Nancy Brinckman

Nancy Brinckman was pretty, blonde and a starlet – yep, she checks all of the boxes for the run-of-the-mill type you could encounter by the dozens in 1940s Hollywood every day. However, she got her five minutes of fame due to a swanky publicity trick. Let’s learn more about her.

EARLY LIFE

Nancy Lou Muck was born on August 13, 1922, in Hollywood, California, to Harry Muck and Elsie Brinckman. Her older brother Harry Jefford was born on February 23, 1915. Her father was a salesman. Her mother, a native San Franciscan, came to Los Angeles in 1895 as a baby and acted in silent movies as an extra until she got married.

Nancy grew up in Los Angeles, California, and was interested in performing arts since she was a small child – she danced and sang. Nancy’s parents divorced in the 1930s and Nancy and her brother were given their mother’s maiden surname, Brinckman, for “stage names”.

Nancy attended University of Los Angles (UCLA), starting in 1941, but dreams of an acting career dashed her scholarly aspirations and she became a model and then a theater actress. This is how she landed in Tinsel Town.

CAREER

Nancy appeared in some 20-odd movies, and only a few were credited and most of them were completely forgettable. The first one was Fall In, a Sargent Doubleday movie from the eponymous series of movies. Doubleday and his croonie William Ames are dimwitted soldiers have plenty of dumb luck and Tracy has the nifty ability to memorize things at a glance, and gets a prestigious military job he is hardly qualified to do. This being a Hal Roach comedy, of course he manages to bust the bad guys and save the day (or the world in this instance, as the bad guys are Nazis).  She then appeared in another Roach serial movie, Prairie Chickens , the Third and final film in Jimmy Rogers and Noah Beery, Jr. serial. They play cowboys who get mistaken for a guest of honor and chaos follows. Similar comedies with a thin plot but plenty of zany were Gals, Incorporated and Hoosier Holiday. Nothing doing for her career long-term, but it was solid work and perhaps a stepping stone for something bigger and better.

Something “bigger and better” came with Follow the Boys . As IMDB summary notes, “During World War II, all the studios put out “all-star” vehicles which featured virtually every star on the lot–often playing themselves–in musical numbers and comedy skits, and were meant as morale-boosters to both the troops overseas and the civilians at home. This was Universal Pictures’ effort. It features everyone from Donald O’Connor to the Andrews Sisters to Orson Welles to W.C. Fields to George Raft to Marlene Dietrich, and dozens of other Universal players. ” Of course Nancy gets minimal screen time, and is hard to even notice, let alone to achieve any dramatic moments, but still it was progress. Nancy then appeared in a Similar war propaganda movie, totally forgotten today, is She’s a Soldier Too, with Nina Foch and Beulah Bondi.

The first really interesting movie Nancy appeared in was The Missing Juror, a proto-noir with a great, heavy atmosphere but sadly no budget. The story is formulaic (a madman trying to avenge his wrongful sentencing by murdering the jury that condemned him), the camerawork and the acting is plenty good and George MacReady as the deranged but wrongly condemned man takes the acting cake, with the alluring Janis Carter as a juror coming in second. Then came a completely forgotten Ross Hunter vehicle, A Guy, a Gal and a Pal.

You Came Along starts as a romantic comedy set right after the war, with Bob Cummings playing an aviator who gets stuck on a rally bond and Lizabeth Scott playing the treasury agent in charge of the rally. Of course, they get hitched after getting poked by Cupid’s arrow. Nothing unusual, true, but then everything changes and the movie ends up a major tear-jerker. This wierd mish mash either completely alienated the viewers or left them enraptured, so make your pick! The leads are played well enough by Bob and Liz, and there are messages of hope dispersed throughout, so it’s a nice movie overall. Afterwards, Nancy was one of the many girls featured int he exotic A Thousand and One Nights, and then came her big moment!!

Yes, Nancy got a leading part! Yaay, let’s forget it’s a part in the Gorcery boys movie so we can congratulate her! Joking aside, Nancy really did play the love interest of Leo Grocery in Mr. Muggs Rides Again. Gorcery plays a jockey who  gets set up by a well-known gambler and then tries to make amends. Nancy is very cute in the movie, but everything seems to overshadow her – the crazy Gorcery boys, the horses, Minerva Urecal! Better luck next time!

Unfortunately, Nancy’s next movie is a…. You guessed it, a low-budget western!! Saddle Serenade. What a name! Sadly, no serenades for Miss Brinckman here. The less I write about this movie, the better, so nix it. Nancy was back to uncredited roles in higher budget movie yet again. The first movie was That Night with You, a movie with a plot one can hardy believe! Stars are Susanna Foster and Franchot Tone. Listen to this (taken from an imdb review): “Tone is a successful Broadway producer, Susanna a young hopeful. Seems that Tone’s character has been divorced for 20 years, and is quite popular with the women, but very changeable about with whom and when he might remarry. Thus, his female star in his next stage production gets impatient with his dalliance and leaves, providing a possible opening for Susanna’s character, Penny, or alternatively for Tone’s ex-wife, Blossom, who shows up unannounced to claim the role before Susanna has it nailed down. This is complicated by Susanna’s claim that she is Tone’s unknown daughter by Blossom, initially confirmed by Blosson, for her own reasons. Tone ‘knows’ Suzanne is a fraud, but decides to play along with her ruse for a while, then is convinced she is genuine for a while. Meanwhile, Tone and Susanna act flirtatious with each other, both trying to alternately deny and promote their attraction.” While I never expect anything realistic from Hollywood, this is whauza kooky, but it still managed to work as a boiler plate for romance. And Franchot Tone could do anything – he was so suave and good you’ll believe any role he plays, including this.

Nancy was again uncredited in An Angel Comes to Brooklyn, a completely forgotten Kaye Down movie where she plays an angel trying to help a struggling producer stage a play. Nancy had another uncredited role in Lonesome Trail, another low-budget western. Nancy started 1946 by playing an uncredited role in another Gorcery boys movie, Live Wires. This time Leo isn’t a jockey but rather gets hired to serve warrants to citizens. The movie is just like any other Gorcery boys movie – stupid and silly but made with heart.

IUt was time for Nancy to get the leading reins once again, and she did in Detour to Danger, a completely forgotten Britt Wood crime movie. Wood was a singer who . Nancy had a credited role again in Behind the Mask, a Shadow movie. Yep, before A native San Franciscan, played him in 1994, the Shadow was played by Kane Richmond. Here, the Shadow has to clear his name after the murder of blackmailing reporter Jeff Mann is pinned on him. Since the movie was made by Monogram, a cheapie studio, it has a minuscule budget and doesn’t pull it of nicely, making this a flop. The Shadow deserved better. Then came another Bowery boys movie with Bowery Bombshell. Nancy finally crawled out of the low-budget comedy hole with Dangerous Millions. The plot: A shipping magnate hatches a plan for testing the worth of his heirs, none of whom he has ever seen. As one reviewer wrote: “the plot with secret identities, hidden rooms, exotic locations and the threat of hideous tortures administered by fiendish orientals offered all the matinée delights a youthful viewer would look for.” Ah,m the Hollywood old days! he female cats is very good – Dona Drake and Tala Birrel are both very beautiful and extremely underrated actresses that sadly never got their due.

Nancy made three rather good movies in 1947: The Man I Love, a nifty  Ida Lupino drama movie, where she actually punches the bad guy in the face (go Ida!), I’ll Be Yours, a typical charming but paper-thin Deanna Durbin mush (with Tom Drake as her love interest), and Slave Girl, an actually a tongue in cheek, truly hilarious comedy with Yvonne de Carlo and George Brent (the movie doesn’t make much sense, but it’s really fun!).

And that’s it from Nancy!

PRIVATE LIFE

Nancy hit the papers for the first time in early 1943, trailing clouds of Mardi Gras glass, as a sample of what will be seen at the annual Venice, Calif., festival. She continued modeling for various local Los Angeles events, and pretty soon she was seen almost daily in a large number of columns. In December 1943 Nancy and famous actress Frances Dee completed a hop-skip-jump-and-stand cross-country trip to entertain soldiers at Drew Field, Florida.

Nancy did a lot of war bond work and undertook several USO tours. She was elected “Sweetheart of Company M-2” by the cadets at the West Point military academy and was quite popular as a pin-up.

Then, in 1946,  came this interesting blurb:

Actress Nancy Brinkman, 22, announced today her engagement to Lt. Comdr. Paul MacArthur, a nephew of Gen. Douglas MacArthur. The blonde starlet said marriage plans will be made when her fiance returns from Hawaii. She said she first met the 27-year-old Annapolis graduate on a “blind” date when she was a freshman at the University of California in 1941.

Now, here all the rhubarb starts. Nancy got a ton of publicity for dating General Douglas MacArthur’s nephew and was in the papers every day for almost two months. The war was over, the US won, it was a time of general delight and happiness. A handsome couple, her a nascent actress and he a young man from an upstanding family, was just what the papers needed to plump up all the cheeriness. Yes, I tough so too in the beginning, and I tried to find information about when and where they wed. This completely threw me of the track and caused me a bit of a problem before I finally figured it out for what it was. Confused yet?

Now, let’s go from the beginning. What we knew about Paul MacArthur was that we was a kin of general MacArthur, that he was an Annapolis graduate and about 27 years old in 1946. So I tried looking for the family of general MacArthur, and guess what, I couldn’t find anything on my first try. Paul was waaay too young to be MacArthur’s nephew. Okay, perhaps he was a son of his first degree nephew? After some snooping around, I was sure he was the son of MacArthur’s nephew, Douglas MacArthur, a noted diplomat, and his wife, Laura Louise Barkley, a formidable Washington DC socialite.

However, after some additional digging, it became clear to me that Douglas and Louise didn’t’ have a son, only a daughter, Laura, who was a bit younger than Paul. WTF? So, WHO was Paul MacArthur? The papers exaggerate all the time, so perhaps he was a distant cousin. Now, this was too hard to follow thru, since the MacArthur family had an extensive family tree. I nearly gave up, and then it hit me. Those were lies. Petty lies made up by newspaper columnists to make an engagement of a minor starlet and a normal naval soldier more interesting. Yes, people, Paul McArthur had absolutely no familial relationship to Douglas MacArthur. Perhaps a very, very, very distant one, but that’s so far that they can hardly be called family.

Anyway, it turns out that Paul MacArthur was born in 1917 in Norwood, Ohio, to Thomas B. MacArhur and Eveline Paine. He had a brother, Arthur, and two sisters, Jane and Priscilla. His father was not from a powerful military family, but a normal middle class blue-collar worker – he was a ticket agent at Union terminal. I wonder how Thomas felt when papers started to extensively write about Paul’s imaginary, over-bloated family background. Meh! Anyway, Paul was one of the 456 midshipmen who graduated from Naval Academy, Annapolis, class of 1941. This is one of the largest graduating classes in the history of the academy.

The couple wed in late 1946 or early 1947. Nancy announced in the papers that she, plans to retire from films after her wedding, and she did.  She lived a quiet family life with her husband and daughter Paula Louise, born on July 9, 1948. Sadly, her brother died in 1950, leaving behind a widow and two young children, and her mother died just two months after.

Nancy and Paul enjoyed a happy marriage and lived in sunny California.

Nancy Brinckman MacArthur died on May 28, 1985, in Los Angeles, California.

 

Marla Shelton

Marla Shelton was a multi-talented, unusual woman who started as a beauty pageant winner, had a so-so acting career (but managed to grew out of the starlet phase and even playing meaty roles in decent movies), and later became a songwriter! A interesting road to take indeed! Let’s learn more about her!

EARLY LIFE

Alberta Pearl Maria McKellop was born on October 12, 1912, in Eureka Springs, Arkansas, to Arthur McKellop and Pearl Shelton. Her godfather was future secretary of war, Patrick J. Hurley. 

Marla was later lauded as one of the first Native American feminine personalities in Hollywood history. Why? Well, because she was granddaughter of Albert Pike McKellop, famous leader of the Cherokee nation, who at one time was the wealthiest man in Oklahoma. Marla’s Indian name was Waletka, meaning Rippling Water.

Marla grew up at her grandparents home in Muskogee, Oklahoma and attended school there. She became a professional radio operator at the age of 12, the youngest person to receive the license. In 1926, during the Great Miami Hurricane, she and her father tirelessly sent wireless distress signals from Houston. Yet, Marla didn’t see her life going down the wireless route, and wanted to act, sing and dance. Since she was a ravishing beauty with long black hair, she decided to go down the beauty pageant route.

In 1927 Marla, pretending to be a bit older, won the Miss Houston title. In 1929 she entered the Miss Universe contest as Miss Tulsa, under the fake name of Theda Delrey, but was found out and had to quit. In 1930 she competed as Miss California in the “America’s Sweetheart” contest, early forerunner of Miss America, in Miami, Florida and placed second in the competition, but she was disqualified two months later. She continued doing the beauty pageant circuit, hoping for a big break into movies.

