Constance Weiler

Unfortunately, there is a shortage of information about the lovely Constance Weilver, and this is going to be one slim post, so bear with me. While I dislike writing short posts, I fell in love with the above photo of Constance, and I just had to profile her. So let’s learn more!

EARLY LIFE

Constance Ellen Uttenweiler was born on September 17, 1918,in Toronto, Canada to Lebret Joseph Uttenweiler and Mable Wilson. Her older sister Bernice was born on May 11, 1917. Her younger brother Robert would be born in 1921. Her father was American, born in Michigan, her mother was a Canadian. The family lived in Toronto, where Constance spent her early years.

On April 30, 1927 at the age of 8 she immigrated to the US with her parents, arriving in Detroit by boat. They went to live with their paternal grandfather, Robert Wilson, in Detroit, Michigan.

In April 1929, her parents divorced, and a few days later her mother married Joseph Kirzinger. Two more children were born of this union (son Lawrence and daughter Iris). Only young Robert went to live with the Kirzinger newlyweds – the sisters remained with their dad and lived in Detroit (I wonder how the story went – why didn’t Bernice and Constance go on to live with the Kirzingers and Robert did? Smells like an unusual story!)

At some point, Constance landed in New York and found work there as a theater receptionist (have no idea which theater). Constance was signed to a term contract with MGM after talent scouts spotted her in a New York night spot in 1943.

CAREER

Connie signed with MGM, the most prestigious studio at the time, and made her debut in 1943 in The Man from Down Under, a Charles Laughton movie. In many ways, it’s a typical wartime propaganda movie – on the other hand, in many ways it’s not a typical propaganda movie. What makes it stand out, if only so slightly, is the fact that it deals directly with Australians and their bit in WW2. Tell me named of three movies about Australia from the golden age of hollywood. You see, hardly any springs to mind. Constance’s second movie was the more prominent I Dood It, a Red Skelton comedy classic.

Constance then made a string of well-regarded musicals – Broadway Rhythm and Bathing Beauty. No story, little character development, lots of singing and dancing. Constance returned to propaganda movies with This Man’s Navy, about  U.S. Naval Airships (Blimps) and featuring Tom Drake, who for a time seemed like the hot new thing then faded quickly into obscurity.

During this time, Constance was featured in several movies by the great but troubled actor, Robert Walker – The Clock (a superb, intimate drama with Walker and Judy Garland), Her Highness and the Bellboy (a so-so musical about a princess, played by Hedy Lamarr, and the unrequited crush the hotel bellhop, played by Walker, harbours towards her).

In 1946, the war was over and Constance’s career entered a new phase. Her first post war movie was Up Goes Maisie, a continuation of the adventures of brassy showgirl Maisie (played by Ann Sothern). Constance continued appearing in high quality movies that never hit top-tier. Meaning, she never acted in a movie that ended up a classic, but she did work in solid movies with a solid if sometimes phenomenal cast.

Such two movies were The Hoodlum Saint, a morality tale about a WW1 vet (played by William Powell) who will do anything to get rich (and the consequences of his actions) and Two Smart People, an unusual noir romance film, directed by Jules Dassin and headed by John Hodiak and Lucille Ball as two con artists in love.

The Arnelo Affair is actually a mediocre effort somehow undermined by the wooden acting of the female lead, Frances Gifford. The story is the same old cautionary tale for wives – don’t cheat on your husbands, and if you do… Well, you get the picture. John Hodiak is solid as the “bad guy”/affair of the title, and Eve Arden and Dean Stockwell are wasted in sub par roles. MGM could definitely do better than this! Sadly, It Happened in Brooklyn, her next movie, wasn’t quite the high quality movie to follow-up on a dismal one. It’s a nice enough musical, but the story and characters, being paper-thin, weight it down tremendously. Good musicals should have a simple but effective story, not some pastiche

Constance had a minor role (literary) in The Beginning or the End, a docudrama about the atomic bomb (and again shared the screen with Robert Walker).

Constance’s last movie made under the MGM helm was The Romance of Rosy Ridge, perhaps the most superior film of the post-war lot. Why? Well, for one thing, it deals with subjects that Hollywood often tended to avoid – the post-war animosity and hatred that still burns deep in the people. While it was made post-WW2, the plot is set after the American civil war, and illustrates nicely how people lived in Missouri in the mid 19th century. it’s surprisingly authentic for a Hollywood production of the 1940s, and despite a few song and dance numbers, never falls into the sappy/sweet routine. The leads are played by the young, fresh-faced Janet Leigh and Van Johnson – a good combo!

I guess Constance went freelancing, but appeared in only two more movies – a great one and a sadly lukewarm one. The great one was The Asphalt Jungle, a top-notch heist film, dark, gritty, intense, one of the best movies John Huston made. The lukewarm one was Three Guys Named Mike, a fluffy and brain-dead rom com with Jane Wyman as a stewardess who has to choose between three guys named Mike. It’s much better than most rom-coms today, mind you, still not enough to warrant a second look.

And that was it from Constance!

PRIVATE LIFE

This here is pretty thin. There were no articles about her love life, so I can’t say whom she dated while in Hollywood in the early 1940s… However, there was a short article about her in 1946:

Constance Weiler, on the set of “The Postman Always Rings Twice,” telling John Garfield and Leon Ames the thrill of flying one’s own plane. After six weeks, she’s just made her first solo hop. The payoff is she can fly a plane but doesn’t yet know how to drive an automobile.

Funny, she never appeared in the movie, at least it’s not among her credits. Constance’s career effectively ended in 1947, although she did bits and pieces afterwards, from 1946 onwards, there were no mentions of her in the papers.

Next thing we know, Constance married Douglas la Franco on June 7, 1957, in Los Angeles. Her career had been over for almost a decade by then, and she was consistently out of the limelight. Anyway, La Franco was born on September 25, 1929 to Ceferino la Franco and Edna Pullion. His father was from the Phillipines, his mother from Oregon (what a combo!). He grew up in California and was never married before he wed Constance.

Unfortunately, the marriage lasted a very short time, and they divorced in 1959. They did not have any children. In 1960, Douglas married his second wife, Pearl Colberg. Constance did not remarry and lived for the rest of her life in San Francisco.

Constance Weiler died on December 10, 1965 in San Francisco, California. Constance’s former husband, Douglas la Franco, died in 2006.

Beryl McCutcheon

Cute looking, round-raced Beryl McCutcheon got into acting by mistake, and – like most girls who never had a theatrical background and think that their looks will  enough to pull them trough – never left the uncredited roster. To her credited (haha, pun intended!), she was persistent and made two come backs – too bad it didn’t work out well enough. Let’s learn more about her.

EARLY LIFE

Beryl McCutcheon was born in 1926, in Little Rock, Arkansas, to James McCutcheon and Robbie Day. Her father, who worked as a building painter, was originally from Wisconsin, moved to Louisiana where he met Beryl’s mother, married her, and started a family. For business purposes, the couple moved to Canada – their daughter Ione was born there in 1915. By 1920, they were back in the States. Two children were born in Louisiana: a son, David, in 1923, and a daughter, Lois, in 1924. They then moved to Little Rock where Beryl was born.

Her family moved to Los Angeles, California, just a few short months after. Her younger sister, Joanne Patricia, was born there on August 5, 1931. Beryl grew up in Los Angeles and attended high school there. She had no big dreams of becoming an actress – but fate had other plans for her.

The year was 1943 and war was raging all over the world. Beryl had just graduated from high school. In the meantime, her older brother David worked as a messenger boy at MGM. Unfortunately, messenger boy jobs were soon vacated by war – he was called to fight. When messenger boys became scarce, the MGM producers naturally replaced them with girls. Thus, Beryl took the David’s place when he joined the U. S. Coast Guard.

She wasn’t on the job long before Producer Arthur Freed saw her and recognised major potential in her – so he tested her  she had a screen test, and Beryl won a contract. And her adventure started.

CAREER

Beryl made her debut in a variety musical, Broadway Rhythm. No story, no depth, no acting, just singing and dancing. IMHO, meh. Beryl marched on. Due to her slight age, she was then cast as a Co-ed in Bathing Beauty, a insanely popular Esther Williams picture with a thin plot but plenty of swimming, eye candy and comedy. They don’t make them like this anymore!

For the rest of her MGM tenure, Beryl mixed drama with musical movies, perfectly illustrating what MGM was all about in the 1940s and 1950s. She was in Marriage Is a Private Affair, a lukewarm Lana Turner vehicle – the movie made sense during the war, when women married servicemen on a whim and were hard to accommodate to a completely new, austere way of life, but seen today, it’s a feeble drama. Lana is not dramatic talent to be sure, but she had the sass and the elegance ot make her a star – and she was very pretty when she was young (unfortunately, she didn’t age too well).

Much better was Beryl’s next movie, Thirty Seconds Over Tokyo, a superb example of what a war movie should look like. It has everything – good actors, a sturdy plot, and a positive message to boost your moral. Beryl’s next movie, The Clock, was equally as good – just on a different level. It was a more intimate war movie – about two people who meet just before one is to be shipped overseas to fight- with a powerful emotional momentum and two unlikely but perfectly cast stars – Robert Walker (whom I always remember as the psycho from Stranger in  Train – I know, not fair to this talented actor, but he was tops in the role) and Judy Garland, in one of her rare non-musical roles.

Beryl was back to fluffier, easier fare with Thrill of a Romance, another Escther Williams musical. If you like water extravaganzas, this is for you! Next came The Hoodlum Saint, an unusual try to make another Thin Man – the plot is about a newspaper reporter who tires to go back to normal life after WW1.  However, it doesn’t quite click. The male lead is the same William Powell, but it’s 20+ years later and his Nora is not Myrna Loy but rather Esther Williams, who was 30 years younger than William. Not a good pairing at any rate. However, the movie has some saving graces – the supporting cast is wonderful (Angela Lansbury, Lewis Stone, Rags Ragland, Slim Summerville) and the overall feeling of the movie is solid.

