her words. It was no simulated accent, it was real. A Scotch lassie! That was why she wore the tartan like one to the heather born. She continued: “I was born of a Russian mother and a Scotch fatherrrr — on a Dutch ship — on the high seas.” She flashed an impish grin. Laurie Shevlin was taking her ACID TEST It Takes Extraordinary Poiso for a Screen Hopeful to’ Bear Up Under the Severe Conditions Surrounding Movie “Tests.” Above Is One of the Few Photos Ever Made During the “Test” of a Future Possible Star, Taken as Laurie Shevlin Was Facing the Cameras for the Picture Which Won Her Her Chance at Stardom, and Made Happy Her Mother (Below), Who Naturally Thinks Laurie Looks Her Best In the Scotch Kilt Costume She Is Wearing at Right.  Another View of the Making of the “Test” Film Which Marked Laurie Shevlin’s Graduation from the Paramount School In New York, Where She Studied for More Than a Year to Win Her Chance at Capturing Film Fame. . . . Showing Laurie Shevlin at the Time She Arrived In This Country with Her Family, an Immigrant Girl from Her Native Scotland. screen, test after months . of. .studying to rid her tremulous voice of the burr of her native land, by playing a scene from Elizabeth Bergener “Escape Me Never.” She was playing it with a Scotch instead of a German accent, for some of the objectionable burr remained; playing it with all the yearning of her young soul in her voice. “Please,” she was saying to herself, “please make them like a Scotch accent as much as a German one!” She . was thinking of the international success of German-born Elizabeth Bergener. Laurie Shevlin’.’, rich “r’s” and narrow “a’s” were all that stood between her and a movie contract when she first came under the eye of a Paramount talent scout. Garbo has’ done rather well with Swedish overtones In her voice; exaggerated British accents are in demand, and the Spanish accent of Lupe Velez and other Latins has never seemingly grated on the ears of photoplay-goers. Yet an executive thought those same movie audiences wouldn’t like a Scotch accent! So Laurie Shevlin, who thought she was done with learning the Three It’s, went to school again. She read whole books aloud to her mother, her brother, her friends, practicing words and watching lip motions in the mirror in her bedroom. She stayed in the Paramount school for “finds” months longer than any of their other “discoveries,” she whose beauty was outstanding, whose ability made it possible for her to cry real tears without coaching. She stayed to “kill” the accent But for all her study she could not eliminate the trace of it. Fortunately, too, for it was that delectable sound which made the West Coast and fame beckon, following her screen test. Overnight that which had been her bug-a-boo became a passport to golden opportunity. “And why not?” asks Laurie, bubbling over with happiness. “Harry Lauder made a pile of money out of his accent.”

This try for a career faltered just as did the first one, and Laurie returned to New York for good, and continued appearing in Earl Carroll’s night clubs. The years went on, and at some point, she gave up her chorus work.

Now, I have no idea how it came to this, but by 1942, Laurie was disillusion with everything in general, and, probably not seeing a viable way out, tried to commit suicide. Yes, she tried to drown herself in Central park. Highly unusual suicide method, that one. Here is an article from that unhappy occurrence:

Laurie Shevlin, 26 years old, a former chorus girl in Earl Carroll’s night club in Hollywood, was In Bellevue after two attempts to take her life. already end her life by jumping into a pool  Central park. Miss Shevlin Jumped heard her scream, leaped in.

Patrolman Robert Pilsen dragged her to shore. When he let her go, however, she jumped back in. Patrolman Louis Schmidt and numerous others pulled her out again and took her to the hospital.

So, she tried to jump two times – something really serious must have happened to her. Perhaps a love affair gone awry, financial problems, something else? But, bottom line, she pulled out of the chasm, survived, and returned stronger. How do we know that? Well, the next we hear, Laurie was in the papers for a happy occasion – a marriage!

She married Warrant Officer Homer Wilfrid Anderson on October 13, 1945, in Tijuana, Mexico. Anderson was born on April, 2 1916, in Orange, New York, the son of Homer Wilfird Anderson Sr. and Lena M. Anderson. He became a certified public accountant In civilian life, was inducted into the Army February 11, 1942. He is stationed in Los Angeles, with the Contract Audit Air Forces. He was just out of the Army when they hitched.

I have no idea what happened to Laurie afterwards – how solid was her marriage, where did she live and so on. I just know that Homer Wilfrid Anderson died on February 7, 2003, in Virginia.
As always, I hope she had a good life!

Geraldine Farnum

Daughter of a silent film pioneer and a movie extra, Geraldine Farnum was predestined to become an actress herself. Sadly, except being a dancer in a long string of movies, she never came remotely close to being a true thespian before retiring to raise a family. Let’s learn more about her!

EARLY LIFE

Geraldine Ann Smith Farnum was born on November 13, 1924, in Los Angeles, California, to Franklyn (Smith) Farnum and Edith Walker. She was their only child.

Geraldine’s dad Franklyn was a colorful character. Born in Boston, he was on the vaudeville stage at the age of 12 and was featured in a number of theater and musical productions by the time he entered silent films near the age of 40. His very long career consisted mostly of western movies. One of his three wives was actress Alma Rubens, to whom he was briefly married in 1918 (the couple divorced in 1919). Franklyn had one daughter, Geraldine’s older half-sister, Martha Lillian Smith, born in 1898.

Geraldine’s mom was a movie extra who married her dad in 1921. In the late 1930s, Edith still worked as an movie extra (very impressive, to work as an extra for so long!) and earned good money for it. Franklyn, after giving up on movies for a time, was an assistant manager in a cigar plant. From early childhood it was clear that Gerry would also end up in showbiz like her parents – she was a talented dancer and wanted to become a actress when she grew up. her parents were naturally supportive and that it seemed there was nothing standing between Gerry and stardom, if she caught the right breaks that it.

After graduating from Fairfax High School, she had been signed to an acting contract by Warner Bros studio, and thus started her career.

CAREER

Geraldine’s career can be roughly divided into two parts: from 1944 until 1947, and from 1950 until 1952. Both periods were pretty lackluster to Geraldine as an actress, but at least she racked up 22 credits!

During the first part of her carer, Geraldine mostly appeared as a dancer in musicals, and, surprise, surprise! like her dad, she appeared in her fair share of lower-budget westerns (my favorites, NOT!). Since I never review westerns, here are all of the western movies where she played a dancer: The Yellow Rose of Texa, Utah, Bells of RosaritaMan from Oklahoma, Trail of Kit CarsonSunset in El Dorado, Dakota, Don’t Fence Me In, andAngel and the Badman. That was a mouthful, right?

Aside for the westerns, there was a smaller number of more  or less interesting movies – Casanova in Burlesque a mid tier, sometimes funny comedy about a professor who is also a burlesque comic (played by Joe E. Brown), Brazil, a generally entertaining musical with nice dance numbers and Tito Guizar is one of his rare Hollywood appearances, It’s a Pleasure, a Sonja Henie brain dead musical (I know I don’t like Henie, one has to wonder how a great ice skater but dismal actress like her succeeded in Hollywood in 1930s, when there was tons of talent there! How? Oh, you can never guess!), Earl Carroll Vanities, typical Earl Carroll fare, with a great number of scantly clothes beauties and no plot (of course Gerry was one of the beauties), Hitchhike to Happiness a surprisingly watchable early Dale Evans musical, when she displaying sexiness and slinkiness she would never late recreate in her Dale Evans, cowgirl persona, Behind City Lights a completely forgotten crime movie, based on a Vicki Baum novel, Love, Honor and Goodbye, another totally forgotten movie with no reviews on imdb, not even a summary, The Tiger Woman, a nifty crime movie, where the leading man is a private detective who gets mixed up with the luscious Adele Mara (The Tiger woman of the title) who needs some help getting her husband out of trouble, as he is 100 grand in debt to a bookie, and finally, the last one, Murder in the Music Hall. Now, this movie is worth writing about some more. A film noir at heart, it’s swanky and posh as heck and this dichotomy between a gritty genre and luxurious setting makes it a true standout. While the story starts as a typical whodunnit thriller against the setting of Radio City Music Hall, it has enough twists and turns and the acting is generally good (Vera Hruba Ralston, although much maligned, could pull out decent acting chops under some circumstances). Plus, there are Helen Walker, Ann Rutherford and Nancy Kelly to lend plenty of support.

Gerry got married after this, took a break, and returned to movies in 1950 with Copper Canyon, a unusual western – first the leads are played by European urbanites Ray Milland and Hedy Lamarr, it’s an attractive looking film, with color by Technicolor and colorful costumes by Edith Head. Unfortunately, that’s the highlight of the movie, although all in all it isn’t a bad effort, just not a particularly good one. Gerry appeared in three more movies: Call Me Mister, a so-so Betty Grable musical, Son of Paleface, a hilarious Bob Hope romp, and Destry, a sub par remake of the more about Destry Rides Again.

And that was it from Geraldine!

