Poppy Wilde

Poppy Wilde, heralded as one of the most beautiful showgirls in Hollywood, was exactly that – a glorified extra in more than 40 movies, a pretty face used solely for eye candy. As you can well imagine, this was not a formula for career gold and she retired after getting married, but her life story is interesting, so let’s hear more about her!

EARLY LIFE

Jacqueline Ruby Wall was born on December 5, 1914, in Oakland, California, to Frederick Carl Wall and Olive Helen Chaffin. Her father worked as a railroad train-master. She was the third of six children – her older siblings were sister Mary Katherine, born on June 18, 1910, in Iowa, and William, who died just a few months after birth in 1912. Her younger siblings were Helen May, born on June 18, 1916, Florence Isabel, born on May 15, 1918, and Gladys Elaine, born on July 24, 1924.

Later obituaries claimed that her father was killed in a freak accident, leaving her mother to raise the children, but since he lived until 1940, let’s assume that he left Olive and she had to take care f the children single-handedly. Unable to take care of them, she eventually put some of them up for adoption. Jacqueline was adopted by her mother’s sister Isabel and her husband, John “Jack” Wardenberg, a well-off railroad executive in Salt Lake City, who didn’t have any children of their own.

While attending St. Maiys of the Wasatch, a private girls school, Poppy aired her own radio show. In 1929 a motion picture producer came to Salt Lake and took a shine to Poppy, with her beautiful silky black hair, ivory skin and dark, seductive eyes.The family moved to southern California so that Poppy could sign a studio contract, and that is how it all started!

CAREER

Ah, Poppy made more than 40 movies, which is quite a bit and I’m not gonna analyse them a great deal. She was mostly uncredited and appeared in really small parts.

I will just mention a few that are worth mentioning IMHO: Stand-In, a very funny and satirical exposee on Hollywood film making, with a superb cast of Leslie Howard, Humphrey Bogart and Joan Blondell, Angels with Dirty Faces, a classic crime movie with James Cagney and Pat O’Brien, members of our favorite Hollywood Irish mafia, Moontide, a proto noir and one of the few US movies Jean Gabin made, The Story of Vernon and Irene Castle, the last pairing of Ginger and Fred, Yankee Doodle Dandy, the classic musical with Cagney again, Road to Morocco, a Bing/Bob pairing deluxe, and Old Acquaintance, with tour de force performances by two divas, Bette Davis and Miriam Hopkins.

And that’s it!

PRIVATE LIFE

Poppy was quite tall with feet seven Inches, and weighed only 101 pounds. Here is a short quote from Poppy about her Hollywood life:

Off the set, while other beauties marched before the camera, she undertook to answer a question: What price movie glamour? “It’s a dull and strenuous life,” she said. “More dull and strenuous than anyone outside the Industry Imagines. “When I’m not at a studio, I’m at home by the telephone. From 6:30 in the morning until 8:30 at night the telephone and I are partners. At regular intervals, I call the central casting bureau on the chance there’s been an emergency opening. “I Just Go to Bed.” “It’s dull but true that if I hope to work often, say two or three times a week, I must stay near the telephone the rest of the time. “At night I’m too tired for dinners or parties or shows. I just go to bed.” On Sundays, Poppy is free to go out. She is 22 and on her afternoon dates has had three proposals of marriage. “No one has interested me enough to accept,” she said.

Poppy married Luther Verstergard on July 31, 1934, in Orange, California. Luther Raymond Vestergaard was born on December 7, 1902, in Chicago, Illinois, to Christian Vestergard and Maytha Hecker. He studied to become a lawyer, but the lure of acting was stronger, so he made his movie debut in 1925 under the name of Paul Power. He spent more than three decades playing a variety of bit roles that included one of King Richard’s knights in The Adventures of Robin Hood (1938), a Scottish highlander in I Married an Angel (1942), and a minister in Ma Barker’s Killing Brood (1960). He added television to his long resumé in the 1950s, appearing in such shows as I Love Lucy, Perry Mason, and Maverick. The couple divorced. In July 1946, he married Gertrud Elizabeth Warrington. He died on April 5, 1968 in North Hollywood.

Ruby married her second husband, talent agent Jack Crosby, on February 14, 1944, in Nevada. Jack Casier Crosby was born on September 7, 1903, in Elks, Nevada, to George Crosby and Lenore Casier, the oldest of six children. The family lived in Utah before they relocated to California, where he worked as a theater actor. Later he switched to the movie management business and was prosperous by the time he met Poppy.

Their son Dennis Brian was born on February 16, 1945. The Crosbys were very socially prominent in Hollywood, hobnobbing with luminaries like Fred Astaire, Lucille Ball and Dezi Arnaz. They were also quite outdoorsy – Jack loved to spend time in the open and rubbed it of into Poppy, who became a pro at fishing and was known to go salmon catching often. After Crosby got fed up with Tinsel Town in the 1960s, the couple moved with her to Coeur d’Alene, Idaho. Poppy stayed glamorous despite this change of scenery, and kept up with her old Hollywood peers, writing them voluminous letters and often visiting.

Strong willed and opinionated by nature, Poppy was also a very generous, kind person who could strike up a conversation with anyone, and was an excellent cook, her specialties being tuna sandwiches, spaghetti sauce and a tasty salad. She was a skilled crafts-maker, collecting dolls and painting rocks. Poppy also played ukulele and loved to sing.

Crosby died on January 14, 1979. Poppy was devastated and had to learn how to take care of herself financially – her husband used to do all the money stuff himself and Poppy had no idea how to manage anything. In order to earn her keep she became a hostess at the Coeur d’Alene cruises, giving history lessons and flirting with the clients. Pretty soon she was introduced to Victor Fehrnstrom. A romance bloomed and the couple was soon married.

Victor was born on February 6, 1922, in Manchester, New Hampshire, to Victor and Marion Fehrnstrom. Here is a bit about her third husband, taken from his obituary:

Vic had a long, fulfilling life. He began his life on a farm in Derry, N.H., where he enjoyed time with his brother, Ernie, and sister Marion, but was raised mostly in Boston and carried that accent forever. He served in the U.S. Air Corps during World War II and taught aircraft recognition to keep the Army, Navy and Air Force from shooting down our own planes.

After his service, he lived in California and worked for the Inglewood Police Department. He worked patrol and became a patrol Sargent, and later was a Sargent in the Detective Bureau. Vic retired in 1972 and moved with his wife, Carole and two children to Harrison, Idaho, where he farmed, logged and enjoyed his 40 acres. Years later, he moved to Blue Creek.

He moved for a short time to Prescott, Ariz., but his heart was always in Idaho, so he returned quickly. Not long after his return, he met his next wife Poppy, and became a Captain on the Lake Coeur d’Alene Cruise Boats. He loved working and/or captaining the Dancewana, the Mish-an-nock, the Kootenai, the Coeur d’Alene and his favorite, the Idaho. He enjoyed working the St. Joe River cruises, narrating tours and making sure everyone enjoyed their time on the boats. “Captain Vic,” as so many knew him, delighted passengers for almost 20 years. After he retired, he continued to live in Coeur d’Alene enjoying family and friends until his passing. He would’ve been 94 in just a few short weeks.

Vic was loving, caring, smart, brave, easy-going, charming and fun. His kindness and humor were always evident, his laughter was contagious. He loved his family deeply. He was an honorable man that was admired, was a role model to many, and someone that family and friends could always count on.

Poppy and Vic lived a happy life in Cour d’Alene, and enjoyed spending time with their families.

Jacqueline Crosby Fehrnstrom died on August 1, 2000, in Cour d’Alene, Idaho.

Her widower Victor Fehrnstrom died on January 11, 2016.

Ila Rhodes

Ila Rhodes was a pretty blonde who got to Hollywood via the Pasadena Playhouse, and who expressed a wish to seriously act (she studied drama at college). Too bad it never came that far – she did a few small roles and then gave up movie altogether to get married. Her Tinsel town highlight was dating Roland Reagan, and this got her five minutes of fame in the 1980s, after he became a president. Let’s hear more about her.

EARLY LIFE

Ila Rhodes was born on November 17, 1913, to William Allen Rhodes and Birdie E. Baley, in Marion, Missouri. Her father was an engineer. She was the youngest of six children, where her oldest siblings were really older than her – her brother Ernest and Omar were born in the 19th century (in August 1892 and July 30, 1895 respectively)! Her other siblings were Sarah, born on December 21,  1903, Nancy Ethel, born in April 5, 1906 and Charles, born in 1909. Sadly, Ernest died before Ila was born, probably in 1910. The family moved to Oklahoma when Ila was a little girl, and by 1920 they were living in Ottawa, Oklahoma.

Ila had a normal middle class childhood, even if it was a bit hectic. Namely, due to her father’s work, she moved a great deal and attended grammar school in Okmulgee, Hitchita, Checotah, McAlester; all in Oklahoma, and Fort Smith, Ark. She went to high school in Atoka, Muskogee, Tulsa, and later attended university at Oklahoma City (all four years). At the university Ida majored in dramatics, got a groundwork in Shakespeare and other classics.

Later publicity claimed that Ila’s full name was Ila Rae Cornutt, and that she was of Cheerokee Indian descent, but since they made up a great chunk of young starlet’s histories, I wonder if this is true. Not only was her surname not Cornutt, but she was born in Missouri, not Oklahoma. Although it could be she had some Cornutt family connection, but can’t be sure. Here is the article:

Permanent Blonds But if Ha’s a vanishing Indian (out of this school and into that one), she’s not a vanishing blond. Her family is a durable exception to the new scientific theory of “perishing blonds.” This theory holds that bruneta are gradually absorbing blonds. The blondness in Ila’s family is so strong that it erases competition. In the family tree is a great maybe even a great-great grandmother who was full-blooded American Indian. “Rust-Proof” Legend says that from the union of a blond, Dutch-English white man and an Indian’ maid came one child who had flaxen hair and blue eyes the first of the “non-rusting” blonds in the Curnutt clan. Ila’s pink-and-white complexion won her a role without a screen test in “Women in the Wind.”

No comment on that. Anyway, after graduation from college, Ila started to act in the Pasadena Playhouse and attended their dramatic school. Following graduation the dramatic school, she was noticed by Arthur Lyons, Warner Bros producer, and after a successful screen test signed a two-year contract with Warner Bros and her career was go!

CAREER

Ila appeared in only 6 movies. She was uncredited in Off the Record, a Joan Blondell/Pat O’Brien combo movie.  The two leads are dynamite together (playing newspaper people) and Joan is her usual cute but tough broad, but the movie is a low budget B class film and it shows in the short running time and too much stuff meshed into it. Part newspaper film, part drama and part romance, ti doesn’t really work, but as I said it’s worth seeing for Joan and Pat alone. They don’t make them like this anymore!

Ila was given a leading role in Secret Service of the Air, the first movie Ila appeared with Ronald Reagan. It has a very thin plot: Brass Bancroft and his sidekick Gabby Watters are recruited onto the secret service and go undercover to crack a ruthless gang that smuggles illegal aliens. As one IMDB reviewer notes, this film contains just about everything you could possibly fit into a 61-minute movie: a prison break, car chases, shootouts, bar fights, a love story, brawls, various plane chases and much more. Typical for a B movie of the period, where more was considered more.

Next was Women in the Wind, one of the movies that Warner Bros made Kay Francis do that that their prized star, who was paid thousands a week, would quite before her contract expires. Thus, we can assume it’s not a particularly good movie. Ila then appeared in a small role in Dark Victory, the Bette Davis weepie classic of 1939, with George Brent and  Humphrey Bogart thrown into the mix. The story is well known: a socialite discovers she has an inoperable tumor and has to change her whole life before her time comes. Bette excelled at these kind of roles, and the supporting cast is wonderful, so overall it’s a very good movie.

Ila’s last movie was Hell’s Kitchen. The Dead End Kids star in this remake of The Mayor of Hell and Crime School, with Ronald Reagan and Margaret Lindsay as obligatory grown ups support. Nothing to write home about, but does have some socially conscious moments and it’s one of Ila and Ronnie’s movies together!

That was it from Ila!

PRIVATE LIFE

Ila was five feet five, weighting 112 lbs in her prime, and shaved 4 years of her CV when she was signed by Warner Bros. Growing up in Oklahoma, Ila was something of a bronco-busier. She didn’t tell Warners about that at first, because she was afraid she’d be cast in westerns and have to hide her pretty figure in a pair of chaps.  She also told the papers that she dieted on baked potatoes and skimmed milk when she wanted to lost a few pounds. She was best friends with Margaret Lindsay and Marie Wilson, and the three often sipped drug store ice cream sodas like a trio of high school girls. She also wore two old-fashioned hat pins with garnet beads she found among her mother’s keep-sakes.

Here is a bit more about Ila: She likes to sing and dance and does both well. She’s a fine horsewoman, a fact she concealed for a time fearing to be typed westerns. She plays’ tennis and dances to keep fit, diets mildly, attends the Methodist church, drives a two-year-old car, doesn’t care for jewelry. She rises early, saves her money and reads a good deal. Her best friend Is Ida Lupino. Her natural ‘blond hair and startlingly blue eyes are the kind that delight cameramen. She also gave a recipe for a special bleaching masque. To a whipped up egg you add the juice of a big lemon, then apply it to your face and leave it on for a half hour. Take two facials each week.