Beryl was back in the musical saddle with the classic, Till the Clouds Roll By. Afterwards, she left movies to get married, but that was not the end.

Beryl returned to movies after a 7 year hiatus in 1953. She then appeared in Glory Alley, a muddled mess of a movie about a crooked boxer and his trials and retribution. it’s the kind of movie that tries to be everything at the same time – a serious drama, a breezy comedy and a simple sports film. Like most tries at mix and matching genres, it fails miserably. We actually have great actors in it –  Ralph Meeker, the best Mike Hammer IMHO, and the alluringly gamine Leslie Caron, and a top director – Raoul Walsh – but it just doesn’t work. It seems like everybody is lost and has no idea what there doing – only the flimsy script keeps that on track.

Then came Dream Wife – I love this movie despite the pretty abysmal reviews. I watched it twice and it was nice, easy and funny – exactly what a movie of that caliber should be. It ain’t a masterpiece but who’s asking for it anyway? Cary Grant plays himself and Deborah Kerr plays herself – and they are pretty good at it. And Betta St. John is gorgeous beyond words! Just simply watch it! Beryl had the fortunate opportunity to appear in How to Marry a Millionaire, a beloved classic that needs no introduction. Ah, those candy-sweet, Technicolor movies, gotta love them!

Betty took another breather, and made only one more movie 3 years later – Ransom!, a superb thrilled where Glenn Ford and Donna Reed plays parents of a boy who has been kidnapped and held for ransom. It’s a tight, well plotted movie without  a minute to lose – and very emotionally intensive. Both leads are great in their roles. Watch!

After some minor TV work Beryl retired from acting for good.

PRIVATE LIFE

Beryl married her first husband, Robert Joseph Kindelon, on October 24, 1946.

Robert Joseph Kindelon was born on July 26, 1919, to Joseph Kindelon and Mary Ellis. His father was an oil well supply salesman. He was the oldest of three boys (other two were Ellis and Richard). Robert was movie struck from early childhood, working as a movie usher and attending college ta the same time. After graduating, he found work on the MGM lot as a casting clerk. There he met Beryl, and the rest is history!

The couple had two sons: Patrick Joseph, born on August 26, 1947, and James Ellis, born on December 23, 1949. The family lived in Los Angeles, where Robert was in the casting business – he left MGM at some point and opened his own casting agency, Independent Casting of Hollywood. He merged with several other smaller casting agencies,  like Artist Casting over the years. Robert’s brother Richard also became a succesful casting director and moved to Hawaii where he worked on Hawaii 5-0.

The Kindelons divorced in the mid 1950s. Robert remarried in 1960 and died on February 22, 1981 in California.

I could not trace Beryl’s fate afterwards with a 100% accuracy, but she seems she didn’t remarry, and that she lived in Culver City at some point, and died in Ventura County, California, after 2008.

 

Jana Mason


Jana Mason was a talented singer who set aflame stages al over the States with her sensual, jazzy style. Unfortunately, this did not warrant her cinematic success – she never had a credited part and appeared in only a handful of movies. Let’s hear more about Jana…

EARLY LIFE

Ursula Comantadore was born on September 11, 1929, in Jersey City, New Jersey, to Joseph Comendatore and Frances Caiezza. Her younger sister Dolores was born sometime after 1940. Her father worked first as a fruit and fish salesman – he had his own stall, and her mother was a factory worker in the early 1930s. Later on her father worked at the shipyards – her mother became a housewife.

Jana grew up in Jersey City in scant circumstances. To help her family make more money, she had to give up on her education (she never got past the 10th grade), and started to sing professionally. She was soon singing in several radio stations and after she moved to New York, worked in various nightclubs. In the early 1950s, she moved to Las Vegas and slowly but securely built up her “brand”. Here is a short article about her:

Jana Mason, the canary with the fabulous figure (at Basin Street), is making a fast climb up the success ladder. In the same hour the past week, she signed to do two Bing Crosby shows and put her signature on a Decca contract. She’s been singing professionally for only 14 months.

She was already a seasoned performer with hundreds of concerts and appearances under her belt, and sang for more than the 14 months like the article claims.  Thus she easily landed in Hollywood in 1955.

CAREER

Jana’s first movie appearance was in Women’s Prison, a low-budget women’s prison movie (boy, the name does say it all!). but, that’s not the reason to watch this little “trashy gem” – rather, it is a great women’s cast – Ida Lupino, Jan Sterling, Cleo Moore, Audrey Totter and Phyllis Thaxter. Despite it’s overly dramatic story and obvious flaws, it’s entertaining and ultimately satisfying. Just beware, this ain’t Shakespeare!

Jana’s next feature, 5 Against the House, one of the 1950s caper movies (let’s rob a casino!) that Rat Pack excelled it. No Rat Pack here, but he have some interesting substitutes – Guy Madison, Brian Keith, Alvy Moore, Kerwin Mathews. Let’s be clear, all of them were pretty boys that never won Oscars, but they are more than tolerable here, and Keith is still a notch above the median, and stands up as the best fo the lot.  What this movie does right is the psychological profile of the caperers – they are all different people with their own “demons and angels”. Another plus is a very young Kim Novak – as soon as she enters the screen, it’s clear there is something about Miss Novak that would make her a star a few short years later.

Jana was then featured in My Sister Eileen, the second adaptation of the well-known book. Unfortunately, it’s a lesser movie than the first adaptation (with the wonderful Roz Russell), but it’s still a breezy, happy-go-lucky movie, a true Hollywood delight for taking the blues away.

Jana’s last movie was The Wild Party. It there is one word that can descrive the movie, it’s sleazy. We have Anthony Quinn, playing an over-the-hill football star that holds a thrill-seeking wealthy couple captive. The movie was supposed to be a social commentary on the rich vs. the poor, but dilutes into a semi-exploatation movie with intense sexual innuendo and some pretty lurid scenes (for the 1950s). High art it ain’t, but it’s not a complete waste either. The social message, while it does get lost in the sleaziness most of the time, comes across to some degree, the cinematography is almost noir-like (always a plus in my book!), and Anthony Quinn, oh my! The man was a charismatic powerhouse and did most of his roles justice, and the movie would hardly work with a lesser actor in the leading role of the deranged football player. His supporting cast is less than stellar, but sturdy enough to make it work (Carol Ohmart, Kathryn Grant and so on).

Jana did some TV work on the side, but retired from movies after her marriage for good.

PRIVATE LIFE

Little is known about Jana’s early life. We know she had a cat that the press dubbed “the real cool cat”. It slept on the air conditioner. Funny.

Jana married her first husband, David Victorson, on December 28, 1953, in Los Angeles. Both of them worked in Las Vegas, just in different nightclubs.

David was born on June 23, 1916, to Louis Victorson and Hanna Smith. He was married once before, to Jean Victorson, whom he divorced in 1937. He and Jana met in New York and moved to Las Vegas to further their careers (but in reality to primarily further her career).

Their marriage was not long-lived. In 1955, Jana got involved with a man who would completely change her life – Jackie Barnett, the songwriter for Jimmy Durante. if the name rings a bell to you, I’ll just say it should – Barnett dated a string of Hollywood beauties in the 1940s and 1950s, and was even engaged to several starlets I profiled here on the blog. He sure had a rich social life!

Madly in love with Barnett, Jana and David divorced in 1956 in Las Vegas, Nevada. Victorson married Angela Velasquez in 1961 and died in 1973 in New Yersey.

After that Jana and Jackie went full yuh-voom. They were often seen together eating supper at the late bistros, seemingly without a care int he world and madly in love. However, the relationship was a stormy one, and they constantly fought only to make up later. Their first real break came in early 1956. In June 1956 Jana met sportsman Jim Kimberly, who would become a serious beau and later change the course of her life (read on to find out how!!)

Jana didn’t stick just to Kimberly – she also dated disk jockey Bill Williams. However, by early 1957, Jackie and Jana were back in each other good graces and in April there was talk that Barnett checked city hall about marriage regulations. His bride-to-be was of course Jana. However, nothing came out of it, and they were kaput once again by September 1957.
In November 1957 dated comic Phil Foster, of the “Halavah Hilarities” cast. She claimed it was an “An old friendship.”, and truly, it didn’t last. By December of that year she was back again with Jackie Barnett, and there were again rumors of an impending marriage.

But oh my, to everybody’s eternal regret Jana and Jackie broke up! (NOT). And this time, it was for good. But, Jana was in no shortage of male company. She was singing in Chicago back then, and the wolves-about-town lined up with mistletoe to greet Jana after every Camellia House performance. Jana took up with her old beau Jim Kimberly, and he then introduced her to .his close friend, socialite Freddie Wacker.

Their mutual interest in modern music was a starting point of what ended up a wonderful romance, ultimately culminating into marriage. Frederick Wacker was born on July 10, 1918, in Chicago, Illinois. He was a grandson of Charles H. Wacker, sponsor of the City Beautiful plan and of Wacker drive. He was a professional drummer and passionate race car driver – he participated in five Formula One World Championship races. Here is what their 1958 wedding looked like:

Frederick G. Wacker Jr., musician, sportsman, and industrialist, left the ranks of Chicago’s most eligible bachelors yesterday when he took Miss Ursula Comandatore as his bride in New York City. The ceremony took place at 5 p. -m. in the Madison Avenue Presbyterian church, with a reception in Hampshire House. Mr. Wacker, son of Mrs. Wacker of Lake Forest and the late Mr. Wacker, is a grandson of the late Charles H. Wacker who headed the Chicago Plan commission for 19 years and for whom Wacker drive is named. The bride is known professionally as Jana Mason and was singing in the Drake hotel when she and Mr. Wacker met a few months ago. Her parents are Mr. and Mrs. Joseph Commandatore of Jersey City, N. J. For the wedding, the bride wore a white lace gown and white pillbox to which a net veil was attached. She carried white orchids. Her only attendant was her sister, Miss Dolores Commandatore. Charles Wacker II was his brother’s best man. After wedding trip to Europe Mr. Wacker and his bride will live in his Lake Shore drive apartment.