PRIVATE LIFE

Geraldine married John Weidmer in the Church Around the Corner, in a ceremony headed by Reverend Neal Dodd, in 1943. It was first marriage for both. John Robert Weidmer, born on March 5, 1922 in Iowa to John Weidmer and Jean Lewis, who would later live in Chicago. He lived in Iowa for a time, then moved to California, and was drafted into the US Navy during WW2. When they married, Weidmer was stationed at San Pedro. The marriage, like most wartime marriages, was of very short duration, and they divorced by 1945. John died on January 15, 2002, in Nevada.

After her divorce Gerry started to date actor George Shepard Houghton, commonly known as Shep Houghton. They married in 1946. Here is an imdb profile on Shep:

Born George Shephard Houghton on June 4, 1914, in Salt Lake City, Utah, Shep is the youngest of two sons born to George Henry Houghton and Mabell Viola Shephard. Far from being born into show business, his father was an insurance company representative who moved his family to Hollywood for business reasons in 1927. As luck would have it, they rented a house on Bronson Avenue just two blocks from Paramount Studio’s iron front gate, and not far from the Edwin Carreau studio. Picked off the street by an assistant producer, Shep’s first work in the movie industry was in 1927 as a Mexican youngster in Carreau’s production of Ramona, released in 1928. As a thirteen-year old he also worked in Emil Janning’s The Last Command, and continued to work for director Josef von Sternberg in several subsequent pictures. He found movie work to his liking, and out of high school he worked through Central Casting for Mascot Productions, Universal Studios, Paramount Pictures, Fox Film Corporation, and Warner Brother’s, where he became a favorite in the Busby Berkeley musicals as a dancer and chorus singer. In 1935 he married Jane Rosily Kellog, his high school sweetheart. Together they had one child, Terrie Lynn, born on September 22, 1939. They were divorced in October, 1945.

Gerry and Shep’s son Peter William Houghton was born on August 19, 1947, in Los Angeles. Unfortunately, this marriage was quite spotty and the couple divorced in 1949. Here is a short article about the proceedings:

George Houghton has divorced actress Geraldine Farnum on charges of desertion. They separated on July 10, 1948, lie said, after she went to the beach for a vacation and then refused to come home, saying she wanted to have her, own life. Miss Farnum, daughter of the Franklyn Farnum of the pioneer film family, did not contest the divorce, but Houghton’s attorney said that the couple had agreed to the actress being granted custody of their young son.

After their divorce, Shep continued to work in both movies and television until his retirement in 1976. He married Mel Carter Houghton in 1975. Shep died at the ripe old age of 102 on December 15, 2016 in Hoodsport, Washington.

Geraldine also kept busy after the divorce. Here is an early 1950s article about Gerry:

Geraldine Farnum is as pretty as, for example, Anne Baxter and as graceful as Betty Grable. But you don’t read much about Gerry. She’s one of the movies’ unsung actresses— extra, bit player, dancer, showgirl. Working in so many categories, she admits bewilderedly, when you ask how to classify her: “I don’t exactly what I am.” Gerry is 25. a bleached blonde, a divorcee, and the mother of a two-year-old son Peter. The fact that she is the daughter of a silent-screen western star, Franklin Farnum, has helped her get movie work. Her father still plays bits. He is often confused with two other prominent early- movie Farnums—William and his late brother Dustin. The two families are not related. Gerry started movie-acting when she was 19. She was under contract for a time to two studios, then retired to have her baby. Recently she resumed her career again. What are her chances of being picked for stardom? She says: “Probably as good as everybody else’s. I’d appreciate it—can’t honestly say I wouldn’t be thrilled. But I won’t be disappointed if it doesn’t happen. I have my child, and that’s responsibility enough.” I found Gerry arrayed in a feathery headdress and scanty costume for a number with Grable in “My Blue Heaven.” In “Down to Earth” she doubled for Rita Hayworth—back view— walking down a cloudy ramp on a day Rita wasn’t at the studio. More recently she was a bar-girl in one sequence and a square dancer in another of “Copper Canyon.” As a dancer she earns $111 weekly unless lifted off the ground, even a teeny bit, by another performer. Being lifted pays more—$137.50 a week. It’s a standing beef of dancers that showgirls receive still more when, Gerry says, “all they have to do Js stand there and look pretty.” As a showgirl she has been paid $175 a week. She grossed about $4,000 last year. Her dues in the actors’ and extras’ guilds total $8.50 per quarter. “Right today,” Gerry would advise other girls, “if you want to make a living you shouldn’t get into pictures. They’re not making the lavish musicals they did. But,” she concedes, “it’s fun to work in pictures.” Wolves are no problem for a smart working girl, Gerry reports, especially if it’s known she has a boy friend. Hers is a stunt man. Her best friends are members of the crew. A cameraman once had two stars sit farther apart in a close-up—so Gerry, in a row of extras behind them, could be seen.

While Geraldine was working with her dad, Franklyn, in “With a Song in My Heart,” he revealed to the press that Gerry was engaged to stuntman James van Horn. She married Van Horn in 1951. Van Horn was born on September 24, 1917, in South Dakota, to Frank Avery Van Horn and Edna Racette. He came with his family to California and started her acting career in 1927, and ended it in 1929. He mostly worked as a stuntman since 1939, but returned to acting in 1950. His crowning glory was that he appeared with Barbara Stanwyck in the 1955 adventure film “Escape to Burma.”

Their son Casey Lee was born on December 12, 1952, in Los Angeles. Since he came from a showbiz family, it was no wonder that the two-months-old Casey played the part of Natalie Cantor, one of Eddies five daughters, in the Warner Brothers musical, The Eddie Cantor Story” in 1953. Geraldine retired from movies to take care of her family, and never acted again.

James and Geraldine divorced at some point in the mid 1950s. van Horn continued working in the movie industry, and died on April 20, 1966. Geraldine married, in the late 1950s, to a Mr. Rose.

I have no idea if Geraldine is alive today, and as always, I hope she had a good life!

 

Wanda Barbour

Wanda Barbour was a blonde and pretty go-getter who left her hometown at age 13 to make it in Hollywood. Make it she did not, but she found her own life in California and she was a professional dancer for almost a decade, which, all considering, is a small achievement in itself. Let’s learn more about her.

EARLY LIFE

Wanda Louise “Lou” Barbour was born in 1930 in Cincinnati, Ohio, to John V. Barbour and Catherine Newland. Her father was a well-of sales executive. Her older brother, John Jr, was born in 1925. Her maternal uncle, Indiana-born Newland Ellsworth, lived with the family when Wanda was born.

Sadly, Wanda’s father John died on February 16, 1934. He was suffering from a typhoid fever that brought on pneumonia that ultimately killed him. I don’t know what happened to Wanda’s mom,  Catherine, but, by 1940, Wanda was living with her paternal grandmother, Orpha Barbour, and her aunt, Marguerite (her dad’s sister), in Cincinnati. Also a good question was what happened to her brother, but sadly, no information is forthcoming.

Wanda was a pretty child that displayed signs of an intense dancing talent from her early years. By the time she was in elementary school, it was pretty clear that she would one day depart for Hollywood or New York to achieve the dream of becoming a professional dancer. In 1943, only 13 years old, she was sent to Hollywood to work on her dancing skills, and attended the Schicl School there. Pretty soon, she was named “Miss Hollywood of 1944” by the Screen Children’s Guild. Wanda continued learning and dancing and pretty soon was supporting herself, without any help from her grandma or aunt.

By 1946, Wanda became an Earl Carroll girl, and this exalting position catapulted her to movies.

CAREER

Wanda appeared in only three movies and a few TV series. Her first movie was The Bounty Hunter, a low-budget western. Randolph Scott, an actor sadly too early typecast in westerns, plays the rare breed that can easily combine charm and affability with a steely resolve and a frightening ability to kill. He’s the best thing in the film, although it’s a solid affair out and throughout. The director, Andre de Toth, does an okay job, and everything else is well-enough made for a low-budget movie (cinematography, music, sets…).

That same year, Wanda appeared in Young at Heart, a movie about the lives and romances of three sisters in a musical family, played by Doris Day, Elisabeth Fraser and Dorothy Malone. if you like fluffy, cute and easy on the eyes and easy for the brain, now this is your cup of tea! The gorgeous Technicolor is brimming with strong, saturated colors, Doris Day is her usual charming self, and the male lead is Mr. Frank Sinatra himself. With a cast that strong, you can’t go wrong unless you really go wrong, and they didn’t. The problem is that it’s a thin movie overall, with no great depth, but for some fun and games, it is a perfect way to spend a Sunday afternoon.

Wanda’s last movie, made in 1955, was Women’s Prison. Unlike many of the lurid, over the top, convoluted campy 1950s movies, this one is a serious endeavor that mostly get to achieve what it wants – to show the everyday life in women’s prisons in a somewhat realistic manner. No, it’s not quite as realistic as it should be, but this is Hollywood in the decade it was least realistic and most illusionary (just look at all the Technicolor musicals). The cast is wonderful – Ida Lupino, Audrey Totter, Jan Sterling, Cleo Moore, Howard Duff – great!

That was it from Wanda!

