The beautiful blonde, trained in dance, crashes Hollywood. She gets some publicity, dances in several good musicals, and hopes to achieve stardom. A familiar story by now? Oh yes, and most of them did not move from the uncredited tier. Meet Maxine Cantway, a beautiful blonde with that very fate.
Florence Maxine Kantz was born on 1912 in Missouri, to John Kantz and Florence Conklin. The family moved to Los Angeles not long after her birth. They settled in Pomona, and lived with Florence’s parents, Francis and Maria Conklin.
Maxine was a beautiful, vivacious child, and her mother enrolled her into dance classes at the age of 4. One of her earliest dance teachers was Lina Basquette, then yet to become a famous actress/dancer (and one of the most wedded women in Hollywood with seven husbands and about nine marriages all in all).
With a passion for the dancing, Maxine was a youngster barely out of her early teens when she started to perform on the stage. She attended both dancing and dramatic school to help her in her endeavor, in addition to graduating from high school.
In 1929, she got her due and got into the spotlight. In 1930, she and 11 other hopefuls were signed to a movie contract.
Maxine started her career in comedy short that were made by the dozen in the late 1920s and early 1930s. Jimmy’s New Yacht, In Conference (Short) 1The Dog Doctor, The Bride’s Mistake, A Poor Fish gave Maxine at least a chance to get in front of the camera (but sadly little else). Due to the rapid decline in ppopularityof short comedy reels, neither of these movies are known today and none has a IMDB review (and you know how obscure that makes it).
Maxine then had a large boost in the quality of her movies. She remained uncredited, but all else went up! She had a string os superb 1930s gems – The Kid from Spain, one of the best Eddie Cantor musicals, 42nd Street perhaps oen fot he best Busby Berkeley musical ever made, with an unbeatable Warren Baxter in the lead,
The Little Giant is a not well known but still a very good Edward G. Robinson movie that gave him a chance to truly shine as a racketeer trying to turn gentleman in one his rare comedic roles. Mary Astor and Helen Vinson are first class support for Eddie.
The last movie in Maxine’s golden line is Gold Diggers of 1933. Along with the already mentioned 42nd Street and Footlight Parade, this is the best 1930s have to offer in terms of musicals. Long before MGM made their lavish, vivid but squeaky clean musicals in the 1950s, the genre was dominated by these movies – they were sharp, unforgiving, funny, laden with innuendo, featuring massive dance numbers, top notch actors and music. Dick Powell and Ruby Keeler are the tyapical handsome leading pair, but the supporting actors are what makes this such a winner – the superb Precode cad, Warren William, Joan Blondell (need I say more about this fabulous actress?), Aline McMahon, Guy Kibee, Ginger Rogers!
It’s easy to fall after achieving great heights, and the rest of Maxine’s filmography is dismal at best. While neither was truly a bad movie, it was way below her usual fare. Redheads on Parade, for instance, is a sub par musical. Yet, it would be unfair to label Pride of the Marines as a worthless film. While not well known today (or indeed when it came out), it’s still a touching movie about rearing children in a unusual enviroment. Charles Bickford proves himself to be one of the best character actors in Hollywood, playing the tough-but-tender hero who “inherits” a small boy and has to raise him in a military camp. Thurston Hall as the major of the camp also gives a very good role.
Maxine’s last movie, Two in a Crowd, a not-above-average comedy. While far from being a bad movie and featuring some fine actors, it still does not manage to outgrow the uninspired direction by Alfred E. Green.
Maxine disappeared from Hollywood and the paper after 1936.
First, I have to say that IMDB lists the DOB and DOD for Georgia Maxine Cantwell, who they claim is Maxine Cantway. While I’m not 100% sure, I am more than 80% sure that that is not our Maxine. Maxine had been living in Los Angeles for quite some time by 1929, was about 19 years old – this does not match the information about Georgia Maxine Cantwell, who was still living in Cairo, West Virginia in 1930.
Maxine came into the spotlight in 1929, when she was named the ultimate model for all chorus girls of that time. She was a perfect 109 pounds in weight, 5 foot 3 inches in height, with brown hair and blue eyes. She claimed that she had never dieted but that her slender body is the result of strenuous exercise and making several movies at the same time.
Maxine declared herself to be a shoe lover, was passionate when buying them, and owned more than 35 pairs. She lived with hr parents and did not own a car.
When one is the most beautiful chorine in the world, one if qualified to give beauty advice! Thus Maxine said for a syndicated newspaper column:
Any artificial means of adding sparkle to the eyes is bound to last only a short time, and may be actually injurious. Furthermore, no woman under 75 should require it.
Enthusiasm, health, physical and mental, are he real beautifiers that brings sparkle to the eyes. Cultivate these and you will not need to spend money on special eye treatment.
I have to say I completely agree with her, not just for the sparkly eyes but in general for all things related to beauty. The only true way to look good on the exterior is to feel good in the interior.
As for her love life, the information is pretty slim. She dated Lou Friedberg, and broke his heart when she became serious with Charles Grayson, a young writer. The affair lasted for several months before they called it quits. Charles went on to date several famous women including Irene Hervey, CaroleStone, Greta Nissen, June Knight, Nancy Carroll, Audrey Totter and Joan Crawford.
The last we hear anything of Maxine, she was back to minor theater productions after her film career ended.
If Maxine is indeed Florence Maxine Kantz, then she died in 1996 in Riverside, and was never married.