The Wackers had three children: Frederick Wacker, III (born on January 5, 1960), Wendy, born on August 27, 1961, and Joseph, born in 1963.

Like many ladies whom I profiled on this site, Jana was a victim of a carefully planned burglary in 1965. There was a long and painful list of valuables taken, including several diamond rings and bracelets, two fur coats, and a fur stole.

Jana in the late 1950s and early 1960s was the embodiment of a seemingly dream-like existence – wealthy, healthy, she had an adoring husband and three wonderful children, but she was unfulfilled and wanted more. So, in the mid 1960s, she went back to work. She sang in Monetral, Chicago and Las Vegas. A short article illustrated her life back then:

Freddie Wacker, the social register’s only professional drummer, flew to Montreal to bring his singing wife, Jana Mason, home from her short but smash engagement at the Queen Elizabeth hotel up there. Freddie reportedly wanted no publicity in Chicago on the deal and isn’t overjoyed at talented Jana’s return to the night clubs.

However, her husband’s distaste aside, Jana found her re-enty into the world of showbiz shallow and insipid. Unhappy qand without a clear idea what can be done about it, she one day met a woman who taught Bible lessons, going from door to door. Jana’s interest was enflamed after she met the woman twice, and she joined their group and found a new meaning in life soon after. Determined never ever again to sing a secular song, she teamed up with old friends from the music industry, and recorded a gospel album. Thus, Jana toured the States with a gospel group for several years, and this completely changed her life. She would later say:

“Everybody tries to pressure himself to live up to the guy next door. I used to spend a couple of hours to get ready to go to a party. I was so uptight. Why? Insecurity? I seemed to believe that life revolved around me. There are no special people under God. We are all together, and we need more love. We need to be touched and loved. We are afraid to clap, to touch, to sing out.”

She retired in the 1980s from all forms of performing and lived quietly with her family. Jana’s husband, Freddie Wacker, died on August 18, 1998, at the age of 80. After his death, Jana divided her time between Lake Bluff, Illinois and Indian Wells, California, where her daughter Wendy lived.

Jana Mason Wacker died on August 22, 2013, in Illinois.

Jana’s son, Joseph, died in 2014.

 

 

 

 

 

Millicent Deming

millicentdeming

Young, pretty Millicent Deming proved to be a more apt businesswoman than she was an actress – she worked in a modeling agency as a tutor from her late teens, and later was successful in real estate and had her very own modeling agency. too bad her acting career was so thin… Let’s find out more about her…

EARLY LIFE

Millicent Louise Deming was born on June 12, 1933, in Los Angeles, California, to Robert Edwards Deming and Mildred Fulton. Her father came from a progressive Iowa family – his older brother was William Edwards Deming, a prominent 20th century engineer, statistician, professor, author, lecturer, and management consultant. Robert worked as a super service station proprietor (I have no idea what it is, but it’s written like this on the 1930 census so go figure?)

Millicent grew up in a upper middle class family in Los Angeles, and discovered her love for acting from an early age. Here is a short article about her social life from the late 1940s:

Visitors Coming from Bel Air to attend the junior-senior prom at [shadow Mountain Club tonight is pretty Millicent Deming, who will be squired by Kenny Jackson of P. S. High. Miss Deming has taken junior parts in several movie shorts, one of which was shot down here at the airport with Kenny playing opposite her. She will he the house guest of Mrs. Mildred Jackson

Millicent became a successful businesswoman early in her life, before she graduated from high school. Her father opened a modeling school where she worked as a instructor, giving girls lessons in how to be feminine and pose for the camera. On the side, she also worked as a secretary for famous impresario Nils Grauland, and did a nightly KTSL (2) show. She met the right people, and it was only a matter of time before she landed in Hollywood.

CAREER

Millicent’s first movie was Two Tickets to Broadway, the all too familiar musical with tons of unknown actresses playing chorus girls (I think that about 7 or 8 actresses I profiled here actually had an uncredited role in that movie). There is nothing much to say about it, it’s a lower mid tier musical with a moronic story, colorful cinematography and sadly forgettable music. Skip.

Millicent’s second, much better movie, was The Garment Jungle, a bag of mixed pleasures. Basically a racket movie, it’s part film noir with dramatic touches, a so-so mesh of it’s two directors – Vincent Sherman and Robert Aldrich. And boy, we can hardly find two such disparate directors!Sherman was known as a woman’s director in the vein of George Cukor – he excelled in melodrama and worked with great divas like Miriam Hopkins, Joan Crawford and Bette Davis. Robert Aldrich was the master of unseen violence, one of the few directors that showed what a phantom menace looks like. Combine them and you have an interesting experiment – not a completely successful one, mind you. The movie, which ended up begin completely unknown afterwards – has flashes of brilliance as much as some truly dismal parts. The story is nothing to gape about – racketeering in the garment district of New York – but it works as a framing device for some very relevant questions and punches you hard when you finally realize that those things happened in real life. Oh yes, people literary died in these rackets. The actors are a mixed bag too. There are wonderful actors like Lee J. Cobb and , and on the other hand, we have Kerwin Matthews in the lead, handsome enough but a total wooden pole. However, the atmosphere and the style overall is superb. There is much “angry silence”, menace and doom in the air, and you can easily feel that Robert Aldrich did a large portion of the movie. It’s his signature style – brutal yet always subtle. Sherman infuses the more “intimate parts”, and they are lacking compared to the rest of the movie. The female love interest, played by Gia Scala, is so marginal to the story it’s almost sad, and Matthews was too thin an actor to truly pull of the more challenging gentle scenes. If you could pull out the redundant cheesy side of the movie, It’s almost a wonderful film noir, and it’s a shame it so neglected today, despite it’s shortcomings.

Millicent did some TV work (Peter Gunn) before retiring from acting for good.

PRIVATE LIFE

Millicent was 34-23-34, blonde haired, hazel Eyed, and 5’ 6”. In 1951, at just 18 years old, Millicent was engaged to Serge Ross, a Hollywood stalwart. The engagement was terminated, and she was seen around town with well known attorney Milton Golden.

Millicent married John Anthony Restifo on May 5, 1953. Restifo was born on December 30, 1916, in Washington DC, to Thomas Charles Restifo and Madeleine DiCamillo. He was the oldest of four children (John, Joseph, Nancy and Margaret). His father, who ran a successful beverage business, died sometime in the late 1930s. His mother took over as the head of the business, running it with John and his brother Joseph. John moved to Los Angeles a few years later, along with his mother, and there met Millicent. Little is known of the marriage. They divorced in the late 1950s or early 1960s. Sadly, Restifo died in Mexico in 1964.

Millcent married, secondly, to Gerald Fishbein on January 29, 1964. Fishbein was born on March 12, 1930, to Joseph Fishbein and Esther Levin. His younger sister Joan was born in 1940. His father was a successful jewelry salesman – they always had a servant in the household. His parents moved to New York not long after his birth. They lived in Queens where Gerald grew up. Gerald returned to California at some point. Millicent and Gerald’s only child, daughter Leslie, was born on March 17, 1966. After living n Los Angeles with a lofty social life, Millicent and Gerald divorced on December 22, 1982. He married Emily S. Adehlson in 1985 and continued living in California.

Millcent married her third husband, William T. Reynolds, on April 6, 1985.  Born in Trenton, New Jersey, February 11, 1923, to parents William Titus Reynolds, Sr. and Mary Knode Reynolds, he attended schools in Pennsylvania, New Jersey and Florida before moving to California following service in the Pacific Theatre during World War II. He was a graduate of the University of Southern California with a B.S. in Finance (Magna Cum Laude), and an M.B.A. He had a long career in financial services. While in graduate school, he was employed by Hill Richards & Co. in Los Angeles. In Pasadena, he was broker/manager at Blyth & Co., later Blyth Eastman Dillon, Paine Webber and, finally, UBS. He was a Past President of the Bond Club. Reynolds was married once before, to Mary Electa Nehman, and they had three daughters: Cornelia, (born on June 30, 1948), Electa (born on October 28, 1950), and Rosemary (born on May 12, 1953).

Never the one to sit idly, after the demise of her acting career, Millicent ran Millicent Deming Commercial Modeling Studio for several decades, and has been a licensed real estate agent in California for 37 years and is currently with Exclusive Estate Properties in Northern Hollywood. Millicent focuses on Pasadena, where she has lived for many years.

As for her civic life, Millicent served as Member of the Advisory Committee of The Pasadena Symphony among others. Sadly, Millicent and William divorced in the 1990s or 2000s. Millicent moved to La Canada-Flintridge after the divorce.

Wiliam T. Reynolds died on April 9, 2013 in San Gabriel.

Millicent Deming Reynolds lives in California today.

 

Georgia Clancy

georgiaclancy

Stunning model who went to Hollywood hoping for fame and fortune, Georgia Clancy was one of many that never amounted to much in the movie world. Yet, after both her acting and modeling careers were over, she became a highly succesful executive and paved her own way in life. Let’s learn more about her!

