Blonde Mary Blackwood was another debutante who wanted to make good in Hollywood. It wasn’t’ the money obviously – perhaps it was the glamour, the fame, the notoriety that drew such girls to Hollywood. And like most of them, Mary Blackwood came, tried and left. Let’s find out more about her!
Mary Tom Blackwood was born on October 4, 1912, in Colfax, Louisiana, to Dr. E.H. Blackwood and Laura Blackwood. Her older brother Hershel was born in 1909 – her younger sister Lurline was born in 1914. They employed a maid and were obviously well of. Mary spent her earliest years in Colfax.
Her father died in the early 1920s, and her mother remarried to Marcus Dunham, who owned an automobile dealership. Laura, Hershel Mary and Lurline lived with Marcus and his three children from a previous marriage (Martin, Harper and Mildred) in Alexandria, Louisiana.
Mary grew up as a typical debutante of the 1920s – constant garden parties, visits to extended family, and going out with eligible young men whom her parents would approve of. Imagine Scarlett O’Hara in the early 20th century. She graduated from Bolton High school and attended Stephens College in Missouri and the University of Texas, Austin. Mary’s beauty was so widely known that she was” chosen “sweetheart” of the University of Texas by popular student vote.
Like several other debutantes, Mary decided to go into movies on a lark. She wanted some fun and Hollywood seemed like the bets bet for a girl to experience life outside her own social caste and perhaps meet new guys. So when a casting director wanted society girls to play real society girls in a movie, she jumped at the chance and Tinsel Town.
Mary made her debut in David Harum, a not particularly good but nonetheless very interesting movie. Why? Well because it features Will Rogers in one of his mos unusual roles – a banker! Imagine that – Rogers, the champion of the every man who always played normal people, here plays a less than admirable banker (taken from imdb) “who is a pillar of his late Victorian era community who engages in a rivalry over horses with Charles Middleton, they keep trying to sucker the other in horse trading”. It’s a two-man show, and Rogers in mesmerizing to watch in a role with tad bit more edge than usual. Mind you, it’s not a particularly good movie – like many movies of the early 1930s, it has some racist content (the character played by actor Stephin Fetchit is… dismal at best) and it drags to long, the story is thin, but perhaps worth watching to see Rogers in a different role. And he was good, make no mistake.
Next came the movie that actually catapulted Mary into Hollywood, Coming-Out Party. Now this is a worse-case-scenario for the good-actors-bad-plot movie – while the leads are passable (Frances Dee wasn’t Katherine Hepburn, but she was fresh-faced and did what she had to do) the story is downright stupid and too dramatic, there is not enough humor and witty repartees. Mind you, it’s not the bottom of the barrel category but with so many good movies to watch, who can watch such mediocre movies anymore? Unfortunately, such movies became Mary’s bread and butter. Come On, Marines! , Mary’s next feature, could have been a great movie about marines fighting a dirty, dirty war but ended up a totally mid tier war-in-the-jungle effort with no big merit to it.
Mary then appeared int he idiotic Stand Up and Cheer!, a no-brain and no-plot musical without any really good music. Minus. her next movie, Black Sheep, was much better – it’s a fun movie about gamblers on cruise ships – Lady Eve before Lady Eve! Solid story, great actors (Claire Trevor and Edmund Lowe) and snappy dialogue – and we have a winner! Unfortunately, Mary’s next movie, Song and Dance Man, is a completely forgotten one. Afterwards came Girls’ Dormitory, a movie notable today only as one of Tyrone Power’s earliest forays into the seventh art. Otherwise it’s a good-enough but not outstanding movie about a girls dormitory (duh) and the romances both inside and out. Then came Pick a Star one of those movies where the main story is less important and interesting than the side shenanigans. And when Laurel and Hardy appear as comedy relief, you know what I mean. In other words, a typical Cinderella makes it good in Hollywood movie with no special reasons to watch it (except for Laurel and Hardy, but if you want them, go watch their movies!). Mary’s next movie fared no better – The Devil Is Driving is a preachy, boring cautionary tale about the dangers of drunk driving. While you have to respect the cause, it doesn’t cut it out either as art nor as entertainment. Worth watching only to see Elisha Cook Jr. as the drunk driver, a wealthy daddy’s jelly brained son prone to solving everything with money. Mary’s last movie was Start Cheering, a completely over-the-top, outrages screwball comedy but funny to boot. Jimmy Durante and The Three Stooges make this movie, and you can forget about the leading man and his story (Charles Starrett).
And that was it from Mary!
Mary was beautiful, well bred debate from a good family – seemingly a perfect bride-to-be material. In the early 1930s, she dated Social Register’s David Doss, and he even met her parents, but that did not end in marriage (shocking!!).
Mary came to Hollywood in 1933, and started her tabloid career by giving a beauty hint to the readers:
To keep my hair healthy, lustrous and free from dandruff, “launder” it with a good hot-oil shampoo of pure olive oil
In late 1933, Mary was seen with young actor Gordon Westcott around Hollywood, but the relationship ended the same year.
In early April, 1934 Mary Blackwood nearly died on the set of Come On Marines. While filming a swimming sequence, Toby Wing was swinging across a lake and accidentally struck Blackwell in the face as she surfaced from her earlier dive. Seeing her floating unconscious, Toby broke ranks and dived in the water rescuing the uncredited extra from drowning.
That same year, there was an article about a new fad in Hollywood – debutantes becoming actresses! This was a first real batch of such girls to enter Tinsel Town.
An producer had an idea that he will capitalize on the beauty, culture and poise of the society girl. An instance in point was “Coming Out Party,”, in , which a. number of beautiful debutantes were used. It was a charming enough picture, but failed, by a long way, to set the world afire, and I don’t believe that a single one of the girls who played in it has been leard of since in the Alms. The trouble with the rich girl is that she is likely to take up acting as a mere fad. Thelma Morgan Converse at one time came to Hollywood to go into pictures. She had great charm, beauty, and some acting ability. Yet she did not remain. Possibly the new group will be different. Virginia Pine and Mary Blackwood seem to be glowing exceptions tight now.
Unfortunately, neither Mary nor Virginia made a lasting impression on the movie world. While Virginia is more famous today for being a long time paramour to famous actor George Raft, Mary never dated an A class actor (as far as I know) and has no known claim to fame. Her career ended in 1937, and she stayed out fo the newspaper columns for some time after, so I have no idea what her life looked like after the glory days of Hollywood (ha ha ha, a bit of an ironic exaggeration here…).
Anyway, next time we hear from her, Mary married her first and only husband, Billy Miesegaes on 24 Mar 1942. Billy Miesegaes, Dutch heir to an Indies rubber fortune and president of New York’s TransfUms, was born as William Lodewyk Primavesi Miesegaes on June 10, 1906, in London, England to Auguste Miesegaes and Adrienne Homans. His family was German-Dutch and both of his parents were born in Indonesia. He lived for a time in Canada before immigrating to the United States in 1940.
They had a daughter, Mary Jane, born in the 1940s, and enjoyed a successful marriage. Mary and her husband lived the high life in New York, and were active in social activities and civic duties. For instance, in the 1950s they gave a supper party to premiere the movie version of “The Medium.” an opera bv Italy’s latest musical prodigy Gian-Carlo Menotti.
Mary Blackwood Miesegaes died on May 1, 1969 and was buried in Louisiana. Her husband died on 21 March 1978.