Patricia Alphin

Patricia Alphin came from a family that was deeply integrated into the movie business in Los Angeles, and it was no wonder that she wanted to become an actress. A poor man’s Jane Russell, she was a buxom, pretty girl, but sadly not talented nor lucky enough to cause any ripples in the treacherous seas of Tinsel Town. She had some odd 20 plus movies, and then retired after getting married.

EARLY LIFE

Patricia Cleora Alphin was born on 1927, in Phonerix, Arizona, to Harry Joshua Alphin and Bonnie Humphrey. Her father was a sound engineer, and due to his job the family moved to Los Angeles in 1929 where he started working for motion pictures studios. She had an younger sister, Harree Bonnie, born on March 10, 1931, and a younger brother, Harry Jr., born on August 27, 1935. Both of them were born in California.

Patricia grew up surrounded by movie people and wanted to become an actress from childhood. She attended and graduated from Burbank High School, and, as a true beauty, was active in the local pageant scene.

I don’t quite understand this, but in 1946 Patricia was crowned Queen of the Burbank Bethel of Job’s daughters. Confused? So am I. Anyway, here are some articles about it:

 Jobs Daughters Guests Of North Hollywood Bethel North Hollywood Bethel No. 110, Jobs Daughters, had as guests Bethel No. 97 of Burbank, April 6th at the North Hollywood Masonic Temple. The meeting was presided over by Joyce Hanzel, honored queen of North Hollywood bethel, and Patricia Alphin, honored queen of Burbank bethel. Both the North Hollywood and Burbank officers filled the chairs, with the Burbank’s girls as courtesy officers doing the work.

As a Queen, Patricia had certain social obligations that she did with gusto:

Patricia Alphin Hostesses Tea Featuring the Easter theme In the table decorations, Patricia Alphin, honored queen of Burbank Jobs Daughters, hostessed a mother and daughter tea at her home,  She was assisted by her mother, Mrs. Harry J. Alphin. At a tea table, beautifully appointed with a centerpiece of purple and white sweet peas,  Diane Swagler. Nancy De Celle and Donna Bell poured. Approximately 100 attended the affair.

After graduation, via her dad, Pat started working as a messenger at Universal International studio. She worked in the mail room and zipped around the lot with tons of letters. Literary, she was a female mailman 🙂 It was in this room that she she was was “discovered” and signed to a contract.

After several years of hard work, and many disappointments, Pat got her first big film break. She was given the feminine lead in Abbott and Costellos The Wistful Widow of Wagon Gap. But she was taken out of the role when she was rushed to the hospital for an emergency appendectomy. This derailed her a bit, but as you know, you can’t keep a good girl down, and she was up and running once again, ready for big things!

And off she went!

CAREER

Patricia had a sim career as she was almost never credited, but her filmography is interesting and varied and, what is very important, she didn’t fall into the low budget western trap like many of her contemporaries.

Her first movie was Idea Girl, a totally forgotten Julie Bishop/Jess Barker movie. Her second movie appearance was in Tangier, another completely forgotten Maria Montez WW2 spy movie (but Maria sure was something, definitely not an actress but a powerful personality who lit up the screen). Then came Night in Paradise, an absolutely ridiculous semi fairy tale movie with Aesop as the main character (played by the exotic Turhan Bey), and Merle Oberon, a favorite of mine, sadly completely wasted in a “sensual” role. Not much better was the shallow, stripped-bare crime movie Inside Job, about ex cons who are forces to do another robbery, and Lover Come Back, one of Lucille Ball’s lesser movies where she tries to get even with her philandering husband, played by George Brent (yes, since this was made under Code she doesn’t too anything to drastic, making this a insipid movie).

Patricia then appeared in the serial The Mysterious Mr. M, which, you guessed it, has been completely forgotten and overshadowed by more popular serials. Her movies got a bit better afterwards (but she still was not credited, mind you). White Tie and Tails was actually a charming comedy about a butler who wreaks havoc on the his’ employers house while they were away – you have Ella Raines and William Bendix in it, and I love both of these performers. Then came I’ll Be Yours, another fluffy musical-comedy-romances made by Deanna Durbin, who was so deeply stereotyped by then that she gave up Hollywood not long after (and moved to France, smart girl!).