If Ila is indeed remembered today, it’s because she was, allegedly, engaged to Ronald Reagan, then a young actor in the Warner Bros roster. It was the year 1937/38, she was around 21 (officially, but actually about 25) and he was around 30. Their budding romance consisted of lunch-break trysts and stolen weekends together. Ronnie used to take her for hot dogs and he had a no-smoking, no-drinking, no-dancing stance, preferring simple things like taking long walks and talking.  Ila would later say of him: “Ronnie was very attractive, and I enjoyed our weekends out together. I became engaged, with a ring on my finger, when fame started to affect us. The fans started to multiply.” Allegedly, Ila tried to sell some tall tales to Ronnie, claiming she was related to some old guard, wealthy aristocrats, but it remains to be proven either false or true.

The engagement lasted eight or nine months, when Warner Bros moguls decided romance between their stars was bad for box-office business, and started pressing Ronald to give Ila up. They used any means necessary to do it. Arthur Lyons, the Warner producer who had discovered Ila, started taking her to celebrity get-togethers and fashionable nightclubs. Bit by bit, this erosion  led to the break-up. Ila recalled later: “But it was elegantly done. He grew distant, withdrew a little, giving me plenty of room to take any kind of decisive step. And then we decided to face facts.” Shortly after the couple split they both married, Reagan to actress Jane Wyman and Rhodes to Lyons. Anyway, Ila and Lyons planned their wedding to be a Mexico City double-wedding with Ida Lupino and Louis Hayward getting  married with them.

Thus, in Ila traveled to Yuma. Ariz., to be married to her agent, Arthur Lyons. Lyons was born on May 27, 1906, in Russia. Little is known of his early life. He became an talent agent with his brother Sam representing such stars as Joan Crawford, Ida Lupino, Lucille Ball, Ray Milland and Jack Benny.

They started happily, looking for a new house and so, but the marriage was not to last. Lyons and Ila separated in June 1940, and divorced in November 1940, and court awarded her $500 a month for the rest of this year. Lyons remained a prominent agent and producer, and remarried in 1961 to Winifred Gilbert. He died on July 26, 1963.

After her divorce, Ila left Hollywood, hoping to revive her fledgling acting career. She went to New York to act on the legitimate stage. Her first and last role on the stage was in “Goodbye My Love”. Then, in mid 1942, Rhodes met a man at a dinner party in i Washington. In October 1942, they made their relationship public by appearing at the swank 21 club – Ila on the arm of Air Corps Brig. Gen. Bennett Meyers. Meyers was considered quite a catch and Ila was allegedly envied by tons of glamour girls. Meyers was high up in the military and was a powerful man who enjoyed friendships with other powerful men, and it seems that Ila was ready once again to give up acting to take up the mantle of domesticity. On February 14, 1943, they were married at the Marble Collegiate Church.

Here is a bit about Bennett:

Bennett E. Meyers was born in Buffalo, N.Y., in 1895. During World War I he enlisted in the Aviation Section of the Signal Reserve Feb. 2, 1918, and served as a flying cadet until June 22, 1918, when he was commissioned a temporary second lieutenant in the Air Service, serving continuously until he was commissioned in the Regular Army as a second lieutenant, Air Service, to rank from July 1, 1920.

He completed ground school at Berkeley, Calif., and flying school at Rockwell Field, Calif., remaining at the latter station after being commissioned. He transferred to Love Field, Texas, for duty in various staff capacities from July 1919 to November 1920, when he became commanding officer of the Surplus Property District at Detroit, Mich. When this was completed he undertook a similar assignment at Buffalo, N.Y., in the following September, and became commanding officer of the Air Reserve Depot there.

He moved to Luke Field, Hawaii, in September 1923 for intelligence duties until July 1924, when he joined the 23rd Bombardment Squadron. In June 1927 he was transferred to Wright Field, Ohio, for procurement duties. He was away on temporary duty from November 1927 until February 1928 to take the special observation course at the advanced flying school, Kelly Field, Texas. He returned to Wright Field for procurement planning duties, becoming chief of the Plans Division of the Industrial War Plans Section.

He was assigned to the Army Industrial College, Washington, D.C., in September 1929, and graduated in June 1930. He then returned to Wright Field as chief of the Plans Division, Industrial War Plans Section. He was detailed to the Babson Institute, Mass., in September 1931 and graduated in June 1932 with “high distinction” and was valedictorian for the class. He remained there for post graduate work for another school year until June 1933 when he again returned to Wright Field as executive to the Field Service Section. In 1935 he established the Budget Office at that field and was budget officer and chief of that division until September 1940 when he was transferred to the Office of the Chief of Air Corps as assistant executive. He became executive officer of the Materiel Command in that Office in November 1940, and in March 1942 was named deputy to the Assistant Chief of Air Staff of the Army Air Forces.

He assumed command of the Materiel Command, with headquarters at Wright Field, Ohio, in June 1944, and the following month was named Deputy Director, Army Air Forces Materiel and Services at Patterson Field, Ohio (later redesignated Air Technical Service Command, with station at Wright Field, Ohio). In May 1945 he assumed command of the Air Technical Service Command. He retired in the grade of major general.

He was awarded the Distinguished Service Medal and Legion of Merit and was rated a senior pilot, combat observer and technical observer.

He was dismissed from the service of the United States by President Truman July 16, 1948, after conviction of a felony.

Ila and Bennett lived the high life, and had three children: twins Arnold and Damon, born on February 26, 1944, and Ila Jr., born on February 24, 1946. But it seems the salad days were not to last, as Meyers was privy to enough to make himself some dough, on the side, and not in a ethical or indeed legal fashion. Here is the article:

Gen. Bennett K. Meyers. head of the Army Air Force wartime procurement. 1 about to get hit with a bag of wet cement when the Ferguson-Bretr-Hughee war contract Investigation reopens Monday. “Benny” Meyers, m the 48-year-old purchasing official la generally known, will be slapped with a receipted hotel bill, showing . he accepted more than , 11,000 worth of weekend entertainment from vHow-ard Hughes., via his fat bagman, Johnny Meyer. The hotel bill, from the swanky Town House in Los Angeles, will be produced by Senator Homer Ferguson, of Michigan, who will ask the general why he accepted favors from a man who ‘ was trying to get army contracts. General Meyers, who married Ila Rhodes, a movie actress about half his age four years ago, enjoyed a very expensive weekend at the Town House with his wife. The ten shows it was lifted by the ubiquitous Johnny Meyer with one of his famous “okay to pay” notations. Without realizing it, I have been sitting on most .of this story since the Hughes investigation opened early in August.

Ila stood by her husband, getting papped daily in the courtroom, and often being called the general’s ultra sophisticated, very chic younger wife. Guess the publicity wasn’t that good, and Ila came around as quite a shallow money digger – the press obviously twisted the story according to their own agenda. Anyway, Bennett was found guilty on three counts of subornation of perjury, and faces a maximum 30-year prison term. In the end, he was interred in Wasghington, DC.

Ila was under siege after the trial, and she tried to make a normal life for herself and the couple’s children. Sadly, the press didn’t let her – a few months later, she was discovered modeling In a Manhattan fur salon under her maiden name. She was unhappy about the publicity but said she took the job because She needed money to support her three children, and she wanted to be near Washington, D. C., where for one hour each week she is allowed to visit her husband, in jail for perjury. .She allegedly told a reporter: “Jeepers! They didn’t know who I was when they hired me. Maybe Ill be looking for another job tomorrow”. Yep, Ila tried but they were not really forthcoming.

IMDB claims that Ila died on December 10, 2012, in Glass Valley, California.

 

Clarice Sherry

Clarice Sherry was a promising, talented small town girl reared to become a successful actress. Sadly, despite all of her talent Hollywood just didn’t embrace her and she retired after just a few years of working. Let’s learn more about her.

EARLY LIFE

Clarice Marie Shierry was born on December 21, 1914, in Hawkeye, Iowa, to Leon Shierry and Etta C. Brukhart. She was their only child. Her father was a barber who had his own barber shop, her mother designed hats and dresses (including those worn by her daughter in the future).

The Shierrys spent the first four years of Clarice’s life in Hawkeye, then they lived in Mason City for two years before the family went to Los Angeles, California in 1928, where Clarice attended high school and junior college. A striking blonde, Clarice had  been carefully reared by her parents, with much love. Although she early showed signs of artistic talent, she was not allowed to commercialize it nor to make public appearances during her school life, except in recitals with other pupils. Piano and dancing lessons were part of her education, which was obtained in a Los Angeles private dramatic school.

Due to her beauty, she was chosen to model gowns and to pose for automobile advertisements. Her face has also appeared on magazine covers. In March, 1934, Warner Brothers signed her for her first chorus work, and she has made progress ever since. She appeared in choruses in Dames, North Shore, Sweet Adeline, Gold’ Diggers of 1935, Go Into Your Dance, Sweet -Music and others, then took a voice test in the summer of 1936. That test resulted in a passing grade of 100 per cent, and she went into the speaking parts.

CAREER

Clarice appeared in a string of musical movies as a chorus girl. She was featured in three Sonja Henie movies – One in a Million, Thin Ice and Second Fiddle. Since my dislike of Sonja Henie is more or less obvious if you read this blog, let’s just let it slide.

Other musicals that Clarice appeared in are: The Girl Friend, a totally forgotten Ann Sothern musical, Sing, Baby, Sing, a weak and not very memorable Alice Faye vehicle, Broadway Melody of 1938, a typical pastiche musical with Robert Taylor, playing a non-singing guy, trying to act out a flimsy story about a Broadway producer, but everybody is watching Eleanor Powell, Judy Garland and Sophie Tucker singing and dancing, Kentucky Moonshine, a abysmal Tony Martin musical with the Ritz brothers supplying (or trying to) some minor comedy, Alexander’s Ragtime Band, perhaps the bets musical she made, a Alice Faye/Tyrone Power classic with a great deal of Irving Berlin songs, and Honolulu, a charming Eleanor Powell movie with an idiotic story but good dancing.

Clarice had bigger parts in non musical movies, and if she’s even remembered, it’s for them. We have The Emperor’s Candlesticks, a witty, urbane spy-romance movie with William Powell and Luise Rainer (with that superb pairing, anything goes!), Man-Proof, a champagne comedy with Myrna Loy playing a unhappy in love girl trying to woo the desire of her heart and Franchot Tone trying to stop it (and wooing Myrna, of course), the absolute classic The Women, and Fast and Furious, which, despite it’s intense name, is actually a light murder mystery, with Ann Southern and Franchot Tone’s zany marriage being the core value against a meh plot and a lot of pretty young women in bathing suits (Clarice among them).

Clarice’s last movie deserves a special mention. Flash Gordon Conquers the Universe is a cult classic, as are most Flash Gordon movies. Whatever one may think of Universal series, this one is of a pretty good quality. Buster Crabbe was made to play the heroic Flash Gordon and Charles Middleton makes an incredible Ming. However, it is the action sequences that are the true highlight here. Watch it! Clarice had a small part as Queen Grend,a but at least she’s visible!

That was it from Clarice!

PRIVATE LIFE

Clarice was 5 feet 5 inches tall, and had glorious hair famous around Hollywood. It was pale natural blond, waved slightly and went all the way to her waist. Here is a funny story about Clarice’s adventures in Hollywood:

“It’s a great life if you don’t weaken,” gasped Clarice Sherry, when shooting stopped for a moment on “The Great Ziegfeld’ set the other day “But I’m distinctly wakening.” h added. The i costume she bad on weighed only 102 pounds. It’s for a very elaborate promenade and posing number. It is called “Northern Light” and Is made of 2,000 yards of pleated tulle and 700 large pear-shaped crystals. The former Hawkeye-Mason City girl has to wear special shoulder pads with it

Her private life was very stable. Clarice married Sidney D. Lund, technical executive at Universal studios, in a secret elopement to Reno in 1935. The couple hurried back to Hollywood the next day, so that Clarice could obtain a screen role in a new picture in which she appeared with Melvyn Douglas, Virginia Bruce and Warren William. Afterwards the Lunds establish residence in Los Angeles.

Sidney Lund was born on January 10, 1905, in Los Angeles, California, to Burton Lund and Abby Holt. His parents divorced and both remarried, and he had a maternal half sister and half brother, Mary and Conrad Klemm. He was trained as an electrician and became a movie technician for Universal Studios. He was married once before , to dancer Sada E. Hindman, on May 3, 1930 in Los Angeles. They had no children and enjoyed a very tempestuous marriage with at least one major scandal – in January 1931, Sada accused actress Dorothy Janis with stealing her husband’s love while the pair were making a picture in the South Seas. After much drama, Sada dropped a $25,000 alienation of affection suit. Dorothy and Sidney did not end up together, as she married Wayne King in 1932, so I guess Sada and Sidney made up. After more ups and downs, Sada finally divorced Sidney in 1933, charging desertion, nonsupport and cruelty.

Unlike his first, Sidney’s second marriage worked like a charm. Clarice retired from movie work, and dedicated herself to family life. The couple had a son, Gary Robert, born on October 18, 1940 in Los Angeles. Sidney continued working in the motion industry.

The Lunds enjoyed a happy union, lived in a two stories high residence in North Hollywood, had many good friends and were able to travel widely and saw a great deal of the world. Clarice also painted many beautiful pictures and portraits, and loved Oriental art and gardening.

Clarice Sherry Lond died at the ripe old age of 98 of an aneurysm on October 4, 2012 in Los Angeles. She is interred at Forest Lawn Memorial Park in the Hollywood Hills.

