Harriette Tarler

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Beautiful women who crashed Hollywood only thanks to their looks and charms were plentiful, but rarely did they achieve anything worthwhile. Harriette Tarler, one of those women, did find her bit of fame with the Three Stooges shorts, but not much more. Let’s find out something about her!

EARLY LIFE

Harriette Gerthrude Hecht was born on November 4, 1920, in New York, to Adolph Hecth and Charlotte Reicher. Her parents were both Hungarian immigrants – her father worked as a furrier and wholesale fur merchant. Her older sister Beatrice was born in 1914.

The family moved to Los Angeles at some point, and Harriette graduated from high school there. She got married, had a family, and lived in Los Angeles until 1950, when she started her career (sorry, I don’t have any more info about this).

CAREER

Since my knowledge of the Three Stooges is very limited at best (I’ve never seen any of their movies or shorts, heck I can’t even name al three of them), I’ll simply skip Harriette’s claim to fame – her roles in Three Stooges shorts. She was the girl who got the pie in the face. For more information about her roles in the shorts, visit the fabulous Three Stoones site on this link.

Now, let’s take a look at some of her other acting achievements. Unfortunately, she was always uncredited and did no big service to the movies she appeared in… Thus, her career outside the Three Stooges shorts was a bit lackluster at best.

harriette-tarler-diana-darrin-arline-hunterIn 1957, she appeared in The Joker Is Wild, a surprisingly touching and nuanced biography of comedy legend Joe E. Lewis. Sinatra was in top form playing a man who was a personal friend for many years. Recommended! The next year Harriette was in The True Story of Lynn Stuart, a film noir about operatives going undercover, but with a whole new premise – the operative is a housewife, who, after her nephew died from a drug OD, decided to do something and help the police. it’s a low-budget movies and the cast is second tier, but it’s unusual, out of the ordinary and interesting.Next came The Party Crashers, a typical delinquent youth 1950s movies with Connie Stevens trying to choose between wild boy Mark Damon and nice guy Bobby Driscoll.

As Young as We Are was a rare B movie that tackled the student/teacher romance in the 1950s. While today you wouldn’t even flinch at the theme, back then it was dynamite and never shows in A budget movies. While this is a half-baked, lowly made film, make no mistake, the performances are good enough to warrant it a watching. Pippa Scott is pretty good in the female lead, and Robert Harland hits a right note as the highschool in love with his teacher.

The Buccaneer is an entertaining, fun, well made adventure movie. It’s not a classic nor is it a work of art, but it more than fulfills it’s promises. Yul Brynner is the eponymous buccaneer, and Anthony Quinn in the bad guy. Pirates, high seas, sword fights, pretty ladies, oh my!

Don’t Give Up the Ship is a typical Jerry Lewis comedy, this time on a ship and mocking naval 1d39cfee15d2cec41d1a805310b604e1beaurocracy. What can I say, if you like Jerry Lewis you’ll like this movie for sure. Since I’m not a fan (quite the opposite), I’ll just say no. The only reason I could find to watch this is the gorgeous Dina Merrill in the female lead role. Love Dina!!

Last Train from Gun Hill is a western that manages to outgrow that (IMHO) limited genre to become sa semi classic. it’s not as well-known today as some other staples of the genre like High Noon or 3:15 to Yuma, but it’s a sounding hit in almost al departments. Stalwart story (it starts like a run of the mill revenge story) that hides more depth than you think – check. Good actors – Kirk Douglas, Anthony Quinn, Carolyn Jones – check. Great cinematography – check. Suspenseful action scenes – check. Horses – check. Nothing else you need!

Harriette moved to New York and left movies behind for another career.

PRIVATE LIFE

Harriette was an interesting, colorful person with some major flaws. She was immensely charming and easily won people over. She also intrinsically understood how HOllywood worked, and knew that talent and beauty were not enough to gain fame – you needed a gimmick. Hers was being nicknamed Tiger and singing her autographs with a tiger paw next to her name. Long after her career ended, she moved to New York and decorated her apartment wholly in tiger print. She also wore tiger print silk dresses.

63627888_1460942147Harriette married  Leo M Schechtman on June 1939. Leo was born on April 20, 1916 in Chicago, Illinois, to Max and Lona Schechtman. Their daughter Stephanie Shelton was born on November 16, 1942. They divorced not long after her birth. Leo was allegedly a mean-spirited, tight-fisted man who never contributed anything to Stephanie’s well-being, even stole her the money Harriette gave her. He later remarried and had children. He died on March 4, 1990.