Since they were at the same studio around the same time, it was logically that Patricia would appear in movies with Yvonne de Carlo. Their first “collaboration” was Song of Scheherazade, a weird biopic about Russian composer Rimsky Korsakov. If nothing else, there is tons of good music and Jean Pierre Aumont (who plays the leading role) is the typical charming Gallic actor, immensely watchable! Pat was then in the above average Abbot and Costello movie, Buck Privates Come Home. Patricia had a slightly bigger role in Time Out of Mind, the first US movie made by the British star Phyllis Calvert. The movie, despite being a box office miss and having some serious problems, is worth watching just to see Phyllis and Helena Carter playing two interesting female characters. And Robert Hutton!! I cannot express my disdain for such a man! In Hollywood, where there were tons of incredibly talented people that never made it, we have a stone-faced, no-talent man with average looks who actually managed to snag some good B class roles. HOW??? Please explain how? I don’t expect every actor to be Laurence Olivier, but c’mon, Robert is a total block of wood when acting, with no charisma what so ever!

Luckily, Patricia’s next movie The Web is a minor film noir classic with a great pairing of Edmund O’Brien and Ella Raines, and with Vincent Price and William Bendix thrown in for good measure. The movie is all about who is going to double cross who, and despite being a tad bit predictable, keeps you guessing. The movie’s strength lies in the strong cast assembled and in the very good black and white cinematography. Next up was Something in the Wind, a typical Deanna Durbin movie (fluff!).

Perhaps the best movie on Patricia’s filmography is Letter from an Unknown Woman, an expertly made, magical but utterly devastating film, a deeply felt lament that manages to touch the viewers on a profound level. The story of a one sided, unrequited love is expertly directed by Anatole Litvak and played to perfection to Louis Jourdan and Joan Fontaine. Pat then went on to more cheerful stuff with Up in Central Park, another Deanna Durbin movie but this time with more zest and spice, and dealing with more than just pure romance – it’s a semi socially conscious movie about corruption in turn of the century New York City. And it has Vincent Price in it!

Patricia scored another very good film noir with Larceny, a John Payne/Dan Dureya/Joan Caulfield movie. Basically, it’s a film about a film about con artists and their techniques with a bit of romance thrown in, and it’s almost educational in this aspect. Pat then appeared in a mid tier Abbott and Costello movie, Mexican Hayride. Next she played a secretary in the very first Ma and Pa Kettle movie, Ma and Pa Kettle.

Up next was Johnny Stool Pigeon, a mid tier film noir with Howard Duff playing an agent who infiltrates a crime organization – always the same plot, but with a good cast and decent atmosphere, it’s an okay effort.  Then came Yes Sir, That’s My Baby, a part sports part ‘battle of the sexes’ drama/comedy film, focusing on the conflict between the desire of college student fathers to play on the football team vs. their responsibilities in providing for their family and helping care for their babies. It’s nothing special, but Donald O’Connor has a few nifty dances in it, and Gloria deHaven and heavenly as always.

Pat’s last movie for Universal International was The Gal Who Took the West, her second Yvonne de Carlo feature. As with most of Yvonne’s movies, it’s a lusty, sensual affair with no great story and little to no character development, but hey,

Expect a small uncredited role in 1980 (in The Return), that was it from Pat!

PRIVATE LIFE

Some of the tidbits Patricia told the papers: “The first thing I wanted when I graduated from high school was a fur coat. It makes a young girl feel that shes really grown up, and it makes that impression, too. You feel good in it, no matter what kind.

Patricia married her high school sweetheart, John W. Moorman, in a ceremony at 8 p.m. on June 28, 1949. The wedding was not without mishaps: Bonnie Alphin, Pat’s sister, lay on a stretcher as she served as bridesmaid because she was injured in an auto accident en route to the church. An ambulance took Bonnie from the scene of the crash to the church where and after the ceremony Bonnie was whisked to a hospital for X-rays of a back injury. Bonnie later recuperated fully.

A bit about the groom. John William Moorman was born in Los Angeles on December 28, 1926 to Paul Samuel Moorman and Aida Stephens. During the war he was an Air Corps member, and later attended Occidental College. The couple honeymooned in Mexico City.

The Moormans settled in Los Angeles had two children, a son, John Scott, born on May 14, 1951, and a daughter, Julie Kathleen, born on September 2, 1954. Little is known about their life, they continued living in Los Angeles, with Patricia long retired from movies.