EARLY LIFE

Georgia V. Clancy was born on October 10, 1924, in Sayre, Beckham County, Oklahoma, to Elmzey George Clancy and Mary Etta Hervey. She was the second of four children – her older brother was Alvin, born on February 19, 1923, and her younger siblings were Helen, born in 1931 and Mary, born in 1932. Both of her parents were native Oklahomans.

The family moved from Sayre, Oklahoma to Texas for a brief time in 1932, (her sister Mary was born there), then back to Oklahoma (San Francisco, Oklahoma, yep, that place really exists) and finally to Compton, California in 1936. Georgia’s father was a carpenter and had his own carpenters workshop – her mother helped manage it. Both Alvin and Georgia worked at the workshop since their early teens – by the time she was 16 years old, she racked up quite a bit of work hours per week.

wanting for a better life, Georgia decided to try her luck in New York, where she went after graduating from high school. Not long after she became a premier bathing suit model and was summoned to Hollywood for the movie Bitter Victory in 1948.

CAREER

Georgia landed in Hollywood in 1948, under this guise: “Georgia Clancy, America’s top bathing suit model who became a mannequin hoping it would lead to an acting career, recently reached second base in her campaign to become a screen actress. The beauteous redhead rounded first base in the self-same campaign last week when Paramount called her to play herself in fashion salon sequences for “Bitter Victory.” She was one of the premier New York models sent to Los Angeles – the others were Billie Fuchs, Maruja, Vivian Easton, Georgia, Yvette Koris and Gini Adams.

The movie never being made (a Bitter Victory movie was made later, in the 1950s, with Richard Burton), Georgia opted to stay in Los Angeles and actually made her Hollywood debut in Neptune’s Daughter, one of the better Esther Williams extravaganzas. What can I say – they were top of the art in terms of technical excellence and innovation, but did not have back then, nor now, any big artistic merit. But they are nice’n’easy viewing for an afternoon movie session.

In 1950, Georgia actually had a speaking role in Buccaneer’s Girl, a movie low-budget, thin plot and mid tier actors – but still despite al of this a very amusing movie. Yvonne de Carlo plays the female pirate (while never a big talent, and IMHO not a particularly beautiful woman – I know many will disagree with me on this, but I just don’t find her attractive, De Carlo was superb for these swashbuckler roles and had a certain charisma).

Georgia then appeared in two very good movies: The Furies  and September Affair. Both are examples of superb classic Hollywood filmmaking, despite their relative obscurity today. The first one is a interesting psychological western centering on a dysfunctional but passionate father/daughter relationship (between Barbara Stanwyck and Walter Huston – two top actors!!!!). The second movie is one of the bets tear-jerker I’ve even watched – this is how sad movies are done, people! The story has to be a bit far-fetched (otherwise you’ll never get the over-the-top drama much movies need), actors should be top-notch and truly earnest in their roles, the direction should be unobtrusive and slightly, and their shoudl be plenty of truly emotional moments. September affairs has all of this and one. Joan Fontaine and Joseph Cotten are wonderful in their roles. Gorgeous music (the song, September Affair, was sung by Walter Huston!!! Love that man!!) and great cinematography are a well-earned bonus. definitely put this on your watching list if you like it elegant and tragic.

Georgia’s last movie was the mediocre Two Tickets to Broadway, which I have reviewed to many times on this page to make it relevant anymore…

PRIVATE LIFE

When Georgia came to Hollywood in 1948, there were serious tried to make her more accessibe to the public by mentionign the frequently in incocequencial articles, like this one:

The legend that fashion models get their pick of handsome he-men is a lot of bunk, a green-eyed beauty said today. All she ever meets on the job is a flock of balding grandpas with romantic ideas.. Georgia Clancy, speaking. America’s highest-priced bathing suit mannequin. She has red hair and enough curves to keep a strapless swim suit from slipping. She’s also an expert at broken-field running. “You have to be quick,” says Miss Clancy with a shrug of her bare shoulders. “A lot of buyers get lonesome on out-of-town trips:” Georgia spends her working hours strutting her stuff before the delighted eyes of middle-aged executives. ‘ “We don’t have to date the visiting firemen if we don’t want to,” she explained. “But we have to be tactful in brushing them off. “When some homesick gent asks me out I usually smile and say, ‘oh, I’d love to, but mother expects me home for dinner.’ ” If she knows he’s married, it’s even easier. “I just hint,” she purred, “I’m certain his wife wouldn’t like my alienating his affections.” And she usually can tell a wolf before he even has time to make a pass. “Then I twist my signet ring around so it looks like a wedding ring,” she said. “It also helps to tell him I’m married to an all-American football tackle.” Miss Clancy’s in Hollywood with two other models for Producer Hal Wallis’ “Bitter Victory.” They have the same troubles she does…

After her Hollywood career evaporated Georgia returned to modeling. Sadly, in the 1950s not many women over the age of 35 worked as models, and the same applied to Georgia. However, she was far from disillusioned – she seeker her fortune elsewhere, became the number one executive of A.P. Management Corporation, run by the even interesting Al Petker. Taken from a newspaper article:

If radio isn’t dead yet and it isn’t much of the credit for keeping its pulse going can be claimed by Al Petker, known in the trade as The Contest Man. There can hardly be a man alive who has not heard a Petker-inspired contest on air.  He services some 8,500 disk jockey shows on 1,800 radio stations and also takes care of 119 TV stations with his two going enterprises: Gifts for Listeners and Gifts for Viewers. Whenever you hear a promotion contest on the air with a variety of prizes clocks, radios, watches being offered, you can take odds that it was Petker who dreamed up the idea and Petker who supplies the prizes. The prizes, literally thousands of them, are stored in a warehouse in Beverly Hills. It is, in fact, the only warehouse in Beverly Hills, a city which is very touchy about anything more commercial than selling mink stoles or poodle haircuts. He has his warehouse there, plus a luxurious swimming pool-home. He even maintains cordial relations with the Beverly Hills post office which handles an average of 2,000 Petker-pushed parcels every month and writes him fan letters about the nice way he wraps and addresses them

Petker, who only two years ago was flat broke, is today quite wealthy. Al’s income, of course, comes from the manufacturers of the products he gives away through the disk jockeys. They pay him an annual fee, in return for which he sees to it that the product is handsomely mentioned on the air in such a way that it not only doesn’t sound hike a commercial but doesn’t cost what a commercial would cost. He has, made a legitimate, good business out of what used to be (and in many Instances still is) a low earnign industry in the broadcasting business. When, for example, a comedian’s writers build a Joke or a sketch around some commercial products, such as a refrigerator, the writers are quietly rewarded by the refrigerator pee-pic. Petker is only 37; stands an even six-feet and is handsomely mustachioed. He lives , with his wife and two children and. an 8-month-old Russian wolfhound, and runs his A. P. Management Corp. (along with a dozen other related corporations) with the help’ of Georgia Clancy. Clancy, as she is invariably called, is his executive vice president and would be the hands-down winner of any contest for the most fetching executive v. p. in the world. But the Petker people have no interest in winning contests. They just like to run them. Pays better that way.

Georgia was by all accounts never married and the papers never mentioned a significant other.

Georgia Clancy died on March 8, 1981, in California.

Reita Green

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Blonde, vivacious and beautiful, Reita Green was a star dancer at a beloved dancing troupe from the time she was 16 years old – she showed plenty of promise to make it as an actress. She did find her way to Hollywood and  astudio contract, but unfortunately this is were the story ends – after a few uncredited roles, she gave up the stage for motherhood.

EARLY LIFE

Reita Ann Green was born on April 15, 1936, in Scotland City, South Dakota, to Lloyd Green and Valeria Cach. Her older sister, Gloria, was born in 1935. Her father worked as a manager at a creamory – they made various creams, like ice cream and butter. Reita’s paternal cousin, Roger Green, lived with her and served as a helper for her father at the creamory business.

The family moved to Codington, South Dakota in the early 1940s, and after a brief time there, moved to Scottsbluff, Nebraska, where Reita grew up and attended high school. She was a gifted dancer and spent many hours immersed in dancing, with hopes of becoming a professional one day.

Reita danced only as an amateur, but her luck changed in 1950 (note that she was just 14 years old!!), when Horace Heidt’s touring Youth Opportunity program passed through the city. She auditioned for the show as a member of a dance duet. Heidt didn’t think the act had possibilities but was very impressed with the way she performed, and when an opening came in the show, sent for her and made her a regular member of the chorus.  She then became a member of Heidt’s youthful Heidt-Steppers and appeared every Friday on his TV show, KLA. She was one of the youngest members of the troupe, and attended school every day along with other members of the troupe who were working toward finishing their formal education. Reita lived at Heidt’s ranch with 13 other performers who appear on the show. It was via Heidt that she landed in Hollywood.

CAREER

Reita’s first movie was Indestructible Man, a Z class, trashy horror movie with Lon Chaney Jr. as the eponymous Indestructible man – a screaming, raving banshee avenger (who mutates after a death sentence goes horribly wrong and doesn’t kill him) out to get his scheming lawyer and pay back all her’s done to him. Stupid plot, low-budget, but if you like trash horror, than this is definitely something you should see. Lon Chaney Jr. is one of the best in the field, and the supporting cast is actually pretty decent – Max Showalter, Ross Elliot, Marian Carr.

reitagreen4Her second feature was another lo-budget horror – Daughter of Dr. Jekyll. The name says it all (guess what the plot is about…) It’s predictable, it’s got bad specials effects and no great artistic merit, but it’s fun and it’s trashy. That same year, 1957, Reita graduated to higher quality movies – she appeared in  Jeanne Eagels, a typical Hollywood 1950s biopic. That means – plot has no connection to the real life person, script is clichéd, acting is limited, pacing is choppy and often it’s over the top corny. Yup, Jeanne Eagles suffers from all of these maladies, although it has a few shining moments (it actually shows Jeanne’s alcoholism and some supporting actors are really good – Virginia Grey and Agnes Moorehead come to mind.) The leads, Kim Novak and Jeff Chandler, are beautiful and charismatic, but hardly decent thespians.