In 1931, in a San Diego hotel, after speaking to a group of school children in connection with the opening of ’”Trader Horn”, director Woody Van Dyke received a call from Marla. She wasn’t a child anyone, but at 19 was still young enough to pass for a newcomer (which she was not, after all the pageants and the murky business with them). She wanted to know if there was any chance for her in Hollywood if she trained herself. The director, who has many such visits on his trips, gave her some good advice, he told her to read all the books and plays she could lay her hands on, and to seek out amateur theatricals. With the passing of years, she did just that.

Two years later, Marla came to Hollywood, got married and retired for a bit, but went back to movies after her divorce. She went to Van Dyke, introduced herself as Marla Shelton, entered his office. Woody was dully impressed. She had not only gotten a chance in pictures, and was even later awarded a second lead in “Personal Property,“c o-starring Jean Harlow and Robert Taylor with Van Dyke directing. “If it hadn’t been for Mr. Van Dyke, I would have been, completely discouraged about one day being in pictures, and more than that, I wouldn’t have known how to start to become an actress without the advice he gave me,” she declared later to the papers.

And so we begin…

CAREER

Marla’s career was divided into three stages, depending on her marriage. She came to Hollywood in 1933, and made only one movie, the Fred Astaire/Ginger Rogers movie, today a minor classic, Flying Down to Rio. Then she got married, and left movies for a time.

After her first divorce, Marla hit the movies again, and this period proved to be her most fruitful. She was in Nobody’s Fool, a solid Eward Everret Horton comedy, then in the low budget western, The Phantom Rider. where she played the leading female role. She played an unnamed stewardess in Postal Inspector, a low budget, low quality Ricardo Cortez mystery where he plays the eponymous inspector. Nothing much doing for her career, but it was work. Same goes for The Girl on the Front Page, where Marla played a secretary – only this movie is about a hair brained socialite, played by Gloria Stuart, who wants to work in the newspaper business (owned by her family). The editor gets an instant headache, if you know what I mean.  Marla was again uncredited in Magnificent Brute, a steamy love triangle movie with Victor McLagen plays the brute.

After some minor, blink and you’ll miss them parts, Marla started to get better and bigger things. She was credited in Flying Hostess, a completely forgotten movie about stewardesses. A better bet was Under Cover of Night, a low budget MGM thriller with Henry Daniell playing  murderous professor who wants to get done with his wife. While the movie is anything but thrilling, the cast is good and this being MGM, the sets and direction was unusually good for such a C class movie.  Similar was Dangerous Number, another MGM B classer, with Robert Young and Ann Southern playing a couple who can’t be together nor can they be apart. It’s a fun, breezy movie, nothing to shout about but well done.

Marla was again uncredited in When’s Your Birthday?, a semi-funny Joe E. Brown comedy. The plot is vintage Joe – he plays a goofball astrologer who has much more luck than brains and manages to foresee stuff like games and races outcome and such. And the fun begins! Marian Marsh is his leading lady.  These comedies are certainly not for everybody, but if you like Joe E. Brown, then watch away, there is nothing not to like about the movie.

Marla had a much meatier role in Personal Property, this time a A class MGM feature with Jean Harlow and Robert Taylor.  The movie was made the year Harlow died, so it’s one of her last ones –  but he looks good nonetheless. The plot is as it follows: Taylor returns to his family after being in the brig, and gets job watching the house and furniture of widowed Jean,  without knowing she is engaged to his brother. The high lite of the movie is the banter between Jean and Bob – and they do have good enough chemistry to make it work. Marla plays a flirt who wants to steal Bob from Jean. Unfortunately, Marla’s next movie was Song of the City, a formulaic, bland drama about a young stock broker who accidentally falls into the sea and gets saves by a fisherman. He meets the fisherman’s family, fall sin love with his daughter, blah blah.. You get the picture.

Marla was uncredited in the absolute classic A Star Is Born, and then went on to make There Goes My Girl, a mid tier screwball comedy about feuding reporters, played by Gene Raymond and Ann Sothern.

More movies came her way. As the name implies, Vogues of 1938 is all style, no substance movie. Yep, we have revolutionary Technicolor, beautiful women and drool worth fashions, and that’s about it. Marla plays one of the models. Marla’s most famous movie today is Stand-In, becouse she was a prominent role in it. It’s a hilarious, witty comedy about the inner workings of a Hollywood studio, with an outstanding cast – Leslie Howard, Joan Blondell, Humphrey Bogart. Marla made one more movie, 52nd Street before taking a short hiatus.

She returned ot the screen in 1939, to appear in Coast Guard, a typical love triangle movie with Randolph Scott, Frances Dee and Ralph Bellamy, the Nelson Eddy/Ilona Massey charming and fluid Balalaika, and Escape to Paradise, a Bobby Breen musical. Bobby was the singing Shirley Temple, and barely 12 when he made the movie. Imagine being 10 years older than him and playing his leading lady – well, that’s how Marla was set up here. Breen’s musicals, are to saccharine, too unrealistic and frankly too boring,t but there is a certain ethereal charm to them. Marla finished this period of her career with her only 1940 movie, The Lone Wolf Meets a Lady. It’s the typical Lone Wolf – always the same plot, but with plenty of sass, and Warren William is superb as the former thief-turned-detective-and-lady-killer. Special plus is Jean Muir, a wonderful actress that never got what she deserved in Hollywood.

After yet another divorce, Marla returned to movie sin 1942, with the low budget western Bells of Capistrano. Since WW2 had begun, Nazi had become favorite movie villains, and Marla fought against them in Secrets of the Underground, a so-so thriller with John Hubbard and Virginia Grey. Marla’s last movie in this all too brief working period was When Johnny Comes Marching Home, a Universal musical with Allan Jones playing a soldier on a furlong who wants to remain anonymous in a small town, but as you know, that fails miserably, in a funny way of course

Marla returned to movies in 1945 in the interesting Saratoga Trunk, one of Ingrid Bergman’s best performances (IMHO). And let’s not forget Gary Cooper! There is a cute story on how she got the coveted role: we have to thank her 20- month-old daughter, Maria Jr. Marla was one of several actresses tested and won the nod from Director Sam Wood. “I’d never met Mr. Wood,” says the actress, “but little Marla did her best to vamp him one day. We were having luncheon in a restaurant near a Hollywood studio when he came in with Gary Cooper. The baby spent the rest of the lunch hour throwing kisses and cooing at them.”

Marla’s last movie appearance was in Do You Love Me, a love triangle musical with a yummy cast –  Maureen O’Hara plays a female musical college dean, she falls in love with a singer man , played by Dick Haymes, and another musician falls for her (Harry James). Maureen undergoes a transformation, and everybody ends up happy!

And that was it from Marla!

PRIVATE LIFE

Marla was a good-looking dark-haired woman with a slight exotic slant. She kept her curvy figure trim by doing her favorite sport, cycling.

Marla came to Hollywood in 1933, and almost immediately hooked herself a big fish – Richard K. Polimer, a successful theatrical agent. They married on June 13, 1934. Polimer was born on April 28, 1904, in Massachusetts, son of Austrian immigrants. He moved to New York City when he was a child, attend high school there, and then moved to Hollywood during the 1920s and became a literary and theatrical agent. His clients were Ann Sheridan, Dean Jagger, Noah Beery, Sr., Theodore Dreiser and Rupert Hughes. In the 1930s Polimer was a famous rancor and was very socially prominent – his Malibu house was often the scene of many fancy parties. He hosted people like Irving Thalberg, William Randolph Hearst, Marion Davies, Cary Grant and Bing Crosby. Obviously, Marla did quite well for herself.

After the wedding, Marla retired from the movies, at least for the time being. Sadly, the marriage did not last long – they separated in June 1935, and by 1936, they were divorced. Marla testified in court that Polimer away from home all night. She said she didn’t mind waiting dinner for him, but thought it was a bit too much when he failed to come home at all after phoning he’d “be a little late.”She also complained that when he was at home he addressed her in harsh language and often was rude to her. She won the divorce.

Following World War II, Polimer closed his agency and began working in film distribution and production. He remarried to Ruth May Rosnie in 1946, and had two daughters with her. Polimer died at the ripe of age of 95 on June 19, 1999.

After the divorce, it was time for the new Marla to shine, and to begin the for phase two of her career. This was a typical article from the period:

She’s Now Exotic Type; Formerly Outdoor Girl ‘By Associated Press I Hollywood, Dec. 26 Seen through different eyes, the same girl in Hollywood can be two different people. Maria Shelton. at one studio where she was under contract for six months, was seen as an ideal outdoor girl the sort who would be just right to support Buck Jones in the western star’s serial. She did a few bits besides, but when option time came the free lance avenue seemed best for her. At another studio Bill Grady, casting director, took a look and saw something else again. Makeup, long eyelashes, an exotic hair-dress and a slightly foreign accent and Maria Shelton, in a slithering evening gown, stepped forth as the first possible successor to once-renowned Theda Bara and her “vampire” roles. She is playing her first such part in “Under Cover of Night”, a mystery thriller. Her real name Is Alberta McKillop. Her age is 22. she as tiny freckles across her nose, and she was born in that exotic town Muskogee, Okla., She Is three-eighth Cherokee Indian, and her grandmother’s name was Rogers. She thinks she is probably some distant relative of the late Will Rogers, but is not sure. Of more immediate concern to her is the fact that the artificial hair the make-up people used for her coiffure cost $175. And to think my own, which I bobbed, was practically Knee-length!” she laments. “And I threw It away!”

For six months she was given a ballyhoo buildup by MGM. Everyone heard about her beauty and acting ability and her certainty of stardom. But option time came and executive failed to renew her contract. Unhappy with that course of events, she signed a five-year agreement with independent producer Walter Wanger. An hour later—and too late—up dashed a breathless Metro messenger, but she had to turn him down.

Marla appeared quite a bit in the papers during this time. Here is a bit about old Hollywood tricks:

In “Stand-In,” you will see Marla Shelton climbing a snow covered slope. Then the camera will pan backward to reveal an illusion. You will see that Miss Shelton is walking on a treadmill. She’s getting nowhere at all, but cotton snow on another endless belt is passing her in the opposite direction. Also passing her is a procession of pine trees on wheels. Overhead is a revolving perforated cylinder from which falls snow in the form of uncooked corn-flakes. Yes, it’s funny. But again it isn’t Hollywood. Movie magicians do those things much better these days. They do ’em so well that even visitors on a set are captured by illusion.

And another funny bit:

Maria Shelton donned a pair of slacks for protection against drafts the other cool morning when she had to go on outdoor location In an 1885 period gown. As the day warmed, Maria stepped behind what seemed a solid wall of shrubbery to remove the ‘ slacks and just at the crucial moment a couple’ of prop men removed the shrubbery.

In her private life, Marla married make up artist Jack Dawn on May 28, 1937, in Los Angeles. John Wesley Dawn was born on February 10, 1892, making him 20 years older than Marla in Fleming; Kentucky, to Henry Walker and Pearl Smoot. As teenager he became a sculptor and later worked as a painter in New York City. He started working at Mack Sennett’s as a make-up man. After doing his bit in WW 1, he moved to Hollywood, working for 20th Century, and moving to MGM in 1935. In 1939 he was promoted to head the studio make-up department. Dawn was married once before to Anna Catherine Cousins in 1926, and divorced her in 1926. They had one child, a son, Robert Dawn, born on October 22, 1921.

The Dawns settled into a family life, with Marla giving up her career. Their son, John Wesley, born on December 18, 1938,.After John was born her weight zoomed to an alarming 180 pounds. While reducing, she began taking dancing lessons and started to act again. She did a few movies before her daughter, Marla Jo, was born on August 1, 1941. Despite an oral agreement that Marla could keep her job, it was expected that she still give up her career for good now.

But, you can’t keep a good woman down, and Marla was ready for more acting jobs. This created a huge rift in her marriage. She tried to leave him several times before, but her church group, the Oxford Movement, dissuaded her from it. Then, Jack went past all limits and it was over. What started as a nice marriage ended up in a very nasty divorce. Here is a newspaper article:

“It was understood when we were married,” she testified, “that I could play in pictures if I so desired. But last July when I told him that I wanted to work in a picture he said that if I did he would burn the house down and would scar me so that my own children wouldn’t recognize me.” ‘ ‘ ,.. Miss Shelton then added, under the questioning of her attorney,- Roland G. Swaffield, that she became so frightened that she took refuge in the room occupied by the children’s nurse, Rita Haggarty.who corroborated the story in court. “Mr. Dawn came to the door and called Mrs. Dawn a coward for hiding in my room,” the nurse informed the Judge. i Property Settlement Dawn had filed an answer denying the charges hut did not appear for the trial, though he was represented by Attorney Martin Gang. The court approved a property settlement agreement under which community property valued at $50,000, including the home, 15426 Valley Vista Blvd., is to be divided. In addition the agreement provides Miss Shelton with $75 a week alimony for three years. She retains the custody of her daughter, Maria Jo, IS months, while Dawn will have the care of their son John Jr., 4. Three months each year, however, the children will be exchanged, it is also specified in the document, which gives Miss Shelton $25 a week for support cf the children. The couple were married in Salt Lake City on May 28, 1937, and the separation occurred last Aug. 8.