Patricia and John divorced in September 1974. Moorman remarried to Marilynn Barber in 1976 and died on November 9, 1995.

Sadly, Scott Moorman, Pat’s son, died before his mother in unusual circumstances. He was a very gifted athlete and a Monroe High School running back. After get married, siring a son and getting divorced, he moved to Maui from Granada Hills in the mid 1970s and was an active sailor. In 1978, he went missing while on a fishing expedition, and his skeleton was found 10 years later on the Marshall Islands. It is possible that he lived like Robinson Crusoe on an deserted island for years. This is an incredibly intriguing but somber story, and learn more about it on this link: One dusty track.

Patricia falls out of the radar from then on, and I have no idea what happened to her. As always, I hope she had a good life!

Ila Rhodes

Ila Rhodes was a pretty blonde who got to Hollywood via the Pasadena Playhouse, and who expressed a wish to seriously act (she studied drama at college). Too bad it never came that far – she did a few small roles and then gave up movie altogether to get married. Her Tinsel town highlight was dating Roland Reagan, and this got her five minutes of fame in the 1980s, after he became a president. Let’s hear more about her.

EARLY LIFE

Ila Rhodes was born on November 17, 1913, to William Allen Rhodes and Birdie E. Baley, in Marion, Missouri. Her father was an engineer. She was the youngest of six children, where her oldest siblings were really older than her – her brother Ernest and Omar were born in the 19th century (in August 1892 and July 30, 1895 respectively)! Her other siblings were Sarah, born on December 21,  1903, Nancy Ethel, born in April 5, 1906 and Charles, born in 1909. Sadly, Ernest died before Ila was born, probably in 1910. The family moved to Oklahoma when Ila was a little girl, and by 1920 they were living in Ottawa, Oklahoma.

Ila had a normal middle class childhood, even if it was a bit hectic. Namely, due to her father’s work, she moved a great deal and attended grammar school in Okmulgee, Hitchita, Checotah, McAlester; all in Oklahoma, and Fort Smith, Ark. She went to high school in Atoka, Muskogee, Tulsa, and later attended university at Oklahoma City (all four years). At the university Ida majored in dramatics, got a groundwork in Shakespeare and other classics.

Later publicity claimed that Ila’s full name was Ila Rae Cornutt, and that she was of Cheerokee Indian descent, but since they made up a great chunk of young starlet’s histories, I wonder if this is true. Not only was her surname not Cornutt, but she was born in Missouri, not Oklahoma. Although it could be she had some Cornutt family connection, but can’t be sure. Here is the article:

Permanent Blonds But if Ha’s a vanishing Indian (out of this school and into that one), she’s not a vanishing blond. Her family is a durable exception to the new scientific theory of “perishing blonds.” This theory holds that bruneta are gradually absorbing blonds. The blondness in Ila’s family is so strong that it erases competition. In the family tree is a great maybe even a great-great grandmother who was full-blooded American Indian. “Rust-Proof” Legend says that from the union of a blond, Dutch-English white man and an Indian’ maid came one child who had flaxen hair and blue eyes the first of the “non-rusting” blonds in the Curnutt clan. Ila’s pink-and-white complexion won her a role without a screen test in “Women in the Wind.”

No comment on that. Anyway, after graduation from college, Ila started to act in the Pasadena Playhouse and attended their dramatic school. Following graduation the dramatic school, she was noticed by Arthur Lyons, Warner Bros producer, and after a successful screen test signed a two-year contract with Warner Bros and her career was go!

CAREER

Ila appeared in only 6 movies. She was uncredited in Off the Record, a Joan Blondell/Pat O’Brien combo movie.  The two leads are dynamite together (playing newspaper people) and Joan is her usual cute but tough broad, but the movie is a low budget B class film and it shows in the short running time and too much stuff meshed into it. Part newspaper film, part drama and part romance, ti doesn’t really work, but as I said it’s worth seeing for Joan and Pat alone. They don’t make them like this anymore!

Ila was given a leading role in Secret Service of the Air, the first movie Ila appeared with Ronald Reagan. It has a very thin plot: Brass Bancroft and his sidekick Gabby Watters are recruited onto the secret service and go undercover to crack a ruthless gang that smuggles illegal aliens. As one IMDB reviewer notes, this film contains just about everything you could possibly fit into a 61-minute movie: a prison break, car chases, shootouts, bar fights, a love story, brawls, various plane chases and much more. Typical for a B movie of the period, where more was considered more.