Reita then appeared as a chorine in The Joker Is Wild, actually a biopic made right. While not completely truthful to the source material, its got Frank Sinatra playing Joe E. Lewis and it works very nicely. The music is good and so is the supporting cast, so this one is a winner overall.

In 1958, Reita was a part of an Elvis Presley movie – King Creole. I’m no bog Elvis fan and find his movies lackluster, but that’s just my own personal taste. Reita’s last movie, where she finally had a normal, speaking role, was A Stranger in My Arms. It’s a movie that, at first glance, looks like an overblown Ross Hunter soaper, ends up a less than satisfying meditation on the nature of truth, lies and legacy. Yep, it’s deeper than it seems, it has the typical glossy veneer Hunter was famous for but still doesn’t make the grade totally. The dialogue is a bit off, and with some script doctoring, they could have made a semi classic. Too bad. The actors are a mixed bag also. On one side, we have Jeff Chandler and June Allyson, nice to look at but pretty much untalented, and on the other side you have acting greats Mary Astor and Charles Coburn. And Sandra Dee, a cute dynamo!!

After this, Reita appeared in several Tv shows, and then left acting for good.

PRIVATE LIFE

In 1951, Reita was involved in a car accident. The summary: Orchestra leader Horace Heidt and three members of his show troupe were injured Sunday in a sideswipe automobile collision 12 miles west of Elgin. Heidt’s nose was broken. Anthony Giansanti, 35, a saxophonist, suffered a fracture left wrist. Reita lost two front teeth, and her friend, Betty Cole, 16, of Houston, Tex., suffered from shock. All were cut and bruised. Heidt’s group fulfilled engagements at Joliet Sunday despite his injuries (the show must go on!)

Reita married comedian Doodles Weaver on October 6, 1958, in a quiet ceremony at the Laurel Canyon home of son of his brother Sylvester Weaver, an industrialist and founder of the All-Year Club. Architect Ray Donley, a former school friend of Doodles, served as best man. The couple left for a short honeymoon trip in Northern California.

reitagreen2Winstead Sheffield Weaver was born on May 11, 1912, in Los Angeles, California, to Sylvester Laflin Weaver and Annabel Dixon. He attended Stanford University and started his work on the radio. He became a producer and renown comedian. More information onj his can be found on his wikipedia page. he was married three times before Reita – to Beverly Masterman, Evelyn Irene Paulsen and Lois Frisell, and had one son with Masterman, Wynette Laflin, born on June 20, 1941.

In 1959, Reita was hospitalized to have plastic surgery, unfortunately I have no more information about what exactly did she want to “mend”. She and Doodles settled in Los Angeles in the long run, but she gave up on her career and never appeared in a movie of a TV show after 1961.

The Weavers had two children: daughter Janella J. Weaver, born August 24, 1958, and son Winstead B. Weaver, born on June 6, 1960.

reitagreen5The Weaver’s marriage was marred by Doodles’ chronic alcoholism. Later, he would claim that everything they had – the house, the pool, the cars – meant nothing to him as he was in constant pain. This is truly a sad story, but at the same time, it should serve as a lesson on how NOT to live. The couple divorced in 1968.

Reita continued to live in Burbank, and built a very successful wallpaper business – Reita Green The Wallpaper Queen. She started in the early 1970s, after her divorce from Doodles, and still runs it today, at 8′ years old! She is very loved by her clients and has an incredible eye for aesthetics and details (see more on her yelp website, here is the link).

Doodles Weaver died in 1983. Reita’s daughter Janella Jill died in 2009.

Reita Green lives in Burbank, California today.

 

Harriette Tarler

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Beautiful women who crashed Hollywood only thanks to their looks and charms were plentiful, but rarely did they achieve anything worthwhile. Harriette Tarler, one of those women, did find her bit of fame with the Three Stooges shorts, but not much more. Let’s find out something about her!

EARLY LIFE

Harriette Gerthrude Hecht was born on November 4, 1920, in New York, to Adolph Hecth and Charlotte Reicher. Her parents were both Hungarian immigrants – her father worked as a furrier and wholesale fur merchant. Her older sister Beatrice was born in 1914.

The family moved to Los Angeles at some point, and Harriette graduated from high school there. She got married, had a family, and lived in Los Angeles until 1950, when she started her career (sorry, I don’t have any more info about this).

CAREER

Since my knowledge of the Three Stooges is very limited at best (I’ve never seen any of their movies or shorts, heck I can’t even name al three of them), I’ll simply skip Harriette’s claim to fame – her roles in Three Stooges shorts. She was the girl who got the pie in the face. For more information about her roles in the shorts, visit the fabulous Three Stoones site on this link.

Now, let’s take a look at some of her other acting achievements. Unfortunately, she was always uncredited and did no big service to the movies she appeared in… Thus, her career outside the Three Stooges shorts was a bit lackluster at best.

harriette-tarler-diana-darrin-arline-hunterIn 1957, she appeared in The Joker Is Wild, a surprisingly touching and nuanced biography of comedy legend Joe E. Lewis. Sinatra was in top form playing a man who was a personal friend for many years. Recommended! The next year Harriette was in The True Story of Lynn Stuart, a film noir about operatives going undercover, but with a whole new premise – the operative is a housewife, who, after her nephew died from a drug OD, decided to do something and help the police. it’s a low-budget movies and the cast is second tier, but it’s unusual, out of the ordinary and interesting.Next came The Party Crashers, a typical delinquent youth 1950s movies with Connie Stevens trying to choose between wild boy Mark Damon and nice guy Bobby Driscoll.

As Young as We Are was a rare B movie that tackled the student/teacher romance in the 1950s. While today you wouldn’t even flinch at the theme, back then it was dynamite and never shows in A budget movies. While this is a half-baked, lowly made film, make no mistake, the performances are good enough to warrant it a watching. Pippa Scott is pretty good in the female lead, and Robert Harland hits a right note as the highschool in love with his teacher.

The Buccaneer is an entertaining, fun, well made adventure movie. It’s not a classic nor is it a work of art, but it more than fulfills it’s promises. Yul Brynner is the eponymous buccaneer, and Anthony Quinn in the bad guy. Pirates, high seas, sword fights, pretty ladies, oh my!

Don’t Give Up the Ship is a typical Jerry Lewis comedy, this time on a ship and mocking naval 1d39cfee15d2cec41d1a805310b604e1beaurocracy. What can I say, if you like Jerry Lewis you’ll like this movie for sure. Since I’m not a fan (quite the opposite), I’ll just say no. The only reason I could find to watch this is the gorgeous Dina Merrill in the female lead role. Love Dina!!

Last Train from Gun Hill is a western that manages to outgrow that (IMHO) limited genre to become sa semi classic. it’s not as well-known today as some other staples of the genre like High Noon or 3:15 to Yuma, but it’s a sounding hit in almost al departments. Stalwart story (it starts like a run of the mill revenge story) that hides more depth than you think – check. Good actors – Kirk Douglas, Anthony Quinn, Carolyn Jones – check. Great cinematography – check. Suspenseful action scenes – check. Horses – check. Nothing else you need!

Harriette moved to New York and left movies behind for another career.

PRIVATE LIFE

Harriette was an interesting, colorful person with some major flaws. She was immensely charming and easily won people over. She also intrinsically understood how HOllywood worked, and knew that talent and beauty were not enough to gain fame – you needed a gimmick. Hers was being nicknamed Tiger and singing her autographs with a tiger paw next to her name. Long after her career ended, she moved to New York and decorated her apartment wholly in tiger print. She also wore tiger print silk dresses.

63627888_1460942147Harriette married  Leo M Schechtman on June 1939. Leo was born on April 20, 1916 in Chicago, Illinois, to Max and Lona Schechtman. Their daughter Stephanie Shelton was born on November 16, 1942. They divorced not long after her birth. Leo was allegedly a mean-spirited, tight-fisted man who never contributed anything to Stephanie’s well-being, even stole her the money Harriette gave her. He later remarried and had children. He died on March 4, 1990.

Harriette married for the second time to Arthur Tarler on November 3, 1951. Tarler was born on July 9, 1921, in Germany, to Siegmund Tarler and Regina Heimberg. He immigrated to the States in 1938, just before the start of WW 2. He lived with his maternal uncle in the Bronx, New York. Somehow he got to California in the mid 1940s and started a lighting fixture business. The marriage was short-lived, and here is an article about their August 1954 divorce:

Actress Harriette Tarler, 27, who now is engaged in a divorce contest with Arthur Tarler, 33, in the courtroom of Superior Judge Gordon Howden. Tarler, with Tobias G. Klin-ger as his counsel, had just withdrawn his cross-complaint charging mental cruelty, and was contesting only his wife’s claim to certain of their community assets. The husband is in the lighting fixtures business …
“I’m only beginning to see the light on this,” she told the court. Questioned by her attorneys, Henry J. Gross Jr. and Jacques Leslie, the actress said her husband stayed out nights until 4:30 or 5 in the morning. Her friend, Pauline Goddard, a fashion co-ordinator, corroborated her. She said that at a party one night someone complimented Mrs. Tarler, and “her husband immediately started belittling her.” The hearing will be resumed Monday.

So you get the drift, another messy divorce. But, that was the way divas did it back in the 1980s. Anyway, the two divorced and went on with their lives. Arthur remarried to Judith Rappapor, and had two children, Regine L, born on November 7, 1956, and Stacy J, born on January 30, 1959. Artur retired in the 1980 and went to live in Denver, Colorado, with his wife. He died there on August 23, 2009.