PRIVATE LIFE

Wanda continued to dance during her whole brief Hollywood career. She was featured in what were mostly a decorative, thankless jobs, but they paid the bills, and here is a shining example of that kind of life.:

Showmen Joseph and Frank Zucca, sued by Ken Murray in effort to keep them from calling their Culver City show “Blackouts of 1950′ went to court yesterday and took along these girls from left, Bebe Allan, Marybeth Haughton, Lou Ann Louis, top row; Lorri Collins, Ruth Rowland, top, and Wanda Barbour.

And this:

These California beauties have been selected by the LA. Press Club as hostesses for visiting Florida girls due here Wednesday. Shown at Ambassador pool they are, from bottom level: Billie Nelson, Beverly Jones, Shirley Cotterill, Totty Ames, Gloria Maxwell, Marilyn Lamb, Lillian Farmer and Wanda Barbour.

No high art in this, but I guess it could be fun sometimes. Wanda, only 18 years old, married her first husband, Thomas McDougall, on August 21, 1948, in Los Angeles. Thomas Edward McDougall was born on March 20, 1927, in Lansing, Michigan, to William McDougall and Rose Lake. His older sister Billie was born in 1923. The family first moved to Long Beach, and then back to Lansing, Michigan by 1940. After graduating from high school, Thomas returned to California. When he married Wanda, he was working as a gas-and-oil salesman.

The marriage hits the skids pretty soon, and they were divorced in the early 1950s. Wanda got into movies afterwards using her maiden name, so let’s assume she didn’t brag about her early marriage and rarely mentioned it to anyone.

Literary nothing was written about Wanda’s love life. What we know is that, by the mid 1950s, Wanda was dating a real catch by Hollywood standards – handsome Southern gent, Hoyt Bowers, the head of the casting department for Warner Bros. The couple married in the New Frontier Chapel at Las Vegas, Nevada in April 1957.

Hoyt Stephen Bowers was born on September 7, 1911, in Georgia, to Peck and Verbenia Bowers. His father was a bookkeeper. Hoyt had a younger brother, Bates, born in 1914. The family moved to Los Angeles in the mid 1920s. Hoyt started to work as an insurance clerk after high school, and married Patricia Nunn in 1930. Their daughter Sherry Ann was born on February 7, 1932. Their daughter Nancy Jean was born on December 1, 1937. In the late 1940s and early 1950s, both husband and wife drifted towards the lucrative movie industry. Hoyt became a casting agent, and Patricia a movie extra.

Here is a short blurb about Patricia:

Hollywood’s youngest grandmother, Patricia Bower, sits beside Actress Piper Laurie. Sirs. Bowers, currently acting as stand-in for Miss Piper, is married to Hoyt Bowers, casting executive. She is 37 years old and has two daughters, one of whom is mother of a two-year-old girl.

Whoa, I had to do the math and it’s not particularly impressive – I Patricia gave birth when she was 18, the same for Sherry. I just hope the granddaughter didn’t follow the family line and took a bit more time to get married and have children (if indeed she ever decided on such a course). Sadly, the couple divorced before 1954.

Wanda and Hoyt had a son, John Hoyt Bowers, born in 1960. Wanda gave up her career and immersed herself into motherhood and domestic affairs. The Bowers often visited Abilene, where some of Hoyt’s extended family lived.

After more than a decade of marriage, Hoyt and Wanda divorced in the early 1970s. Wanda married her third husband, Victor Bennett, on April 10, 1975 in San Bernardino, California. Victor Bennett was born in 1916 in Nebraska, and moved to Los Angeles when he was a youth. There he married Ruth Schwerdtfeger, had two sons, Charles Nicholas, born on October 4, 1938, and Vance Chadwick, born on March 9, 1942, and worked as a meat cutter. He and Ruth divorced at some point.

Wanda and Victor settled in San Bernardino, and started to trade in antique furniture. They were a well-adjusted, happy couple, and it seems that Wanda had finally found a husband worth keeping. However, this story does not have a happy ending.

Tragically, Wanda and her husband were murdered on November 14, 19179, in their home in San Bernardino, during a robbery attempt. She was only 49 years old – her husband 63. To add to this horror, her son John was arrested almost immediately after the bodies were found, as an obvious prime suspect. Of course he was innocent, but the stress and the pain had been inflicted. Here is an article about the slayings:

San Bernardino Sheriff’s deputies today are questioning an 18-year-old Twentynine Palms man in connection with the slaying of his mother and stepfather. John Hoyt Bowers was arrested Wednesday night, just hours after the body of his mother, Wanda Bennett, 49, was found underneath trash at the Landers dump. Her husband, Victor, 63, was found shot to death at his home here, deputies said. Both were shot in the head. So far, deputies do not have a motive or a weapon in the slaying.

Two men wanted in California to face double murder charges were arrested early Friday, state police said. Officers said Richard W. Garrison, 38, of Hulberton, Orleans County, .was picked up in the Town of Murray, Orleans County, and Gary M. Roelle, 30, of Rochester, was taken into custody in the Town of Sweden, Monroe County . The pair, according to state police, are wanted by the San Bernardino County, Calif., sheriffs office in the robbery slayings of Victor and Wanda Bennett with a shotgun in Yucca Valley Nov. 14. “Numerous items of stolen jewelry and firearms were brought to New York state by the subjects and were seized at the time of the arrest,” according to a state police statement. “It’s believed they had been in the upstate New York area since Nov. 27.” State police said the two were being held as fugitives from justice. Garrison was being held in the Orleans County Jail and Roelle in the Monroe County Jail.

The police are looking for the motive for the killings. The Bennetts’ car was also taken, but was later recovered near Old Woman Springs Road, investigators said. The Bennetts bought and sold antiques and may have been contacted by one of the suspects who wanted to sell an old desk, Knadler said. It may have been through that contact that the suspects learned about jewelry and other items the Bennetts owned, he said. ” Documents filed in a Barstow ‘ court in support of murder warrants issued for the two men stated that after the murder Garrison was seen in possession of jewelry with Wanda Bennett’s name engraved on it. Several persons told investigators they had seen Garrison with a bag containing many items ,mostly jewelry, including a silver and turquoise squash-blossom necklace, other pieces of turquoise jewelry, an ID bracelet, a charm bracelet and numerous rings, the documents said. The bag also contained numerous American and foreign coins, investigators were told.

What a sad, sad end to a woman who had so much vitality and zest for life.

But, as always, let’s hope she had a happy life!

 

Rosemary Colligan

Rosemary Colligan was a beautiful model that came to Hollywood to trade on her looks. She did just three uncredited appearances in movies, but managed to snag quite a prize – the great George Raft himself. However, it was anything but a bed of roses! Let’s learn more about her!

EARLY LIFE

Rosemary Colligan was born in 1925 in Dunmore, Pennsylvania, to Joseph Colligan and Helen Roach. She was the youngest of three daughters – her elder siblings were Celestine, born in 1919, and Mildred, born in 1923. Her father worked as areal estate salesman. The Colligans were a typical tight-knit Irish family, and Rosemary remained extremely devoted to them her whole life.

The family lived in Dunmore in the beginning, and then moved to Scranton, Pennsylvania where Rosemary was educated. After graduating from high school, Rosemary decided to become a model, and moved to Philadelphia, where she enjoyed her first professional success.

By 1948, Rosemary moved to New York, and became an even more successful model there. She became a Camel Cigarette girl, was considered Miss America of 1949, and was signed with the prestige John Robert Powers agency. By 1951 Rosemary had decided, like many models of her stature, to try her hand at acting. This is how she was seen by a movie scout who directed her towards Hollywood, and that is how it all started!

CAREER

Very slim pickings here – Rosemary appeared in only three movies, none was a classic and she was not credited even once. The first one is the completely forgotten Run for the Hills, a typical Cold War paranoia movie turned into a hilarious comedy. NOT! While it is a typical Cold War paranoia movie, it’s also a cheap, Z class production, with the always wooden Sonny Tufts playing the lead, an Average Joe insurance man who moves to a cave to avoid the potential nuclear warfare. Yep, you heard it right, he dives right into a cave! The simmering sexpot (but sadly a limited actress) Barbara Payton plays his wife. it’s a completely forgotten movie, but boy, just look at the cast, look at the story and the money involved, and I can make a educated guess about where that was going. Rosemary plays a Cave girl, reminding me of Carole Landis in all her prehistoric glory (with beefy Victor Mature next to her).

That same year, Rosemary appeared in The French Line, a no-plot, plenty of scantly clad girls, singing and dancing type of a movie, and heck, it’s not even directed by Busby Berkeley! As I said, the non existing story is as it goes: When her fiancé leaves her, an oil heiress takes a cruise incognito in order to find a man who will love her for herself and not for her money. Well, if you forget for a moment how silly it is, we still have the luscious Jane Russell in the lead, and the sexy senor Gilbert Roland as her love interest. Not a bad cast, I must say!

Rosemary’s last movie was Son of Sinbad, a movie you can either hate of enjoy for the sheer campiness and so bad it’s good quality. Even the short blurb from IMDB shows us just how good-in-a-bad-way the movie is – Legendary pirate and adventurer Sinbad is in single-minded pursuit of two things: beautiful women and a substance called Greek Fire–an early version of gunpowder. Ha ha ha ha, you got that right! Dale Robertson plays Sinbad, and Sally Forrest is his dream princess, but there are more than 50 other girls to ogle at, and Rosemary is just one of them. A big, big plus for this movie is Lili St. Cyr, in one of her rare film appearances (love that woman!).