Next was Women in the Wind, one of the movies that Warner Bros made Kay Francis do that that their prized star, who was paid thousands a week, would quite before her contract expires. Thus, we can assume it’s not a particularly good movie. Ila then appeared in a small role in Dark Victory, the Bette Davis weepie classic of 1939, with George Brent and  Humphrey Bogart thrown into the mix. The story is well known: a socialite discovers she has an inoperable tumor and has to change her whole life before her time comes. Bette excelled at these kind of roles, and the supporting cast is wonderful, so overall it’s a very good movie.

Ila’s last movie was Hell’s Kitchen. The Dead End Kids star in this remake of The Mayor of Hell and Crime School, with Ronald Reagan and Margaret Lindsay as obligatory grown ups support. Nothing to write home about, but does have some socially conscious moments and it’s one of Ila and Ronnie’s movies together!

That was it from Ila!

PRIVATE LIFE

Ila was five feet five, weighting 112 lbs in her prime, and shaved 4 years of her CV when she was signed by Warner Bros. Growing up in Oklahoma, Ila was something of a bronco-busier. She didn’t tell Warners about that at first, because she was afraid she’d be cast in westerns and have to hide her pretty figure in a pair of chaps.  She also told the papers that she dieted on baked potatoes and skimmed milk when she wanted to lost a few pounds. She was best friends with Margaret Lindsay and Marie Wilson, and the three often sipped drug store ice cream sodas like a trio of high school girls. She also wore two old-fashioned hat pins with garnet beads she found among her mother’s keep-sakes.

Here is a bit more about Ila: She likes to sing and dance and does both well. She’s a fine horsewoman, a fact she concealed for a time fearing to be typed westerns. She plays’ tennis and dances to keep fit, diets mildly, attends the Methodist church, drives a two-year-old car, doesn’t care for jewelry. She rises early, saves her money and reads a good deal. Her best friend Is Ida Lupino. Her natural ‘blond hair and startlingly blue eyes are the kind that delight cameramen. She also gave a recipe for a special bleaching masque. To a whipped up egg you add the juice of a big lemon, then apply it to your face and leave it on for a half hour. Take two facials each week.

If Ila is indeed remembered today, it’s because she was, allegedly, engaged to Ronald Reagan, then a young actor in the Warner Bros roster. It was the year 1937/38, she was around 21 (officially, but actually about 25) and he was around 30. Their budding romance consisted of lunch-break trysts and stolen weekends together. Ronnie used to take her for hot dogs and he had a no-smoking, no-drinking, no-dancing stance, preferring simple things like taking long walks and talking.  Ila would later say of him: “Ronnie was very attractive, and I enjoyed our weekends out together. I became engaged, with a ring on my finger, when fame started to affect us. The fans started to multiply.” Allegedly, Ila tried to sell some tall tales to Ronnie, claiming she was related to some old guard, wealthy aristocrats, but it remains to be proven either false or true.

The engagement lasted eight or nine months, when Warner Bros moguls decided romance between their stars was bad for box-office business, and started pressing Ronald to give Ila up. They used any means necessary to do it. Arthur Lyons, the Warner producer who had discovered Ila, started taking her to celebrity get-togethers and fashionable nightclubs. Bit by bit, this erosion  led to the break-up. Ila recalled later: “But it was elegantly done. He grew distant, withdrew a little, giving me plenty of room to take any kind of decisive step. And then we decided to face facts.” Shortly after the couple split they both married, Reagan to actress Jane Wyman and Rhodes to Lyons. Anyway, Ila and Lyons planned their wedding to be a Mexico City double-wedding with Ida Lupino and Louis Hayward getting  married with them.

Thus, in Ila traveled to Yuma. Ariz., to be married to her agent, Arthur Lyons. Lyons was born on May 27, 1906, in Russia. Little is known of his early life. He became an talent agent with his brother Sam representing such stars as Joan Crawford, Ida Lupino, Lucille Ball, Ray Milland and Jack Benny.

They started happily, looking for a new house and so, but the marriage was not to last. Lyons and Ila separated in June 1940, and divorced in November 1940, and court awarded her $500 a month for the rest of this year. Lyons remained a prominent agent and producer, and remarried in 1961 to Winifred Gilbert. He died on July 26, 1963.