In the end, The court awarded each the custody of one of their two children and approved a property settlement. This is a strange set up, but what can I say, whatever works. Dawn had a long and prestigious career as a make up man. he aided disfigured soldiers of World War ll. He worked closely with San Diego Naval Hospital in 1943, creating inlays for hands and faces so that patients could appear normal between multiple plastic surgery operations. He retired in 1956 and remarried at some point to Coleen Dawn. He died on June 20, 1961 in Glendale, California.
Marla started to date like mad after the divorce almost trying to make up for lost time. She was often seen with actor John Waburton dancing cheek-to-cheek. A bit later she was seen with Phil Baker, known as a derby twosome. Then came Harvey Priester and after him actor Barton Yarborough. During this time she was singing at the Clover Club, and all of her boyfriends came to watch her there. Marla was also a popular house guest: After dinner the guests would gather in the living room and Maria would entertain with some amusing little bits of verse set to music. This way she discovered her unique ability with making up song lyrics that will make a big impact on her life later.

In 1945, Marla became Mrs. Louis Alter in a small ceremony in Beverly Hills. Louis Alter was born on June 18, 1902 in Haverhill, Massachusetts. He played piano as accompaniment for vaudeville stars Nora Bayes, and after her became a songwriter. In 1929 he moved to Hollywood, where he wrote songs for films. He also continued his piano accompaniment for other singers, including Beatrice Lillie and Helen Morgan. He did Broadway musicals on the side. In 1941, when WW2 started, he worked with the United States Air Force, performing for troops and  coordinating shows and other entertainment at various West Coast air bases. He also became a piano soloist with the Los Angeles Philharmonic and performed at the Hollywood Bowl.

Marla quit acting to collaborate on songwriting with Lou. She became quite proficient at it – at one point she wrote the lyrics to Cart Fisher’s tune “Black Lace” which was very popular in it’s time. The Alters lived in New York and maintained a summer residence on Fire Island.

Despite this seemingly satisfying artistic  collaboration, the marriage failed in the long run and they divorced in 1948. Alter continued composing and died on November 5, 1980 in Manhattan.

Marla dated Producer Herman Levin for a few months after the divorce. In 1952 she created a minor scandal at the Miss Universe pageant in Los Angeles, when she interrupted a rehearsal and attended, uninvited, a luncheon for contestants. It appears that it was a publicity stunt of some sort and it received some publicity.

Marla married her fourth and last husband, N. Gayle Gitterman, in 1955. Gitterman was born on July 23, 1908, in Illinois, and came to Hollywood in the 1930s. Originally a scriptwriter, he became an assistant producer ta MGM. He earned the rank of sergeant during WW2. After the war he worked for the Bing Crosby Enterprises and later became  a freelance producer. He also held writing workshops in Los Angeles. He was married once before, to Mona LaPage, from 1933 until the mid 1940s.

This proved to be Marla’s most successful marriage. The Gittermans lived in Laguna Nigel after his retirement.

Gitterman died on March 25, 1976. Sadly, Marla’s son Wes died on August 21, 1990.

Marla Shelton Gitterman died on February 14, 2001, in Laguna Nigel, California.

 

Marcella Martin

A pretty large number of budding actress came to Hollywood hoping to win the coveted role of Scarlett O’Hara. As we know today, the role went o Vivien Leigh, and the rest was history. Of all the girls who were in the pecking order for the role, most of them failed to parlay the sojourn into a stable career. On the other hand, a few of them actually developed impressive careers later (Susan Hayward is an excellent example), and some established mid tier, solid careers Sadly, Marcella Martin belongs into the former category. Despite her obvious talent and pleasing looks, she opted to remain a theater actress, and made only two movies of lesser quality. Let’s learn more about her!

EARLY LIFE

Elsie Marcella Clifford was born on June 5, 1916, in Chicago, Illinois, to William Clifford and Clara Kessberger. She was the oldest of three children, three sisters – her younger siblings were Catherine C, born in 1918, and Ruth C, born in 1925.  Her father was a State Senator of Champaign, making her a high society debutante.

Marcella grew up in Chicago, attended high school there and discovered an intense love for acting when she was a teen. Determined to become an actress, she got a degree in dramatics from the University of Illinois, where she was active in the debate club. Ready for bigger and better things, she said “goodbye” to her home town and started to look for opportunities around the US. Her first serious acting job was a few months tour with a Midwestern stock company. After a peripatetic life with a touring company, she settled in Shreveport, Louisiana, where her first husband was from. She wasted no time in gaining acting momentum, and immediately joined the local Little Theater. She started her acting tenure by appearing in two sound stage hits, “Stage Door” and “Tovarich”. Marcella studied southern diction on the side and became quite an expert at it. People could rarely detect that she was originally from Illinois due to this handy skill.

Sadly, acting gigs hardy payed the mounting bills, so Marcella started by selling various merchandise, at firsts az Felbleman’s-Sears, Roebuck and company and then at Goldring’s,  but rehearsing diligently at the local theater at night. In 1938, Maxwell “Max” Arnow, scout for David O. Selznlck, saw Marcella in a rehearsal at the local theater. He was touring the South in search of actors to play parts in Gone With ‘ the Wind” (Including for the elusive Scarlett). Thus, Arnow “discovered” Marcella.

Arnow reported his discovery to Selznick in a memo dated Nov. 16, 1938. “The results of the eighteen day trip through the South were quite meager with one exception. In Louisiana, at the Shreveport Little Theater,” he wrote. “Ran across a girl by the name of Marcella Martin. This girl is quite good-looking, has a nice figure, and is a grand actress. Without doubt she is the best of the hundreds of people who I interviewed during my trip.” Very kind words from Mr. Arnow indeed!

A short while later he wired Marcella to go to New York for screen tests. And so she went.  Two weeks in the rush and bustle of New York studios, and she was back in Shreveport. Then she was called again this time to Hollywood for further screen tests. Once in Hollywood, she was originally tested for Scarlett and Melanie. Along with two other Southern girls, Alicia Rhett and Bebe Anderson (in the future known as Mary Anderson), she was given a bit role in the movie, but that was just a part of the prize – she got a long-term contract, a possible crack at bigger things.

And this is how she landed in Hollywood!

CAREER

Marcella was tested for the role of Scarlett, which went to Vivien Leigh (and the rest is history, as they say!) got a memorable consolation prize. She earned the speaking role as Cathleen Calvert, who confides the inside skinny on Rhett Butler to O’Hara during the classic barbecue scene. “Cathleen, who’s that?” Scarlett asks as she locks eyes with Clark Gable’s Rhett Butler for the first time. “Who?” “That man looking at us and smiling,” Scarlett answers. “The nasty, dark one.” “My dear, don’t you know?” Cathleen answers with a grin. “That’s Rhett Butler. He’s from Charleston. He has the most terrible reputation.” Scarlett looks away for a second, then back. “He looks as if… as if he knows what I look like without my shim”. Great moment! On a side note, a columnist wrote that the producers had to compromise when casting Scarlett, for this reason: “The compromise may be forced in the matter of waist-line. The specifications call for a 17-inch girth. Even the most rigorous Hollywood diets haven’t achieved any such miracle as this.” (how true :-P) Also, Marcella was Leigh’s trailer roomie on location and taught her how to speak with a Southern dialect.

Marcella appeared in only two more movies before retiring altogether. The first one was West of Tombstone, a totally obscure low-budget western with Charles Starrett in the lead. The plot concerns Billy the Kid and his alleged demise – is he dead or not? UnfortunatelyWhat is funny about this movie is how Marcella is attired – the story takes place in the early 20th century, 20 years after the reported death of Billy the Kid, but she wears strictly 1942 fashions, with knee-length skirts, high-heeled shoes and bobbed hair. Ah, Hollywood!

The second movie was another low-budget western, The Man Who Returned to Life. This is another better-of-forgotten type of movie, about a man on the run from the law for murder (of course he’s not really guilty). Marcella plays the third female lead, after Lucile Fairbanks and Ruth Ford.

And that was it from Marcella!

PRIVATE LIFE

Marcella married John “Jack” Martin in about 1935, and moved with him to Shreveport, Louisiana. The marriage didn’t last, and they were divorced by 1939, before she landed in Hollywood.

Marcella met her second husband, James Ferguson, in the theater – they acted together in several plays before getting hitched in 1940 at the home of the Marcella’s parents in Champaign, in the presence of relatives and a few close friends.

James Ferguson was born on August 15, 1913  to Mr. and Mrs. William Ferguson in Izmir, Turkey. His parents were British subjects. He attended elementary school in Scotland and later moved with his family to Whittier, California, becoming a naturalized US citizen in 1930. He graduated from high school in 1931 and from Fullerton Junior College, California, in 1934. He enlisted in the Army Air Corps in October 1934 and underwent flying training the following year and completed it in July 1936. He was a flying cadet for one year before being commissioned as a second lieutenant in June 1937. Later, Ferguson He rose to the rank of full general in the Air Force.

Ferguson acted for fun, and this is how he met Marcella. This is a short article about it:

Marcella Martin and James , Ferguson Have Leads; Opens Oct. 10 , Miss ‘ Marcela Martin and Lieut. James Ferguson will have the leading roles In the first production of the Little Theatre season “Tovarlch,” to open at 8:15 pm, Oct. 10, John Wray Toung, director of the theater, announced Tuesday. Miss Martin will play the Grand Duchess Tatiana Petrovna, the exiled White Russian noblewoman in Jaques Deval’s comedy. Lieutenant Ferguson will ‘ play her husband, Prince Mikhail Alexandrovitch Ouratleff.

He he he, the fun doesn’t stop here – there is a whole juicy story of the Ferguson-Martin courtship. Listen to this: In early 1938, Marcella’s first appearance on the Shreverport Little Theater stage had her in a minor role in “Stage Door,” which also featured in its cast a Barksdale Field lieutenant, William E. “Ed” Dyess. Her co-lead in “Tovarich” was another Barksdale Field flier, Lt. Jim Ferguson.

One of Marcella’s best friends from Chicago was Marajen Stevick, a publishing and media heiress. It seems that Marcella hobnobbed with the Chicago high society, and often asked them to visit her in Shereverport. There was a lot of rivalry going on with Dyess and Ferguson, as they were after Marcella, both of them. Marajen was Marcella’s house guest and ended up with Dyess, and Marcella ended up with Ferguson. Dyess was the third of Stevick’s five husbands.

Dyess died a hero in World War II. A survivor of the Bataan Death March, he survived a year’s captivity in a Japanese prisoner-of-war camp, escaped, was on the run for three months, was rescued by a submarine and returned home to write a gripping account of the Japanese brutality to their prisoners after the fall of the Philippines in 1942. A recipient of the Distinguished Service Cross, second only to the Medal of Honor, he was promoted to lieutenant colonel. He died heroically in a training accident Dec. 22, 1943. He was flying over heavily populated Burbank, Calif., when his airplane caught fire. Instead of bailing out, he stayed with the airplane to make sure it didn’t crash into a school full of children. Dyess Air Force Base, near Abilene, Texas, is named in his memory.

Stevick became an Italian countess a through one of her later marriages, she died on the anniversary of Dyess’ death, Dec. 22, 2002.

Despite the fact that Marcella got her big break via Shreveport Little Theater, she left the city for good after 1939. She returned in the early 1940s to sign various legal papers relating to end her previous marriage but never lived there again. She was active in the theater for a few years afterwards, appearing in plays by Tennessee Williams among others, before retiring for good in the 1950s.

Years later, Marcella’s younger sister Ruth Brown, remembered meeting Leigh in New York City in 1963 through Marcella. Oddly enough, Leigh was performing in a stage version of “Tovarich,” in the same role Martin had played when she was discovered 25 years earlier. Vivien suffered from a bipolar illness, tuberculosis of the lungs and was divorced from Laurence Olivier, but nonetheless won a Tony Award for her work in “Tovarich. Marcella sent a note back to Vivien, She wasn’t sure she would remember her, though they had been very close in the making of ‘Gone With the Wind.’ It was wonderful. The people making ‘Gone With the Wind’ wanted Vivien to listen to Marcella’s accent. She had lived in Louisiana so long she had picked up pretty much a Southern accent, but it wasn’t too much. The producers didn’t want a real ‘Y’all’ accent, they wanted a ‘soft’ Southern accent, and Marcella had it. They didn’t know she had grown up in Champaign.”

