Tall, good looking Diane Cook was a very good dancer and Hollywood utilized that talent – just not the way that warrants anyone fame and fortune, but is a short way into obscurity.
Maybelle M. Cook was born on January 8, 1913 in Valdez, Alaska, to John Cook and Margaret Hardie. Her father was an Englishman, her mother from Washington. Maybelle was the eldest child and only daughter – her younger siblings were all brothers: John, James and William.
The family lived in Valdez in 1930, where Maybelle attended high school. She started dancing pretty early and decided to make it her career. In 1933, she left Alaska for the West Coast and started her career in Hollywood in 1934.
Some of the best musicals of the 1930s can be found on Diane’s resumee – sadly, she was a uncredited chorus girl in all of them, one of many who never got noticed. it’s no surprise that she stay in Hollywood for about six years before calling it quits (hey, longer than some, but not nearly enough to be called a true working actress).
Dames is just the first of several Busby Berkeley musicals – and a very good one at that, with Berekely’s best cast – Dick Powell; Ruby Keeler, Joan Blondell. Kid Millions is one of Eddie Cantor’s best movies, about a simple Brooklyn boys who inherits a large sum of money but must go to Egypt to reclaim it. The superb supporting cast (Ann Sothern, George Murphy, Ethel Merman, Doris Davenport) make this a true delight for any musical fan!
Roberta goes down in history as the first pairing of Ginger Rogers and Fred Astaire, but even without the eternal musical duo, it’s a finely made, entertaining movie. Irene Dunne is, as always, a grand dame with a great voice. Broadway Melody of 1936 is one of the Broadway Melody series movies, while not the best, it’s not the worst by far. The plot is, as usual with these type of movies, quite thin, but it’s funny enough, and the musical numbers are seamlessly integrated in it. And who doesn’t like Jack Benny? And of course, the young and stunningly handsome Robert Taylor, while not a great actor by any chance, it very nice to look at.
The Great Ziegfeld is The best Picture Oscar winner, so nothing new to note here. Bill Powell is a tour de force in any movie he appears in, and playing the Great Ziegfeld did him no harm! Myrna Loy as his partner is that comes so naturally that it’s weird when they are not in the same movie! Sing, Baby, Sing is a decent musical pairing off quite an unlikely duo – the angelic, sweet Alice Faye and the funny, sharp Patsy Kelly. And the pairing works great! I wish we had more of these interesting female pairings in movies!
Then, Diane started appearing in Sonja Henie movies. I never tried to hide the fact that I dislike Sonja Henie movies. Sonja, while very cute with her round face and quite a capable skater, was, IMHO, quite a talent-less actress and mostly made extremely simplistic movies without a hint of intelligence. Thus, anything I say about One in a Million won’t sound kind, so I’ll just skip it. Thin Ice gets the very same treatment.
Man-Proof was finally a non musical movie! While it’s not a very good one, it still veered Diane a bit off her usual fare and branched her into other genres. While the movie boasts a first class cast (Myrna Loy, Rosalind Russell, Franchot Tone, Walter Pidgeon), it’s quite predictable and some moments comes of as highly contrived ones. How to Watch Football is a hilarious, 9 minute Nathaniel Benchley short. Honolulu is what you would call a musical with an completely idiotic plot but with plenty of soul and sass. Robert Young and Eleanor Powell head off the cast of great supporting players (George Burns, Gracie Allen, Rita Johnson, Clarence Kolb, Ruth Hussey – 1930s was a gold mine of SUPERB supporting players!)
Then it was back again to Sonja Henie movies with Second Fiddle – at leas we have Tyrone Power in this one, and one can enjoy the beautiful visage! Another non musical film came in the form of I Take This Woman, a Hedy Lamarr/Spencer Tracy movie. Hedy is a truly unique actress, incredibly beautiful and immensely talented, but one has to pass several checkpoints to actually understand both her talent and her appeal. It took me literary years to finally see her in a true light – I tough of her as a beauty with a big ego and no talent before this. Tracy, as any classic movies fan knows, is one of the best actors that ever lived. The film did not utilize neither him or her very well and is a type of movie you watch and forget 2 hours after it ends. Still, I enjoyed seeing the soft spoken, ethereal Laraine Day in it!
Like many of her contemporaries, Diane left movies for marriage in 1940.
Diane had had a surprisingly small newspaper coverage. She was never mentioned as a solo starlet, but mostly in the context of a larger group of starlets. Not that much information was given about her as a result and there is not much to write on 😦
Diane married her first husband, Henry Frederick Shilling, in May 1935. Schilling was born in 1905, making him 8 years older than Diane. The marriage was very brief and ended in 1936.
Diane married her second husband, Fred Fredericks, a well known hair stylist working for Max Factor, in October 1939. Fredericks was born in 1907 in New York. At some point he moved to the West Coast and was very well paid for his work.
They had two children, a son, Jerry Louis Fredericks, born on January 26, 1940, and a daughter, Diane Katherine Fredericks, born on March 22, 1945. They divorced sometime prior to 1967. Fredericks died in 1984.
Diane married her third husband, Vincent Keating, on February 2, 1967 in Santa Barbara, California. She and Vincent owned a string of liquor stores in Southern California, living in Los Angeles until their retirement. They moved to San Diego to enjoy their golden years.
Diane Cook Keating died on July 6, 1994 in San Diego, California.