After her divorce, Ila left Hollywood, hoping to revive her fledgling acting career. She went to New York to act on the legitimate stage. Her first and last role on the stage was in “Goodbye My Love”. Then, in mid 1942, Rhodes met a man at a dinner party in i Washington. In October 1942, they made their relationship public by appearing at the swank 21 club – Ila on the arm of Air Corps Brig. Gen. Bennett Meyers. Meyers was considered quite a catch and Ila was allegedly envied by tons of glamour girls. Meyers was high up in the military and was a powerful man who enjoyed friendships with other powerful men, and it seems that Ila was ready once again to give up acting to take up the mantle of domesticity. On February 14, 1943, they were married at the Marble Collegiate Church.

Here is a bit about Bennett:

Bennett E. Meyers was born in Buffalo, N.Y., in 1895. During World War I he enlisted in the Aviation Section of the Signal Reserve Feb. 2, 1918, and served as a flying cadet until June 22, 1918, when he was commissioned a temporary second lieutenant in the Air Service, serving continuously until he was commissioned in the Regular Army as a second lieutenant, Air Service, to rank from July 1, 1920.

He completed ground school at Berkeley, Calif., and flying school at Rockwell Field, Calif., remaining at the latter station after being commissioned. He transferred to Love Field, Texas, for duty in various staff capacities from July 1919 to November 1920, when he became commanding officer of the Surplus Property District at Detroit, Mich. When this was completed he undertook a similar assignment at Buffalo, N.Y., in the following September, and became commanding officer of the Air Reserve Depot there.

He moved to Luke Field, Hawaii, in September 1923 for intelligence duties until July 1924, when he joined the 23rd Bombardment Squadron. In June 1927 he was transferred to Wright Field, Ohio, for procurement duties. He was away on temporary duty from November 1927 until February 1928 to take the special observation course at the advanced flying school, Kelly Field, Texas. He returned to Wright Field for procurement planning duties, becoming chief of the Plans Division of the Industrial War Plans Section.

He was assigned to the Army Industrial College, Washington, D.C., in September 1929, and graduated in June 1930. He then returned to Wright Field as chief of the Plans Division, Industrial War Plans Section. He was detailed to the Babson Institute, Mass., in September 1931 and graduated in June 1932 with “high distinction” and was valedictorian for the class. He remained there for post graduate work for another school year until June 1933 when he again returned to Wright Field as executive to the Field Service Section. In 1935 he established the Budget Office at that field and was budget officer and chief of that division until September 1940 when he was transferred to the Office of the Chief of Air Corps as assistant executive. He became executive officer of the Materiel Command in that Office in November 1940, and in March 1942 was named deputy to the Assistant Chief of Air Staff of the Army Air Forces.

He assumed command of the Materiel Command, with headquarters at Wright Field, Ohio, in June 1944, and the following month was named Deputy Director, Army Air Forces Materiel and Services at Patterson Field, Ohio (later redesignated Air Technical Service Command, with station at Wright Field, Ohio). In May 1945 he assumed command of the Air Technical Service Command. He retired in the grade of major general.

He was awarded the Distinguished Service Medal and Legion of Merit and was rated a senior pilot, combat observer and technical observer.

He was dismissed from the service of the United States by President Truman July 16, 1948, after conviction of a felony.

Ila and Bennett lived the high life, and had three children: twins Arnold and Damon, born on February 26, 1944, and Ila Jr., born on February 24, 1946. But it seems the salad days were not to last, as Meyers was privy to enough to make himself some dough, on the side, and not in a ethical or indeed legal fashion. Here is the article:

Gen. Bennett K. Meyers. head of the Army Air Force wartime procurement. 1 about to get hit with a bag of wet cement when the Ferguson-Bretr-Hughee war contract Investigation reopens Monday. “Benny” Meyers, m the 48-year-old purchasing official la generally known, will be slapped with a receipted hotel bill, showing . he accepted more than , 11,000 worth of weekend entertainment from vHow-ard Hughes., via his fat bagman, Johnny Meyer. The hotel bill, from the swanky Town House in Los Angeles, will be produced by Senator Homer Ferguson, of Michigan, who will ask the general why he accepted favors from a man who ‘ was trying to get army contracts. General Meyers, who married Ila Rhodes, a movie actress about half his age four years ago, enjoyed a very expensive weekend at the Town House with his wife. The ten shows it was lifted by the ubiquitous Johnny Meyer with one of his famous “okay to pay” notations. Without realizing it, I have been sitting on most .of this story since the Hughes investigation opened early in August.