And that was it from Rosemary!

PRIVATE LIFE

I have to say that after reading a bit about her, I like Rosemary. In a world where man was king, she used them and just moved on to the better thing when she found it convenient. While this is not model behavior and I certainty don’t condone it in everyday life, when you look at the type of a men Rosemary dated, you’ll see what I mean. These were no ordinary, normal working class men who would get hurt big time if something like that happened – these were world class cads who used girls and women quite a bit (some more, some less). Somehow, getting the Rosemary treatment for them was almost like getting the boomerang right back at their heads. Anyway, read and assess for yourself.

Here are some quotes by Rosemary from the papers:

The stage door Johnny ‘”ain’t what he used to be,” Rosemary Colligan laments. “He used to be the theater alley Romeo with top hats and tails who waited outside,” the TV actress said. “Now he dresses in sport shirts and pounds at the dressing room doors”

About her hair:

For myself I prefer long hair because as a model I find that I am requested to wear my hair many different ways, and without long hair this couldn’t be done.

In 1951, Rosemary dated Matty Fox, a wealthy film and TV tycoon, but while he was crazy about her, she just liked him, and ditched him when a more interesting guy came along. And that guy was… Mike Todd!

What can I say about Todd? Born in 1909, he was a master illusionist, a devil may care, half crazy bon vivant who survived by sheer charm and a good dose of luck. he was married twice before, and his second wife was Joan Blondell, who was left bankrupt after his producing expeditions. He just ditched dames when a more interesting one came along, and he broke plenty of hearts.

Anyway, Rosemary and Todd used to ride about New York in his Cadillac, and it was clear that Mikey was all ga-ga about Rosie. But then, a movie scout saw Rosie, like what he saw and asked her to Hollywood, just left Mikey without a second glance. Mikey was crushed, but refused to admit defeat – he came after Rosie to Hollywood just a few short weeks after she departed. He came bearing gits – and what gifts those were – diamonds and diamonds! Mike was determined to keep Rosie, and it seemed that she truly was enchanted by him – they spend a wonderful few weeks in Los Angeles, and when he had to return to New York, Rosie was quite unhappy at the airport.

But alas, life goes on! In September 1952, just days after Mikey left leaving behind breathless notes and promises to see Rosie again, she met THE man, the man who changed the game for her – that old fox, George Raft.

In a space of few days, Todd was out and Raft was in, big time! And Raft literary fell like a ton of steel for Rosie. Raft was no stranger for beautiful women – he dated them by the loads, but he was rarely in love, and few of the women he loved were Virginia Pine and Betty Grable. Very inspired company, no doubt! He was also a connoisseur of local Los Angeles hookers, and employed their services for decades. He usually had at least two women a day – sometimes even more.

by the end of the year, Rosemary took George Raft home to meet the family, George charmed both ma and pa, and everything was tipped for marriage. Then, Raft had to depart US for Italy for a film assignment. He tried to persuade Rosemary to go with him, but she was unwilling to be separated from her family for such a long time, so she declined. George was so smitten that when he flew from Los Angeles to New York en route to Italy, he still (in vain) begged Rosemary via phone calls and cables to join him. As the papers wryly put it, Dapper Georgie hasn’t had it this bad in years!

While George was in Rome, Rosemary took siege in his palatial Coldwater Canyon home that once belonged to his swain, Virginia Pine), and moved her family there – mom, dad and sister. George gave them his blessings, and often called Rosemary long distance to profess his love and devotion. he planted item sin the local papers in this vein:

GEORGE RAFT is determined to marry showgirl Rosemary Colligan. And, when he returns from Rome, he’ll make his first serious try for divorce

The papers claimed that he wants to marry Rosemary at this point, but after trying at least twice during the twenty or more years he and his wife have been separated, everybody could bet he’d have a small chance of getting his freedom. He offered his estranged mate a fantastic, lifetime “deal” when he wanted Betty Grable for his Mrs. and again when he wanted to marry Virginia Pine, but she refused him both times.

This is what George wanted us to think. The truth is probably somewhere the middle – IMHO he was too cheap and chickened out whenever the deal was about to close. He really burned for the girl – be it Betty Grable or Virginia or Rosemary, but could never quite get himself to do it. He always put himself fin the first place, and that meant his money too. I refuse to believe that in Hollywood, where you can get divorced in a zillion different ways, he couldn’t persuade his wife to divorce him. Even after humiliating her time and time again by bedding literary hundreds of starlets and hookers.

Anyway, even after George returned home from Rom the Colligans showed no willingness to evacuate. George balked, but with Rosemary’s charms and Raft’s wise lawyer (who advised him not to cause any legal rumpus because of the publicity that would result in bad publicity) workings in unison, George shrugged his shoulders and decided to camp out. So, George shelled out $3,000 for his new upkeep, living in an apartment in Joan Crawford’s apartment house. George caught a heavy cold on the plane trip from Italy, and he was looked after by Rosie and her mother, so he spent a chunk of his time in the house anyway.

It was clear as day to all in Hollywood that Raft was head over heels for Rosemary. He even got her a spot at his nightly dancing show, in order to keep her close to him. He was on good terms with her family, and they spent quality time together. Rosie and Georgie were constantly seen everywhere, often dancing at clubs. It is disputable if George really curbed his well known 2-women-a-day routine, but for Rosemary’s sake let’s hope he did.

However, time went by, and no divorce was coming. Like so many women before her, Rosemary got fed up with all the waiting, and trouble began to loom on the horizon.

By October 1953, Mrs. Colligan became seriously ill, and George sent her and Rosemary to Memphis, to see a famed specialist. Rosemary’s father and sister continued to live in his Beverly Hills home. The specialist only confirmed that Rosemary’s mother was very ill and advised a change of climate. So Rosemary and her entire family went to live in Florida. George could finally give up his apartment and move back into his home, but it was a bittersweet pleasure. It was a difficult time in their relationship, as it was unclear if they were saying a permanent goodbye, or was it just temporal. When newspaper people asked Rosemary about it, she said: “It’s hard to tell. I feel that my first duty now is to be with my mother. I can always come back later.”

And indeed, in the beginning, Raft and Rosemary had a semi-successful long distance relationship, he in California, she in Florida. But, literary a few short weeks later, things started to fall apart. As there was a very slim chance that George would ever wed her, Rosie just decided to play the field like a single lady while she was on the other side of the county. Pretty soon, there were reports that she was discovered by wealthy Irving Geist. Raft panicked, but Rosie wouldn’t budge. Their relationship became icier by the second.

George was livid and unhappy with the state of the union, but could hardly do anything. Then, it all escalated with a very last phone call between them, on Christmas Eve 1953, when Rosemary called him from Florida to say that she doesn’t love him any more. And that was just that.

Same as with Betty Grable and Virginia Pine, George prolonged getting a divorce, and when the lady inevitably left him, he was shattered, like really, properly shattered. His friends were literary amazed at the torch George was carrying for Rosemary. Just a few months ago they thought he was trying to get rid of her and her family – obviously George tried to make himself a cool cat who couldn’t wait to nicely ditch the gauche Colligans and Rosemary, when the truth was quite different.

Here are some short articles that show just how devastated George was (and he WAS!):

THE MOST DEPRESSED and blue guy in our town over the holidays was George Raft. Not a wire, not a card, nary a greeting of any kind from Rosemary Colligan, her mother, father or sister who were George’s guests for over a year, living in the luxury of his home while he occupied a small apartment. “Is he carrying a torch for Rosemary?” I asked one of his pals who is frankly worried about Raft. “Maybe not exactly a torch,” his friend explained, “but he’s deeply hurt to think that these people, for whom he did so much even to paying for father Colligan’s major operation, didn’t even have a greeting for him at the holidays. There’s been no word from them since they moved to Miami, after George paid for their departure.

To add insult to injury, George had a minor car crash in January 1954:

George Raft’s auto crash injuries — five torn ligaments in his right arm — are healing a lot faster than his heart injuries-from the breakup of his romance with Rosemary Colligan. The numbness in the arm is disappearing but the hurt of Rosemary’s departure for Florida last November still throbs. In fact, George is carrying a terrific torch. “I had such faith in that girl,” he tells me, “and I thought I had done a lot for her and her family.”

It seems that for George, who only had a proper family unit when he was with Virginia Pine and helped raise her daughter Joanie, perceived Colligans as his family, and it hit him extra hard when they fell apart. So, his relationship with Rosemary wasn’t just a man-loves-woman – for him, it was a chance to, through a beloved female figure, finally have a family that had eluded him, by his own choice, for several long decades. Yes, it hurt extra hard, but since he (more or less) refused to wed a nice girl from a proper Irish family, what could he expect?

George took his time to recuperate, and reacted quite angrily when anybody mentioned Rosemary. When he was leaving for Puerto Rico and that deal Fred MacMurray to run 3 gambling casino, he was asked if he would stop in Florida to see Rosemary. Enraged, he said, “No. When she told me she didn’t love me, that was that!”