Marcella and James Fergson divorced in the late 1940s or early 1950s. Laterm he remarried to Roberta Wilkes. He served in Korea and from 1955 until 1970 he was based in Washington DC. In 1966 he became a full general, and retired in 1970. Roberta died in 1977. Ferguson died on July 13, 2000, in Sarasota, Florida.

Marcella married her third and last husband, Robert Lee McGratty, in 1953 in Duval, Florida. McGratty was born on October 22, 1908, in New York City, to Charles and Frances McGratty. He grew up in Suffolk, New York, and worked as a hotelier in Florida, running the Floridian hotel.  He was married in 1943 to Frances Stuart but the marriage didn’t’ work out, and  he divorced her a few years later.

The couple did not have any children, but enjoyed a happy and harmonious marriage. They moved to Houston, Texas after McGratty’s retirement. McGratty died there on January 21, 1979. Marcella remained in Texas after his death, opting not to remarry.

Marcella Martin McGratty died on October 31, 1986, in Houston, Texas. She is buried with her father, former Illinois State Sen. William E.C. Clifford, and her last husband, Robert McGratty, in Champaig, Illinois.

 

 

Theo Coffman

Theo Coffman was a beautiful girl who rose from her modest working class origin to become a singer and dancer of some repute. After achieving minor success in Chicago, Hollywood beckoned and she tried to become an actress. Unlike many others, she really tried, even taking dramatic lessons, but, unfortunately, it did not work. She quite Hollywood after only one movie. Let’s learn more about her!

EARLY LIFE

Theo L. Coffman was born in 1915, in Indianapolis, Indiana, to Oscar Coffman and Josephine Snyder. Her father worked as a carpenter in a railroad company. Theo’s masculine name was due to her unusual familial circumstance – she was the only girl among five children, and her parents expected her to be a boy (pretty optimistic, don’t you think?). Her older brothers were Paul, born in 1910, and Alva, born on June 12, 1912, and her younger brothers were Oscar Jr., born in 1918 and Orville, born on January 1, 1921.

Theo was reared in Indianapolis, and attended Public Schools 28 and 8. She started singing and dancing when she was a child and pretty soon it was clear she had a good voice and some presence. In July 1931 her father died and her mother took over the reins of the family. Theo attended and later graduated from Manual Training High School. Her first job was as a cashier and secretary in a local Indianapolis shoe store. Feeling that she could give more to the world as a singer, she decided to try her luck in show biz. She danced for a while in the old Chez Paree, and sang with Paul Collins’s Orchestra. During this time she learned to dance like a pro on a roof of a Indianapolis hotel. Wanting more out of her career, she went to Chicago in 1938. by day she worked as a cashier, living with Ethel M Vandeveer, who was listed as her business partner. Yet, she hoped for a more stable career in dancing, so she teamed with Raoul Gomez in an exhibition dance act that was featured in Chicago in the Colony Club.

On a visit to New York in 1940, a film executive told her she should be in the movies, so she went to Hollywood, and obtained a Metro-Goldwyn-Mayer contract and a role in “DuBarry Was a Lady.” And there she went!

CAREER

Theo’s sole credited remained Du Barry Was a Lady, the movie she was brought to Hollywood for. Du Barry has a plot that was used a hundred times in a hundreds of types of movies (summary from IMDB) – A night club’s coatroom attendant whose in-love with the club’s singer accidentally sips a drugged drink that makes him dream he’s French King Louis XV courting the infamous Madame Du Barry. While not a top musical, it’s one of the most beautiful, shot in stunning Technicolor, almost like being in a pastel wonderland, just two shades short of Heaven. All the craftsmanship is first class – the set design, the costumes, the lightning, the editing. And the fabulous music by the premier big bands of the era. The supporting actors are a great bunch too (Zero Mostel, Douglas Dumbrille, Louise Beavers…) . Red Skelton, Lucille Ball and Gene Kelly in the leads are good too – but it seems they are overshadowed by everything else, and the musical doesn’t quite work as it did on Broadway. Still, it’s a sweet little piece of escapism, worth watching for sure.

And that was it from our Theo!

PRIVATE LIFE

It was often noted in the papers how Theo comes from a large family with several brothers. One of her four brothers, Oscar, got employed at MGM. Her other brothers, Paul, Alva and Orville, remained in Indianapolis. Growing up with a bunch of unruly bros, Theo developed a unique way to fend of all the hungry wolves, a handy skill to have in Hollywood. Here is a short bit from 1942, just after the war started, about that:

The other day at I ha Beverly Hills swimming pool, a “wolf” was trying to impress Theo. Coffman with his importance. “Just a year ego,” he said, “I had a suite at the Royal Hawaiian Hotel In Honolulu.” “You can have it again,” said Miss Coffman, “if you join the Marines.

Theo an ardent deep-sea fisher, her best catch being a 150-pound marlin which she landed off Florida after a fifty-five-minute tussle. Eager to play light comedy roles, Theo was reported taking dramatic lessons from Maria Ouspensknya, the noted actress. Her Hollywood home was a cottage formerly occupied by Victor Mature. Theo was also a pretty good seamstress who designed her own clothes. Here is a short article about one of her creations:

It all began when Theo Coffman, a shapely showgirl, strolled onto the set of Metro-Goldwyn-Mayer’s frothy Technicolor musical, “Du Barry Was a Lady.” Theo’s avocation is dress designing and she was wearing one of her own creations, a tight-bodiced pink pique number with a wide flaring skirt. This skirt was the match that touched off the argument. Appliqued around its hemline were bold bars of music, clef, notes, and all. Admiring onlookers fell into Immediate dissension. “I say the notes make a melody!” “I say they don’t!” Theo’s dress was about to cause more trouble than Mrs. O’Leary’s cow when Tommy Dorsey happened by. Whipping out his trusty trombone, the sentimental gentleman of swing started in on Theo’s appliqued music. Listeners cocked anxious ears. Smiles cooled their faces. The notes did spell a melody: “Deep Purple,” Theo’s favorite song.

As Theo came to Hollywood via Du Barry, she was immediately associated to others girls hired to the movie. She got a years worth of publicity, the crowning moment being of course when noted illustrator Alberto Vargas made an illustration of the perfect girl, who was a composite of all the best parts the Du Barry girls – the hands of Inez Cooper, the hair of Mary Jane French, the feet of Theo, the hips of Ruth Ownbey, the waist of Eva Whitney, the bust of Aileen Haley, the legs of Hazel Brooks, the arms of Kay Williams, the profile of Kay Aldridge, the lips of Natalie Draper, the ankles of Marilyn Maxwell and the eyes of Georgia Carroll.

The press tried to report on a rapport between girls with snippets like this:

 Hoofing is traditionally cruel to the discovers between takes on a dancing sequence. Inez Cooper lends a sympathetic ear to Theo’s woes. Her own tootsies are killing her! Right Time out for repairs is taken by piquant Ruth Ownbey while Theo Coffman offers moral support.

And now for her romantic ventures, and there sure. Theo’s first Hollywood beau was Phillips Holmes, the gentle, feminine looking actor who worked so well with Nancy Carroll in several good 1930s movies. They dated for a few months before he join the Royal Canadian Air Force. He died in a mid-air collision in 1942.

In started May 1942 dating set designer Merrill Pye. This proved to be her longest liaison, and certainly the most tempestuous. They dated for almost six months in 1942, but it was a sketchy, spotty, passionate affair with lots of ups and downs. Merrill was freshly of his long relationship with hoofer Eleanor Powell, and dated almost half of the Du Barry girls team, including Ruth Ownbey. Yet, Theo proved to be the most resilient of the lot, lasting the longest (except one, you’ll see which one). Theo downplayed the relationship in the papers, saying there is nothing serious between her and Merrill. At least, not yet. . . . Nevertheless, she got Pye’s permission to go to the fights with Tommy Dorsey. So you judge how serious it was 🙂

Somewhere in September 1942, she took up with the playboy Jimmy Ritz, who dated a whole of other girls that way, so obviously it was nothing serious. The Ritz affair helped chill Theo and Merrill for good. Theo then switched to international producer Raymond Hakim.

She lingered for a bit more with Merrill, but it was truly over when he started to date his future wife, another DuBarry girl, Natalie Draper. Like most couples in Hollywood, they had a post scriptum, but that was that. Theo started to date her old beau, Eddie Braugnau, of Chicago. Then, in a strange twist of fate, Theo was seen with both Robbie Robinson and Merrill Pye, and even the press called it an odd threesome. Guess it truly was.

In early 1943, Theor was seeing Bill Hawks, brother of Howard and Kenneth, had a few dates with Pye (this time truly not serious), and was showing the town to Richard Jacobson of Chicago. Jacobson was a newspaper publisher, and the man who Theo ultimately chose.

In March 1943, Theo married Richard Jacobson. Jacobson was a wealthy publisher, who bought he Evanston News-Index, (which had been in bankruptcy for a few months by then), and was already publishing Standard Opinion in Chicago. Jacobson owned a palatial 51-foot yacht powered by 140 horsepower engines.

After the marriage ceremony, she went home to Indiana to sort out her affairs, and Richard went back to Chicago, looking after business, but they had plans to return and live in Hollywood, and were looking forward to their purchase of Joe Penner’s Beverly Hills home.

Theo used to joke that whenever she went to Indianapolis to visit her mother, she was invariably pressed to work at housecleaning. “It doesn’t seem to matter much what time of year I get here,” Theo said, laughing, “house-cleaning is just about to start and I get in on it.”

This is where I lost all track of Theo – did she remained married to Jacobson, did she have children, is she alive today – all remains  a mystery to me. We can only say for sure that she didn’t make any more movies under the birth name. As always, I hope she had a good life!

 

 

 

Marjorie Deanne

Beautiful Marjorie Deanne was a beauty contest winner that came to Hollywood, hoping for a big break. Like with the majority of girls who took down that route, her break never came. However, she became a proficient businesswoman, and in the end, retired to raise a family.

EARLY LIFE

Clara Pauline Boughton was born on January 28, 1917, in Brownsville, Texas, to Walter M. Boughton and Catherine Lieb. Her father was a fire chief. The family lived in Meridian, Mississippi for a time after Clara’s birth, and her brother Edwin was born there in 1922. The family moved to Memphis, Tennessee, in the mid 1920s. Clara attended school there but was very much involved with her Texan side of the family and often visited them in Corpus Christi.

Clara was a natural-born beauty, and from the time she was a high school student, she attended beauty pageants and won titles like “Miss Southwest Texas” and so on. After graduating from high school, she decided to make a career out of it and entered showbiz.

After winning a trip to Hollywood through Corpus Christi’s Splash Day beauty contest in 1935, Clara’s acting career started. Joking! When she came to Hollywood for the first time in 1935, Clara at least she hoped something would happen. She would get an acting gig, she would dance, she would do something. But, alas, it was not meant to be. She spent 12 months knocking vainly at the studio gates and then, with her bank account drained and her courage a bit shattered, finally give up and took a job selling tickets for a Hollywood theater.  She had the usual luck of beauty contest winners and eventually got a job as usherette at the Grauman’s Egyptian theater. At some point, pursuing her regular duties, Marjorie ushered a man to a seat. It was director John Farrow. He decided Marjorie was a screen type and had plans to make her a proper actress. Unfortunately, as with many such cases, nothing happened, and Marjorie was back to square one.

Deciding to try other options a working girl had in that time and age (very, very limited!), she became a traveling saleslady. After noticing that the hosiery business was blooming, she started selling men’s shirts and socks. Soon, she started a profitable business in Hollywood as representative for an Eastern shirt and hosiery mill. Business was good and she hired a salesman. It kept on being good and she hired some more. Now she has 40 salesmen and they support her in luxury while she haunts the casting offices. She did some bit work in movies.

Marjorie, by then wealthy enough to work for and not for money, got a job in the Earl Carroll Theater as one of his beauties. She did some touring with the Theater going to New York in 1939, and then returned to Hollywood and finally started her tenure as a working actress.

CAREER:

Marjorie is most famous today for appearing in a string of Three stooges shorts – Violent Is the Word for CurlyDutiful But Dumb Matri-Phony Three Smart Saps . She also appeared in a string of other comedy shorts – The Nightshirt BanditMutiny on the BodyThe Sap Takes a Wrap and so on.For more information about this, visit Lord heath’s link about Marjorie Deanne.

As far as full length movies go, Marjorie made her debut in 1938 in The Goldwyn Follies, followed closely by Freshman Year and Girls’ School. All three movies are alike as they are the typical fluffy 1930s movie with no real depth but some degree of fun – While the Follies are a plot-less but entertaining musical,  Freshman Year a Dixie Dunbar college musical, and Girls’ School a juvenile story about high school girls and their love squabbles, with the radiant Anne Shirley in the leading role. Marjorie’s only 1939 role in a full length movie was A Chump at Oxford, the witty Laurel/Hardy movie. Marjorie then took a great from movie acting to tour with the Earl Carroll Theater.