Ila stood by her husband, getting papped daily in the courtroom, and often being called the general’s ultra sophisticated, very chic younger wife. Guess the publicity wasn’t that good, and Ila came around as quite a shallow money digger – the press obviously twisted the story according to their own agenda. Anyway, Bennett was found guilty on three counts of subornation of perjury, and faces a maximum 30-year prison term. In the end, he was interred in Wasghington, DC.

Ila was under siege after the trial, and she tried to make a normal life for herself and the couple’s children. Sadly, the press didn’t let her – a few months later, she was discovered modeling In a Manhattan fur salon under her maiden name. She was unhappy about the publicity but said she took the job because She needed money to support her three children, and she wanted to be near Washington, D. C., where for one hour each week she is allowed to visit her husband, in jail for perjury. .She allegedly told a reporter: “Jeepers! They didn’t know who I was when they hired me. Maybe Ill be looking for another job tomorrow”. Yep, Ila tried but they were not really forthcoming.

IMDB claims that Ila died on December 10, 2012, in Glass Valley, California.

 

Clarice Sherry

Clarice Sherry was a promising, talented small town girl reared to become a successful actress. Sadly, despite all of her talent Hollywood just didn’t embrace her and she retired after just a few years of working. Let’s learn more about her.

EARLY LIFE

Clarice Marie Shierry was born on December 21, 1914, in Hawkeye, Iowa, to Leon Shierry and Etta C. Brukhart. She was their only child. Her father was a barber who had his own barber shop, her mother designed hats and dresses (including those worn by her daughter in the future).

The Shierrys spent the first four years of Clarice’s life in Hawkeye, then they lived in Mason City for two years before the family went to Los Angeles, California in 1928, where Clarice attended high school and junior college. A striking blonde, Clarice had  been carefully reared by her parents, with much love. Although she early showed signs of artistic talent, she was not allowed to commercialize it nor to make public appearances during her school life, except in recitals with other pupils. Piano and dancing lessons were part of her education, which was obtained in a Los Angeles private dramatic school.

Due to her beauty, she was chosen to model gowns and to pose for automobile advertisements. Her face has also appeared on magazine covers. In March, 1934, Warner Brothers signed her for her first chorus work, and she has made progress ever since. She appeared in choruses in Dames, North Shore, Sweet Adeline, Gold’ Diggers of 1935, Go Into Your Dance, Sweet -Music and others, then took a voice test in the summer of 1936. That test resulted in a passing grade of 100 per cent, and she went into the speaking parts.

CAREER

Clarice appeared in a string of musical movies as a chorus girl. She was featured in three Sonja Henie movies – One in a Million, Thin Ice and Second Fiddle. Since my dislike of Sonja Henie is more or less obvious if you read this blog, let’s just let it slide.

Other musicals that Clarice appeared in are: The Girl Friend, a totally forgotten Ann Sothern musical, Sing, Baby, Sing, a weak and not very memorable Alice Faye vehicle, Broadway Melody of 1938, a typical pastiche musical with Robert Taylor, playing a non-singing guy, trying to act out a flimsy story about a Broadway producer, but everybody is watching Eleanor Powell, Judy Garland and Sophie Tucker singing and dancing, Kentucky Moonshine, a abysmal Tony Martin musical with the Ritz brothers supplying (or trying to) some minor comedy, Alexander’s Ragtime Band, perhaps the bets musical she made, a Alice Faye/Tyrone Power classic with a great deal of Irving Berlin songs, and Honolulu, a charming Eleanor Powell movie with an idiotic story but good dancing.

Clarice had bigger parts in non musical movies, and if she’s even remembered, it’s for them. We have The Emperor’s Candlesticks, a witty, urbane spy-romance movie with William Powell and Luise Rainer (with that superb pairing, anything goes!), Man-Proof, a champagne comedy with Myrna Loy playing a unhappy in love girl trying to woo the desire of her heart and Franchot Tone trying to stop it (and wooing Myrna, of course), the absolute classic The Women, and Fast and Furious, which, despite it’s intense name, is actually a light murder mystery, with Ann Southern and Franchot Tone’s zany marriage being the core value against a meh plot and a lot of pretty young women in bathing suits (Clarice among them).