Harriette married for the second time to Arthur Tarler on November 3, 1951. Tarler was born on July 9, 1921, in Germany, to Siegmund Tarler and Regina Heimberg. He immigrated to the States in 1938, just before the start of WW 2. He lived with his maternal uncle in the Bronx, New York. Somehow he got to California in the mid 1940s and started a lighting fixture business. The marriage was short-lived, and here is an article about their August 1954 divorce:

Actress Harriette Tarler, 27, who now is engaged in a divorce contest with Arthur Tarler, 33, in the courtroom of Superior Judge Gordon Howden. Tarler, with Tobias G. Klin-ger as his counsel, had just withdrawn his cross-complaint charging mental cruelty, and was contesting only his wife’s claim to certain of their community assets. The husband is in the lighting fixtures business …
“I’m only beginning to see the light on this,” she told the court. Questioned by her attorneys, Henry J. Gross Jr. and Jacques Leslie, the actress said her husband stayed out nights until 4:30 or 5 in the morning. Her friend, Pauline Goddard, a fashion co-ordinator, corroborated her. She said that at a party one night someone complimented Mrs. Tarler, and “her husband immediately started belittling her.” The hearing will be resumed Monday.

So you get the drift, another messy divorce. But, that was the way divas did it back in the 1980s. Anyway, the two divorced and went on with their lives. Arthur remarried to Judith Rappapor, and had two children, Regine L, born on November 7, 1956, and Stacy J, born on January 30, 1959. Artur retired in the 1980 and went to live in Denver, Colorado, with his wife. He died there on August 23, 2009.

In 1958, Harriette left everything in Los Angeles (including Stephanie who was 16 years old) so she can move into the New York Plaza hotel suite, paid by her married boyfriend. Stephanie had to fend for herself (remembered, she was only a high schooler then) – the relationship between mother and daughter was strained (at best) after that. It seems that Harriette, for all of her immense charm and allure, was simply not a maternal woman. She was competitive, even with her own daughter, and too much of an egoist to really care about other people. Sadly, she never managed to outgrow this fatal flaw of hers, and both her daughter and her grandchildren felt it keenly.

10712698_742243325842384_7268080002787469464_nHarriette married her third husband, Roy Price Steckler on September 11, 1959, in Las Vegas, Nevada. Steckler was born on January 1, 1926, in New York, to Samuel and Stella Steckler. His father was a wealthy druggist and drug store owner – the family lived in Park Avenue and employed two servants in the 1930s. Little is known about the marriage and they divorced him in the 1960s.

Harriette became very testy about her age as time went by. She and Stephanie would travel to Las Vegas and double date as sisters (weird!!). She forbade her granddaughter to call her grandma, and her own daughter never refered to her as mom. Nobody was sure how old she really was, and she kept her true age a secret until the day she died.

Harriette found work as a telephone sex therapist in the 1980’s and 1990s. She would lie about her age, counsel her client, and demand payment via credit card. She owned a black cat called Tuthancamon, which looked like a a miniature panther, and she grew a rare breed of orchids in her apartment. She was excentric, larger than life and one of a kind, and people adored her, for all her bad sides. (much information about Harriette comes from her granddaughter Jessica Queller’s fabulous memoir! Jessica was a writer for Gossip Girl series, and she’s a true gem!)

Harriette’s health declined in the 1990s, and she spend more and more time in the hospital.

Harriette Tarler died on November 18, 2001, in New York City.

 

Audrey Westphal

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Sorry to say I couldn’t find a photo of Audrey Westphal, so I put a Piper Laurie happy Christmas photo. And thus, Happy Christmas!!! And now, let’s learn something more about the alluring Audrey…

EARLY LIFE

Audrey Lorraine Westphall was born on October 17, 1922, to James W. Westphall and Viola Moris, in Buffalo, New York. Her younger brother was named James Westphall, born in 1920. Her birth and death dates on IMDB are not correct – it states she was born in 1914, making her 30 years old at the time of her movie debut, which was a rare occurrence for starlets in Hollywood.