She returned to movies in 1941, and that ended up as Marjorie’s most productive year – she appeared in no more, no less than 10 movies! let’s see her full length ones. I’ll Wait for You is a formulaic movie about a bad guy reforms after meeting hard-working, decent folks, only slightly elevated by the endearing performances by Marsha Hunt and Virginia Wiedler (this cannot be said of the leading man, Robert Sterling, performance – he doesn’t have enough gravitas to truly play a hard-core gangster). Then came West Point Widow, another forgotten Anne Shirley comedy, and then Kiss the Boys Goodbye, an interesting musical  based on a play by Clare Boothe Luce which was inspired by the search for an actress to play Scarlett O’Hara in Gone with the Wind. The original play had to be watered down to the extreme, and it works well as a musical/showcase for Mary Martin. Buy Me That Town was also based on superior material – a Damon Runyon story about a crook who wants to bankrupt a small town to suit his own nefarious deeds. The movie is sadly completely forgotten today, but except a solid plot it boasts a good cast (Loyd Nolan and Albert Dekker). Next was Niagara Falls, a completely silly comedy with the Jean Harlow wannabe Marjorie Woodward. The movie is watchable only if you try really hard not to take it seriously in any capacity. Equally dismaying was New York Town Design for Scandal, another Mary Martin semi musical, semi comedy.  

In 1942, Marjorie appeared in only two full length movies: Tarzan’s New York Adventure and the patriotic Star Spangled Rhythm. I don’t think anything needs to be written about the famous Johnny Weismuller Tarzan movies – it’s something that you find either charming and educational and slightly idiotic. I guess Maureen O’Sullavan saves the day for both camps, as her warmth endears her to virtually anyone who ever watched the movies.

In 1943 Marjorie actually appeared in some solid movies, although not all of them were on the same level of quality by  along shot. The first was The Crystal Ball, a lightweight but funny Paulette Goddard/Ray Milland comedy. They were a pretty good combo, and have superb chemistry together, so it’s worth watching just for them. Next was Salute for Three a completely forgotten musical, and a Jimmy Rogers western comedy, Prairie Chickens, which isn’t half as bad as you would think it was. The bets movie of the year was For Whom the Bell Tolls, no more information necessary! So watch it! Marjorie was then in Let’s Face It, a watered and dumbed-down version of a saucy stage play, worth watching if only for Bob Hope and Betty Hutton. Equally sub par was Riding High, a Bob Hope cast off that went to Dick Powell – and he just isn’t the type to make it work. the plot is silly enough: A train arrives in the west and deposits a showgirl (Dorothy Lamour), an eligible bachelor (Dick Powell), and a swindler (Victor Moore), and the fun starts there. Dick and his leading lady, Dorothy Lamour, are completely overshadowed by a funny supporting cast (Victor Moore, Cass Daley and so on).  Luckily, Marjorie then appeared in True to Life, an above average comedy. The plot, while nothing special (A writer for a radio program needs some fresh ideas to juice up his show. For inspiration, he rents a room with a typical American family and begins to secretly write about their true life) lends itself nicely to the crazy family cliché that works because of a hilarious supporting cast. Dick Powell, Franchot Tone and Mary Martin are also top form, and do this kind of comedy with their eyes closed.

And that was it from Marjorie!

PRIVATE LIFE:

Marjorie dated actor Alexander D’Arcy at one point, and was on friendly terms with Frank Feltrop, tennis pro, and actress Movita, who later married Marlon Brando. Not much else was written about her private life.

Then, on March 19, 1944, Marjorie flew to New Orleans, Louisiana, to get married to Capt. Abraham Albert Manuck, attached to the Lifegarde General hospital dental staff there. It was noted that she expected to “settle down to a career of marriage with the captain.”

Abraham Albert Manuck was born on October 4, 1900, in Ehaterinslov, Russian Empire, to Benjamin Manuck and Rachael Sperans. he immigrated to the US, where he finished dentistry school and started to work as a dentist. He moved to San Francisco, and easily merged with the local high society. Manuck was married twice before – to Alba Baglione, whom he divorced in 1936 in Reno, Nevada, and Alla Manuck, whom he divorced in 1941 in Reno, Nevada. (guess Reno was his go-to destination for divorces).

Even before the marriage, Marjorie said to the papers she would not return to Hollywood and indeed cut her ties with the dream factory most thoroughly. She had obtained her release from the Actors guild and from Paramount studio, buying out her contract. Indeed, she would never return to Tinsel town and never made a movie again, opting for family life.

After the war ended, the family moved to Santa Clara, California. The couple had three children: Richard Albert, born on October 8, 1945, Stephen Bennett, born on December 3, 1948, and Denise Cheryl, born on June 19, 1951. All of the children were born in San Francisco. The Manucks enjoyed a happy family life in Santa Clara, and were active members of the local society, doing charity work and being quite civic-minded.

Clara Manuck died on May 21, 1994, in Redwood City, California.

Her widower Abraham Manuck died in 2000, aged almost 100.

 

Adele Longmire

It’s rare that I profile a true, dyed-in-the-wool actress on this blog – most of the girls I profiled before were starlets that didn’t have that much acting chutzpah. Adele Longmire is different. She is as obscure as they come today, but decidedly not a starlet – she was an unique talented, intensive girl whose rep reached Hollywood long before anyone even saw her in person (something not seen everyday, for sure!). She wanted top be a theater actress, and this is probably the main reason she never made it as a movie actress, but there are still several performances of her that we can enjoy today.

EARLY LIFE

Adele “Billie” Longmire was born on June 27, 1918, in New Orleans, Louisiana, to John and Germaine Longmire. She was the oldest of four children, and the only daughter. He younger brothers were John, Charles and Robert. Her father was a clerk in the financial sector. The family lived with their maternal grandparents, Albert and Corinne Rocquet. Albert was a physician, and came from a prestigious, old money family, thus Adele was considered something akin to Southern royalty.

Adele grew up in New Orleans, and was inspired to become a serious actress from her teenage days. She attended the local St. Joseph Academy Convent, and later recounted about the moment she decided to become an actress:

 “It was so strong It worried me.I really thought I must be headed straight for hell. I simply had to a peak to somebody about It. So finally I screwed up my courage and told one of the sisters. I expected to be scolded for having such wicked ambitions. But instead the was sweet about it. You can’t Imagine how surprised I was. She actually encouraged the idea and helped me In all sorts of ways. I wish I could tell you her name, but I’m afraid she might not like it.”

In 1936, after graduating from the Convent, she started to work as a stenographer and joined the local Little Theater, and started to do amateur theatrics. Her plan was to save enough money to go to New York and become a Broadway alumna.

In early 1937, while George Cukor was scouting all around the US and looking for a girl to play Scarlett O’Hara, and he heard about Adele. As a member of the esteemed New Orleans Little Theater (Petit Theater de Vieux Carre), she was known for her ferocity and prodigious talent, and was nicknamed Creole Girl. She refused to come to Hollywood, no really interested in a movie career, but opting to become a stage star. Cukor went to New Orleans and met Adele, and by all accounts was completely enchanted with her. He didn’t think she was made of the right material to play Scarlett, but that she was an unusual intensity and that Selznick should sign her. He tried – Adele refused. Warner Bros and MGM both chimed in, trying to find out who the girl with the hype was, but she turned them down smoothly. She did not want to be tangled up in a long term contract, still enamored of the stage and wishing to achieve artistic brilliance in that regard.

Adele  first attracted the notice of insiders on Broadway when the American Theater Council, formed In 1937 precisely to help talented young people in the theater, gave her a chance to show what she could do in a single brief scene from “Bury the Dead,” and she passed with flying colors. As a result of this showing, two producers interviewed her for parts in two projected productions. Neither production reached Broadway, but indirectly the interest she had aroused gained her a small role in “Ruy Bias” at Central City, Col., under the direction of Robert Edmond Jones. This is where she was noticed by famed playwright Elmer Rice.  He engaged her for the role of Anne Rutledge in Robert E. Sherwood’sAbe Lincoln in Illinois.” Thus Adele joined the Playwrights Company and was on her way to theatrical success. In 1940,. she was on the stage with Old Acquaintance. In 1941, she was nabbed by Hollywood to appear in the movie version – this failed but she stayed in Hollywood at least for some time.

CAREER

Adele had a solid if too short career on Broadway and more extensive one in summer stock, but a slim career in movies. She only appeared in six movies, and the leading role in one, was uncredited in two and was a supporting player in three. While not the worst track record around here (most starlets I profile never made a credited appearance), this seems like such a letdown for an obviously unique, very talented actress. Ah, that’s life!

Adele’s sole leading role was in Bullet Scars. Imagine Adele, a  prodigiously talented,known far and wide, theater reared and Broadway-made actress, who was a contender for the Scarlett O’Hara role and revered by such prestigious directors as George Cukor, finally comes to Hollywood and they put her in a small budget, B class film noir. WHAT? Anyway, it’s a solid but uninspired, seen it hundred times before gangster film. Regis Toomey plays a doctor who is conned into helping treat a bank robber – Adele plays his nurse. The performances are good and overall it’s a decent effort, but nothing to shout about. Adele was quickly forgotten, as was the movie.

Adele returned to Hollywood only in 1952, with People Will Talk, a truly intelligent well made Cray Grant movie. Most of Cary’s movies were screwball or sophisticated comedies with little to recommend them on a higher level – but this one is an exception, as a socially conscious, highly cerebral movie hiding more than it meets the eye. Adele only played an uncredited role, alas, and was not remembered for it. She had small parts in two additional movies in 1952: With a Song in My Heart , a quality biopic about Jane Forman, played by the indomitable Susan Hayward, and Something for the Birds, a movie that combines elegant comedy with a strong ecological flavor – can you believe that Hollywood sometimes did these movies? Patricia Neal, an absolute favorite of mine, plays a conservationist who will do anything to preserve the natural habitat of an endangered California condor, including crash the gates of Washington DC, and Vic Mature is the oily lobbyist fighting against her. Add Edmund Gwenn to the mix, and you have a winner!

Adele had a more meaty role in the gritty, serious The Turning Point, film noir about a government committee investigating mob activity and corruption in a fictional city. Great cast – William Holden, Edmond O’Brien, Alexis smith and Ed Begley makes this an above average fare, despite the formulaic story, and the director, William Dieterle, is more than capable of making a fine movie and it shows, he knows what he’s doing.

Adele’s Hollywood sojourn ended in 1953 with Battle Circus. It’s a June Allyson/Humphrey Bogart pairing, and what a strange pairing it is! I didn’t particularly like the movie, and I dislike June in general, so I wouldn’t recommend it. It’s degrading to women in general, since all that Allyson does in the movie (which is not a straight comedy, but rather a drama with comedic elements) is run after Bogart, and Bogart himself is absolutely sleepwalking through the role.

Adele did some TV work on the side from 1948 until 1954, and then left the industry that year.

PRIVATE LIFE

When she first hit the papers in 1940, Adele gave advice for your girls in a form of an essay:

There is no better time in her life for a young girl to practice good sportsmanship, that Invaluable attribute to charm, than during high school and college years. Even if her character when she was very little is something her best irritants would rather forget, she can take herself in hand, while in her ‘teens, and really learn to be a good sport which simply means being unselfish. Once that is accomplished her chances of growing up to be a kindly understanding person with fine manners are very good indeed. Get into the habit of seeing others’ viewpoints, of really listening when they speak, of forgetting their shortcomings and magnifying their good points. Make it your business to know all types of people. If you try to forget yourself and whether you feel superior or inferior, you will make friends wherever you go. Among young girls there is a tendency to carry the idea of self-expression much too far. Less concentration on one’s self and less frequent use of the personal pronoun make for kindness, the very fundamental of charm. And, speaking of carrying self-expression too far, I think it’s a mistake to talk too much about yourself the first few weeks you are in a new community, in a girls’ club or a dormitory. Listen to others for a while, saving something of yourself for later on. Don’t tell your entire history and go into detail about every emotion you ever have experienced until you have had time to look around and find your own level among people whose friendship you will want to keep. There’s nothing more unpleasant than realizing that a person whom you have grown to dislike knows too many of your innermost secrets and all because you told them yourself. It is better to be shy and retiring, letting yourself go quite unnoticed for weeks, even at the risk of being homesick and lonely, than to be a flash-in-the-pan person-liked, noticed and talked about for a short time, then pushed back into oblivion all too quickly.

Adele had even written a comedy, “Fun to Be Fooled.”, but it was never staged. After trying Hollywood in 1941 and 1942, In 1943, Adele returned to New York and Broadway, and got the leading role in Nine Girls, which ran for literary 5 performances.