In 1958, Harriette left everything in Los Angeles (including Stephanie who was 16 years old) so she can move into the New York Plaza hotel suite, paid by her married boyfriend. Stephanie had to fend for herself (remembered, she was only a high schooler then) – the relationship between mother and daughter was strained (at best) after that. It seems that Harriette, for all of her immense charm and allure, was simply not a maternal woman. She was competitive, even with her own daughter, and too much of an egoist to really care about other people. Sadly, she never managed to outgrow this fatal flaw of hers, and both her daughter and her grandchildren felt it keenly.

10712698_742243325842384_7268080002787469464_nHarriette married her third husband, Roy Price Steckler on September 11, 1959, in Las Vegas, Nevada. Steckler was born on January 1, 1926, in New York, to Samuel and Stella Steckler. His father was a wealthy druggist and drug store owner – the family lived in Park Avenue and employed two servants in the 1930s. Little is known about the marriage and they divorced him in the 1960s.

Harriette became very testy about her age as time went by. She and Stephanie would travel to Las Vegas and double date as sisters (weird!!). She forbade her granddaughter to call her grandma, and her own daughter never refered to her as mom. Nobody was sure how old she really was, and she kept her true age a secret until the day she died.

Harriette found work as a telephone sex therapist in the 1980’s and 1990s. She would lie about her age, counsel her client, and demand payment via credit card. She owned a black cat called Tuthancamon, which looked like a a miniature panther, and she grew a rare breed of orchids in her apartment. She was excentric, larger than life and one of a kind, and people adored her, for all her bad sides. (much information about Harriette comes from her granddaughter Jessica Queller’s fabulous memoir! Jessica was a writer for Gossip Girl series, and she’s a true gem!)

Harriette’s health declined in the 1990s, and she spend more and more time in the hospital.

Harriette Tarler died on November 18, 2001, in New York City.

 

Lucy Knoch

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A beautiful southern belle with a peaches-and-cream complexion, Lucy Knoch survived for over 10 years in the hostile climate of Hollywood, and none can dispute the fact that she accomplished a career much better than most starlets. Yet, she is miles away from standing toe to toe with proper actresses that left a mark on the film world.

EARLY LIFE

Lucy Claire Knoch was born on June 30, 1923, in DavidsonNashville, Tennessee, to Beverly and Annie Lee Knoch. She was the fourth of children – her older siblings were Beverly Louise, Horace and William, her younger siblings were Dorothy and Charles. Her father ran his own hardware shop.

She grew up in Nashville and attended school there. A lively, imaginative child, was active in school theatrics. In 1937, Lucy, then in the eighth grade students. and bunch of her classmates organized a program honoring the Constitution of the United States.

Lucy later told an interviewer Cordon Allemand the story of her childhood:

When Lucy become a model at the Hollywood Photographic Studio in the Nashville Arcade, never suspecting what the word “Hollywood” would someday mean to her future. Today this fortunate young lady, Lucy Knoch, it on her way to stardom at the Paramount Studios in the real Hollywood, which ia now her home. Lucy Knoch’s success story was related to me one afternoon in the living room of her home in Hollywood’s luxurious Alta Nido Apartments. Her warm Southern smile that’ makes you feel right at home is one of the first things I noticed about Lucy, and making me feel even more at ease was her genuine delight in learning that her interviewer was “homefolks” from back in Tennessee. “Honestly?” Lucy cried. “Why I was at Central High in 1939. I went to Woodbine grammar school out the Nolensville Pike. Nearly all my family live in Nashville and are in business there.” “Well just how did you get from Nashville to a Paramount contract?” I questioned. And this is Lucy’s story. “I suppose I was like lots of girls. All of us kids, my sister, Dorothy, and two brothers, William and Horace, went to Woodbine. I dreamed of being a movie star, but thought the nearest I’d .ever get to a stage was when I went to high school and joined the debating “team. A good one too, because we got several cups and ribbons.” She went on to tell of an early love for dancing and of being sent to dancing school three times a week. As a dancing team she and sister Dorothy appeared at many Tennessee festivals. Then came an end to school days and her first job. “I worked in the studio there for quite a while. Modeling. Maybe some of the Nashville people will remember me there. … Read the rest in the Profile section.

And she was in Hollywood in 1945, and started her career for Paramount.

CAREER

Lucy made her movie debut in The Affairs of Susan, a charming, well made Joan Fontaine vechicle. While no big brainer, it’s a delightful comedy with a good cast (Joan, George Brent, Dennis O’Keefe, Walter Abel). Lucy then continued to appear in movies of the same vein – decently made romance movies that never made it into the top category and are not that well-remembered today. Those are You Came Along (with Bob Cumings and Lizabeth Scott, an unusual but actually pretty good pairing), Incendiary Blonde and the short You Hit the Spot.

Then, Lucy’s career took an upswing and she stated to appear in some genuine classics. To Each His Own, Olivia de Havilland’s only Oscar win, The Blue Dahlia, one of the ultimate film noirs, and Blue Skies, a wonderful musical. 

lucyknoch5After reaching such a high point, there was a let down again, and she was back to the A budget mid tier movies. The first was Cross My Heart a True Confessions remake with Betty Hutton in the lead. The movie, a lackluster one ta best, still boasts a wonderful supporting cast – Michael Chekov, Iris Adrian and Howard Freeman. Sonny Tufts is his typical wooden  and Betty an energetic, fine performer, but no great actress.

Lucy then appeared in The Imperfect Lady, one of the rare Hollywood romances that goes for something slightly more mature. This is no fluffy, feel good, happy movie, and while it’s not a terribly dark movie either, it deals with some more tricky aspects fo the Victorian culture. Ray Milland and Teresa Wright lead a capable cast, and it’s generally a well dome movie, worth watching. Next came Welcome Stranger, a decent enough Bing Crosby/Joan Caulfield movie. What can I say about Crosby’s movies? Same old same old, but it certainly worked back then!

Lucy then appeared in the film noir classic, The Big Clock – now this is a movie more than worth your time! Slick, with a superb cast, nicely photographed and with an impeccable pacing, it takes a pretty simple story and makes it an intensive exercise in elegant filmmaking! Kudos for the always wonderful Charles Laughton as one heck of a villain, and to Ray Milland as the hero.

After appearing the short musical, Footlight Rhythm, Lucy was in Two Tickets to Broadway, a sub par Broadway pastiche musical. She then hit the jackpot again with The Bad and the Beautiful, one of the best outlook on Hollywood that Hollywood ever producer (whoa, this is one difficult sentence)! Kirk Douglas plays the ultimate fight-dirty producer who’ll do ANYTHIGN to get what he wants.

lucyknoch3Lucy started 1953 with The Clown, a nostalgic, sentimental story about a professional clown who barely makes ends meet but can’t give it up since he has a son to support. Nice, touching, with the right degree of pathos, and Red Skelton is pretty good in the leading role. Next was Sabre Jet , an insipid movie about the men who flew combat aircraft known as Sabre Jets during the Korean War. This ain’t Top Gun people, and the characters and the story if thin at best. Robert Stack, never my favorite actor, never quite manages to make it work as a romantic lead.

Half a Hero is a mediocre movie about a pretty much everyday theme – normal couple Red Skelton and Jean Hagen decide to move the family from New York City to the suburbs. Trouble ensures. Lucy had the biggest role in her career in Executive Suite, a well made Her last movie in 1954 was Athena, a Jane Powell musical with a surprisingly modern outlook on food and lifestyle!

Lucy worked for a time for Red Skelton, and changed her name. She did some minor movie work: appeared in Anything Goes, the Marilyn Monroe movie Bus Stop  and the swashbuckler The Buccaneer. Under her original name, she made one more movie, Frank Sinatra’s The Joker Is Wild , before retiring.

PRIVATE LIFE

Here is everything you need to know about Lucy in short, as written in a newspaper from the 1950s:

Lucille Knox has been a movie fan since she was five years old. Her favorite dolls were named Greta Garbo and Norma Shearer. When she daydreamed herself a husband it was always Clark Gable. When Lucy was a teen-ager she and sister Dorothy drove from their hometown of Nashville, Tennessee, to visit relatives in Tucson, Arizona. At dinner one night in a local .-hotel their eyes almost popped out when they saw Paulette Goddard at a nearby table. Naturally Lucy asked for an autograph. Miss Goddard was cordial and said, “If you girls ever come to Hollywood look me up at Paramount.” Shortly after that Lucy and Dorothy arrived in Hollywood. “Miss Goddard,” they were told at the studio, “is in San Francisco.” “We were disappointed and hungry,” said Lucille. “A restaurant a block away caught my attention because of its name: Lucey’s. The place was jumping with movie stars. We met Everett Crosby, Bing’s brother. I told him that Paulette had promised to show us the Paramount studios. ” ‘Well,’ he said, ‘since Paulette Isn’t here, I’ll show you the studio and I’ll also introduce you to the casting director.’ He did. And we both were signed to a Paramount contract.”