Agnes Craney

Agnes Craney was one of the girls who landed in Hollywood not thanks to her extensive dancing skills, nor her modelling career, nor indeed any acting prowess – she won her entry into Tinsel town via a publicity stunt! As you can imagine, that’s one of the worst ways you can gain entry into movie,s since you have no bankable skills and being pretty just ain’t gonna cut it in the town where hundreds of pretty girls arrive every day. As you can guess, Agnes made only two movies, married and retired to raise a family. Let’s learn more about her! (sorry for not having a close up of Agnes, she is in the photo somewhere!)

EARLY LIFE

Agnes Jane Craney was born in 1917 to George Thomas Craney and Pearl Winifred Morss in Madison, South Dakota. She was the third of four children: her older siblings were a brother, Morris Charles, born in 1911, and a sister Leone, born in 1915. Her younger sister was Rita, born in 1922. Her father worked as a real estate salesman. The family moved to Long Beach in the mid 1920s for her father’s work.

Agnes grew up like any normal, middle class girl in Long Beach,  and attended the Long Beach high school. What set Agnes apart from her peers was her obvious beauty and her star-stuck dream of becoming an Hollywood actress. And something massive happened when Agnes was just 17 years old and a junior in high school. She applied for a “Search for beauty” contest that was promoted all over the US. It was an instant gateway to Hollywood for a few lucky ones who won the coveted title of Beauty.

Agnes and Jack Jenkins, 205-pound Beverly Hills High School star tackle defeated some 100,000 rivals In the contest a “Search for Beauty.”, and they were awarded contracts with the Paramount film company as a result of the proceedings. It was noted that Agnes’ measurements most nearly correspond to the average of the fifteen most beautiful girls. She Is more slender, more graceful and more compact than the ancient Grecian goddess of love, Aphrodite, just as Jack was bigger than Apollo. How did they know the measurements of Aphrodite and Apollo is left open for debate, but it’s a publicity ploy much like any other from that time.

It appeared that Agnes was slated for big things in Hollywood, and her career started!

CAREER

Agnes appeared in only two movies in her career. The first one was Search for Beauty, the movie that was more ballyhooed in the press and in the beauty pageant circuits than it has any artistically or indeed any merit. But there is plenty of nude girls, sexy dances and sensual stuff if one likes it. Never again will classical Hollywood make such carnal musicals, with such visceral scenery and atmosphere. Ah, Busby Berkeley and his kind although he didn’t make this movie)! Agnes played one of the beauty winners of course.

8 Girls in a Boat is a more interesting fare. While not a masterpiece by any stretch of imagination, it’s a solid movie dealing with a topic Hollywood made taboo after the production code was kicked in high gear – unwanted underage pregnancy. Dorothy Wilson is a student at an exclusive girl’s school, and a member of the shell racing crew (hence the 8 girls in a boat). She gets pregnant by chemistry student Douglass Montgomery, but he doesn’t have no money to marry her. The movie deals with the aftermath of this situation, and featured Kay Johnson as a sadistic, brutal rowing teacher, a acting highlight of the movie. Dorothy Wilson, a much underrated actress, is very good in the leading role, but sadly Agnes played one of the school girls and is very blink and you’ll miss her.

And that was it from Agnes!

PRIVATE LIFE

Agnes gave a beauty hint to the papers:

I find exercise one of the most important factors in keeping the figure beautiful and the body fit. Swimming is my favorite exercise. But, in swimming, es in ether forms of sports care must be taken not to over-do. Too much swimming may over-develop the muscles.

Let’s reflect on the way Agnes got into Hollywood. While the Search for Beauty did give us one wonderful actress (Ann Sheridan), the bigger question is were these kind of pageants harmful for people int he long run? It seems to me they were. They gave false hopes to a plethora of young, inexperienced people, who had little to recommend themselves, that they can make it. And they can, but everything is stacked against them. While I am sorry to be perhaps a bit harsh, but the majority of girls who came to Hollywood because they looked good did not have an ounce of acting talent, and often did not work even one iota to posiblys remedy this disadvantage. They would last for a few months at most, then had to find other jobs, go back home, maybe be ostracized and generally suffer a period of depression since their dreams didn’t’ come true. Of course, it’s impossible to generalize, but this happened to more than 90% hopefuls who came to Hollywood in the 1930s, and most girls on this blog shared such a fate. We can have nothing but respect for any girl who has enough grit and guts to leave home and try to be something but a housewife, plunging head on to Tinsel town and hoping for the best was like trying to win a lottery. A few lucky ones would make it, most of them would not. Point is, it was much better to be a trained actor with some experience if you wanted to make it. Even if Hollywood rejected you, you could always do theater, summer stock and so on. Looking good usually isn’t enough, even for such a shallow town like Hollywood was (and still is).

Back to Agnes. Agnes married Wiliam Norton Hilliard on July 14, 1936, in Los Angeles. Hilliard was born on June 6, 1912, to Salvester Elven Hilliard and Emily Crave Norton in Colorado, the second of four children (his siblings were Charles, born in October 17, 1908, Eleanore, born on August 18, 1918, and Richard Francis, born on June 2, 1921). his father was a building contractor, and the family lived in Iowa for a time, before moving to California, where Hilliard started to work.

Hilliard was a store minder for oil supply machinery. The couple had three sons: William Norton, born on May 39, 1938, Gerald Thomas, born on January 4, 1940, and Michael John, born on May 25, 1948. After living for years in California, they moved for Hilliard’s work to Texas, where they stayed after William retired.

Agnes Craney Hilliard died on November 19, 1989, in Montgomery County, Texas.
Willian Norton Hilliard died on November 15, 2007 in Conroe, Texas.

Mary Jo Mathews

Mary Jo Mathews did not go down the usual starlet route. A fine Southern miss, she was a college graduate who first seeked her fame in the theater, and only by chance ended up in Hollywood. Sadly, Hollywood, did not work out for her, but she married a successful agent and led a happy family life. Let’s learn more about her!

EARLY LIFE

Mary Josephine Mathews was born on April 11, 1909, in Mannington, West Virginia, to Harry J.  and Blanche Mathews. Her older brother, Marshall, was born in 1904. Her father owned a drug store. The family was well of, lived in Mannington and employed at least one maid. Mary grew up like any other upper middle class Southern girl, and it was clear from her teen years that she was a stunning beauty with a strong penchant for dramatics.

After graduating from Mannington high school, Mary enrolled into the West Virginia university at Morgantown. Mary, a lush brunette with a soft Southern accent, was a hit with the lads, and in 1927, when she was a sophomore, she was voted the most beautiful girl student on the campus.

Next year, she was chosen by the students as “Miss’ “West Virginia University, and not long after, was named by Governor Conley as West Virginia’s representative at the annual rhododendron festival at Asheville, and later  attended the Shenandoah Apple Blossom festival in Winchester in the spring of 1929 as “Queen Shenandoah VI” . It seems that Mary really did do extensive social rounds and was very successful in those stakes. Back then, Mary Jo planned to become a school-teacher and received an AB. degree from the University of West Virginia. Then She won the Winchester Ky.) Apple Blossom Festival prize for beauty in 1929, after which she went to New York, married an actor and decided to become an actress herself, and there was no turning back!

Mary Jo became a member of the cast of “The Band Wagon,” Broadway’s revue success, and starred the head of a road company which was presenting one of the George White’s Musical company. Then she was a member of the cast of “Let ‘Em Eat Cake“. In the interim, Mary worked as an understudy. In a later interview she claimed that to became an understudy one had to be at least three times as talented as the leading lady to get the job.  At one point, Mary was understudying three roles – for Adele Astaire, the dancer; Roberta Robinson, a singer, and Helen Carrington, comedienne. Naturally, Hollywood noticed her, and she was signed to a contract, and of she went!

CAREER

Mary Jo made her debut in Twentieth Century, one of the funniest comedies of the 1930s, with the unbeatable combo of John Barrymore and Carole Lombard. No comment needed, just watch the movie and laugh! Barrymore is such a large ham you can’t help loving him, and Lombard is a pixie charmer to boot!

Mary Jo played a small role in Society Doctor, here is a review from Imdb: Morris plays a hotshot young Dr. Morgan in a metropolitan hospital, and Taylor is Dr. Ellis, his friend, who is a little less ambitious. Instead of being laser-focused, he wants to enjoy life, too. Both of them are interested in the nurse Madge (Virginia Bruce). She’s in love with Morgan but he’s too dedicated to get involved with anything but medicine. Ellis, however, makes a big play for her. When Morgan gets in trouble with the head of the hospital, he contemplates becoming a society doctor, and a patient (Billie Burke) offers to set him up in practice.

The movie is actually interesting as we have on unlikable main character, played by Morris as a hotheaded, stubbornly foolish all-too-focused doctor, and a young and stisl not quite polished Robert Taylor as his friend/rival. Virginia Bruce is as lovely as always, too bad she never became more than a B class star. Mary Jo’s next movie was the completely forgotten One New York Night.

Mary than appeared in tow movies that are well known and regarded today. The first one was Reckless, a William Powell/Jean Harlow drama, based on the infamous Libby Holman/Zachary Reynolds case. The movie starts of as a sparking comedy, a genre which Harlow excelled in – she’s tops, and Powell and May Robson, as her support, are in a high class too. However, the movie turns into a over the top melodrama in it’s second half, and this jarring change of pace somehow kills the overall effect, although it’s watchable and not at all that bad. Franchot Tone is impeccably elegant as a wastrel playboy who lusts after Harlow, and Rosalind Russell has a small role (which is always a plus, when Roz appears in a movie). Mary Jo plays a chorine.

The second movie was Mad Love, based on a book, with an implausible plot (taken from an imdb review): Dr. Gogol (Peter Lorre) is a brilliant surgeon who is obsessed with actress Yvonne Orlac (Francis Drake). She tells him she is leaving the stage to be a full time wife to her husband Stephen Orlac (Colin Clive), a concert pianist. Gogol is crushed. Stephen Orlac loses his hands in a train wreck. At the request of Yvonne, Orlac grafts on a new pair of hands to Stephen. Unfortunately, they happen to be the hands of Rollo, an executed murderer who loved throwing knives. It seems the hands have a life of their own–Stephen can’t play the piano anymore but can throw knives accurately and he has a desire to kill. He slowly starts to go crazy. Gogol again tells Yvonne that he loves her. She rejects him and Gogol cracks. He sets out to drive Stephen mad–and drive Yvonne into his arms.

But, as the reviewer wrote, the plot is completely secondary to the sheer brilliance of Peter Lorre, absolutely killing it as the man doctor. Whenever he’s on the screen it’s impossible to even look at somebody else, such is his magnetism! The movie also gives a good role to Colin Clive, a tragically underrated actor whose career never gave him the chance to truly shine. Frances Drake is nice enough as the doctor’s object of desires. The movie is very good at conjuring a non-bloody horror feeling, and stands very well today. Sadly, Mary Jo was literary just an extra and the role made on impact on her career. She only made one more short movie before retiring.

And that was it from Mary!

PRIVATE LIFE

Mary was musically inclined and knew how to play the piano and the organ. As a special peculiarity, she also broke mirrors for good luck.

Mary married her first husband, Charles Coleman, in Marion county in 1929. Charles Bradford Coleman was born on August 14, 1905 in Pratt, West Virginia to Charles Bradford Coleman and Margaret Caldwell Frazer, one of three children. Mary and Charles tried their luck together in New York, lived for a time in Chicago (guess for work related reasons) in 1930, but the marriage did not work out and they divorced in 1933. Coleman went to Hollywood and acted under the name of John Bradford. He had credited roles in movies like 365 Nights in Hollywood and Life Begins at 40, but gave up movies in 1937. He died on June 29, 1993 in  Charleston, West Virginia.

When she came to Hollywood, Mary Jo had a pet dachshunds and often hung out on the beach at the Del Mar Club, Santa Monica. While in Tinsel town, Mary was tutored by dramatic coach Earl Hinsdell to become a star. Here is a short description of the process:

Mary Jo Matthews is one of the “students” who. in Hinsdell’s opinion, will reach stardom in three sears. of years no difference, as a real star will stano out in any picture. “I regard the preserving of individuality as most important in my work of coaching is to be willing to train potential stars for that length of time longer if necessary. This trio is comprised of Agnes Anderson, Mary Jo Matthew and Margaret Ehrlich. Hinsdell has his own method of training, which may be at variance with the ideas of other coaches but it has proved rather successful so far. Myrna Loy. Jean Parker and Robert Young all are graduates of his school. When Myrna Loy went to him about a year and a half ago she was practically through in pictures. For years she had been cast in exotic siren role. He detected a flair for light comedy, developed that quality and launched her on a new career which already has carried her far beyond any goal she had been able to attain before. First of all. this instructor refuses to put his students through a routine training which stamps them all alike. For the most part he trains them individually. However, he frequently brings them together in groups to give them the fundamentals of timing, shading and the ability to fit their voices to those of their co-workers. He also insists that all of his students take singing lesson, the theory here being that the singing and speaking voice really is the same and the development of one helps the other. “Then there are long periods of reading aloud to develop round tones. “It sounds strange, but I am quite insistent that my students go to art galleries and study the works of the old masters,” declares Hinsdell. “I also advice them to acquire a knowledge of the history that is behind most of these great works. “Such a procedure seems remote to most of the students, just as it does to outsiders. but such a study can have a very definite effect upon acting. To be a good writer. artist, sculptor or actor one must have both a knowledge and understanding of beauty. And there is no place this can be found better than in an art gallery. “I do not think a person can express that which he has not felt, or at least understood. All art is expression. Thus one helps another.” HINSDELL believes in allowing those he trains to think for themselves. He shows them the right and the wrong then lets them work out the rest. He feels that he has failed as a coach if one of his graduates is not ready to go with any director. His students must learn more than just to do things his way. They must learn to act. To further their experience, he stages frequent shows at a local theater. This gives the youngsters an actual stage training that is of infinite value. They learn how to appear at ease before an audience, get a taste of real audience reaction, and gain a confidence which can be acquired in no other manner. Besides, it gives studio executives and directors an opportunity to see the potential talent which is at their disposal. Hence these student are certain to be given a chance to display the results of their training in front of the movie cameras. As for the average movie-struck girl or lad who has visions of being a star of 1940 or some later date, Hinsdell’s advice i “forget all about pictures.” “Most of these hopefuls have no talent.” he explains. “They’re just mesmerized by that state of mind called Hollywood and they’re due for disappointment if they hold on to the idea. “Of course, to those among them who do have talent and something to give, my advice would be no barrier. If that alone would stop them, they wouldn’t be worth anything anyway. “Those who are really serious about acting should become affiliated with a Little Theater group. More and more, producers of both the stage and screen are realizing that their greatest source of talent is the Little Theater. With such a training behind them, young men and women are already thinking and acting more or less like troupers when they enter professional work.”