Adele married Robert Harris in Alameda County in 1941, and divorced him before 1945. I could find no additional information about Harris nor their marriage. While appearing in “Old Acquaintance” Adele dated actor Bill Hawkins, then actor/director Howard de Silva, and then Carol Bruce’s manager. During WW2, she was “a heartillery barrage” with Edmund O’Brien, then a Private fresh off his success with Winged Victory.

WW2 was raging by 1944, and Adele decided to do something about it. Her last Broadway appearance before embarking on War relief work was “Outrageous For tune.”. And then she joined the Foxhole Circuit. She did a six months’ tour of North Africa and Italy, playing an important role in the Camp Shows version of Ruth Gordon’s hit play, “Over 21.” Here is a funny anecdote from that time:

A YOUNG sailor was asleep in the hold of a sub-chaser at Salerno. His sailor dreams were interrupted by a loud thud. He opened his eyes, turned on his flashlight and found a beautiful young girl. “May I use your bunk?” she asked. . . . “Of course,” said the sailor, trying to believe that he was awake. … He wasn’t dreaming. The girl was Adele Longmire, the Broadway actress touring in the U.S.O. company of “Over 21.” She had been invited to inspect the blacked-out sub-chaser’s chart room, tripped and fell 12 feet into the hold. She needed the bunk to recuperate from the shock and concussion.

After she returned to the US in early 1945, Adele continued her relief work by giving lectures.

All over the US, from her first-hand experiences at the front, Adele used to recount how USO-Camp Shows operate on every battlefront of this global warp and how it felt to give American servicemen entertainment at the front; how a USO Camp Shows troupe bridges the gap between home and foreign lands. Here is a short example of her stories:

-Actress Adele Longmire’s advice regarding ways of helping returning service men is to “just leave them alone.” Miss Longmire, who gave up the stage temporarily to go with the USO camp shows, told the Rotary club that soldiers “don’t want a lot of well-meaning sympathy and suggestions when they return.” “They’ll have a difficult enough time to readjust themselves,” she said, “and all they want is to make the transition on their own.” Four British paratroopers who are touring Utah industrial centers were’in the audience.

After returning to acting, Adele married actor Arthur Franz in 1946.

A leap year baby, Arthur Franz was born on February 29, 1920, in Perth, New Yersey. Wikipedia stated that, during World War II, Franz served as a B-24 Liberator navigator in the United States Army Air Forces. He was shot down over Romania and incarcerated in a POW camp, from which he later escaped.

Before he became an actor on Broadway, and had minor TV roles, and worked in a “one-arm” lunch room to make a living during his first years in Hollywood. He worked there whenever parts were scarce, and later remembered it with real affection. After several successful stage roles in the United States and Australia, Franz was awarded a long-term contract by Columbia Pictures.

Adele and Arthur had two daughters: Melissa Merrill, born on June 22, 1949 and Gina, born on May 30, 1953. It seems that Adele, at least for publicity purposed, had a pretty harmonic home life. Her husband was happy to call himself a handy man around the house, and was a great help with the care of their daughters. he also did some minor cooking – he could whip up pretty passable spaghetti, hamburgers and strawberry shortcake. It is funny how we should applaud a man if he decided to take care of his child. WTF! it’s your child, of course you have to take care of it and not ask anyone to pat your back for doing it. This is still the prevalent mindset in society even today – that if a man tales care of a child, it’s just an added bonus. Argh!

The Franzes divorced in about 1962. Adele didn’t remarry. Arthur remarried in 1964 to Doreen Lang. Doreen died in 1999, and Arthur remarried to Sharon Keyser in February 2006, and died the same year on June 16, in Oxnard, California.

For many years Adele was a writers’ agent in Beverly Hills with AshleySteiner and later in New York with IFA and ICM, as well as an Administrator of the Television Academy for three terms. She was also a Story Executive for Universal Pictures in New York and Daytime Editor for producer Tony Converse.

Adele falls from the radar after the early 1960s. She moved to New Mexico, and probably lived there in quiet retirement.

Adele Longmire Franz died on January 15, 2008, in Taos, New Mexico.

Rowena Cook

Rowena Cook’s career might be considered lackluster by most standards, but she proved to be amazingly resilient performer in the long run. Rowena came to Hollywood via a contest, which is not good-by itself. Let’s be real,  most of the people who come to Hollywood by winning a contest (be it a beauty contest or anything similar) stay in the bottom levels of the pecking order, and Rowena was no exception – but unlike the majority of those people, she really wanted to act, not to become rich and famous. When such a person, with such aspirations, doesn’t hit fame in Hollywood, he find other outlets for his passion – and Rowena sure did! Let’s learn more about her!

EARLY LIFE

Rowena Sturges Cook was born on October 16, 1917, in Staten Island, New York, to Rowena Sturges and her husband, Wilburn Eugene Cook. Her older sister, Cordelia S, was born in 1906 in Mexico. Her father died in 1919 and, as far as I can tell, the family lived on his inheritance. Rowena and the girls moved to Traverse, Michigan in 1920, and moved to Pasadena around the time the recession hit.

After her education in Pasadena (of which I could not find anything), Rowena came to Chicago in the 1930s, working for about a year on a weekly radio show, before moving back to California in pursuit of an acting career.

In order to break into movies, Rowena entered the “Gateway to Hollywood“. It was a showcase for young up and coming actors, sponsored by Jesse Lasky, who conducts’ the search for new film talent via the show. She won, along with Ralph Bowman, Mary Jane Barnes and Lynn McKinley. And then it started!

CAREER

Rowena, as Alice Eden, was signed by RKO and got a decent role in Career, a movie showcasing life in a small Iowa town. And this is one good film – actually, it’s one of the few times that Hollywood realistically portrays the mentioned small town life. This ain’t no Andy Hardy, with his squeaky clean characters, perfect families and pristine streets – this is the real deal – as a reviewer on IMDB wrote:

This is a much grimmer world, where people are forced to face up to real issues, with no easy solutions; where panic and self-interest often take the place of reason and community-consciousness; where young love is often thwarted by ambition (and not just on the part of the career-minded male either); where the town drunk is not just a figure of fun, but contrives to be both boorishly obnoxious yet tragically sympathetic; above all, where venality is uppermost in just about everyone’s mind — except of course in the embittered storekeeper hero (revenge is what he’s after).

No wonder that the great Dalton Trumbo wrote the script – there is a ever present social undercurrent, and a very serious one. Sadly, the movie didn’t do any favors to anyone involved, including Rowena.

This is the story of a young girl who goes to Hollywood and hopes to become the next Sarah Bernhardt. Initially, Rowena was thrilled over winning’ the contest and getting a role and a contract. She’d spent years studying dramatic art, and naturally thought she’d be considered an actress. But she learned that people just thought of her as a contest winner. Her contract expired, and she was on her own. Instead of giving up hope, she decided that this was really her chance to make good. “I literally buried Alice Eden,” she said, the other day. “And started out to be just Rowena Cook.”

Sadly, Rowena Cook amassed only one credit. Kit Carson, an enjoyable but not particularly noteworthy western, with Jon Hall and Lynn Bari in the leads. A special bonus – Dana Andrews is also there!

That was all from Rowena!

PRIVATE LIFE

Rowena always maintained how she prepared for a theatrical career from her earliest days… When she got the Gateway to Hollywood contest, this is what papers wrote about her:

It seems that I will not have to worry about Rowena Cook’s (Alice Eden’s) future during the present year. She has 13 weeks of Alice Eden to do on the radio if she gets out of Des Moines alive. And then a picture and then the business of choosing between two or three contracts which have been slipped in the mail. Marvelously Lucky? You think that this little girl from New York has been marvelously lucky?

The sweet and dumb days have passed from Hollywood forever; a stupid grin and a good pair of gams are not enough at this time. Alice Eden is pretty enough to

Well, if you will start now and work for the next 17 years at plain and fancy dramatics, perhaps you will be lucky, like Miss Cook. She frittered away the precious hours during the first two years of her life and then someone told her that life is real and life ia earnest. “Oh, yes,” she said. “In June, 1939, only 17 years from now, Mr. Wrigley and Mr. Lasky will want me ta do a picture for them. Time’s a wastin’.” So there she Is as you will see her on Saturday.

Rowena’s only surge of publicity came when during that time, right after the win. As Andy Warhol would say, she had her five minutes of fame. Here is atypical article from that brief period:

Miss Eden, 21 and “blue-eyed blonde,” too was happy over her good luck and hoped it might lead to screen fame and fortune. Tuesday afternoon they presented medals at the A. A. U. and Wednesday night they will appear at the Varsity theater for the opening of the first picture In which they played featured – roles “Career.” Thursday morning they leave for Chicago and 13 weeks of radio work, and, in October, back to California.

It seemed like a wonderfully active, almost hectic life filled with interesting activities.. But it just didn’t last. On the other hand, Rowena’s co-star, John Archer (real name Ralph Bowman), enjoyed a long, if not especially successful career in Hollywood, amassed more than 100 credits, and married Marjorie Lord, and was the father of actress Anne Archer.
Rowena had a pretty low-key romantic life. On March 18, 1940, she married John Irving Laird, a fellow actor, in Los Angeles. Laird was born on December 10, 1911, to  Irving E. Laird and Ethel Taylor in Waukegan, Illinois, and came to Los Angeles for movie work as an actor. The marriage lasted eleven months, and they divorced in 1941. Laird remarried at least twice, second time in 1981, and died on August 5, 2003, in Florida.

By 1942, the US had entered WW2, and Rowena asked to be released from her contract so she could move to New York to help the war effort. This is what makes her such an interesting woman – when she saw that Hollywood wasn’t going to make her a top class actress, she opted to develop her skills in other ways and just left. No drama, just begin very efficient! In Nee York, Rowena began working as a trainer for new female Navy recruits at Hunter College in New York, and she did some part-time work as an actress, determined to become a legitimate stage actress.

In the theater circuit (during the run of John Loves Mary) she met director Vaughn Baggerly, whom she married in 1948. Vaughn Herbert Baggerly was born on April 18, 1917 in Davenport, Iowa, to Glenn Baggerly and Martha Crow, the youngest of two boys. The grew up and was educated in Davenport High School and attended the College of Theater Arts, Pasadena and then moved to Coral Gables, Florida, where he worked as a stage director. He was drafted in 1942, serving as a cryptographic officer and in the Special Services Corps. After returning to civilian life, he lived in New York.

The couple settled in Los Angeles, where their daughter Susan Rowena was born on July 31, 1949.  Despite his thriving theater career, Baggerly decided to become a professional Army officer, and was stationed in Tokyo during the Korean War. Rowena and Susan followed him there, and Rowena volunteered with a Red Cross at a local hospital. The couple returned to the US in 1955, and their son Vaughn David was born on July 28, 1955 in San Francisco.

Baggerly retired from the Army in 1964 with the rank of lieutenant colonel, then started to develop a recreation program for the Job Corps, and became head of the Job Corps office in San Francisco in 1965.

In their spare time, Vaughn was a director and Rowena an actress for the Theater of the Fifteen Company in Coral Gables – their love for acting never left them, and it was sure more than a simple fling but a deep passion. Not many actresses profiled on this blog could say that about their craft.

Vaughn retired in 1984 and he and Rowena settled in Laguna Nigel, Orange County.

Vaughn Baggerly died on January 20, 1990 and was buried in Illinois. Rowena moved to Barrington, Illinois, where she lived in a nursing home and was a capable illustrator and children’s stories writer.

Rowena Cook Baggerly died on March 2, 2004, in Barrington, Illinois.

Joan Thorsen

A very beautiful woman and a successful photo model before she came to Hollywood, Joan Thorsen was given a solid contract not on account to her thespian skills, but rather her looks. Like any other girl in the long line of models turn actresses, she did some minor work and left the industry. let’s learn more about her!

EARLY LIFE

Joan Marie Hoff was born in 1918 in Auburn, Indiana, to John Hoff and Lottie Wolford. She was their second daughter – her older sister, Mary J., was born in 1911. Her father owned an auto repair shop. The family lived with Lottie’s mother, Clara M. Wolford.

Joan grew up in Auburn, where she was a graduate of the Auburn high school. She then attended Northwestern university at Evanston, Illinois, for three years, where she was a member of the Kappa Kappa Gamma sorority.

As an interesting trivia, we can note that the Freshmen class at Northwestern University in 1938 certainly contributed its quota to the entertainment world. Living in the same dormitory were: our Joan, Anne Lee, later a minor Hollywood actress; singer Julie Conway (she was later vocalist with Kay Kyser), and Jennifer Jones. Girls were registered under their real names. All four have adopted different ones for professional use.

She has achieved fame as a model in New York City and her pictures appeared in many popular magazines. This is how she landed in Hollywood in 1942., primarily to make tests for the famous beauty lover, Howard Hughes, and she stayed there, hoping for a career.

CAREER

Joan made her debut in The Heat’s On in a not completely insignificant role – too bad the movie is a really, really insipid and bland Mae West vehicle – unfortunately, what worked in 1932, when Mae was a Hollywood leading light, was not quite what worked in 1943, and the movie did nothing for Joan’s career.