Lucille and her sister were not popular with the other girls on the lot. “We were real naive. In all the fan magazines we’d read back in Nashville all you did in Hollywood was sat at a soda fountain or in a popular restaurant and you were discovered. We thought getting a contract on the first day was par for the course. We didn’t know that some of these kids had waited years for a break.” Another day, another restaurant. Lucille was having lunch at the Tail of the Cock. Red Skelton was at the next table. “Would you be interested in television work?” he asked. For two years Lucille was an important part of the Skelton show. M-G-M director Vincente Minnelli saw her on the show and gave her the part of Gilbert Roland’s steak-eating girl friend in The Bad and the Beautiful. After that she played Louis Calhern’s sexy girl friend in Executive Suite and a process-server in Esther Williams’ Athena. Lucille Knox was born Lucy Knoch. Red Skelton changed the Lucy to Lucille. And she herself recently changed the Knoch to Knox. She’s 5 feet 5′,inches tall, weighs 119 pounds and is married to an insurance man. Skelton once wrote an article about her titled, “The Young Lucille Ball.” She has been carefully avoiding Desi’g Lucy ever since. She figures she’s been lucky enough just being herself.

lucyknoch4However, what Hollywood didn’t know was that Lucy came to town as a married woman – she was wed to Michael Joseph Rose on September 11, 1941, in Davison, Tennessee. the newlywed had scarcely any time to enjoy their wedded bliss – Rose went into the army in October 1945. Rose was born in 1915, son of Tony and Marie Rose. Little else is known about him. The marriage was short-lived however, and they divorced sometime prior to 1945.

When Lucy first came to Hollywood, she gave another interview:

Lucy stayed on and has just signed a new contract. “It’s been wonderful here at Paramount,” she said. “When it was learned that we were two Southern girls alone in Hollywood, everybody from producers snd directors on down helped and advised us. A Southern accent is no handicap when it comes to making friends. Everybody around the studio calls me ‘Honey Chile’ and ‘Tennessee’ and ‘Lucy Belle.’ And anybody from the South visiting the lot is rushed over to meet me.” “Nevertheless,” Lucy said, “I am trying to lose my Southern accent because you can’t play many roles with a Tennessee drawl.” AFTER she signed her contract Lucy’s days were occupied with a rigid training program, as they still are. As a member of the Paramount Starlet School she receives instruction in dramatics, diction, calesthenics, dancing. “I even had to learn to walk all over again.” she exclaimed. Also part of the training program has been Lucy’s appearance in IS major films. As a show girl, dancer, nurse, maid, Lucy has had experience before the camera. “It was a terrifying ordeal those first few weeks on the set. There are directors, assistant directors, cameramen, wardrobe women, scenery men, electricians, all watching you as if you were a trained seal going through your tricks. But I finally got used to it and don’t mind the shooting now.” Among the major films in which Lucy Knoch has appeared , are “Road to Utopia.” “Incendiary Blond.” “The Blue Dahlia.” “The Lost Weekend” and “Miss Susie Slagle’s.” Her newest pictures, all with Bing Crosby, are “Welcome Stranger,” “Blue Skies.” and “The Emperor’s Walta.” Honey-haired Lucy is 23 years old. five feet six inches tall, and weighs 121 pounds. She plays golf and rides, but her favorite sport is fishing. ‘ With her husband, tall dark Nicholas Can-cellieri (trucking-line owner whom she married in 1945), she spend most of her free momertts deep-sea fishing off Catalina or Malibu. The starlet loves California but misses the neighborliness of ber home town. “Here in California things are so big that your friends may be 20 or 30 miles away. And most of the time you scarcely have the opportunity to say more than “hello’ to the people in the neat apartment. It’s awful in a way. But you can’t have everything.” According to Paramount officials, however. Lucy Knoch does have everything, and it is easy to see why stardom for her is their prediction. And she seems to have Lady Luck on her side.

lucyknochlouiscalhernBut before he go farther, let’s look at her Hollywood private life. Lucy’s first serious beau in Hollywood was the former vaudeville star, Lyle Latell. He also dated starlet Beverly Thompson, so you can guess Lucy was not really a number one priority in his life. Then, she met THE MAN.

Lucy married Nicholas Cancellieri in 1945. He was a trucking company owner, as noted in the quote above. Nicholas was very supportive of his wife and her career, and she continued to act for more than a decade after the married. In the late 1950s, after being in Hollywood for 15 years, Lucy gave up her movie work to raise a family with Cancellieri.

Their first son, Jerry D., was born on August 1,1960. Their second son, Dominic, was born on October 19, 1964. The family lived in California.

Lucy Cancellieri died on July 22, 1990, in San Bernardino, California.

 

 

 

 

Virginia Maples

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Virginia Maples was an Earl Carroll dancer who crashed Hollywood and actually managed to get in front of the camera. However, her true claim to fame were not her acting chops, but the man she dated – she was a serious contender to become both Mrs. Phil Silvers and Mrs. George Raft. Let’s hear her story.

EARLY LIFE

Virginia Lillian Maples was born to on January 13, 1921, in Los Angeles, California to Cornelius William Maples and the former Evelyn Rae Kavanaugh. Her father was an army captain who headed the Camp Tulelake. Her younger brother, Richard, was born on March 25, 1926.

Virginia grew up in Manhattan Beach, and dreamed to being an actress/dancer from early childhood. She started dancing before she went to school. In 1937, at just 16 years old, Virginia won the title of Miss Los Angeles. Earl Carroll saw her, liked what he saw, and signed her to become a Carroll girl. Barely 16 years old, Virginia was on her way to greater and bigger things.

There are several version of the story how Virginia was discovered for the movies. In a newspaper article she claimed she was discovered on a beach near her mother’s house. Years later, she claimed she came to the studios gates one day, and said to the guards she wanted to act. Luckily, they needed a dancer that very day, and she got the part. While I can’t be sure, I just think that her engagement in Earl Carroll’s vanities catapulted her to the screen. Anyway, she signed with a major studio in 1941 and started her career.

CAREER

Virginia made her debut in 1941 with Week-End in Havana, a fun, no-brains-required Alice Faye musical with her standard stock actors – John Payne, Carmen Miranda and Cesar Romero. Truly, Alice’s 1930s and 1940s movies were pure enjoyment, perfect escapism at the end of another mundane working day. The plot is pretty silly (from imdb: In this case it’s Alice Faye, a shopgirl who saved her money for a cruise and in this case the cruise ship ran aground on a reef on the Cuban coast. She just doesn’t want to sign a waiver to get the company off the hook for a lawsuit. So John Payne who is about to become Barbier’s son-in-law is sent to get that waiver by hook or crook.), but you know it’s just an excuse to paste together several singing and dancing scenes.

oakland_tribune_sun__jan_2__1944_Virginia started 1942 with The Mad Martindales, a movie more or less lost today. It’s a pity – the movie seems like a charming, likable family romp with Jane Withers in her usual perky role. Next Virginia appeared in the highly sanitized and inaccurate biography or Ernst Ball, an Irish songwriter, called Irish Eyes Are Smiling. If you watched any musical/biographies, you know the drift – the plot only has minor similarities with the real life of the man it portrays, and there is plenty of nice music and dancing. Dick Haymes, in the leading role, was not a good actor for sure , but he sings well enough, and June Haver witth her happy go lucky act and nice snging saves the day.   

Virginia appeared in only one more musicals – the “war musical” Something for the Boys. Like most propaganda movies, it’s thin int he art but abundant in the fun/morale department. It’s entertaining and nice to watch, but easily forgettable (even Carmen Miranda and Vivian Blaine can’t elevate it to a upper tier status).

virginia-maplesYou know it’s the beginning of the end, or a beginning of a new career when you start appearing in low budget westerns, like Virginia did with Wildfire. After that, you either sink and leave acting, or swim and become a B western heroine. Since the movie was easily forgettable, Virginia left movies for a period of time. She worked in nightclubs and so on.

She only returned to Hollywood in 1954, to appear in tow glossy, high class productions: Woman’s World and Black Widow. Woman’s world is one oft he best movies made abut the corporate world, about three hotshot salesmen and their wives, and the rat race to get ahead int he business. Black Widow is a mixed bag of pleasures. The plot is something right out of Hitchcock (taken from imdb: Van Heflin gives a striking, forceful performance as a theatrical producer in New York City who befriends a lonely 20-year-old girl at a party; she’s a would-be writer hoping for success, he takes a shine to her and offers a helping hand…but then she turns up dead!), and the actors are good enough, but it’s all so overtly dramatic it hurts!

Virginia left movies for good after this.

PRIVATE LIFE

While Virginia was one of the Earl Carroll girls, she dated Lionel Newman, the Earl Carroll orchestra leader, and there was talk the two would wed. They never did.

virginia-maples2After Newman, Virginia was seen several times with Laurence Tibbett Jr. In May 1942, she was seen with Victor Mature.

Then, in September 1943, Virginia started dating comedian Phil Silvers. Things got serious pretty soon, but theirs was a turbulent, love/hate relationship that just went up and down for about six months. They were cooing one moment, next they were fighting, then they were separated, then they were buying jewelry… it was pretty obvious the relationship would not last. They broke up in April 1943.

Virginia then took up with another famous beau, George Raft. To be sure, George was a notorious skirt chaser that dated all the girls in Hollywood (slight exaggeration, but just slight). He had just come out of a intensive relationship with Betty Grable, who ditched him when his wife refused to grant him a divorce (he used his wife a great many times to excuse himself from remarriage). Betty was furious when she found out that George started dating Virginia, and she tried to make her life a bit more complicated – only an intervention from the studio brass managed to calm down the situation.

George allegedly carried a huge torch for Betty. Since Virginia was a dear ringer for Betty in terms of looks, you can guess where that comes from… To my surprise, they actually dated for a long time – three months!!

virginia-maples3In July 1943, she switched to Tex Feldman. Then dirty laundry came out. Allegedly, when Virginia replaces Betty as George’s number one lady, he forced her to imitate Betty in everything from waling to fashion style. Virginia got sick of it and left him for Feldman. What can I say about Raft? The more I read about him and his ladies,s the less I like him. The guy obviously had some ego problems, as he dated ladies by the load but never remotely considered getting divorced from his wife who lived on the other side of the country. Some sources claim he was unable to divorce his wife, but hey, I think there are means of divorcing somebody if you really want to! Good for Virginia to get out of such a distressing relationship.