Interesting, but sadly neither of the girls mentioned achieved any real success, although I do think that his method is very good.

In 1935, Mary eloped from Hollywood to Yuma, Arizona., with Arthur William Rush, studio executive. Arthur was born on April 2, 1907, to, in Graysville, Pennsylvania, to, one of six children. His siblings were brothers Malcolm, Clarence and Charles and his sisters were Elizabeth, and Helen. The family left Greene County when his father was transferred to Ohio by Columbia Gas. William lived for a time in Hanoverton, Ohio, before moving to California in 1931. William was a graduate of Bethany College, and quickly became West Coast manager for RCA Victor.

In the fledgling Los Angeles recording industry in the 1930s, Rush produced radio shows and recordings by Glenn Miller, Dinah Shore, Igor Stravinsky, Arthur Rubenstein and others. In 1937, Rush left RCA and became an agent for Columbia Management of California, a CBS subsidiary, where he managed the careers of Mary Martin, Vladimir Horowitz, Orson Wells and others. He formed his own talent agency in 1939, Art Rush Inc., from which he managed Nelson Eddy for 22 years, in addition to  Jackie Gleason. He also discovered and launched the career of tenor Mario Lanza.

The couple enjoyed a happy, harmonious marriage, lived in Los Angeles and had two children, two sons, William Arthur Rush, born on August 25, 1936, and Robert Nelson Rush, born on January 14, 1943.

The Rushes were especially close to his clients Roy Rogers and Dale Evans. In fact, Arthur and Mary served as best man and matron of honor  when Roy and Dale were married. Rush became Roy ’s agent after they met in a Hollywood restaurant in 1941. Their collaboration was sealed with a handshake and the two men never signed a formal contract. As a sign of devotion, Rogers’ best-selling book, Happy Trails, was dedicated to Rush and contained a glowing message of thanks for helping Rogers become a legendary Hollywood star.

In his later career, Managing  the Sons of the Pioneers, Rogers’ musical group, became the focus of Rush’s work. He was the mastermind behind the marketing of more than 400 products and establish more than 500 Roy Rogers Restaurants, in association with Marriott Corp. Rush called his 48-year collaboration with Rogers and Evans “the richest experience anybody could hope for in the entertainment world.” Roy’s son said of him “He wasn’t just an agent. We called him ‘Mother Rush’ because he took care of dad and the Pioneers.

Mary Josephine Rush died on September 30, 1988, in Los Angeles, California.

Her widower Arthur William Rush died of complications from a Thanksgiving auto accident on December 2, 1989.

Prudence Sutton

Prudence Sutton was one of many nice looking small town girls that crashed Hollywood hoping for at least a glimpse of fame. Unlike man others, she was noticed and given a starring role in a not inconsiderable feature. When the movie failed, she lasted for a few more years in Tinsel Town with no great success, and in the end traded it all for a stable family life. Let’s learn more about her.

EARLY LIFE

Prudence Lovicia Sutton was born on April 24, 1907, in Sayre, Oklahoma, to Walter and Hattie Sutton. She had an older sister, Allie, born in 1904, and tow younger brothers, William Walter, born in 1909 and Tyson, born in 1911. Her father was a minister, her mother a housewife. The family lived in Beckham, Oklahoma in the 1910s.

Prudence attended Sayre high school and had a normal upbringing in a loving, tightly knit family. However, Prudence’s carefree teen years were abruptly cut short when her father was shot and slain by a cattle rustler not long after she graduated from high school in 1925. Her mother, a very resourceful woman, took the children and moved to Southern California. There Prudence got into movies in 1927. How exactly? Well, a bathing suit contest!

Prudence entered a Bathing’ Beauties most beautiful contestant. While she did not win, she and six other girls, Margaret Andrews, Evelyn Hunt, Caroline Burt, Josephine Hoffman, Harriet Mathews and Lorena Rhodes won cash, prizes, and, ultimately, a studio contract, and of she went!

CAREER

Prudence made only two movies in her short career: Pitfalls of Passion, a silent movie from 1927, and Paramount on Parade, a sound feature from 1930. I usually don’t write much about silent movies since I am not well versed in them, but since Pru made only two, let’s concentrate a bit on them. Her first movie, Pitfalls of Passion, was supposed to be her jump of to fame, as it was her very first role and a leading role at that! Pru plays a demure and slightly bewildered country girl who runs off to the city with her lover. Then as the unfortunate victim of circumstances who is sold into moral bondage, and finally as the woman of the streets—beaten and forlorn.  The papers heralded Pru as a natural talent, noting that Miss Sutton gives a sterling performance that is startling because of its realism. It was quite an expensive movie to make – at one point, there were 800 people appearing in mob scenes. The movie is completely forgotten today, sadly.

Prudence’s second feature was Paramount on Parade, a pastiche of various stars singing and dancing. Forget about the story, about characters or anythign remotely deep – this is fun, pure and simple! As one reviewer from IMDB nicely sums it up:

When “Paramount on Parade” was filmed – Paramount had more musical stars than any other studio. The other studio revues (MGM’s “Hollywood Revue of 1929” and Warner’s “Show of Shows”) may have been more flashy but most of the stars were not singers or dancers and people went for the novelty of seeing their favourites trying to sing or dance.

There is little reason to see the movie today, unless one is a old musical buff, but there are worse movies one can watch!

That was it from Prudence!

PRIVATE LIFE

Prudence had a very stable and peaceful love life – she married young businessman Joseph Bonadiman on April 11, 1931, in Los Angeles. Joseph E. Bonadiman was born on March 21, 1903, in California, to Carlo Bonadiman and Domenica Passarini, one of four children (he had a brother, Charles and two sisters, one of them Mary). His parents were both immigrants from northern Italy (which was under Austria-Hungary at that time). Prudence gave up her career in 1931 to marry and devote herself to family life.

The Bonadimans had a solid middle class family life. Their first son was born on Joseph Carlosutton was born on August 24, 1932 in Los Angeles, and their second son, William Walter, on June 21, 1935, also in Los Angeles. Joseph became a director of the San Bernardino Valley Municipal Water District and head of the civil engineering firm of Joseph E. Bonadiman & Associates, which was founded in 1942. His obituary nicely sums up his life’s work:

Engineer Joseph E. Bonadiman, who pioneered hillside developments from Hollywood Hills to San Bernardino, died of heart Tailure Monday at Redlands Community Hospital, his relatives said Tuesday. He was 86. “He was the first engineer to do hillside developments of any size in Los Angeles County,” recalled his elder son, Joseph C. Bonadiman. Chavez Ravine now home to the Los Angeles Dodgers was among the early projects. In San Bernardino’s steep foothills, he engineered developments near David Way and later throughout the Verdemont area. Although he had become less active during the last five years, he never fully retired. His last  day at work was Friday. The son of immigrant Austrians, Bonadiman came to California as a boy. He lived briefly on a 160-acre apple ranch in Apple Valley, where he arrived by wagon through Cajon Pass. He earned his engineering degree at UCLA where he once sold a used tuxedo to classmate John Wayne. “My dad needed some money and Duke Morrison John Wayne needed a tuxedo, so they traded,” his son said. Working as an engineer in a largely undeveloped state, Bonadiman found himself helping to build bridges, dams, subdivisions and a few airfields. “He designed Ontario International . . . Hawthorne . . . and a couple I don’t remember,” said his son.

In 1960 the family moved from Los Angeles to San Bernardino where the engineering firm had already developed extensive
business connections. The Bonadimans nicely blended with the locals, and soon became a well known town staple couple, and Prudence was very active in the local catholic church and various charities.

In early 1966, Prudence had been taken ill. She had been hospitalized for more than a week and was apparently holding her own when an embolism, or blood clot, in the lung resulted in death on January 10, 1966. She was buried in San Bernardino.

Joseph Bonadiman died on January 29, 1990, in San Bernardino, California.

Laurie Shevlin

Laurie Shevlin was an alluring Scottish lass who ended up in Hollywood as a chorus girl and made only one movie. She tried for movies a second time, but that was another kaput, and her road from there was rocky, but ultimately she managed to carve out a happy life for herself. Let’s learn more about her!

EARLY LIFE

Catherine Laurie Shevlin was born on March 15, 1914, in Annathill, Scotland, UK, to Frank and Annie Shevlin, the youngest of six children (Laurie had three brothers, one of them named William, and two sisters, one of them named Anna). Her father, an Irish immigrant, was a manual laborer, and allegedly once ran for Parliament on the Labor platform, although I find this very hard to believe. She spent her childhood in Glasgow, Scotland, but her parents decided to move to the land of opportunity, to the US.

Laurie arrived to the US in 1928 with her family. She was barely out of elementary school, but times were hard and all of the family had to go to work. There could be no more school for Laurie. She worked as a waitress and made more than her brothers. She was serving food in the public dining room of the Presbyterian Hospital, New York, when she won a beauty contest at a local theater. She was then 15. The contest caused her to be given a job in Earl Carroll’s “Murder at the Vanities” as the murdered girl. Wanting to improve her skills, she also started to attend Paramount School of Dramatic Art in New York.

Laurie stayed with the Carroll show two years, going to Hollywood to take part in the screen production, in the chorus. And that is how it started!

CAREER

Laurie appeared in only one movie – Murder at the VanitiesIt’s a fast-moving, fast-talking, sexy movie all the way, the kind you couldn’t make after the Production code was enforced in 1934. The movie’s main highlight are the giggly showgirls and a incredible blend of classical and hot jazz. The story is nothing to sneer at: a Murder investigation goes on back stage while The Vanities, on its opening night, plays on to an unknowing audience, but the movie mix-and-matched crime and musical so it’s an exciting novelty even today, 80 years after it was made. You can also see the infamous “Sweet Marijuana” number in this movie. Gertrude Michael, a underrated actress at any rate, has a meaty role as a bitchy actress and excels in it, making the leading duo of Kitty Carlisle and Carl Brisson somehow boring in comparison. Laurie of course played a chorus girl, just one in the pool of beauties.

And that was it from Laurie!

PRIVATE LIFE

Laurie was 5 feet 5 inches tall, and weighted about 120 lbs when she came to Hollywood.

Here is a beauty hint from Laurie:

To stimulate the growth of the eyelashes, a little castor oil rubbed on each evening before retiring is effective. Doing it regularly will result in thick, long lashes.

Sadly, Laurie’s stay in Hollywood was not a very happy one. Since she had arrived in Tinsel Town, she has had a narrow escape from pneumonia, has had dental trouble which necessitated a lanced jaw, and has fallen down stairs. On a side note, Laurie wasnt’ interested in getting married back then, like some of her fellow chorus girls. They said this to the papers:

Hollywood blonde; Marion Callahan, yellow head from New York; Dorothy Dawes, brunette from the same Big Town, and Laurie Shevlin, of Scotland, with snapping dark eyes, babble that they have always looked forward to careers, that they don’t know what all the fuss is about marriage, that they “prefer to be alive!”

Well said girls! When you are 20 years old, still learning and trying to find yourself, maybe it’s better to wait for the right time ot get married, despite all the societal pressure.

After she appeared in his one and only movie, Laurie was not recognized then as star material and came back to New York for an engagement with a Carroll troupe at a night club. Then she went into George White’s “Scandals” show. She decided she wanted to be a dramatic actress. She wrote and asked Oscar Berlin, chief talent scout for Paramount, and Cecil Clovelly, the director of the Paramount school, to let her enter. They granted her an interview, but turned her down at first, because of her accent. So she worked on it at home, on buses, in subways, at cocktail parties, making everyone correct her when she sounded like something fresh off the moors. Finally, her persistence and her charm overcame them. They let her in, but it took a great deal of work, every day, hour upon hour, delivering lines, learning to walk, learning to hold up her face so the strong lights of the studio would not make shadows. Before it came time to make her test, they put her through a course in how to dress herself, how to emphasize her good points. They tried to sell her as an rising star on this story – to make her a kind of a Scottish Cinderella whose voice had to be modulated before she could enter movies.