Joan was uncredited in A Guy Named Joe, a touching, high quality, touching WW 2 movie with an interesting duo of actors, Irene Dunne and Spencer Tracy. 

Despite her obscurity, Joan had the honor of being a (albeit minor) part of the wonderful MGM musicals of the 1940s and 1950s – as far as the genre goes, you couldn’t do much better than that! She was in Two Girls and a Sailor Week-End at the WaldorfThe Harvey Girls and The Hoodlum Saint. I’m not a particularly big fan of musicals and rarely watch them, but these movies make for fine viewing – a great Sunday evening viewing!

In 1945, Joan appeared in the slightly more serious Adventure, the first movie Clark Gable made after his return from war. He was paired with Greer Garson, and actress I absolutely adore, but sadly, it’s a polarizing film, parts lackluster parts pure genius. Much deeper than the plot suggests, it does tackle some quite profound psychological issued, especially for soldiers returning from war, but, like most ambitious movies, it gets lost in too many directions and fails to capture its own brand of charm. Gable and Garson are an interesting couple and an unusual pairing, but they didn’t really click like she did with Walter Pidgeon or he did with Claudette Colbert. All in all, worth a viewing, but nothing to write home about.

Joan’s last movie was Undercurrent, one of the woman in peril movies made popular by Gaslight. It’s a good, edge of your seat film, headed by Katherine Hepburn, Robert Taylor and Bob Mitchum. Yep, imagine, Kate and Bob int he same movie!

And that was it from Joan!

PRIVATE LIFE

During her college days at Northwestern University, Joan met and married the boy-next-door, Robert Edward Thorsen, in 1940.

Tragedy struck when Joan gave birth to a daughter on September 13, 1941, but the girl died the same day. Not long after, her husband was drafted. Lonesome and trying to ease the pain, Joan took up acting and due to her beauty, she was noticed by Hollywood. After being tested by Howard Hughes, she was signed to a seven-year Paramount contract in 1942. She was to receive 1350$ a week during the life of the contract (which is quite  a lot and left me quite surprised!).

Despite her new job, Joan tried to keep her marriage in top shape, and often visited her husband, then Ensign Thorsen, who was stationed at Cleveland in 1942 and 1943.

Joan did her part for the war effort, as this article can attest:

Joan Thorsen visited the Army camp near Las Vegas, and while there they showed the picture, “A Guy Named Joe,” in which she has just a bit. When she flashed on the screen, the film stopped, and the soldiers made her get on – the stage for a speech.

in her spare time, Joan took Spanish lessons in a Beverly Hills High school, along with fellow contractees Marc Cramer, Bob Sully and Bonnie Edwards.

However, the strain of being apart got to Joan, and by mid 1943, she started to date eligible Hollywood bachelors, like George Raft and Sherman Fairchild. Raft was even semi serious with her, dating her for a few months. Things didn’t look good for the Thorsen’s marriage, and they tried for a reconciliation in November 1943 while Robert was on a furlough, but it didn’t yell and Joan decided to declare game over.

In late 1943, Joan moved temporarily to the Last frontier in Las Vegas, in order to win a divorce from her husband. It was there that she learned she was pregnant, but hardly changed her mind – the divorce was still on. There she met writer John Gunther, who was also there trying to divorce his spouse, and the two got romantically involved. After her divorce came trough, she had started to show, it was time to go back to the safest place – her family home in Auburn.

Joan arrived in Auburn in May to spend the summer months with her parents, John and Lottie. Her baby was expected in August and she hoped to return to her motion picture work the last part of September. After a tranquil summer, that she spend in part corresponding with Gunther, her daughter, Pamela Christina, weighing seven pounds and twelve ounces was born on August 9, 1944. Joan still expected to return to Hollywood with her daughter in the near future to resume her work in motion pictures. First she went to New York in September 1944, and spent some time with Gunther. She returned to LA afterwards, and Gunther gave  a magnificent farewell party for her.

Joan’s mother followed her to LA to take care of Pamela. She tried to resume her career, and still dated Gunther, just long distance. She was also feted by Fefe Ferry, the famous impresario, who was also her manager. Another swain was famous humorist Robert “Bob” Benchley. Joan used to take her mother as a chaperone on her dates with Benchley, to the delight of gossip columnists 🙂 Allegedly, when Joan, after being invited to dine by Robert, asked if he would mind her mother accompanying them. “Mind?” he said. “I should say not. I am flattered!”

However, Gunther was the number one man in her life. In January 1945, her former husband came to see their daughter for the first time, but no reconciliation happened. She and Gunther dated for the better part of 1945- Then, in November 1945, Joan met a man who swept her of her feet and suddenly, Gunther was out. That man was Vincent Fotre, the former beau of Ann Miller. Things progressed pretty quickly, and the wed in December 1945.

Here is an article about Joan’s second marriage:

The marriage of Mrs. Joan Thorsen, daughter of Mr. and Mrs. John Hoff of 123 North Indiana avenue, Auburn, and Vincent Fotre of Beverly Hills, Calif., a millionaire shoe manufacturer, is being revealed. The wedding, kept secret, was solemnized on Dec. 21, 1945. The bride is a former well-known Auburn girl.  For the past four years she has been a starlet under contract to the Metro-Goldwyn-Mayer movie studios in Hollywood. She has appeared in a number of pictures. Mrs. Thorsen and Mr. Fotre were married near Las Vegas, Nev. The former was in a group of movie starlets who went to Las Vegas to pose in a series of six pictures for Liberty magazine which were used in connection with an article “From Sun to Snow in 60 Minutes.” Mrs. Thorsen was in one individual picture in a ski outfit and appeared with two other actresses in ski clothes, ski jackets and sweaters. Mr. Fotre flew from California for the wedding ceremony. On March 22 of this year she represented the MGM studio in a style show, “East Meets West,” at the Ambassador hotel in Beverly Hills, sponsored by the Theta Sigma Phi sorority. She modeled a Grecian gold green evening gown styled by Irene, the studio’s famous designer. Pictures- were taken of the style show in technicolor and will be shown throughout the country. The former Mrs. Thorsen and her daughter, Pamela, are now residing in the home of her husband in Beverly Hills. Mr. Fotre is the father of two children by a previous marriage. They are planning to erect a new home in Beverly Hills as soon as building restrictions are lifted.

Vincent Valentine Fotre was born on February 14, 1901, in Chicago, Illinois, to Jacob and Catherine Fotre. He was married once before, to Kathryn Guinnee. They had a son, Vincent G, born on May 10, 1924, and a duaghter, Patricia Anne, born on May 11, 1927. They divorced in the 1930s, and Fotre dated a few of the Hollywood starlets prior to the marriage.

Their son Terry Vincent was born on May 17, 1948. Their daughter Janet Christina was born on April 18, 1954. They lived in California and were socially active, but sadly divorced in the late 1950s.
Fotre remarried to starlet M’Liss McClure in 1966, and they divorced in 1970. Fotre died on December 20, 1975. 
Joan married James S. Kemper on December 29, 1960, in the Bel Air Country club. It was a third marriage for both of them.
James Kemper was born on April 14, 1914, in, to James S. Kemper and Mildred Hooper. His father was at one time the US Ambassador to Brazil. Kemper was a studied at Yale and worked as a lawyer all around the States before taking over his father’s company. He joined the Kemper organization in 1960. He was named chairman and chief executive officer in 1969 and remained in that position until his retirement in 1979. During Mr. Kemper’s tenure, the Kemper organization expanded in both the insurance and financial services marketplaces.
Kemper was nationally known for his work in the field of alcoholism. As a former alcoholic who went clean, he had plenty of experience and a lot of good will to help others. President Carter appointed him to the National Commission on Alcoholism and Other Related Problems. President Reagan named him to the Presidential Commission on Drunk Driving, and he was chairman of the board of trustees of its successor committee, the National Commission Against Drunk Driving. He served as a member of the Department of Health, Education and Welfare’s Interagency Committee on Federal Activities for Alcohol and Alcoholism. He was also a director of the National Council on Alcoholism.

Kemper was the father of five children:  James, Linda, Stephen, Judith and Robert. The Kempers lived in Golf, Illinois, and at a vacation home in Pauma Valley, California. They were both passionate about golf and very much active in civic affairs.

Kemper died on July 2, 2002. Joan continued to live in Illinois after his death, but I could not find any information as to what happened to her afterwards.

As always, I hope she had a good life!

 

Carmen Clifford

Carmen Clifford was a trained pianist and dancer of some repute when she entered the Hollywood arena in 1942 – but for unknown reasons, she never made it past the uncredited roster. Later she became a songwriter and had an extensive TV career, so let’s hear more about her.

EARLY LIFE

Carmen Mary Scanzo was born on September 19, 1921, in Pittsfield, Massachusetts, to Patrick Scanzo and Inez Bascherie, both of Italian descent. Her mother was a hairdresser. She lived with her mother and grandfather for a time, so I wonder just what the exact state of her parents marriage was? Separated or divorced or maybe her dad was away traveling a great deal of time?

Anyway, Carmen was a musical prodigy, and took lessons in pianoforte, playing it daily from an early age. She also helped her mother in a beauty salon as a mini hairdresser and manicurist.

Pretty soon, Carmen took up dancing and excelled in it. She completed a three-year course at the prestigious local Roma Serra Studio. Carmen also studied tap dancing with Ray Hart. Carmen’s first dancing show was held at the home of her aunt. Mrs. Leon William, under the direction of Roma Serra. It was clear to all that Carmen was a girl with loads of talent who is going places in the near future.

In 1937, when she was just 16 years old, Carmen had been chosen as one of 15 girls to appear in a ballet ensemble at the International Casino, New York, to be staged by Chester Hale. She moved to New York and studied under Hale for some time afterwards. After living in New York for about five years, she moved to Los Angeles in 1942 to try her hand at movies. She managed to get work with a studio and started as a chorus girl.

While in Hollywood, Carmen became Miss Cheescake of 1944, but had little luck in the business arena. Carmen became the protegé of another Massachusetts girl – Eleanor Powell, who hailed from Springfield. Carmen was in the dancing chorus of one of Eleanor’s pictures, and the star became interested in Carmen, who was soon taken u n d e r the Powell wing, and is learning the best In dance tricks. And here we go!

CAREER

Sadly, we are pretty thin here. Carmen obviously danced as anameless chorus girl in movies from 1942 onwards, but imdb mentions The Blue Dahlia as her first movie – qhauza, you could do much worse for a firts movie, that’s for sure! Then we skip to 1949, and Carmen was in Always Leave Them Laughing, a mdiocre Milton berle Virginia Mayo pairing. Moving oN! 

Then came Call Me Mister, one of the lesser Betty Grable movies, with Dan Dailey playing her love interest. The story, a “lets stage a show,” is slim at best, and the only good thing the movie had to it are Betty and Dan – but even they can’t make this a classic! Carmen appeared in a bit better fare with Royal Wedding. While not a massive classical musical, it’s a pleasant, funny and at times funnily romantic fare with Fred Astaire and Jane Powell at their top form, plus Peter Lawford, seductive as always!

By 1951, Carmen was delegated to B class musicals, like The Strip, with Mickey Rooney (past his prime and playing a drummer who gets mixed up in some nasty company) and the light-on-her-feet Sally Forrest. The same year Carmen appeared in a non musical movie, the thriller The Man with a Cloak. This movie is one of many hidden gems that nobody ever heard of, but that have lots to offer. While not a top-tier movie, it’s well written, with great casting (Barbara Stanwyck and Joseph Cotten), good music and solidly directed. There is nothing much that detracts from its good qualities, but it just didn’t make it as a classic and remained buried and forgotten.

Carmen’s last movie appearance was There’s No Business Like Show Business. She went into TV but I could not find any credits. That’s it!

PRIVATE LIFE

While living in New York, prior to 1942, Carmen married a certain Robert C. Clifford, whose name she took as her nom de guerre. Unfortunately, I have no information about the man, except that they divorce prior to 1945.

Carmen’s second husband was Jack Passin, and they married on December 13, 1945, in Tijuana, Mexico. It was Jack’s third marriage. Since they married on December 13 and Carmen was superstitious, they did a retake assisted by Judge Griffith in Beverly Hills. Jack Passin was born on April 30, 1912, in Chicago, Illinois, to Morris J. Passin and Saide Hansberg. Little is known about him – he moved to Los Angeles in the 1930s for work in the movie industry, becoming an assistant director. He married Hazel Lee on April 19, 1942, and they divorced in cca 1944.

Their son Steve Michael was born on March 12, 1946. They lived in Los Angeles, both worked in movies, and often hosted Carmen’s mother, Inez. Sadly, the marriage did not work out, and they divorced after 1950. Jack later married Virginia Boyle in 1959. He died on October 29, 1983.