Indeed, it seems that George and Rosemary cut all contact after that, and never spoke again. I could be wrong, but Rosemary is not even a footnote in most books on George’s life – worse still, she’s not even mentioned, like she never happened! This is a pretty big omission, as Rosie was truly and earnestly George’s great love. Less glamorous than Virginia Pine, less famous that Betty Grable, she is unjustly never mentioned and this is why there is so little information about her.

Rosemary married wealthy William F. Sullivan in 1954 in Miami, Floria. Unfortunately, I could not find any other information about her afterwards, or is she indeed alive today.
As always I hope she had a happy life.

Marjorie Deanne

Beautiful Marjorie Deanne was a beauty contest winner that came to Hollywood, hoping for a big break. Like with the majority of girls who took down that route, her break never came. However, she became a proficient businesswoman, and in the end, retired to raise a family.

EARLY LIFE

Clara Pauline Boughton was born on January 28, 1917, in Brownsville, Texas, to Walter M. Boughton and Catherine Lieb. Her father was a fire chief. The family lived in Meridian, Mississippi for a time after Clara’s birth, and her brother Edwin was born there in 1922. The family moved to Memphis, Tennessee, in the mid 1920s. Clara attended school there but was very much involved with her Texan side of the family and often visited them in Corpus Christi.

Clara was a natural-born beauty, and from the time she was a high school student, she attended beauty pageants and won titles like “Miss Southwest Texas” and so on. After graduating from high school, she decided to make a career out of it and entered showbiz.

After winning a trip to Hollywood through Corpus Christi’s Splash Day beauty contest in 1935, Clara’s acting career started. Joking! When she came to Hollywood for the first time in 1935, Clara at least she hoped something would happen. She would get an acting gig, she would dance, she would do something. But, alas, it was not meant to be. She spent 12 months knocking vainly at the studio gates and then, with her bank account drained and her courage a bit shattered, finally give up and took a job selling tickets for a Hollywood theater.  She had the usual luck of beauty contest winners and eventually got a job as usherette at the Grauman’s Egyptian theater. At some point, pursuing her regular duties, Marjorie ushered a man to a seat. It was director John Farrow. He decided Marjorie was a screen type and had plans to make her a proper actress. Unfortunately, as with many such cases, nothing happened, and Marjorie was back to square one.

Deciding to try other options a working girl had in that time and age (very, very limited!), she became a traveling saleslady. After noticing that the hosiery business was blooming, she started selling men’s shirts and socks. Soon, she started a profitable business in Hollywood as representative for an Eastern shirt and hosiery mill. Business was good and she hired a salesman. It kept on being good and she hired some more. Now she has 40 salesmen and they support her in luxury while she haunts the casting offices. She did some bit work in movies.

Marjorie, by then wealthy enough to work for and not for money, got a job in the Earl Carroll Theater as one of his beauties. She did some touring with the Theater going to New York in 1939, and then returned to Hollywood and finally started her tenure as a working actress.

CAREER:

Marjorie is most famous today for appearing in a string of Three stooges shorts – Violent Is the Word for CurlyDutiful But Dumb Matri-Phony Three Smart Saps . She also appeared in a string of other comedy shorts – The Nightshirt BanditMutiny on the BodyThe Sap Takes a Wrap and so on.For more information about this, visit Lord heath’s link about Marjorie Deanne.

As far as full length movies go, Marjorie made her debut in 1938 in The Goldwyn Follies, followed closely by Freshman Year and Girls’ School. All three movies are alike as they are the typical fluffy 1930s movie with no real depth but some degree of fun – While the Follies are a plot-less but entertaining musical,  Freshman Year a Dixie Dunbar college musical, and Girls’ School a juvenile story about high school girls and their love squabbles, with the radiant Anne Shirley in the leading role. Marjorie’s only 1939 role in a full length movie was A Chump at Oxford, the witty Laurel/Hardy movie. Marjorie then took a great from movie acting to tour with the Earl Carroll Theater.

She returned to movies in 1941, and that ended up as Marjorie’s most productive year – she appeared in no more, no less than 10 movies! let’s see her full length ones. I’ll Wait for You is a formulaic movie about a bad guy reforms after meeting hard-working, decent folks, only slightly elevated by the endearing performances by Marsha Hunt and Virginia Wiedler (this cannot be said of the leading man, Robert Sterling, performance – he doesn’t have enough gravitas to truly play a hard-core gangster). Then came West Point Widow, another forgotten Anne Shirley comedy, and then Kiss the Boys Goodbye, an interesting musical  based on a play by Clare Boothe Luce which was inspired by the search for an actress to play Scarlett O’Hara in Gone with the Wind. The original play had to be watered down to the extreme, and it works well as a musical/showcase for Mary Martin. Buy Me That Town was also based on superior material – a Damon Runyon story about a crook who wants to bankrupt a small town to suit his own nefarious deeds. The movie is sadly completely forgotten today, but except a solid plot it boasts a good cast (Loyd Nolan and Albert Dekker). Next was Niagara Falls, a completely silly comedy with the Jean Harlow wannabe Marjorie Woodward. The movie is watchable only if you try really hard not to take it seriously in any capacity. Equally dismaying was New York Town Design for Scandal, another Mary Martin semi musical, semi comedy.  

In 1942, Marjorie appeared in only two full length movies: Tarzan’s New York Adventure and the patriotic Star Spangled Rhythm. I don’t think anything needs to be written about the famous Johnny Weismuller Tarzan movies – it’s something that you find either charming and educational and slightly idiotic. I guess Maureen O’Sullavan saves the day for both camps, as her warmth endears her to virtually anyone who ever watched the movies.

In 1943 Marjorie actually appeared in some solid movies, although not all of them were on the same level of quality by  along shot. The first was The Crystal Ball, a lightweight but funny Paulette Goddard/Ray Milland comedy. They were a pretty good combo, and have superb chemistry together, so it’s worth watching just for them. Next was Salute for Three a completely forgotten musical, and a Jimmy Rogers western comedy, Prairie Chickens, which isn’t half as bad as you would think it was. The bets movie of the year was For Whom the Bell Tolls, no more information necessary! So watch it! Marjorie was then in Let’s Face It, a watered and dumbed-down version of a saucy stage play, worth watching if only for Bob Hope and Betty Hutton. Equally sub par was Riding High, a Bob Hope cast off that went to Dick Powell – and he just isn’t the type to make it work. the plot is silly enough: A train arrives in the west and deposits a showgirl (Dorothy Lamour), an eligible bachelor (Dick Powell), and a swindler (Victor Moore), and the fun starts there. Dick and his leading lady, Dorothy Lamour, are completely overshadowed by a funny supporting cast (Victor Moore, Cass Daley and so on).  Luckily, Marjorie then appeared in True to Life, an above average comedy. The plot, while nothing special (A writer for a radio program needs some fresh ideas to juice up his show. For inspiration, he rents a room with a typical American family and begins to secretly write about their true life) lends itself nicely to the crazy family cliché that works because of a hilarious supporting cast. Dick Powell, Franchot Tone and Mary Martin are also top form, and do this kind of comedy with their eyes closed.

And that was it from Marjorie!

PRIVATE LIFE:

Marjorie dated actor Alexander D’Arcy at one point, and was on friendly terms with Frank Feltrop, tennis pro, and actress Movita, who later married Marlon Brando. Not much else was written about her private life.

Then, on March 19, 1944, Marjorie flew to New Orleans, Louisiana, to get married to Capt. Abraham Albert Manuck, attached to the Lifegarde General hospital dental staff there. It was noted that she expected to “settle down to a career of marriage with the captain.”

Abraham Albert Manuck was born on October 4, 1900, in Ehaterinslov, Russian Empire, to Benjamin Manuck and Rachael Sperans. he immigrated to the US, where he finished dentistry school and started to work as a dentist. He moved to San Francisco, and easily merged with the local high society. Manuck was married twice before – to Alba Baglione, whom he divorced in 1936 in Reno, Nevada, and Alla Manuck, whom he divorced in 1941 in Reno, Nevada. (guess Reno was his go-to destination for divorces).

Even before the marriage, Marjorie said to the papers she would not return to Hollywood and indeed cut her ties with the dream factory most thoroughly. She had obtained her release from the Actors guild and from Paramount studio, buying out her contract. Indeed, she would never return to Tinsel town and never made a movie again, opting for family life.

After the war ended, the family moved to Santa Clara, California. The couple had three children: Richard Albert, born on October 8, 1945, Stephen Bennett, born on December 3, 1948, and Denise Cheryl, born on June 19, 1951. All of the children were born in San Francisco. The Manucks enjoyed a happy family life in Santa Clara, and were active members of the local society, doing charity work and being quite civic-minded.

Clara Manuck died on May 21, 1994, in Redwood City, California.

Her widower Abraham Manuck died in 2000, aged almost 100.