Here is a short article about Laurie’s elocution abilities:

, Tilt Gives Laurie Shevlin the Unique Charm Hero Captured by the Cameras In the Course of Her Test for a Film Contract. Compare This Photo of Her with That (Below) . . . By Dorothy Ducas S HE looked small and helpless sitting under the fierce glare of the studio lights. But when she spoke .her voice was as vibrant with youth and life as the mist-blue eyes under her curling, naturally long, black lashes. “You don’t believe thot? Well you con. It’s trrrue!” Delicately, but as arrestingly as a glimpse of purple heather, an accent lay upon her words. It was no simulated accent, it was real. A Scotch lassie! That was why she wore the tartan like one to the heather born. She continued: “I was born of a Russian mother and a Scotch fatherrrr — on a Dutch ship — on the high seas.” She flashed an impish grin. Laurie Shevlin was taking her ACID TEST It Takes Extraordinary Poise for a Screen Hopeful to’ Bear Up Under the Severe Conditions Surrounding Movie “Tests.” Above Is One of the Few Photos Ever Made During the “Test” of a Future Possible Star, Taken as Laurie Shevlin Was Facing the Cameras for the Picture Which Won Her Her Chance at Stardom, and Made Happy Her Mother (Below), Who Naturally Thinks Laurie Looks Her Best In the Scotch Kilt Costume She Is Wearing at Right.  Another View of the Making of the “Test” Film Which Marked Laurie Shevlin’s Graduation from the Paramount School In New York, Where She Studied for More Than a Year to Win Her Chance at Capturing Film Fame. . . . Showing Laurie Shevlin at the Time She Arrived In This Country with Her Family, an Immigrant Girl from Her Native Scotland. screen, test after months . of. .studying to rid her tremulous voice of the burr of her native land, by playing a scene from Elizabeth Bergener “Escape Me Never.” She was playing it with a Scotch instead of a German accent, for some of the objectionable burr remained; playing it with all the yearning of her young soul in her voice. “Please,” she was saying to herself, “please make them like a Scotch accent as much as a German one!” She . was thinking of the international success of German-born Elizabeth Bergener. Laurie Shevlin’.’, rich “r’s” and narrow “a’s” were all that stood between her and a movie contract when she first came under the eye of a Paramount talent scout. Garbo has’ done rather well with Swedish overtones In her voice; exaggerated British accents are in demand, and the Spanish accent of Lupe Velez and other Latins has never seemingly grated on the ears of photoplay-goers. Yet an executive thought those same movie audiences wouldn’t like a Scotch accent! So Laurie Shevlin, who thought she was done with learning the Three It’s, went to school again. She read whole books aloud to her mother, her brother, her friends, practicing words and watching lip motions in the mirror in her bedroom. She stayed in the Paramount school for “finds” months longer than any of their other “discoveries,” she whose beauty was outstanding, whose ability made it possible for her to cry real tears without coaching. She stayed to “kill” the accent But for all her study she could not eliminate the trace of it. Fortunately, too, for it was that delectable sound which made the West Coast and fame beckon, following her screen test. Overnight that which had been her bug-a-boo became a passport to golden opportunity. “And why not?” asks Laurie, bubbling over with happiness. “Harry Lauder made a pile of money out of his accent.”

This try for a career faltered just as did the first one, and Laurie returned to New York for good, and continued appearing in Earl Carroll’s night clubs. The years went on, and at some point, she gave up her chorus work.

Now, I have no idea how it came to this, but by 1942, Laurie was disillusion with everything in general, and, probably not seeing a viable way out, tried to commit suicide. Yes, she tried to drown herself in Central park. Highly unusual suicide method, that one. Here is an article from that unhappy occurrence:

Laurie Shevlin, 26 years old, a former chorus girl in Earl Carroll’s night club in Hollywood, was In Bellevue after two attempts to take her life. already end her life by jumping into a pool  Central park. Miss Shevlin Jumped heard her scream, leaped in.

Patrolman Robert Pilsen dragged her to shore. When he let her go, however, she jumped back in. Patrolman Louis Schmidt and numerous others pulled her out again and took her to the hospital.

So, she tried to jump two times – something really serious must have happened to her. Perhaps a love affair gone awry, financial problems, something else? But, bottom line, she pulled out of the chasm, survived, and returned stronger. How do we know that? Well, the next we hear, Laurie was in the papers for a happy occasion – a marriage!

She married Warrant Officer Homer Wilfrid Anderson on October 13, 1945, in Tijuana, Mexico. Anderson was born on April, 2 1916, in Orange, New York, the son of Homer Wilfird Anderson Sr. and Lena M. Anderson. He became a certified public accountant In civilian life, was inducted into the Army February 11, 1942. He is stationed in Los Angeles, with the Contract Audit Air Forces. He was just out of the Army when they hitched.

I have no idea what happened to Laurie afterwards – how solid was her marriage, where did she live and so on. I just know that Homer Wilfrid Anderson died on February 7, 2003, in Virginia.
As always, I hope she had a good life!

Nora Gale

 

Nora Gale – a chorus girl who crashed Tinsel town with scant experience but luckily got a contract, danced in various movies, never made it to a credited role, returned to the stage and in the end, married and left showbiz. Heard this story before? Anyway, let’s learn more about her!

EARLY LIFE

Nora Gwendalyn Gale was born on January 20, 1917 in Bristol, Gloucestershire, United Kingdom, to Herbert Lancelot Gale and his wife Liza Ashman.  Her father worked as a carpenter, her mother was a housewife.

Herbert and Liza actually met and married in Winnipeg, Canada, in 1906. Her mother was married once before, in 1903, to James Wiliam Fear, who tragically died in November 1905. They had a son, Nora’s older half-brother, Wallace James, born in 1904. The Gales lived in Canada until shortly before Nora was born, and then returned to Bristol. It seems that Wallace remained in Canada, living with relatives.

Tragedy struck the Gale family when James, barely 16 years old and working as a rivet heater for a railway company in Winnipeg, drowned in 1920. The family moved to California, and they became naturalized US citizens in 1932. Nora was a outgoing, talented child who was adept at dancing, and wanted to become an actress. She started to work as a chorus girl while she was in high school, and by the age of 16 was an experienced chorine. Somehow she met dance director LeRoy Prinz, and he put her into the good graces with a studio that signed her in 1935.

CAREER

Nora started her career with Murder at the Vanities, a sensual, bawdy and rowdy murder mystery made before the code was reinforced – and boy, could this movie never be made after 1934. Plenty of skimpily clad girls, songs with dubious drug references lyrics , weapons, a sleek killer, murder in the ceiling and dripping blood.. You get the picture! Nora was of course one of the showgirls. Nora’s second movie, Lottery Lover was in a lower tier – a pleasant but not all too interesting musical.  Nora was back in the sexy pool with Rumba, a George Raft/Carole Lombard pairing. Their first pairing was the ultra slinky Bolero which made ton of money for the studio, so they made a repeat, but this movie, made after the code was enforced, had none of the lusty sensuality and energy of the original, not to mention trading the bittersweet ending for  atypical Hollywood happy one, so it’s a mid tier movie at best, perhaps worth watching for the dancing and for Carole/George fans.

Nora undertook a brief hiatus from Tinsel town, got married and divorced in the UK, and returned to Hollywood in 1938. She made only three small movie appearances in this iteration of her career: The Big Broadcast of 1938 and Sing, You Sinners and Artists and Models Abroad.All three movies are musicals with comedic touches, but are quite different in tone – Artists and Models is a more traditional romance, Big broadcast is a pastiche of various performers doing their stuff and even with some animated segments, while Sing you sinners is a charming family movie about three brothers (played with aplomb by Bing Crosby, Fred MacMurray and Donald O’Connor). Then Nora took another hiatus after this.

In 1941, Nora made an appearance in the most well known movie of her filmography – the James Cagney/Rita Hayworth/Olivia de Havilland/Jack Carson classic The Strawberry Blonde, a witty, nostalgic comedy with a great cast and a actually highly realistic story. The plot is simple: Carson as Hugo Barnstead marries Virginia Brush (Hayworth), “stealing” her away from Biff Grimes (Cagney) who later marries Amy Lind (de Havilland), on the rebound. Years later, Biff sees reality of what it would have been if he had married the vapid Virginia (when he’s asked to pull Hugo’s tooth), and hence better appreciates his own wife. This is a golden role for Jimmy Cagney – atypical from his previous gangster movies that made him a household name, here Cagney plays a softer character, albeit still brash and rough around the edges.

Nora’s last movie was The Great American Broadcast, and as one reviewer wrote on IMDB: “actually has a fun if unremarkable plot, pretending to be about the history of radio, but really just an excuse to let its stars do what they do best: Alice Faye to sing in her throaty, comforting contralto, John Payne to look handsome (he also warbles a bit, and not badly), Jack Oakie to clown (less annoyingly than usual). Mack Gordon and Harry Warren wrote many gorgeous ballads;  It moves fast–positively at a gallop, by Fox standards–and though there are anachronisms everywhere, in the costumes and the dialog and the sets, this time you don’t mind. A very entertaining, unpretentious Fox musical.”

That was it from Nora!

PRIVATE LIFE

Nora had a brief one year career in movies before becoming a full time showgirl. She was working in the UK when she and a group of other chorus girls ( Luanna Meredith, Patricia King, Nora Gale, Harriet Haddon and Jeannette Dickson) had toleave England immediately because the Ministry of Labor has refused to extend their labor permits. Nora, who visited her family in Bristol and reconnected to a previous swain, decided to stay and marry him.

So, in 1936, Nora married Alec G. Henstridge back in Bristol. Alas, the marriage was not meant to last, as they were divorced by the time Nora returned to the US in 1938 and started acting in movies again. Here is a article about being a chorine back in those days :

Hollywood had cated, too, because the studios today make dancing a secondary consideration, look first to personality. “Personality and carriage are the two prime attributes we seek,” Prinz explained. “Personality with naturalness, without coyness. A girl may not be pretty, may even be homely, but if she has nice features, can be herself, can walk properly or learn to do it, we can transform her in 30 days so that you won’t recognize her. She might not have been able to get a job in the Five-and-Ten before, but when we get through with her, she’s ready for a place in any smart shop.” To EFFECT these magic changes, the studio teaches the girl: 1 how to walk; 2 how. to talk, and not to talk too much; 3 how to use makeup according to her type; 4 how to dress her hair; 5 how to pick and wear clothes; 6 to study her own personality and how to bring out her best points. Only after the girl has been thus remolded does her ability to dance come into the picture. Even then, dancing is preceded by the teaching of rhythm, which is essential not only to dancing but to proper walking. “In teaching rhythm,” said Prinz, “I have the girl walk to a waltz, then to a fox-trot, finally according to her own idea of how she should do it and pointing towards a natural but graceful interpretation.” As outstanding examples of the new type screen chorine Prinz named Nora Gale and Harriet Haddon. “Nora came to me when she was 16,” he said. “She was just another chorus girl who wore slacks and carried a little grip with a baby doll painted on it. She wanted to break her neck doing acrobatic dancing. Now she is a smart and poised young lady.” Later we met Miss Gale. . She seemed a serious-minded young person with an urge toward getting somewhere in pictures. “I want to be a comedienne,” she confided. “Most of the girls are pretty earnest about their careers, and work hard for advancement.” I fall Mm University. Then she got a summer Job in the studios. One reason Hollywood girls are movie sophisticated than they used to be, she believes, is to be found In the influence upon them exerted . by numbers to Broadway girls who have come to the film studios in the past few years. ‘ “Since I started here I’ve worked both in New York and London,” sha said. “The Broadway girls used to be so much older for their, years than the girls here. At 17 they were like youthful women of 25. You would never catch a New York chorus girl running around in bobby socks, sweaters and slacks and low heels, with a scarf on her head.” Miss Haddon agreed, as did Dorothy Haas, whom we met and immediately listed as our personal selection.

In Hollywood, Nora was mighty serious about Mack Gray, George Raft’s right hand man (also known as Raft’s companion-bodyguard-shadow in the press) and a close friend of Dean Martin and Frank Sinatra. For unknown reasons the two broke up after about a year together. In 1940, she was beaued by Louis Zamperini, the U.S.C. intercollegiate track star and one-mile champion whose later wartime experiences would later serve as the basis for the Angelina Jolie movie Unbreakable.

Then, there were reports that Nora was secretly married to Ned Stewart. It seems that they were very much close to the altar, but something thwarted them and they gave up. We can assume that Nora was quite bitter over the experience, here is a newspaper snippet written after their crash-and-burn romance:

Not all actresses prefer actors for boy-friends. Nora Gale seems definitely typical. Young and attractive and sufficiently talented to win a part In “Unmarried,” with Buck Jones and Helen Twelvetrees, Miss Gale has this to say about the stated situation: “I’ve been in pictures about a year and a half and I have yet to find a movie actor who didn’t consider himself a pretty competent article indeed. I mean most of them are of the firm opinion they are the real McCoy.” Nora’s preference is for young business men. When she steps out over the holidays, it will be with young business men, the same kind of young men you find in Toledo, O., or South Bend, Ind., just as well as in Hollywood. Nora prefers them to actors. “They know more and talk less.”