Carmen had a solid musical education, and in addition to her movie career, had a minor career as a lyricist. She collaborated with Nat King Cole in the 1950s, as this article can attest:

A former Pittsfield resident, Mrs. Carmen Scanzo Clifford, has collaborated with Nat (King) Cole to write a new song, “Calypso Blues,” which will be on sale here in a few days. Mrs. Clifford composed the lyrics, and Cole, the music. About a year ago. Mrs. Clifford wrote the lyrics for “Nina Nana.” with Cole.

As Carmen’s movie career hit the skids very early, it was clear she needed an alternative option to stay afloat financially. In a bid to stay an active actress despite her lack of success, Carmen switched to TV but sadly we have none of her TV credits on IMDB. Could be she used a different name, but no information is given. She explained her choice to work on TV to an interviewer:

CARMEN CLIFFORD … worked on Bob Hope specs screens she reported. During a telecast some shows are cut as much as 15 or 20 minutes. Some telecasts aren’t cut at all before going on the air. It all happens while the viewers are at home watching. In addition to working in TV Miss Clifford has worked in all the studios. However, she points out that studio work Is not booming like TV. “TV is more lucrative at the moment. The studios are feeling the recession. In addition, many of the musical specs are moving from New York to Hollywood where they can get top names. Naturally, this calls for more work,” she says. While discussing the current television topics, Miss Clifford says: … on Pay-TV: “Everyone I’ve talked to in Hollywood is in favor of Pay-TV In the event such an innovation is launched, TV would have real money for the big spectaculars. With Pay-TV viewers would see high grade, top entertainment. I just wonder how much longer the viewing audience will put up with westerns and quiz shows.” … on Videotape: “The swing to video is on in Hollywood. By the end of this month and the early part of Sept., I’m sure TV will be taping more and more shows.” … on new shows: “I’m presently working as assistant director to Nick Castle on a Japanese musical which will be presented at the Frontier Hotel, Las Vegas at Christmas. . . . Frank Sinatra is planning six specs for the coming season. . , . Dean Martin’s six shows will be launched throughout the next year.” Look for her. . You’ll be seeing a lot of her.

Carmen talked about the nature of TV work to the local press in Pittsfield in the 1950s:

Next time you tune in one of the musical spectaculars from Hollywood, Calif., take a closer look at the choreography. If you don’t see Carmen Clifford in one of the dances, it will be pretty safe to assume that she helped with the art of planning them. She may have done the dance-in. This means that she learned a dance, for say Dinah Shore, and taught her the steps. Miss Clifford has worked on such shows as: Bob Hope specs, “The Jerry Lewis Show,” “The Gale Storm Show,” “The Dinah Shore Show,” “Red Skelton,” and “The Frank Sinatra Show.” She danced in the “Playhouse 90” Emmy award winner, “The Helen Morgan Story.” “Ordinarily, (we work from 9 a.m. to 6 p.m., seven to ten days to polish dances on larger shows. There are times, however, when we are required to work late at night. Most of the smaller telecasts require three or four days work,” Miss Clifford explains. In preparing for presentation of “The Helen Morgan Story,” the actors rehearsed three weeks and dancers ten days. This “Playhouse 90” production, like most of its dramas, was very well-organized.

Sometime in the mid 1950s, Carmen married her third husband, Alexander Goudovitch. Goudovitch was born on May 30, 1923 in Paris, France of Russian ancestry, the son of Countess Anastasia and Count Basil Goudovitch of Monte Carlo and Nice. He graduated from the Pare Imperial at Monte Carlo. Afterwards he danced at the Ballet Russes, and during WW2 came to the US where he settled in Hollywood and worked as a dancer in the movies.

On January 25, 1945 he married Sharon Randall, glamorous musical comedy singer. The marriage did not last very long – they divorced in 1950, and Sharon later testified her husband stayed away from home at nights and when she asked him where he had been he struck her. When he married Carmen, he was an assistant to the director of the George Gobel Show.

Their marriage lasted for a few years in the 1950s, and they divorced as the decade was coming to a close. Alexander married Ida Mercier in 1962. He died on October 17, 1984.

Carmen married her fourth and last husband: Robert Rapport, on February 2, 1963, in San Francisco. Robert was born on February 9, 1901 in Patterson, New Jersey, making him a bit older than Carmen. He moved to California in the 1920s, got married to Florence Rapport, who worked in the movie industry as a secretary. Robert later managed a theater.

The Rapports marriage was a happy one. After living in California for some time, they moved to Pennsylvania to enjoy their retirement.

Carmen Rapport died on February 15, 1981, in Philadelphia, Pennsylvania.  

Robert Rapport died on November 22, 1996 in Bucks County, Pennsylvania.

PS: Some good news! This blog has been selected by Feedspot as one of the Top 30 Classic Movie Blogs on the web!! Thank you!! Check out all of these great blogs on the list!

Valmere Barman

Valmere Barman was a California beach blonde who came to Hollywood because she was a looker. Her career, predictably, failed, but her later life was very interesting and to some degree cosmopolitan – she lived in the far east and was a very active woman! Let’s learn more about her!

EARLY LIFE

Valmere Barman was born on December 14, 1922, in Los Angeles, California to Wademar Jacob Barman and Edith Gay Barman. Her older sister, Edith N., was born on May 5, 1918. Her father was a refrigerator engineer.

Valmere’s childhood was pretty uneventful – she grew up in Los Angeles and developed an interest in the performing arts from her teen years. She was the assistant for the Mystical 13 Magician Association when she was 15 and her nickname was “Dolly”. She attended John Marshall High School and after graduation, opted to continue her education and go to college.

I could not find which college Valmere attended, but she was seen by a talent scout who bought her to the attention to Paramount studios – they signed her in 1942 and there she went!

CAREER

Valmere started her career in the low-budget Gene Autry western, Call of the Canyon.Who boy, can’t thing to anything more to say about these movies. Austry isn’t even half bad, so Valmere can even consider herself semi-lucky to star in his western. Happily, she did a bit better for herself in her next feature – Lady of Burlesque. A murder mystery set in a seedy, underworld burlesque house. Despite mixed reviews, this is a solid, entertaining movie with lots to offer, especially if you like burlesque, of course! Babs Stanwaxck is her usual great acting self, and there are plenty of underrated female talent here – Iris Adrian, Gloria Dickson, Stephanie Batchelor… A unique combination of Miss Marple and Gypsy Rose Lee, it’s a definite recommendation!

Like most of Paramount contract players, Valmere appeared in Duffy’s Tavern, a cavalcade of various dancing, singing and vaudeville segments with some very nifty names to feature (Bign Crosby, Betty Hutton, Paulette Goddard, Alan Ladd and so on). Then, Valmere played a schoolgirl in Our Hearts Were Growing Up, a sequel of the better known Our hearts were young and gay. Continuing the adventures of Cornelia Otis Skinner and Emily Kimbrough, it’s a charming but lukewarm romantic comedy, base entirely on the fact that pre 1920s girls were as a naive as smuck in terms of men and sexuality. While people from the 1940s could understand this and actually laugh at it, today it’s a bit sad and even a bit shocking to watch it. But still, Diana Lynn and Gail Russell and are easy on  the eyes and good enough actresses to pull it out. As a bonus we have Brian Donlevy playing a bootlegger who romances the girls. Whauza!

Valmere then appeared in Blue Skies, a well known, classic Bing Crosby/Fred Astaire musical, written by Irving Berlin. Valmere than graces one of Cecil B. DeMille’s epic movie, Unconquered. It’s a story of early America, about the struggle between the colonists and the Indians. Gary Cooper and Paulette Goddard star, and they make a fine couple, looking exquisite together. While the movie is lavish, stupendous and mesmerizing in its sheer scope, it has all the failings of such a production – namely, it’s not accurate historically , the plot is far-fetched and the characterization could be better –  but who cares when it’s so much fun!

In the interim Valmere made a few short movies – Boogie WoogieThe Little Witch, where she played prominent roles. Fittingly, she finished her career with one such a short, Gypsy Holiday.

And that was it from Valmere!

PRIVATE LIFE

One of Valmere Barman’s treasured possessions was a letter from Mrs. Harry Houdini. Since she worked closely with magicians from the time she was a teen, it’s safe to assume Valmere liked the whole hocus pocus industry. Valmere also performed on stage as well on screen, dancing and singing as a member of the Bob Hope Stateside USO tours during World War II.

When Valmere landed in Hollywood, she wasn’t a happy-go-lucky unattached girl looking for swains – she was in a committed relationship with her John Marshall High School sweetheart, Charles Eugene Dickey.

After a long engagement, Valmere and Charles, then a recently discharged marine sergeant, were married by Rev. W. Don Brown on November 6, 1945 at Trinity Episcopal Church. They were attended by seven bridesmaids and seven ushers.

Dickey was born on January 10, 1922 in Illinois, to Charles R. and Marie Heaton Dickey. He had a younger brother, Howard. The family love to Los Angeles, where Charles Sr. worked as a retail paint salesman. Charles grew up in Los Angeles, and after graduating from high school was drafted on February 12, 1942.

I always wonder what happens to couple that date for ages get married and then divorce in a span of one year (or something similar). Relationship fatigue? Anyway, the point of this story is that Valmere and Charles’ marriage didn’t work and they were divorced by 1948. Dickey stayed in California, remarried in the 1950s and died on June 3, 1982.

Valmere was out of the public eye by then, so little was written when she married her second husband, Frank Kasala, on September 1, 1949, in Los Angeles.

Kasala was born on May 5, 1922, to Frank Kasala Sr., whose parents were from Czechoslovakia, and Kathryn Bureker, daughter of German immigrants. His younger sister Barbara Leone was born on August 1, 1924. The elder Frank worked as a clerk. Freshly graduated from high school, Kasala was drafted into the army in 1942 or 1943.

He was a scenario writer before he entered the service and has continued in his profession as much as possible while in the service. Kasala won 3 battle stars for his work in the European theater. During the war, Kasala married Eleanor Canoy (born on July 10, 1923) on June 30, 1944 in her hometown of Marion, Oregon. Eleanor was a Majorette in the American Legion Band. Their daughter Gail Lynne Kasala was born in 1945. Tragically, the girl died just a few months after birth. The Kasala’s marriage never recovered after this, and they divorced in 1946.

Terri remarried twice (second time to to John Yeager) and lived the rest of her life in Oregon – she and her husband die don the same day in 2005.

The Kasalas lived in Los Angeles, Valmere retired from movies and ready for motherhood. Their daughter Valmere Lynn was born on March 4, 1951. Their second daughter, Cathy Gay, was born on May 14, 1953. Their third daughter, Diane L., was born on March 30, 1956. After her daughters grew a bit, Valmere worked as the Dietitian at the Pilgrim School in Los Angeles from 1961 to 1963.

In 1964, the family moved to Japan for work reasons.  The family lived in Japan from 1964 to 1968 and Hong Kong from 1968 to 1975.  In Japan Valmere taught as an elementary teacher at the International School of the Sacred Heart and was a swim team coach for the Yokohama Yacht Club from 1965 to 1968. In Hong Kong she taught as an elementary school teacher and also conducted the school choir at the Hong Kong International School in Repulse Bay. While overseas she loved to race day sailboats and sail for leisure with her family.

They returned to the US in 1975. Now, what exactly happened in the East and then in the US I cannot know, but my own take (so could be purely fiction), based on the information I have found – Frank and Valmere grew apart, their marriage slowly deteriorated, Frank fell in love with a Japanese woman, divorced Valmere and married the lady. The facts: Joe and Valmere divorced in November 1977.

Kasala remarried to Shinako Kasala, they had a son, Craig, and lived in California, where they were both passionate golfers. Shinako sadly died in 2007. Kasala died in 2017.

Valmere returned to California after her divorce. On September 13, 1980, she married Robert C Barnhart.

Robert was born in Johnstown, Pennsylvania in 1920 to Robert C. Barnhart Sr. and Edna Adams Barnhart, Bob went to Valley Forge Military Academy on a trombone scholarship prior to attending the US Naval Academy. Immediately after graduation in 1944, Bob reported to the USS Astoria as a gunnery officer and saw action at Iwo Jima and Okinawa.

After WWII, Bob served int he Navy and won a bronze star during the Vietnam war. Bob completed his 30 year career in the Navy as Chief of Staff in Philadelphia. After his retirement from the Navy, Bob settled in Lake Forest, California, where he worked for General Dynamics, Pomona for 10 years before completely retiring.

Bob married Paula Jeen Gay of Long Beach on March 24, 1945, and they had four children, Bobby, Randy, Annette Colver and Gary. Paula died in 1979.

Bob’s passion was fishing, and he and Dolly would often summer at the family fishing cabin in Pennsylvania. They also volunteered at Saddleback Hospital when not traveling.

Valmere Barman Barnhardt died on February 2, 2012 in Lake Forest, California. Her widower Bob died on December 15, 2012.