 

Rowena Cook

Rowena Cook’s career might be considered lackluster by most standards, but she proved to be amazingly resilient performer in the long run. Rowena came to Hollywood via a contest, which is not good-by itself. Let’s be real,  most of the people who come to Hollywood by winning a contest (be it a beauty contest or anything similar) stay in the bottom levels of the pecking order, and Rowena was no exception – but unlike the majority of those people, she really wanted to act, not to become rich and famous. When such a person, with such aspirations, doesn’t hit fame in Hollywood, he find other outlets for his passion – and Rowena sure did! Let’s learn more about her!

EARLY LIFE

Rowena Sturges Cook was born on October 16, 1917, in Staten Island, New York, to Rowena Sturges and her husband, Wilburn Eugene Cook. Her older sister, Cordelia S, was born in 1906 in Mexico. Her father died in 1919 and, as far as I can tell, the family lived on his inheritance. Rowena and the girls moved to Traverse, Michigan in 1920, and moved to Pasadena around the time the recession hit.

After her education in Pasadena (of which I could not find anything), Rowena came to Chicago in the 1930s, working for about a year on a weekly radio show, before moving back to California in pursuit of an acting career.

In order to break into movies, Rowena entered the “Gateway to Hollywood“. It was a showcase for young up and coming actors, sponsored by Jesse Lasky, who conducts’ the search for new film talent via the show. She won, along with Ralph Bowman, Mary Jane Barnes and Lynn McKinley. And then it started!

CAREER

Rowena, as Alice Eden, was signed by RKO and got a decent role in Career, a movie showcasing life in a small Iowa town. And this is one good film – actually, it’s one of the few times that Hollywood realistically portrays the mentioned small town life. This ain’t no Andy Hardy, with his squeaky clean characters, perfect families and pristine streets – this is the real deal – as a reviewer on IMDB wrote:

This is a much grimmer world, where people are forced to face up to real issues, with no easy solutions; where panic and self-interest often take the place of reason and community-consciousness; where young love is often thwarted by ambition (and not just on the part of the career-minded male either); where the town drunk is not just a figure of fun, but contrives to be both boorishly obnoxious yet tragically sympathetic; above all, where venality is uppermost in just about everyone’s mind — except of course in the embittered storekeeper hero (revenge is what he’s after).

No wonder that the great Dalton Trumbo wrote the script – there is a ever present social undercurrent, and a very serious one. Sadly, the movie didn’t do any favors to anyone involved, including Rowena.

This is the story of a young girl who goes to Hollywood and hopes to become the next Sarah Bernhardt. Initially, Rowena was thrilled over winning’ the contest and getting a role and a contract. She’d spent years studying dramatic art, and naturally thought she’d be considered an actress. But she learned that people just thought of her as a contest winner. Her contract expired, and she was on her own. Instead of giving up hope, she decided that this was really her chance to make good. “I literally buried Alice Eden,” she said, the other day. “And started out to be just Rowena Cook.”

Sadly, Rowena Cook amassed only one credit. Kit Carson, an enjoyable but not particularly noteworthy western, with Jon Hall and Lynn Bari in the leads. A special bonus – Dana Andrews is also there!

That was all from Rowena!

PRIVATE LIFE

Rowena always maintained how she prepared for a theatrical career from her earliest days… When she got the Gateway to Hollywood contest, this is what papers wrote about her:

It seems that I will not have to worry about Rowena Cook’s (Alice Eden’s) future during the present year. She has 13 weeks of Alice Eden to do on the radio if she gets out of Des Moines alive. And then a picture and then the business of choosing between two or three contracts which have been slipped in the mail. Marvelously Lucky? You think that this little girl from New York has been marvelously lucky?

The sweet and dumb days have passed from Hollywood forever; a stupid grin and a good pair of gams are not enough at this time. Alice Eden is pretty enough to

Well, if you will start now and work for the next 17 years at plain and fancy dramatics, perhaps you will be lucky, like Miss Cook. She frittered away the precious hours during the first two years of her life and then someone told her that life is real and life ia earnest. “Oh, yes,” she said. “In June, 1939, only 17 years from now, Mr. Wrigley and Mr. Lasky will want me ta do a picture for them. Time’s a wastin’.” So there she Is as you will see her on Saturday.

Rowena’s only surge of publicity came when during that time, right after the win. As Andy Warhol would say, she had her five minutes of fame. Here is atypical article from that brief period:

Miss Eden, 21 and “blue-eyed blonde,” too was happy over her good luck and hoped it might lead to screen fame and fortune. Tuesday afternoon they presented medals at the A. A. U. and Wednesday night they will appear at the Varsity theater for the opening of the first picture In which they played featured – roles “Career.” Thursday morning they leave for Chicago and 13 weeks of radio work, and, in October, back to California.

It seemed like a wonderfully active, almost hectic life filled with interesting activities.. But it just didn’t last. On the other hand, Rowena’s co-star, John Archer (real name Ralph Bowman), enjoyed a long, if not especially successful career in Hollywood, amassed more than 100 credits, and married Marjorie Lord, and was the father of actress Anne Archer.
Rowena had a pretty low-key romantic life. On March 18, 1940, she married John Irving Laird, a fellow actor, in Los Angeles. Laird was born on December 10, 1911, to  Irving E. Laird and Ethel Taylor in Waukegan, Illinois, and came to Los Angeles for movie work as an actor. The marriage lasted eleven months, and they divorced in 1941. Laird remarried at least twice, second time in 1981, and died on August 5, 2003, in Florida.

By 1942, the US had entered WW2, and Rowena asked to be released from her contract so she could move to New York to help the war effort. This is what makes her such an interesting woman – when she saw that Hollywood wasn’t going to make her a top class actress, she opted to develop her skills in other ways and just left. No drama, just begin very efficient! In Nee York, Rowena began working as a trainer for new female Navy recruits at Hunter College in New York, and she did some part-time work as an actress, determined to become a legitimate stage actress.

In the theater circuit (during the run of John Loves Mary) she met director Vaughn Baggerly, whom she married in 1948. Vaughn Herbert Baggerly was born on April 18, 1917 in Davenport, Iowa, to Glenn Baggerly and Martha Crow, the youngest of two boys. The grew up and was educated in Davenport High School and attended the College of Theater Arts, Pasadena and then moved to Coral Gables, Florida, where he worked as a stage director. He was drafted in 1942, serving as a cryptographic officer and in the Special Services Corps. After returning to civilian life, he lived in New York.

The couple settled in Los Angeles, where their daughter Susan Rowena was born on July 31, 1949.  Despite his thriving theater career, Baggerly decided to become a professional Army officer, and was stationed in Tokyo during the Korean War. Rowena and Susan followed him there, and Rowena volunteered with a Red Cross at a local hospital. The couple returned to the US in 1955, and their son Vaughn David was born on July 28, 1955 in San Francisco.

Baggerly retired from the Army in 1964 with the rank of lieutenant colonel, then started to develop a recreation program for the Job Corps, and became head of the Job Corps office in San Francisco in 1965.

In their spare time, Vaughn was a director and Rowena an actress for the Theater of the Fifteen Company in Coral Gables – their love for acting never left them, and it was sure more than a simple fling but a deep passion. Not many actresses profiled on this blog could say that about their craft.

Vaughn retired in 1984 and he and Rowena settled in Laguna Nigel, Orange County.

Vaughn Baggerly died on January 20, 1990 and was buried in Illinois. Rowena moved to Barrington, Illinois, where she lived in a nursing home and was a capable illustrator and children’s stories writer.

Rowena Cook Baggerly died on March 2, 2004, in Barrington, Illinois.

Marjorie Zier

Marjorie Zier’s life can truly be a cautionary tale for other women – she drank too much and married too many times to wrong men. However, painting her as a mere weak female is a gross oversimplification. Like most things in life, her story is told in shades of gray with no clear resolution. Marjorie is extremely ambivalent – as much as she was responsible for her actions and often behaved foolishly, she was also as much a victim of a ruthless, chauvinistic society that had no interest in helping her. Let’s hear more about her!

EARLY LIFE

Marjorie June (or May Marjorie) Zier was born in Hennepin, Minnesota, on February 3, 1909, to Harrison Zier and June Jeremy. She was their only child. Her father was a successful car salesman. Little is known of Marjorie’s childhood – she grew up in Minnesota, and the family moved to Los Angeles by 1920. Marjorie took dancing and acting lessons and decided to become a show biz professional – by 1923 she was dancing in various revenues, and then became a Mack Sennett Bathing Beauty. This propelled her into movies in 1927 when she was just 18 years old.

CAREER

Won’t write too much here, I usually don’t cover silent pictures since I’m far from being knowledgeable on the topic, and most of Marjorie’s filmography are the silents. Truth to be told, I really didn’t chose to profile Marjorie for her career, so I’ll focus on the private life more.

Marjorie’s biggest silent role was in Phantom of the Range, a Tom Tyler western. In 1930, she made a few sound Mack Sennett comedy shorts, – Average HusbandDon’t Bite Your DentistRacket Cheers and Rough Idea of Love. And then she gave up Hollywood!

PRIVATE LIFE

Marjorie married Danny Dowling in about 1925, when she was just 16 years old. She sure started young! Danny was born on November 16, 1906 in O’Neill, Nebraska. He was living in Los Angeles by the early 1920s, working as a singer and dance,r mostly for the cafe circuit. It was a firts marriage for both.