Ouch! One wonders what exactly happened to warrant this kind of an outburst. There is usually a very good reason why actresses date more actors, movie people (or in some cases millionaires) than normal business people, but Nora was hurting and perhaps she truly needed a break from Tinsel town? Anyway, next thing we know, Nora gives up Hollywood and becomes a member of the St. Regis ice show.

Unlike many other starlets who said all sorts of stuff to the papers and then did the exact opposite, Nora really did date and in the end marry a businessman. She was wed to George Shannon Baker, a wealthy liquor magnate of Minneapolis, in January 1942 at a 4 p.m. ceremony at the home of Mr. and Mrs. Cedric Adams, with the The Rev. Frederick D. Tyner officiating. The couple lived in Minneapolis after the nuptials, and Nora retired from the movies for good.

Unfortunately, the Bakers were divorced in 1951. I have no idea what exactly did Nora do after the divorce, did she stay in Minneapolis or move back to Los Angeles?

Roughly 20 years after they were almost married in Los Angeles, Nora married Ned G. Stewart on November 2, 1961. The couple moved to Hawaii to enjoy their mature years.

Norah Gale Stewart died on July 21, 1996 in Honolulu, Hawaii.

Gloria Youngblood

Gloria Youngblood had one of the most interesting lives I have encountered while profiling classic Hollywood actresses. While she wasn’t an actress of any note, she was an active woman who made her own path and never looked back! Let’s learn more about her!

EARLY LIFE

Minnie Gloria Youngblood was born on May 12, 1916, in Madison, Illinois, to Adolph Herman Youngblood and Laura Pillsbury. Her older sister Margaret was born in 1914. She was of Native American (Cherokee) descent on her father’s side. Her father worked as a maintenance man for a western cartridge company.

When the United States went to war Adolph husband decided that it was his duty to go into the navy. He sought a release from the Exemption Board, saying his wife was willing for him to go and leave her with their two children. He was told his wife would have to come to the board and make her acquiescence known, and she did. She expressed herself as being perfectly willing to assume the responsibility of taking care of the children. She said she could work, and that she believed, with what he would send her, she would be able to “get by”. Finally the husband and father got the desired release. He joined the Navy and has been in service on a torpedo boat.

On November 12, 1918, Laura died at the home of her parents, Mr. and Mrs. C.W. Pillsbury from influenza. The family tried to get into touch with the husband to inform him that the two little children he left at home are motherless. Adolph returned soon, and married Rose Youngblood, a widower with had two children from her late husband’s previous marriage (whoa, what a family!). They lived with Rose’s parents in Alton. Gloria and Margaret lived with their grandparents, but obviously maintained a tight relationship with their father.

Gloria grew up in Alton, in her grandparents home. She attended Alton High School, and after graduation in 1935, went to New York to become a model. And this is how she got in touch with Tinsel town, and how her career started.

CAREER:

Gloria appeared in only three movies, all made in 1938. The first one was The Goldwyn Follies, The plot is as silly as the movie in general: Movie producer chooses a simple girl to be “Miss Humanity” and to critically evaluate his movies from the point of view of the ordinary person. What? Yes, I was as shocked as you were. These kinds of movie,s where the story is completely irrelevant and where singing and dancing is everything, are rarely good – while everybody can enjoy a good dancing number, movies as a format were not ideally suited for this – I can watch a dancing video if I wanted this. I expect more style, substance and art from movies, not nonsensical dancing. Well, this movie doesn’t have it. While there are truly spectacular dance sequences, overall it just doesn’t hold a candle to truly great musicals.

A much better movie was The Adventures of Marco Polo, and that’s saying something! This movie, known today as the movie where Lana Turner had to shave her eyebrows that never grew back later, is corny, wean and uneven. While the sumptuous set and costume design is breathtaking, everything is too stagy and absurd to be believable at any degree. Even Gary Cooper couldn’t save this dud!

Gloria’s last movie was Trade Winds, a fun traveling romp with Frederic March and Joan Bennett. The plot is bare bones: March is a former SFPD detective, hired to find and bring back Joan Bennett, who’s suspected of murdering Sidney Blackmer. The movie mixes genres from whodunnit, to travelogue, to screwball comedy, to romance, to courtroom drama and does it with its own unique flair. March and Bennett are great, very slinky and sexy, with a great cat and mouse game going on, quite a feat for the Production code ridden late 1930s. Kudos to supporting actor Ann Sothern and Ralph Bellamy who are impeccable in their stereotyped but very effective roles.

That was it from Gloria!

PRIVATE LIFE

When she first came to New York, Gloria was homesick, and treated her malady by buying local Alton newspapers  – she would stroll from her Hotel Edison at Forty-seventh and Broadway to the out-of-town newsstand in back of the Times Building at Broadway and Forty-second street every night to get the newspapers from her home town. Back before the inter,et this is the closest you could get abreast all the new events happening in Illinois, so nifty!

In 1937, Gloria hit the papers by begin her sister’s witness in her divorce from Chris Larkin. By September 1937, we see her as the girlfriend of A.C. Blumenthal, the fabulously wealthy financier. Blumenthal was shorter than Gloria, so they made a cute couple 🙂 They also had a daily routine: They swim every morning at eight, which everybody saw as a pretty strong test of devotion. But, int he long run, it didn’t work.

Why? Well, because Gloria met a new Romeo – Rudy Vallee, the famous bandleader and Lothario. Vallee dated such a large number of girls that the press often lost count – they met in New York, introduced by noted puppeteer Edgar Bergen. He escorted her around town for a few weeks, and then went back to Los Angeles, where he lived. When Gloria was the writing on the wall, and that Rudy was escorting other girls, she packed her bags and simply moved to LA to try her hand at acting. No prior experience needed! They resumes dating in Los Angeles, and all was fine and dandy.

This all happened in a span of literary weeks. And in October 1937, Gloria hit the papers hit. How? Well, the well oiled studio publicity machine saw an opportunity and literary snatched her – Gloria was hopeful that Rudy would marry her, the studio was hopefully that Rudy would stop Casanoving women around, and viola, it was a perfect match! One small detail/problem. Rudy wasn’t in on it. While he certainly liked Gloria, he had no intention whatsoever of getting married again. His last marriage, to Fay Webb, was very tempestuous, and their divorce was highly dramatic. Fay died after their divorce was made final, in November 1936, and this truly crushed Rudy. He played the field almost carelessly, and it was clear to most who knew him that Rudy wouldn’t marry for at least a few more years. The studio turned a blind eye to all of that, and, conspiring with Gloria, first invited her father to California to meet Rudy. After that went swimmingly, the studio took this as a cue to act, and organized a press release.  Feigning that she was shocked by the press being there, Gloria said: “I didn’t intend to say anything at this time, but Mr. Vallee and I are deeply interested In each other and we hope to be married by the end of the year.” Gloria was expecting an engagement ring, but she didn’t’ quite get it.

Rudy was staggering mad, but he knew how the studio operated and decided to take it in his stride. He called the press, and gently and emphatically but firmly denied reports that he is engaged to Gloria. “I have not been engaged to her, am not engaged to her and do not anticipate an engagement with her.” I wish I knew what was going on in the backstage of this minor drama! In the end everything just blew up, with the press speculating about this and that. But no matter what they wrote, Rudy wouldn’t budge. After a tiffy period they made up, but again, no ring.

Gloria and Rudy continued dating afterwards, and dated well into 1938. They were seen everywhere together – at the local hotpots, at horse races, at tennis games. Here is a very short and sweet blurb about their courtship:

Rudy Vallee so absorbed in Gloria Youngblood at the Perry-Vines tennis match that he lost a treasured scarf and had the ushers looking madly for it.

And so it went, but Rudy’s philandering ways remained unchanged, and he dated other girls on the side – socialite Judy Stewart, June Knight, Wendy Barrie, and the list goes on! Gloria was not happy about it, but could do little. So it went back and forth until May 1938, when, after quite a bit of tiffs, Rudy went for New York again. Gloria stayed for a bit in Los Angeles, dated Alexander Korda, the famous British producer, and then went to New York herself, allegedly not because she wanted to follow Rudy but to become a legitimate actress. I don’t think anybody believed her, but hey, anything goes in love and war.

In New York, Gloria was serious about George Johnston, a lawyer working for Walter Wanger, for a few months in the mid 1938. Later she was seen with ice skater Jack Dunn, and Roy Randolph. She started 1939 by dating bandleader Bobby Parks. That year proved to be a monumental year for Gloria in general. In March 1939, Gloria and four other girls went to London with noted showman George Hale to try their luck at dance halls. Here is a bit about the show.

Georgie Hale is readying another cargo of feminine charm for English consumption. Georgie must have been a lucky baby for look what he’s doing now. Must be tough work to stand out there and tell such dolls as Cynthia Cavanaugh, the “Duchess’ (she’s already counting on a stray British title); Gloria Youngblood, Rudy Vallee’s girl friend; Arlene Stone and Myra Stephens what to do. Georgie is a keen faced little guy, temperamental, yet patient with his charges. Watching him put the girls, through their paces, he seems absolutely unconcerned about their actions.

Gloria’s first beau in the UK was Guy Middleton, a fellow thespian. She received girls from fans – for instance, a fancy white cap described as gift from Prince Fefeal of Saudi Arabia. And this is how Gloria met her first husband, Eddie Meade. Now, who is Eddie Meade?

Meade was fight promoter and manager. He became famous for being the manager of heavy weight Henry Armstrong. Eddie was a promoter in Los Angeles long before Armstrong even came to town. Born in, he was a Jolly, fat man with charm aplenty and a gregarious spender. he earned big bucks, but spent them just as quickly. Meade was only mid teir successful before he encountered Armstrong. During one of the weekly Hollywood Legion fights, in front of a star-studded crowd, Armstrong distinguished himself, scoring a sensational knockout. Two of the stars, Ruby Keeler and Al Jolson, took a liking to the human hurricane and underwrote the purchase of his contract for their friend, Eddie Meade.

Henry and Eddie were in the UK at the same time as Gloria. Henry fought Ernie Roderick and won without difficulty (both Gloria and Cynthia were there in the audience, watching). Eddie collected enough pounds sterling to paper the inside of a battleship and set out with Brig. Gen. Critchley. and Sid Hulls, his matchmaker, to fee the town. Their first stop was a night club in Leicester Square. It was the working of destiny. Featured at the club was an act called “The Eight American Glamour Girls,” Most glamorous of the eight was of Gloria. Eddie came, saw her and lost his heart to Gloria. When she Returned to New York They Were Married. But wait, what about the return! Well, there is a whole story about this!!!

Gloria Youngblood Jailed By French as German Spy; Home After Harrowing Trip Liner “w’as Escorted from France by Convoy of Destroyers How she escaped a firing squad or possible imprisonment for the duration of a drawn-out war was related to a Telegraph reporter Thursday night by Gloria Young- Wood, screen and stage actress, who arrived in Alton from France after a narrow escape from French soldiers and a hectic crossing of the Atlantic on the liner “Manhattan.” Miss Youngblood, who happened to be in Switzerland at the,outbreak of hostilities in Europe, started for Bordeaux France, with 10 other actresses and their manager. The trip, which ordinarily requires nine hours, took three days under war conditions. Once In France, however, Miss Youngblood’s troubles were only starting; for in war-torn Europe even an American, whose publicity claims for her an appreciable portion of American Indian blood, is not above suspicion. No sooner did she and her friends arrive In Bordeaux than she was taken Into custody as a “government prisoner.” Grounds for Suspicion She was lodged In a common jail and all her baggage was subjected to an Intensive search. Even the lining of her travelling bags and coats were tipped away in an effort to connect her with the Nazi regime In Germany. Miss Youngblood admits, however, that the French had some grounds for suspicion; for When she left Switzerland she had In her possession a knife, which had a Swastika sign on the blade. In a continent ripped wide open with hatred and a necessity for self- preservation, the most remote precaution is necessary. Someone in Switzerland had Informed the French of her possession of the knife, a gift from a friend, so she had no more than arrived at Bordeaux than she Was taken into custody. Long before she arrived at Bordeaux she had thrown the knife away, but It was too late to avoid the French version of the “third degree.” She was arrested and held In jail until her manager arranged for her release. She then was compelled to disguise herself by using no make-up and tying a bandanna around her head, In order: to get away on the liner “Manhattan,” which sailed early one morning under the cover of darkness, Destroyer Convoy The liner left Europe under a French and English convoy of destroyers,. There were three French and three English. which convoyed the liner for a day. After the liner was considered to be out of danger of violence ‘the warships left But that was only the beginning, She said. From then on Into the coast of America a storm of the highest ‘caliber hove the ship to and fro for six days. Even the hardiest seamen were sea-sick. The ship was Intended to carry 1200 passengers, but actually carried 800 more than that, and under crowded conditions there was nothing for one to do but hold one’s head and ‘like It, Miss Youngblood related. She still sighs when she thinks of the escape from the French military, who seemed to suspect her even after she had more or less established her innocence, which was done largely through a,manager, who pulled wires right and left to effect her release. Once, .she’ said, she was taken from her call and told that she could walk about the jail, If she desired to do so. She said she was allowed certain liberties because she was a “government” prisoner and not,regarded as an ordinary transgressor. This meant that she had a menu from which to order food, Nevertheless, the French seemed to want to either shoot her or hold her until hostilities were over. She Wears a Diamond Once in New York, where she landed on Sept 30, she was met by Eddie Meade. none other than the manager of Welterweight Champion Henry Armstrong. Eddie’s diamond ring adorns the Youngblood finger. Eddie telephones her frequently wherever she may be, from whatever point on earth he may be at the time. A short time before she talked with a representative of the Telegraph, she said, Eddie had phoned her from Minneapolis, where Arm- Strong Is scheduled to fight in a few days. She once was reported engaged to Rudy Vallee. An exclusive side-light to her arrival in America was given to the Telegraph by Miss Youngblood. Prince Yauka Troubetzkoy of the old Russian aristocracy will follow her here. In New York reporters asked her about a rumor that a Russian prince had been somewhat •mitten. She said she refused to give them the Information, but divulged to the Telegraph that Prince Yauka had seen her frequently in Europe and had told her that he would arrive In America as soon as he could obtain passage. Even Wlnchell wanted confirmation of this report, she said. Miss Youngblood told of an incident of the war encountered near a small French town, which was being evacuated, Many .persons were fleeing, one of whom was an ill woman, borne on a stretcher. The woman obviously was soon to become a mother, she-said. The American actress begged the woman to remain where she was, but the woman said it would be at least a month yet and added that she must go on, because she was expecting mail in – the next town- from her officer-husband. Even when Miss Youngblood offered to sacrifice her passage home* to stay with her, the woman—little more than a girl- refused, saying that she must go on. . • ‘ *; • > Miss Youngblood will leave Alton Saturday by. airplane for Hollywood, where t site hail been offered a movie contract by M.G.M. She told a Telegraph reporter that she means to accept the terms of the contract but if they do not meet her approval, she will go back to New York to take part in a show now being rehearsed by Olson and Johnson, stars and producers of “Hell-Za-Poppin’.” She has tried out for the part In the Olson and Johnson opus.