Clarice’s last movie deserves a special mention. Flash Gordon Conquers the Universe is a cult classic, as are most Flash Gordon movies. Whatever one may think of Universal series, this one is of a pretty good quality. Buster Crabbe was made to play the heroic Flash Gordon and Charles Middleton makes an incredible Ming. However, it is the action sequences that are the true highlight here. Watch it! Clarice had a small part as Queen Grend,a but at least she’s visible!

That was it from Clarice!

PRIVATE LIFE

Clarice was 5 feet 5 inches tall, and had glorious hair famous around Hollywood. It was pale natural blond, waved slightly and went all the way to her waist. Here is a funny story about Clarice’s adventures in Hollywood:

“It’s a great life if you don’t weaken,” gasped Clarice Sherry, when shooting stopped for a moment on “The Great Ziegfeld’ set the other day “But I’m distinctly wakening.” h added. The i costume she bad on weighed only 102 pounds. It’s for a very elaborate promenade and posing number. It is called “Northern Light” and Is made of 2,000 yards of pleated tulle and 700 large pear-shaped crystals. The former Hawkeye-Mason City girl has to wear special shoulder pads with it

Her private life was very stable. Clarice married Sidney D. Lund, technical executive at Universal studios, in a secret elopement to Reno in 1935. The couple hurried back to Hollywood the next day, so that Clarice could obtain a screen role in a new picture in which she appeared with Melvyn Douglas, Virginia Bruce and Warren William. Afterwards the Lunds establish residence in Los Angeles.

Sidney Lund was born on January 10, 1905, in Los Angeles, California, to Burton Lund and Abby Holt. His parents divorced and both remarried, and he had a maternal half sister and half brother, Mary and Conrad Klemm. He was trained as an electrician and became a movie technician for Universal Studios. He was married once before , to dancer Sada E. Hindman, on May 3, 1930 in Los Angeles. They had no children and enjoyed a very tempestuous marriage with at least one major scandal – in January 1931, Sada accused actress Dorothy Janis with stealing her husband’s love while the pair were making a picture in the South Seas. After much drama, Sada dropped a $25,000 alienation of affection suit. Dorothy and Sidney did not end up together, as she married Wayne King in 1932, so I guess Sada and Sidney made up. After more ups and downs, Sada finally divorced Sidney in 1933, charging desertion, nonsupport and cruelty.

Unlike his first, Sidney’s second marriage worked like a charm. Clarice retired from movie work, and dedicated herself to family life. The couple had a son, Gary Robert, born on October 18, 1940 in Los Angeles. Sidney continued working in the motion industry.

The Lunds enjoyed a happy union, lived in a two stories high residence in North Hollywood, had many good friends and were able to travel widely and saw a great deal of the world. Clarice also painted many beautiful pictures and portraits, and loved Oriental art and gardening.

Clarice Sherry Lond died at the ripe old age of 98 of an aneurysm on October 4, 2012 in Los Angeles. She is interred at Forest Lawn Memorial Park in the Hollywood Hills.

Agnes Craney

Agnes Craney was one of the girls who landed in Hollywood not thanks to her extensive dancing skills, nor her modelling career, nor indeed any acting prowess – she won her entry into Tinsel town via a publicity stunt! As you can imagine, that’s one of the worst ways you can gain entry into movie,s since you have no bankable skills and being pretty just ain’t gonna cut it in the town where hundreds of pretty girls arrive every day. As you can guess, Agnes made only two movies, married and retired to raise a family. Let’s learn more about her! (sorry for not having a close up of Agnes, she is in the photo somewhere!)

EARLY LIFE

Agnes Jane Craney was born in 1917 to George Thomas Craney and Pearl Winifred Morss in Madison, South Dakota. She was the third of four children: her older siblings were a brother, Morris Charles, born in 1911, and a sister Leone, born in 1915. Her younger sister was Rita, born in 1922. Her father worked as a real estate salesman. The family moved to Long Beach in the mid 1920s for her father’s work.

Agnes grew up like any normal, middle class girl in Long Beach,  and attended the Long Beach high school. What set Agnes apart from her peers was her obvious beauty and her star-stuck dream of becoming an Hollywood actress. And something massive happened when Agnes was just 17 years old and a junior in high school. She applied for a “Search for beauty” contest that was promoted all over the US. It was an instant gateway to Hollywood for a few lucky ones who won the coveted title of Beauty.