This hasty marriage was a semi disaster, as you can see from this article.

When Danny Dowling. cafe ‘entertainer, was separated from his wife. Miss Marjorie Zier, by an annulment action, he refused to take the decree as final. He pursued the girl to whom he had been married, trying to persuade her of his affectior- He didn’t get his wife back, and although he did make an Impression on her, it was not a good one. Tn the words of a late popular eon? “The only impression he made upon her was a dark blue Impression round her eye.” ‘ The most recent meeting between Danny and hie former wife occurred outside the Montmarte Cafe. Danny asked it he might take Miss Zier to her home. She refused tc ride

according to Miss Zier”a story, a struggle followed and de lady’s eye was punched. She called officers, who arrested Danny on a charge of battery. Municipal Judge Richardson gave htm a suspended sentence on that charge. But officer state they found a bottle of gin m Danny’s car, and now Danny must stand trial on a charge of possession of liquor. , The case was set before Municipal Judge Edmonds, but will be transferred today to Judge Stafford’s court for trial

They separated and divorced in 1926. Danny was an interesting fellow, but this wasn’t the first not the last time he did such a dramatic scene – in 1934, he made headlines for months because he kidnapped his former girlfriend, Marjorie Crawford, former wife of director William Wellman (whats with Danny and the Marjories?). Marjorie sued him, they were in court and he was almost sentenced, but then, wait for it, THEY MARRIED! After beign at each other throats for a month and even gettign to court, the wed! As you can imagine, that marriage didnt’ last long! Danny opened a nightclub in Los Angeles and remarried to Harriet Kelley in 1943. He died on July 23, 1993 in Monterey, California.

It seems Marjorie was not a woman who could be alone, or indeed not married. She was already on the prowl, and Marjorie married her second husband, Hugh Parker Pickering, on August 17, 1929. Little is known about him, except that he was a Chicago socialite, and was born on April 22, 1905, in Louisiana, to W J Pickering and Grace Parker Williams. The marriage did not last long – They divorced in 1931. Pickering later was married to madcap heriness Mary Elizabeth Fahrney from 1932 until 1933. Pickering died in 1979.

Marjorie married J. Richard Van Conover in Dallas, Texas, Dec. 17, 1934. Conover was born on 1905, to William B Conover, a prosperous rice mill manager, and his wife Cora Conover, the middle child after older brother William and before younger sister Elizabeth. Conover was a aviator and oil man with business interests in Lake Charles, Louisiana, where his family lived.

The Conovers were surprisingly married for five full years, but it seems those years were anything but milk and honey. In 1939, Marjorie sued Conover for divorce, claiming he was a drunk who regularly beat her. Conover didn’t spare any nasty details about his ex-wife-to.be – he said on one occasion she split his scalp with “an iron object,” and that the only lapse in her drinking was a three-month period in Los Angeles in 1936 when she “took the cure.” Trouble started immediately after their marriage in December, 1934, when she struck up an acquaintance with another pilot shortly after their honeymoon. He said she developed a habit of going out with him, getting drunk and behaving in public in such a riotous manner as to cause him serious embarrassment.

Now this is sad. This is just simply sad. Marjorie was a alcoholic as early as 1934 (and quite probably even earlier!) and by 1939, five years later, the situation had not changed one iota. She was still a raging alcoholic who behaved inappropriately when she s drunk. While there is no doubt that she was first and foremost responsible for her actions, it’s clear that she was out of her depth and that she needed help badly. Were there any real tries to help Marjorie? Did Conover truly try to dry his wife and just gave up when she didn’t take it, or was Conover a perhaps a slightly lesser drunkard who didn’t give a whiff about Marjorie? Who knows. The point is, Marjorie was not getting any help, and her husband was such that he rather aired her dirty laundry to the public than helped her. It was realistic to expect a steep decline after these unhappy occurrences, and in a way, it was more than clear this would be a crash-and-burn type of a situation.

It’s easy to judge Marjorie here – while it is without a doubt that by her own free will she drank too much and got involved with the wrong men, it takes a boarder look at the context to understand just that a woman, born in 1909, who slipped into this unseemly world, had no platform that would help her. Nothing. Almost nothing. It was shameful, ostracized and frowned upon, being a female drunk, but did anybody help women in these situation? Did anybody do anything? And Marjorie was even part of the higher class for a time, and at least she had money and wasn’t hungry nor lacking in resources. Imagine how the women from the lower classed had it? On another note, I may be wrong and there were several interventions for Marjorie, but I would venture to say no before I say yes.

Anyway, Marjorie asked $250 a week plus $5,500 in counsel fees. In the end, they got to an agreement and were divorced after much acrimony. Conover remarried not long after, but sadly died on March 25, 1945.

Marjorie had a chance to make her life different – she had some money in the bank, she had shed an annoying mate, and perhaps had the fighting chance to go to a sanatorium and get herself dry . But what did she do? She continued marrying rich men who had major alcohol problems, thus exacerbating her own problem. Talk about damaging yourself on all spheres – from the physical one (alcoholism) to the emotional one (marrying highly unsuitable men).

Marjorie married Michael Cudahy in January 7, 1941, in Mexico. Cudahy was a scion of a prosperous Chicago meat packing family – he was born on November 24, 1908, in Missouri to Jack Cudahy and Edna Cowin, the youngest child and only son after thee daughters. His father killed himself in 1921, suffering from en extremely nervous condition and insomnia. Michael grew up to be a typical 1920s and 1930s playboy who went to Hollywood frequently to rip through new assortments of young actresses. He married actress Muriel Evans in 1928 when she was just 18 years old. They divorced in 1930. He enjoyed a lengthy affair with Joan Crawford, but she was her own woman and ditched him the moment she figured out she can’t cure a raging alcoholic with mommy issues. Like many of the playboy set, Cudahy drank too much and was a victim of a overbearing mother who kept him on a short leash. In 1927, he tried to marry Marie Astaire, an actress he met literary 24 hours ago, and his mother had him arrested in order to stop the nuptials (better be in jail for a day than marry the wrong girl, I guess). Cudahy and his second wife, Jacklyn Roth, dancer, were divorced in 1937.

The marriage was a disaster literary lasted for six months. Mike went into the army on May 20, 1941 Marjorie got a divorce on grounds of cruelty, saying “He was very cruel. I was very ill and he struck me and called me vile names”. So very precise and exact! While there isn’t much more information, it seems that Cudahy was happy to get rid of her. He called the marriage “a gin marriage” and quite probably too easily agreed to a hefty settlement. Cudahy didn’t remarry, and died from a liver related disease (read: effects of alcoholism) in 1947.

Marjorie married a Mr. Page sometime in 1942, and that marriage also didn’t stick – they divorced by 1945. Professionally, Marjorie was dried up financially and had to work again, so she became an early in flight hostess for TWA. There was nothing I could find about the mysterious fifth husband. Then, Marjorie started to date Stanley Wassil, a man who would change her life forever.

Wassil was born on April 13, 1919 in Harwood, Pennsylvania, to Polish born Catherine Wassil – his father died before he was born. Wassil lived in his hometown, prior to WW2, during which he served in the Army. Upon discharge he relocated to New York City and from there moved to Los Angeles, California, where he met Marjorie. They hooked up in about 1946, and were soon living together. Wassil worked as a semi successful real estate broker. Here is a short newspaper article about what happened betwene them in the end:

A jilted suitor was in Hollywood jail on suspicion of murder today for the beating death of Marjorie Page, a former Mack Sennett bathing beauty. Mrs. Page, 41. once married briefly to the late Michael Cuadhy of the meat packing family, died in the General Hospital yesterday, 15 hours after police found her on the floor of her apartment with a gaping wound in the back of her head. Stanley Wassil, 32 year-old real estate man who said he broke up v.ith her a month ago after living with her for six years, was hooked following the death. Detectives said he confessed: “1 pushed her in the face and her head slammed against the wall,” Wassil 1 broke down when told of Mrs. Page’s death. He sobbed: “Oh. God. my God! ! didn’t intend to kill her. If I had known this would happen i never would have tried to get her to come back to me.” Later he explained that the fatal quarrel followed a discussion . “about a reconciliation, about G money, her drinking and other men.” Wassil said that since their separation Mrs. Page had refused to give him an accounting of their joint funds.

Here is some more information about what exactly happened that fatal night:

Yells Described in Killing of Ex-Actress Neighbor of Former Mack Sennett Beauty Heard Her Testifies She Say ‘Don’t Hit Me’ Thuds and muffled screams preceded the fatal beating of Mrs. Marjorie Zears Page, 43, one-time Mack Sennett bathing beauty, last March 9, a blonde nightclub entertainer tes 1 V tified yesterday at a preliminary hearing into the former movie actress death. The witness was Mrs. Jo Ann of Director Puffy Michaels, 24, occupant of an upstairs apartment at 1912 N Canyon Drive. She quoted Stanley Wassil, 32, real estate man with whom Mrs. Page had resided for some time, as yelling: “Aw, you’re not hurt; get up!” “Don’t Hit Me Again” She said she heard Mrs. Page plead at one time during the fatal row, “Don’t hit me again!” Sgt. James Barrack testified he had answered a disturbance call to the house on Saturday night and had heard “a sort of snorting kind of panting” and had been told by Wassil that Mrs. Page was an alcoholic and had “passed out.” The woman died the following day.