Huh, also, Eddie was married. Desperately in love with Gloria, Mr. Bountiful reluctantly came home a few weeks later and laid his cards on the table for Kitty. The outcome was that she went to Reno for a divorce, unselfishly sacrificing herself for Eddie’s happiness or the reasonable facsimile thereof that he mistook for it. Gloria returned from her triumphant London stay shortly thereafter, hurried by the war clouds which were growing blacker every day in that ominous Summer of 1939. The way thus cleared for him, Eddie planned to marry Gloria.

After Gloria returned to New York, Rudy came like a hurricane, ardently courting her and buying her flowers and whatnot – but Gloria was firm – after so many disappointments, she knew that Rudy was hardly poised to change, and decided to go through with her planned marriage to Meade. The two married in Mexico on October 2, 1939. Gloria was 27, Meade was 20 plus years older.

After they married, Gloria tried to straighten Eddie out. He was a play hard, work hard type who ate and drank way to much for his own good. The couple made their permanent home at the swanky address in East Seventy-seventh street, at Park avenue.

Then, literary a year after their Mexico wedding, Eddie had a heart attack, and had to retiree to Hot Springs, Arkansas, for a cure. Gloria first went to visit her parents in Alton, and stated she was to Join Mead In Hot Springs for the Christmas holidays. Her career In motion picture has been shelved temporarily so she can devote more to John, and was, taking time preparing for a radio debut, after Eddie got better. in other words, a beautiful, young woman just on the cusp of the good life had to give it all up as to be a nursemaid to a man who bought on that to himself by years of excessive living. While there are cases of women who were unselfishly devoted to their husbands and nurse them through thick and thin, it seems that Gloria was not quite that woman.  And Eddie, being himself, didn’t help the suit.

Their marriage started to disintegrate pretty soon, but both Eddie and Gloria were vehemently trying to cover it, even telling whoever will listen about the very first time they met and how perilously close they came to not being introduced at all. But, such mambo jumbo talk did little to help the final situation, and they were separated by October 1941, and talking about divorce by November. In the end, they remained married but living separately. Eddie shackled in Palm Springs to help his health, but he was out of cash and on the brink of bankruptcy, even unable to pay Gloria any alimony. After not seeing each other for two months, they were reunited, by, of all things, a robbery. As Eddie was a gin-rummy expert as well as a world champion at backgammon, and Gloria was good at gin rummy too, they were both up In Palm Beach on the night of the burglary since there was a gin rummy tournament happening. They tried for a reconciliation, but it didn’t yell, and separated yet again.

In April 1942, Gloria went to Florida, and was intent on getting her Miami divorce, but admitted to everybody that she was carrying the torch for Eddie. There was talk of more reconciliation, and things were constantly going back and forth, with no resolution in sight. Then the worst possible resolution happened, the most permanent one.

In May 1942, Eddie died from a heart ailment in front of his hotel. His passing was mourned along Jacobs’ Bach, hangout of Gotham’s boxing fraternity, and in boxing centers all over the country because of his honesty and reputation for being a “square shooter.” Mead managed Henry Armstrong and Joe Lunch to world’s titles and made and spent a fortune. He had been inactive in boxing since Armstrong failed to recapture the welterweight crown from Fritz Zivic. However, Armstrong was effectively left destitute by Eddie’ death – Eddie died completely broke, so there was not any money to inherit for Gloria (but as far as I can tell, she wasn’t in it for the money, at least not solely). Despite the fact that they were separated, Gloria was inconsolable. At the funeral, Gloria, in mourning clothes, wept hysterically. She ordered a shower of red roses, tied with a ribbon labelled “All of My Love.”

However, it didn’t take Gloria long to remarry In fact, I find it quite weird (and trying not to use a more direct word) how she remarried only months after Eddie’s death. Granted, they were separated at the time, but still! Anyway, her new husband was named Francis Buckeley Fields, and was an heir to insurance millions. They wed in August 1942, while we was on a furlough from the Army Air Corps, in Union City, N. J. Eddie had been dead for barely three months, but let us not forget that it was war-time and a great big number of hasty marriages happened because of these extreme circumstances.

Freddie and Gloria spent most of their early marriage apart, due to the war. They were finally reunited in 1944, and after he was shipped to Europe again, he was wounded by a’ bomb in London, and ended up in a British hospital. In the meantime, Gloria found out she was pregnant – she was due in September 1944 and awaited the happy occasion with much joy. Unfortunately, she miscarriaged. Freddie returned to the US in late 1944, but their marriage, shaky to begin with, only sank further and further apart. They separated not long after his return, but were still not intent on divorcing, hoping to see how it went, will they separate for good or merge again.

And it didn’t’ go well for Freddie. Gloria was courted right of the bat by liquor magnate Sam Sokol, but that was only a temporary arrangement. A more permanent beau was on the horizon – Luthero Vargas, son of Brazilian president Vargas. They dated for more than a year, from Late 1944 until late 1945 (some overlapping with Fields, perhaps?). Luthero was often seen around New York hotspots with Gloria, especially after he was discharged from the Royal Air Force in September 1945. I was sure, reading the papers, that Gloria and he would get hitched and move to Brazil. Sadly, it didn’t’ happen, and they busted sometime in 1946. Why? No idea, but Gloria was not yet divorces nor was there any talk of marriage in the papers, which is a bit funny if you ask me, they wed people who went on a few dates, and never mentioned it for Gloria and Luthero who dated for more than a year. Anyway, that was that.

In 1946, Gloria finally divorced Frederic Fields, and started dating Al Capp, famous cartoonist, whom eh dated until 1947. Long retired from Hollywood by now, she dropped of the newspaper radar, but emerged again when she operated a hat shop, and then became an employee of New York public relations firm (Henry Levine agency). Later she worked for a Binghamton Insurance firm, , and did a magnificent job of selling policies to the over-the-hill set. In 1949, she dated Jack Frye, but he was also involved with Nevada Smith, whom he ultimately married.

Later that same year Gloria became engaged to marry wealthy Toronto barrister Joel Okell, whom she met at her pyramid party. The engagement was dropped a few months later due to unknown reasons.

In 1950, Gloria married her third husband, John Prescott Cann. Cann was born on June 4, 1919, in Chambersburg, Pennsylvania, to Wentworth Prescott Cann and Glada Cann. His father died young and his mother remarried to a Mr. Brand. John graduated from Chambersburg high school, and went into aviation after serving in the army in WW2. Cann worked as a navigator for TWA Airlines, and lived in Egypt for three years. Later in his career he did the Los Angeles – Hawaii route, and did 39 trips to Vietnam, earning a citation from President Nixon. Cann was married once before and had a daughter, Cindy. After the marriage, Gloria moved from N.Y. to Westlake Village, California. Gloria was an active horse rider and rode often in her later years in California.

The Canns enjoyed a wonderful marriage, and often traveled together all around the world (especially since Cann had discount on all TWA flights 🙂 ). Cann’s daughter Cindy was close to her stepmom, and spoke highly of her in later life.

John Cann died on September 11, 1971, in Los Angeles. Gloria remained in Westlake Village, and enjoyed a happy retirement.

Gloria Youngblood Cann died on October 25, 2003, in Los Angeles, California.

Marla Shelton

Marla Shelton was a multi-talented, unusual woman who started as a beauty pageant winner, had a so-so acting career (but managed to grew out of the starlet phase and even playing meaty roles in decent movies), and later became a songwriter! A interesting road to take indeed! Let’s learn more about her!

EARLY LIFE

Alberta Pearl Maria McKellop was born on October 12, 1912, in Eureka Springs, Arkansas, to Arthur McKellop and Pearl Shelton. Her godfather was future secretary of war, Patrick J. Hurley. 

Marla was later lauded as one of the first Native American feminine personalities in Hollywood history. Why? Well, because she was granddaughter of Albert Pike McKellop, famous leader of the Cherokee nation, who at one time was the wealthiest man in Oklahoma. Marla’s Indian name was Waletka, meaning Rippling Water.

Marla grew up at her grandparents home in Muskogee, Oklahoma and attended school there. She became a professional radio operator at the age of 12, the youngest person to receive the license. In 1926, during the Great Miami Hurricane, she and her father tirelessly sent wireless distress signals from Houston. Yet, Marla didn’t see her life going down the wireless route, and wanted to act, sing and dance. Since she was a ravishing beauty with long black hair, she decided to go down the beauty pageant route.

In 1927 Marla, pretending to be a bit older, won the Miss Houston title. In 1929 she entered the Miss Universe contest as Miss Tulsa, under the fake name of Theda Delrey, but was found out and had to quit. In 1930 she competed as Miss California in the “America’s Sweetheart” contest, early forerunner of Miss America, in Miami, Florida and placed second in the competition, but she was disqualified two months later. She continued doing the beauty pageant circuit, hoping for a big break into movies.

In 1931, in a San Diego hotel, after speaking to a group of school children in connection with the opening of ’”Trader Horn”, director Woody Van Dyke received a call from Marla. She wasn’t a child anyone, but at 19 was still young enough to pass for a newcomer (which she was not, after all the pageants and the murky business with them). She wanted to know if there was any chance for her in Hollywood if she trained herself. The director, who has many such visits on his trips, gave her some good advice, he told her to read all the books and plays she could lay her hands on, and to seek out amateur theatricals. With the passing of years, she did just that.

Two years later, Marla came to Hollywood, got married and retired for a bit, but went back to movies after her divorce. She went to Van Dyke, introduced herself as Marla Shelton, entered his office. Woody was dully impressed. She had not only gotten a chance in pictures, and was even later awarded a second lead in “Personal Property,“c o-starring Jean Harlow and Robert Taylor with Van Dyke directing. “If it hadn’t been for Mr. Van Dyke, I would have been, completely discouraged about one day being in pictures, and more than that, I wouldn’t have known how to start to become an actress without the advice he gave me,” she declared later to the papers.

And so we begin…

CAREER

Marla’s career was divided into three stages, depending on her marriage. She came to Hollywood in 1933, and made only one movie, the Fred Astaire/Ginger Rogers movie, today a minor classic, Flying Down to Rio. Then she got married, and left movies for a time.

After her first divorce, Marla hit the movies again, and this period proved to be her most fruitful. She was in Nobody’s Fool, a solid Eward Everret Horton comedy, then in the low budget western, The Phantom Rider. where she played the leading female role. She played an unnamed stewardess in Postal Inspector, a low budget, low quality Ricardo Cortez mystery where he plays the eponymous inspector. Nothing much doing for her career, but it was work. Same goes for The Girl on the Front Page, where Marla played a secretary – only this movie is about a hair brained socialite, played by Gloria Stuart, who wants to work in the newspaper business (owned by her family). The editor gets an instant headache, if you know what I mean.  Marla was again uncredited in Magnificent Brute, a steamy love triangle movie with Victor McLagen plays the brute.

After some minor, blink and you’ll miss them parts, Marla started to get better and bigger things. She was credited in Flying Hostess, a completely forgotten movie about stewardesses. A better bet was Under Cover of Night, a low budget MGM thriller with Henry Daniell playing  murderous professor who wants to get done with his wife. While the movie is anything but thrilling, the cast is good and this being MGM, the sets and direction was unusually good for such a C class movie.  Similar was Dangerous Number, another MGM B classer, with Robert Young and Ann Southern playing a couple who can’t be together nor can they be apart. It’s a fun, breezy movie, nothing to shout about but well done.

Marla was again uncredited in When’s Your Birthday?, a semi-funny Joe E. Brown comedy. The plot is vintage Joe – he plays a goofball astrologer who has much more luck than brains and manages to foresee stuff like games and races outcome and such. And the fun begins! Marian Marsh is his leading lady.  These comedies are certainly not for everybody, but if you like Joe E. Brown, then watch away, there is nothing not to like about the movie.