Agnes and Jack Jenkins, 205-pound Beverly Hills High School star tackle defeated some 100,000 rivals In the contest a “Search for Beauty.”, and they were awarded contracts with the Paramount film company as a result of the proceedings. It was noted that Agnes’ measurements most nearly correspond to the average of the fifteen most beautiful girls. She Is more slender, more graceful and more compact than the ancient Grecian goddess of love, Aphrodite, just as Jack was bigger than Apollo. How did they know the measurements of Aphrodite and Apollo is left open for debate, but it’s a publicity ploy much like any other from that time.

It appeared that Agnes was slated for big things in Hollywood, and her career started!

CAREER

Agnes appeared in only two movies in her career. The first one was Search for Beauty, the movie that was more ballyhooed in the press and in the beauty pageant circuits than it has any artistically or indeed any merit. But there is plenty of nude girls, sexy dances and sensual stuff if one likes it. Never again will classical Hollywood make such carnal musicals, with such visceral scenery and atmosphere. Ah, Busby Berkeley and his kind although he didn’t make this movie)! Agnes played one of the beauty winners of course.

8 Girls in a Boat is a more interesting fare. While not a masterpiece by any stretch of imagination, it’s a solid movie dealing with a topic Hollywood made taboo after the production code was kicked in high gear – unwanted underage pregnancy. Dorothy Wilson is a student at an exclusive girl’s school, and a member of the shell racing crew (hence the 8 girls in a boat). She gets pregnant by chemistry student Douglass Montgomery, but he doesn’t have no money to marry her. The movie deals with the aftermath of this situation, and featured Kay Johnson as a sadistic, brutal rowing teacher, a acting highlight of the movie. Dorothy Wilson, a much underrated actress, is very good in the leading role, but sadly Agnes played one of the school girls and is very blink and you’ll miss her.

And that was it from Agnes!

PRIVATE LIFE

Agnes gave a beauty hint to the papers:

I find exercise one of the most important factors in keeping the figure beautiful and the body fit. Swimming is my favorite exercise. But, in swimming, es in ether forms of sports care must be taken not to over-do. Too much swimming may over-develop the muscles.

Let’s reflect on the way Agnes got into Hollywood. While the Search for Beauty did give us one wonderful actress (Ann Sheridan), the bigger question is were these kind of pageants harmful for people int he long run? It seems to me they were. They gave false hopes to a plethora of young, inexperienced people, who had little to recommend themselves, that they can make it. And they can, but everything is stacked against them. While I am sorry to be perhaps a bit harsh, but the majority of girls who came to Hollywood because they looked good did not have an ounce of acting talent, and often did not work even one iota to posiblys remedy this disadvantage. They would last for a few months at most, then had to find other jobs, go back home, maybe be ostracized and generally suffer a period of depression since their dreams didn’t’ come true. Of course, it’s impossible to generalize, but this happened to more than 90% hopefuls who came to Hollywood in the 1930s, and most girls on this blog shared such a fate. We can have nothing but respect for any girl who has enough grit and guts to leave home and try to be something but a housewife, plunging head on to Tinsel town and hoping for the best was like trying to win a lottery. A few lucky ones would make it, most of them would not. Point is, it was much better to be a trained actor with some experience if you wanted to make it. Even if Hollywood rejected you, you could always do theater, summer stock and so on. Looking good usually isn’t enough, even for such a shallow town like Hollywood was (and still is).

Back to Agnes. Agnes married Wiliam Norton Hilliard on July 14, 1936, in Los Angeles. Hilliard was born on June 6, 1912, to Salvester Elven Hilliard and Emily Crave Norton in Colorado, the second of four children (his siblings were Charles, born in October 17, 1908, Eleanore, born on August 18, 1918, and Richard Francis, born on June 2, 1921). his father was a building contractor, and the family lived in Iowa for a time, before moving to California, where Hilliard started to work.

Hilliard was a store minder for oil supply machinery. The couple had three sons: William Norton, born on May 39, 1938, Gerald Thomas, born on January 4, 1940, and Michael John, born on May 25, 1948. After living for years in California, they moved for Hilliard’s work to Texas, where they stayed after William retired.

Agnes Craney Hilliard died on November 19, 1989, in Montgomery County, Texas.
Willian Norton Hilliard died on November 15, 2007 in Conroe, Texas.