But then (WAIT FOR IT!) they got together, again!! Ugh. And they stayed together for two more years. George went overseas during the war to tour war camps, and left his car to Virginia. It must have been love 😛 Anyway, he returned and they continued their idyll, until about mid 1945.

albuquerque_journal_sun__may_7__1944_After that, Virginia, started to date Bill Burton, Dick Haymes’ manager. Then she was seen with hotshot lawyer, Bentley Ryan. Then she dated Arturo de Cordova in December 1945. Virginia Maples worked as an exotic dancer at the Club Riviera, and was out of the movies.

Virginia’s last known Hollywood beau was Walter Kane, Howard Hughes’ right hand man. They dated in early 1946 for several months, but she denied reports she was to marry him.

Then, Virginia met and fell in love with a handsome Brazilian, Envidio Sanctos (they met at one of Carmen Miranda’s parties). They eloped in 1947 and got married in Brazil. She effectively left behind her career to live in the Amazon jungle with her new husband. They spent their time between Brazil and the US. Their daughter, Diana, was born on April 17, 1950, in Kansas City, Missouri. The couple separated and divorced in 1962.

In 1975, Virginia moved to Isles of Capri and opened a gift shop, Diana’s Gifts, in East Naples. She continued working until she was 70 years old, and retired in Naples after that. She was a much loved member of the community.

Virginia Maples Sanctos died on January 13, 2010, in Naples, Florida.

 

Toni Seven

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Toni Seven is proof that a girl who lands in Hollywood, has money to burn, a great press agent and more than enough beauty, can still end up a complete unknown. Toni tried to attain stardom several times, and the second time, an extensive campaign to catapult her to stardom was coined by PR guru Russell Birdwell, but she just crashed and burned pretty soon. What a waste! Toni truly was a beautiful woman and probably had some talent in her. Too bad too much publicity killer her.

EARLY LIFE

June Elizabeth Millarde was born on July 6, 1922, in New York City, to Henry F. Millarde and Helen Elizabeth Lawson. Her mother was professionally known as June Caprice, an actress of major prominence in Hollywood, and her father was an succesful movie director. His most famous movie was If Winter comes, from 1916. by the time she was born, her parents had amassed quite a fortune and retired from active movie work. June grew up in Long Island, and attended school at Great Neck, Long Island.

On November 2, 1931, June’s father died from a heart attack, aged only 45. June was raised by her mother form them on, but sadly the elder June succumbed to a heart attack while fighting cancer in 1936. The 14 year old June was left in the care of her maternal grandparents in Long Island.

While June was materially well of, as a heiress of a considerable fortune (rumored to have been 3 million dollars), she wanted to act not for the fortune but for the fame. She moved to the West Coast after graduating from high school, and undertook extensive dramatic training before deciding to crash movies.

June signed with MGM in 1941, owning of course to her late parents friendship with producer Bob Leonard. Unfortunately, she left Metro after just a month, unhappy how they only posed her to leg art. She signed with Warner Bros and started her career anew.

CAREER

Pretty slim! Toni appeared in only five movies, although I have to say they are 5 decent movies at least! Her first movie was We Were Dancing, based on a Noel Coward play. When i say based on a ToniSeven2Noel Coward play, it means it’s a witty, sparkling, lightweight fare. And this movie is just that. don’t look for deeper, hidden meanings and something profound. Norma Shearer is delightful int he leading role. Coward + Norma = a good combo. Some people would disagree with me, but heck, Norma was perfect for sophisticated, drawing room comedies. Here she is ably supported by Mervyn Douglas, Gail Patrick and Lee Bowman.

She then followed it with Yankee Doodle Dandy, one of the best musicals to come out of her 1940s. Jimmy Cagney, what more do you need? Toni’s last movie under her Warner Bros contract was Wings for the Eagle, a love triangle set amidst  Southern California aircraft production in WWII. The lovers? Ann Sheridan, Denis Morgan and Jack Carson. What ca I say, I’m a sucker for Ann, she was such a luminous actress, but I am not a fan of either Crason or Morgan, so for me, it’s a skip.

ToniSeven1Aware that her career went nowhere fast, Toni hired Russel Birdwell and tried anew (again!). The result were only two movies – Ladies Courageous and Once Upon a Time. While not the bottom of the waist basket quality, they are far from good solid movies that Toni needed to build a career. Ladies courageous is a weird, weird, anti feminist movie (despite the more than a decent cast – ). Once upon a time is one of the lesser Cary Grant movies – it’s a movie with a strange kind of charm, unusual story (A cash-strapped theater producer promotes a nine-year-old boy’s dancing caterpillar) and features the stunning Janet Blair as Cary’s leading lady, but it’s not top tier movie making and it did little favors to anyone involved.

Toni gave up her career and publicity campaign and settled in Washington DC after this.  

PRIVATE LIFE

This is where Toni shines. If she is at all remembered today, it is because of her private life, not her slim movie career.

Toni was 5 feet, four and a half inched tall, weighted about 108 lbs, was a great horsewoman who rode frequently, and was also a good swimmer and tennis player. She disliked gossipy women, bad movies and prize fights.

TonISeven4In march 1943, she was just one of the many girls that dated Errol Flynn. She also banked heavily on her parents’ fame. A quote from a newspaper:

“Director Al Hall is giving June Millarde a break in “My Client Curly,” the Cary Grant-Janet Blair . The person who gave Al his first acting role role was Harry Millarde, June’s ‘ father, who was king bee on the old ‘Fox lot and frequently directing June Caprice (June’s mother). As time went by Al gave up his acting ambitions and became a director, but he never forgot the Millardes. So when their ‘ daughter June was up for a role in ; “Curly,” Al directed the test and saw she got the best cameraman at Columbia.”

In 1944, Toni hired Russell Birdwell to become her press agent. Birdwell was a wildly oscillating guy. While ha had major success with Jane Russell (and her bust and bra) and the search for Scarlett O’Hara (he was the brain behind this superb publicity stunt) most of his other “finds” ended up complete unknowns after a period of intense publicity frenzy. And he really tried with Toni, he really did. It just didn’t pay. For instance, Toni posed with a mama cat that gave birth to a litter of kitten with 7 toes on their paws. She also posed with a man’s black shirt, claiming she uses them as nightgowns. On the right ear she wears nothing; on the left, a large gold loop, and in the center of it, a cut out 7! She made bread with exactly 7 ingredients. She wore earrings with 7 precious stones dangling from them. Her phone number ended in 7. You get the picture…

She was supposed to star in a revue by Fort Ord, but nothing came out of it. She was very active in the war effort, going to rallies, signing pictures. Birdwell sent thousands of her pictures to the GI-as around the world – she was named the most popular pin up for the boys int he European Theater in 1945. Her photos could be found on obscure Pacific islands where there was literary nothing else!

Toni Seven has bought herself a little house in Benedict canyon. By her own admission, she knows nothing about antiques, yet is furnishing it exclusively in early American stuff.

In March 1945, Toni and five other starlets staged a strip poker session at the United National Clothing Drive. The other starlets were Ann Miller, Evelyn Ankers, Nina Foch and Renee de Marco. They all had better careers than Toni (even De Marco, who did not have a great movie career). She was also good friend with starlet Frances Vorne, who also posed for Yank. They often threw big dinner parties for their swains.

ToniSeven5In early 1946, Toni went back to her old moniker, but still remained an active pin up girl – her legs were claimed to have been “perfect” by a lieu of eminent photographers.

By 1948, June was out of Hollywood, out of movies, and living of her inheritance. She entered a hospital in October 1948 for a serious operation, and was recuperating in November 1948 in Hollywood.

Then, she was again back in the newspaper fold. How? Love! In January 1949, a certain senator Warren Magnuson, the famous lothario of Washington and a very sought after bachelor, missed the opening of Congress. Why? Because he was allegedly with Toni! There was much press furor re over the fact. His friend kindly noted to the press that Warren had been doing the Seattle nightspots with Toni for some time now. However, in September 1949 she sailed for Europe, and was beaued by Peruvian playboy, Alfredo Carreo.

More about Warren, who ended one of the most meaningful men in Toni’s life. He was born on April 12, 1905, in Minnesota, and was adopted by the Magnuson family (due to his surname, he was known as Maggie to friends). He attended college in Seattle, Washington, and settled there permanently. A member of the Democratic Party, he served as a U.S. Representative (1937–1944) and a U.S. Senator from 1944. In 1928, he was married to Eleanor Peggy “Peggins” Maddieux, but they divorced in 1935. Warren dated all around the States from then on, escorting women like actress Carole Parker and Austine McDonnell.

Toni and the senator dated on off from 1948 until 1953, although some papers pin them together in 1955. It is known that the senator married in 1964 to a Seattle widow, Jermaine Peralta, and thus he obviously never married Toni. Toni gave up her career (which is not saying much) to cater to Warren. She acted as his hostess at social functions, they traveled around a great deal, often visiting Hawaii. Warren’s close friends said that Toni was absolutely loyal to Warren, but liked to drink to much. Warren also had a weakness for vodka – it seems they were well matched here (sadly!).

ToniSeven6I sympathies with Toni on this one. She obviously wanted to get married, and talked constantly to the press about her upcoming nuptials, but the senator obliviously rebuffed her every time, until they were done. I have no idea why they broke up – but I can only guess. Maybe Toni had had enough? Maybe Warren passed on to another woman? He later romanced Monique van Vooren, another luscious starlet. He died on May 20, 1989 in Seattle, Washington. His wife died in 2011.

In 1952, Toni was seen with Hank Fisher, of the “Joe Palooka” fame.

In 1959, it was reported that June was to marry Eric Stanley, prominent in the art circles, that June. I could not find any information that proved this as a fact. She then completely falls of the radar.

June Elizabeth Millarde died in 1991.