On with the story – Wassil was arrested and tried for involuntary killing of Marjorie. In the end, he got six year probation and one year of jail. WHAT???

Okay, fact number one: Marjorie was a full blown alcoholic by this time, no doubt about it. fact number two: Wassil literary killed her. Yet, he got only 1 years in prison. Why?? Is it because she was an alcoholic and a woman? Before we start making our own judgement, let’s look at the facts once again, with more depth.

Fact Number one: Wassil was abusive towards Marjorie – it’s hardly realistic to expect this was the first time he struck her. She was a victim of an abusive relationship, like many women today. It’s easy to blame her for not walking away – but isn’t is more logical to blame the perpetrator for inflicting abuse on the victim in the first place? At any length, this is a complex question that will barely be answered on this blog, so on with the facts. The point is, this probably was not an isolated incident – Wassil harmed Marjorie before, and never once did he stop to think that maybe this wasn’t normal behavior for a man, that he should stop. From this angle, Wassil is guilty as heck.

Fact number two: Marjorie was an spendthrift alcoholic who probably tired to seduce other men when she was intoxicated, and this drove Wassil crazy. While this is far from fine behavior on Marjorie’s part, THIS IS NOT, in any way or form, a reason to strike her or inflict any other kind of physical punishment upon her. There is no reason to strike somebody, ever, unless it’s a life or death situation (and here, let’s be frank, it was not – I can hardly imagine Marjorie going after Wassil’s jugular to terminate him or something similar). If you don’t like the way the other person treats you, then just quit. Say goodbye and never turn back. I know it’s easier said than done and not all situations are a clear black and white, but still, wouldn’t it have been better it Wassil left Marjorie and never contacted her again? Who knows how her life would have looked afterwards, and for that fact, his? Maybe Marjorie would have died not long after from effects of prolonged alcohol abuse but then again, maybe not. We’ll never know. And Wassil did not have to the executor’s blade, the one straw that broke the camel’s back. Too bad Wassil didn’t have the strength to simply leave her be. If you do’t like it, just leave! Wassil looks guilty here as well.

Fact number three: Wassil obviously struck Marjorie in the heat of the moment, with no intent to kill. Real bad and unacceptable, but still no murder. But the real deal breaker here is that he LEFT after he literary shoved her into the wall. HE LEFT!!!! The coward left!!! Now this is where the line was crossed into oblivion, on the point of no return. Yes, he stuck her, he deserves to be punished for this criminal act, but it’s much less damaging to strike somebody than to kill him/her. But if he only stayed and helped her, Marjorie would have probably survived (or maybe not, impossible to say now, but let’s go with the assumption that she would have been treated earlier and her changes of not dying would be dramatically increased). It’s almost too easy to imagine how Wassil did this to Marjorie countless of times before – and left her on the floor crying, probably quite a bit drunk. This method worked, until it didn’t. Strike number three against Wassil. So tragic.

Verdict: Any way you look at it, Wassil is guilty. He was not only abusive towards Marjorie in general, and instead of trying to help her, he only deepened their shared problem and in the end, crossed the line big time. Wassil is no victim of a imagined nymphomaniac-drunk Marjorie who drove him to the brink of madness with her lascivious behavior – quite the opposite, he was a weakling who instead of ditching a woman who, despite her obvious allure, was a cauldron of problems, he stayed and only aggravated everything by being a highly counter-productive bully (as bullies always are).

After leaving jail, Wassil continued living his life normally after these dramatic experiences. He remarried to Jessie Gedid, and ran a launderette in his hometown.

Stanley Wassil died on February 21, 2002 in Youngstown, Ohio.

Naida Reynolds

NaidaReynolds1

Naida Reynolds was a pretty, dark haired girl with a pleasing figure who danced in the Earl Carrol vanities before trying to make her luck in Hollywood. Sadly, she ended up like most of her fellow chorines – a footnote in the musical genre, with no credits to her name.

EARLY LIFE:

Margaret Naida Reynolds was born on Verne Reynolds and Pearl Weddle, on November 29, 1911 in Kansas. Much later, the papers would reported she was a kin of the famous Reynolds tobacco family, but I have no proof of these claims. The family moved around a bit during her childhood, living for a time in Kansas City, where her younger brother, John, was born in 1913, then moving to New Mexico before returning to Kansas City for good.

The family lived with her paternal grandparents in Kansas City in 1920. Naida grew up in the city  and attended elementary there. She also danced for fun on the side, but as time went by, it was increasingly obvious to Naida that she wanted to become a professional dancer. Her wish was so strong that she quit high school after only one year to dedicate most of her energy to dancing.

As the story goes, Naida won a Schubert contract, moved to the East Coast and danced in the Earl Carroll Vanities in New York city starting in 1931 (two other Kansas city alumnus were also at the Vanities at that time: Harry Sotckwell and Claire Curry). At some point, she went to the West coast to try her hand in Hollywood.

CAREER:

Despite her enviable dancing skills, Nadia made only two movies in her all to brief Hollywood career, and in both she was a chorine whos eonly role was to dance, dance, dance. Due to the the sheer slimness of her filmography, I will take a deeper look into both of her offers.

By the mid 1935, the golden years of 1930s musical were gone. Busby Berkeley had already made his best movies, and it was all downhill from there. Yet, Gold Diggers of 1937 has the the dubious honor of being one of the last movies “before” the going went totally down. The stars are typical Berkeley “constants” – Joan Blondell and Dick Powell. It’ basically more of the same from Berekely as far as the plot goes (which is not good, as most of his plots are puff, blink and you’ll miss them)  and nothing else measures up to the golden standard of the previous work. The comedy is contrived, the actor uninspired, and the musical numbers are mostly bland (there are a few exceptions, however). I would be too severe to say it’s a bad movie, it’s not, it’s just not a really good one. Still, if you like musicals and especially if you like Berkeley, it’s worth giving a shot.

NaidaReynolds3Naida’s second and last feature is Strike Up the Band. it’s a Judy Gardland/Mickey Rooney movie, but not a particularly popular one nor well remembered today.  Yet, it’s a very good one (the weird thing about Hollywood, quality sometimes realy does not count). The plot is simple enough: (taken from IMDB): Jimmy (Rooney) and his best friend Mary (Garland) unite the music loving kids in town with the dream to be in Paul Whiteman’s band. When their school doesn’t help, they decide to raise the money on their own. However, the many ups and down of growing up including first love, personal goals, and the serious illness/injury of a close friend causes them to think about what’s really important.

The happy go lucky feeling of a small town in the 1930s, the breezy song and Busby Berkeley dance direction make this movie a true treat for the fans. Mickey and Judy are, as usual, balls of energy just waiting to ignite, so great is their charm that even if the movie was a lesser version of itself, they could make it work. Worth watching more for the emotion than for any intellectual reasons, it strikes a cord and leaves the viewer with a nice, warm feeling inside. If you are not expecting a cerebral experience, go for it!

Naida worked in Hollywod for a few years more before retiring, but did not make a credited movie appearance.

PRIVATE LIFE:

Naida was as much in the papers as a typical chorine-turned-actress was in those days,often featured with . She was notable for a series of articles where she showed her exercise routines. She maintained her enviable figure by doing exercises on her tummy, and she claimed more muscles are active in that position.

NaidaReynolds4Naida married Clarence S. Friend on July 11, 1937. His occupation was listed as a movie property man. They met on the sound stage while both were working on a musical film and dated for three months before getting engaged. Friend was born on September 3, 1910, in Iowa, and actually had no credits at that time.

The marriage was short lived, and They divorced in 1939. Firend went on to work as a set designer and art department member on a number of movies and a greater number of TV shows. He married Barbara Nail in 1961 and died on June 27, 1970.

On October 1940, Nadia was again mentioned in the papers, this time because she was a guest at one of the col parties thrown by the popular younger crowd – Judy Garland and Mickey Rooney:

Mickey dances to his own music and to hot numbers from his new picture. Keeping pace with him is no task for Naida Reynolds, who often helps director Busby Berkeley teach new steps. Sometimes she works as an extra. There is much less drawing of social lines at a party like this than in Hollywood parties given by adults. Here, friendships have little to do with salaries.

NaidaReynolds2Naida remarried to Ralph Ellson Donerly on April 2, 1951. Donerly was born on June 26, 1920, in New Yersey, to Raymond and Mayzie Donerly. By the mid 1950s Naida was long retired from Hollywood but continued to dance as a hobby. In 1958, she hit the papers when dancing at a charity concert for funding the California Home for the Aged (other old Hollywood personalities who graced this manifestation were Chuck Ryan and Slim Lee).

Naida Donerly died on January 7, 1986, in Las Vegas, Nevada.

Her widower, Ralph Donerly, died on August 1, 2007, in Blue Diamond, Nevada.