Marla had a much meatier role in Personal Property, this time a A class MGM feature with Jean Harlow and Robert Taylor.  The movie was made the year Harlow died, so it’s one of her last ones –  but he looks good nonetheless. The plot is as it follows: Taylor returns to his family after being in the brig, and gets job watching the house and furniture of widowed Jean,  without knowing she is engaged to his brother. The high lite of the movie is the banter between Jean and Bob – and they do have good enough chemistry to make it work. Marla plays a flirt who wants to steal Bob from Jean. Unfortunately, Marla’s next movie was Song of the City, a formulaic, bland drama about a young stock broker who accidentally falls into the sea and gets saves by a fisherman. He meets the fisherman’s family, fall sin love with his daughter, blah blah.. You get the picture.

Marla was uncredited in the absolute classic A Star Is Born, and then went on to make There Goes My Girl, a mid tier screwball comedy about feuding reporters, played by Gene Raymond and Ann Sothern.

More movies came her way. As the name implies, Vogues of 1938 is all style, no substance movie. Yep, we have revolutionary Technicolor, beautiful women and drool worth fashions, and that’s about it. Marla plays one of the models. Marla’s most famous movie today is Stand-In, becouse she was a prominent role in it. It’s a hilarious, witty comedy about the inner workings of a Hollywood studio, with an outstanding cast – Leslie Howard, Joan Blondell, Humphrey Bogart. Marla made one more movie, 52nd Street before taking a short hiatus.

She returned ot the screen in 1939, to appear in Coast Guard, a typical love triangle movie with Randolph Scott, Frances Dee and Ralph Bellamy, the Nelson Eddy/Ilona Massey charming and fluid Balalaika, and Escape to Paradise, a Bobby Breen musical. Bobby was the singing Shirley Temple, and barely 12 when he made the movie. Imagine being 10 years older than him and playing his leading lady – well, that’s how Marla was set up here. Breen’s musicals, are to saccharine, too unrealistic and frankly too boring,t but there is a certain ethereal charm to them. Marla finished this period of her career with her only 1940 movie, The Lone Wolf Meets a Lady. It’s the typical Lone Wolf – always the same plot, but with plenty of sass, and Warren William is superb as the former thief-turned-detective-and-lady-killer. Special plus is Jean Muir, a wonderful actress that never got what she deserved in Hollywood.

After yet another divorce, Marla returned to movie sin 1942, with the low budget western Bells of Capistrano. Since WW2 had begun, Nazi had become favorite movie villains, and Marla fought against them in Secrets of the Underground, a so-so thriller with John Hubbard and Virginia Grey. Marla’s last movie in this all too brief working period was When Johnny Comes Marching Home, a Universal musical with Allan Jones playing a soldier on a furlong who wants to remain anonymous in a small town, but as you know, that fails miserably, in a funny way of course

Marla returned to movies in 1945 in the interesting Saratoga Trunk, one of Ingrid Bergman’s best performances (IMHO). And let’s not forget Gary Cooper! There is a cute story on how she got the coveted role: we have to thank her 20- month-old daughter, Maria Jr. Marla was one of several actresses tested and won the nod from Director Sam Wood. “I’d never met Mr. Wood,” says the actress, “but little Marla did her best to vamp him one day. We were having luncheon in a restaurant near a Hollywood studio when he came in with Gary Cooper. The baby spent the rest of the lunch hour throwing kisses and cooing at them.”

Marla’s last movie appearance was in Do You Love Me, a love triangle musical with a yummy cast –  Maureen O’Hara plays a female musical college dean, she falls in love with a singer man , played by Dick Haymes, and another musician falls for her (Harry James). Maureen undergoes a transformation, and everybody ends up happy!

And that was it from Marla!

PRIVATE LIFE

Marla was a good-looking dark-haired woman with a slight exotic slant. She kept her curvy figure trim by doing her favorite sport, cycling.

Marla came to Hollywood in 1933, and almost immediately hooked herself a big fish – Richard K. Polimer, a successful theatrical agent. They married on June 13, 1934. Polimer was born on April 28, 1904, in Massachusetts, son of Austrian immigrants. He moved to New York City when he was a child, attend high school there, and then moved to Hollywood during the 1920s and became a literary and theatrical agent. His clients were Ann Sheridan, Dean Jagger, Noah Beery, Sr., Theodore Dreiser and Rupert Hughes. In the 1930s Polimer was a famous rancor and was very socially prominent – his Malibu house was often the scene of many fancy parties. He hosted people like Irving Thalberg, William Randolph Hearst, Marion Davies, Cary Grant and Bing Crosby. Obviously, Marla did quite well for herself.

After the wedding, Marla retired from the movies, at least for the time being. Sadly, the marriage did not last long – they separated in June 1935, and by 1936, they were divorced. Marla testified in court that Polimer away from home all night. She said she didn’t mind waiting dinner for him, but thought it was a bit too much when he failed to come home at all after phoning he’d “be a little late.”She also complained that when he was at home he addressed her in harsh language and often was rude to her. She won the divorce.

Following World War II, Polimer closed his agency and began working in film distribution and production. He remarried to Ruth May Rosnie in 1946, and had two daughters with her. Polimer died at the ripe of age of 95 on June 19, 1999.

After the divorce, it was time for the new Marla to shine, and to begin the for phase two of her career. This was a typical article from the period:

She’s Now Exotic Type; Formerly Outdoor Girl ‘By Associated Press I Hollywood, Dec. 26 Seen through different eyes, the same girl in Hollywood can be two different people. Maria Shelton. at one studio where she was under contract for six months, was seen as an ideal outdoor girl the sort who would be just right to support Buck Jones in the western star’s serial. She did a few bits besides, but when option time came the free lance avenue seemed best for her. At another studio Bill Grady, casting director, took a look and saw something else again. Makeup, long eyelashes, an exotic hair-dress and a slightly foreign accent and Maria Shelton, in a slithering evening gown, stepped forth as the first possible successor to once-renowned Theda Bara and her “vampire” roles. She is playing her first such part in “Under Cover of Night”, a mystery thriller. Her real name Is Alberta McKillop. Her age is 22. she as tiny freckles across her nose, and she was born in that exotic town Muskogee, Okla., She Is three-eighth Cherokee Indian, and her grandmother’s name was Rogers. She thinks she is probably some distant relative of the late Will Rogers, but is not sure. Of more immediate concern to her is the fact that the artificial hair the make-up people used for her coiffure cost $175. And to think my own, which I bobbed, was practically Knee-length!” she laments. “And I threw It away!”

For six months she was given a ballyhoo buildup by MGM. Everyone heard about her beauty and acting ability and her certainty of stardom. But option time came and executive failed to renew her contract. Unhappy with that course of events, she signed a five-year agreement with independent producer Walter Wanger. An hour later—and too late—up dashed a breathless Metro messenger, but she had to turn him down.

Marla appeared quite a bit in the papers during this time. Here is a bit about old Hollywood tricks:

In “Stand-In,” you will see Marla Shelton climbing a snow covered slope. Then the camera will pan backward to reveal an illusion. You will see that Miss Shelton is walking on a treadmill. She’s getting nowhere at all, but cotton snow on another endless belt is passing her in the opposite direction. Also passing her is a procession of pine trees on wheels. Overhead is a revolving perforated cylinder from which falls snow in the form of uncooked corn-flakes. Yes, it’s funny. But again it isn’t Hollywood. Movie magicians do those things much better these days. They do ’em so well that even visitors on a set are captured by illusion.

And another funny bit:

Maria Shelton donned a pair of slacks for protection against drafts the other cool morning when she had to go on outdoor location In an 1885 period gown. As the day warmed, Maria stepped behind what seemed a solid wall of shrubbery to remove the ‘ slacks and just at the crucial moment a couple’ of prop men removed the shrubbery.

In her private life, Marla married make up artist Jack Dawn on May 28, 1937, in Los Angeles. John Wesley Dawn was born on February 10, 1892, making him 20 years older than Marla in Fleming; Kentucky, to Henry Walker and Pearl Smoot. As teenager he became a sculptor and later worked as a painter in New York City. He started working at Mack Sennett’s as a make-up man. After doing his bit in WW 1, he moved to Hollywood, working for 20th Century, and moving to MGM in 1935. In 1939 he was promoted to head the studio make-up department. Dawn was married once before to Anna Catherine Cousins in 1926, and divorced her in 1926. They had one child, a son, Robert Dawn, born on October 22, 1921.

The Dawns settled into a family life, with Marla giving up her career. Their son, John Wesley, born on December 18, 1938,.After John was born her weight zoomed to an alarming 180 pounds. While reducing, she began taking dancing lessons and started to act again. She did a few movies before her daughter, Marla Jo, was born on August 1, 1941. Despite an oral agreement that Marla could keep her job, it was expected that she still give up her career for good now.

But, you can’t keep a good woman down, and Marla was ready for more acting jobs. This created a huge rift in her marriage. She tried to leave him several times before, but her church group, the Oxford Movement, dissuaded her from it. Then, Jack went past all limits and it was over. What started as a nice marriage ended up in a very nasty divorce. Here is a newspaper article:

“It was understood when we were married,” she testified, “that I could play in pictures if I so desired. But last July when I told him that I wanted to work in a picture he said that if I did he would burn the house down and would scar me so that my own children wouldn’t recognize me.” ‘ ‘ ,.. Miss Shelton then added, under the questioning of her attorney,- Roland G. Swaffield, that she became so frightened that she took refuge in the room occupied by the children’s nurse, Rita Haggarty.who corroborated the story in court. “Mr. Dawn came to the door and called Mrs. Dawn a coward for hiding in my room,” the nurse informed the Judge. i Property Settlement Dawn had filed an answer denying the charges hut did not appear for the trial, though he was represented by Attorney Martin Gang. The court approved a property settlement agreement under which community property valued at $50,000, including the home, 15426 Valley Vista Blvd., is to be divided. In addition the agreement provides Miss Shelton with $75 a week alimony for three years. She retains the custody of her daughter, Maria Jo, IS months, while Dawn will have the care of their son John Jr., 4. Three months each year, however, the children will be exchanged, it is also specified in the document, which gives Miss Shelton $25 a week for support cf the children. The couple were married in Salt Lake City on May 28, 1937, and the separation occurred last Aug. 8.

In the end, The court awarded each the custody of one of their two children and approved a property settlement. This is a strange set up, but what can I say, whatever works. Dawn had a long and prestigious career as a make up man. he aided disfigured soldiers of World War ll. He worked closely with San Diego Naval Hospital in 1943, creating inlays for hands and faces so that patients could appear normal between multiple plastic surgery operations. He retired in 1956 and remarried at some point to Coleen Dawn. He died on June 20, 1961 in Glendale, California.
Marla started to date like mad after the divorce almost trying to make up for lost time. She was often seen with actor John Waburton dancing cheek-to-cheek. A bit later she was seen with Phil Baker, known as a derby twosome. Then came Harvey Priester and after him actor Barton Yarborough. During this time she was singing at the Clover Club, and all of her boyfriends came to watch her there. Marla was also a popular house guest: After dinner the guests would gather in the living room and Maria would entertain with some amusing little bits of verse set to music. This way she discovered her unique ability with making up song lyrics that will make a big impact on her life later.

In 1945, Marla became Mrs. Louis Alter in a small ceremony in Beverly Hills. Louis Alter was born on June 18, 1902 in Haverhill, Massachusetts. He played piano as accompaniment for vaudeville stars Nora Bayes, and after her became a songwriter. In 1929 he moved to Hollywood, where he wrote songs for films. He also continued his piano accompaniment for other singers, including Beatrice Lillie and Helen Morgan. He did Broadway musicals on the side. In 1941, when WW2 started, he worked with the United States Air Force, performing for troops and  coordinating shows and other entertainment at various West Coast air bases. He also became a piano soloist with the Los Angeles Philharmonic and performed at the Hollywood Bowl.

Marla quit acting to collaborate on songwriting with Lou. She became quite proficient at it – at one point she wrote the lyrics to Cart Fisher’s tune “Black Lace” which was very popular in it’s time. The Alters lived in New York and maintained a summer residence on Fire Island.

Despite this seemingly satisfying artistic  collaboration, the marriage failed in the long run and they divorced in 1948. Alter continued composing and died on November 5, 1980 in Manhattan.

Marla dated Producer Herman Levin for a few months after the divorce. In 1952 she created a minor scandal at the Miss Universe pageant in Los Angeles, when she interrupted a rehearsal and attended, uninvited, a luncheon for contestants. It appears that it was a publicity stunt of some sort and it received some publicity.

Marla married her fourth and last husband, N. Gayle Gitterman, in 1955. Gitterman was born on July 23, 1908, in Illinois, and came to Hollywood in the 1930s. Originally a scriptwriter, he became an assistant producer ta MGM. He earned the rank of sergeant during WW2. After the war he worked for the Bing Crosby Enterprises and later became  a freelance producer. He also held writing workshops in Los Angeles. He was married once before, to Mona LaPage, from 1933 until the mid 1940s.

This proved to be Marla’s most successful marriage. The Gittermans lived in Laguna Nigel after his retirement.

Gitterman died on March 25, 1976. Sadly, Marla’s son Wes died on August 21, 1990.

Marla Shelton Gitterman died on February 14, 2001, in Laguna Nigel, California.