Audrey’s  father worked as a draftsman specializing in engines – her mother was a proprietor of the boarding house they lived in – they had one or two lodgers living with them at any time. Audrey grew up in Buffalo and attended high school there. She danced from early childhood, and this cemented her wish to become a professional dancer/actress.

Shortly before she graduated, she left Buffalo for New York in 1939, hoping to achieve some fame and fortune. In the meantime, her parents divorced and her mother went to New York to live with her. She got some Broadway work in panama Hattie, and this catapulted her to Hollywood. Her mother, naturally, followed.

CAREER

Audrey never landed in the credited tier, and she was always in blink and you’ll miss it roles, so it’s impossible to say if she was truly untalented or she just didn’t land the break she needed to showcase her skills. Anyway, Audrey’s first role was an uncredited one in Frenchman’s Creek, a fun high waters romp with a lady pirate in the lead (played by indomitable Joan Fontaine). Next, she appeared in another Joan Fontaine movie, The Affairs of Susan, a witty comedy about the already mentioned Susan and her relationship with three difference men (who all see her as a completely different woman). The best of the trio is George Brent, not a particularly magnetic leading man but a wonderful foil for strong female leads.

Audrey then appeared in a string go prestigious A movies. She first was Kitty, the lavish costume epic showcasing, first and foremost, the ravishing Paulette Goddard and her misadventures in the 18th century London. While Paulette was never a top actress, she had charm galore and could turn men into mush. Ray Milland is her capable support. Audrey then landed in a Betty Hutton movie, The Stork Club. I’m no big fan of Betty (I prefer more sophisticated actresses) but there is no denying she was an incredible dynamo and very amusing and her movies are likewise nice entertainment if nothing else.

Audrey’s perhaps most famous movie is The Blue Dahlia, one of the best film noirs ever made, with the indomitable teaming of Veronica Lake and Alan Ladd. Audrey’s last really important picture was Blue Skies. The story is pure schmoock, but when you have Bing Crosby+Fred Astaire+music by Irving Berlin, do you need any more? Certainty not! They dance, they sing, it’s all fun and games and it’s your typical 1940s musical. Some support is added by the beautiful but wooden Joan Caulfield and the more able Olga San Juan and Frank Faylen.

The rest of Audrey career was filled with mediocre movies. First came Dream Girl, with a surprisingly subdued Betty Hutton playing  a daydreaming girl who meets a stone cold realist (played by Macdonald Carey) who tries to shake her out of her stupor. While not a well remembered movie today, it’s a nice film with good performances.  That same year, Audrey was featured in Gypsy Holiday, a comedy short. Her last role was in Sealed Verdict, an unjustly overlooked post-WW-2 movie. it deals with tribunals of the higher echelons of the Third Reich army, and while it’s no Judgement at Nuremberg, it a surprisingly nuances movie with a sliding scales of gray morality so lacking in typical Hollywood lore. Ray Milland (once again) plays the council trying to establish the guilt or innocence of German General, played by John Hoyt. The incredibly beautiful Florence Marly plays a French peasant who testifies of some good deeds the General has done. Milland is left in highly ambiguous waters as he navigates a ruined country, just out of a terrible war and fraught with pessimism, bitterness and death. All in all, an above average movie. Hoyt takes the cake as the best actor – while Milland is his usual effective self, Hoyt has both the meaty role and the chops to pull it of.

Audrey decided to give up movies and focus on her growing family.

PRIVATE LIFE

While dancing in New York, Audrey met Lewis Hightower, another dancer. The married in 1940, when she was 17 years old. Lewis  Carlton Hightower was born on July 19, 1917, to Carlton Hightower and Nettie Owens. He moved to New York start a dancing career in the mid 1930s. His younger brother, William Hightower, would wed another dancer, the better known Vera-Ellen.

At first, the Hightower marriage was an idyllic one. However, more than aware that her daughter was young and inexperienced and wanting to help, Audrey’s mother came shuffling down from Buffalo and moved into their apartment. The honeymoon bliss ended. Things went south.

By October 1941, the Hightowers were reconsidering plans to get an annulment (met. married, separated and reconciled, all in one year). By late 1941, Audrey started to date Arthur Lewis, son of the “Banjo Eyes” producer, Al Lewis. There were rumors the two would center-aisle it when her decree was final. In February 1942, Arthur was spending his furlough time with Audrey and it was clear he was very serious about her.

However, Audrey could not get a divorce so easily. She later told the papers about a incident – Lewis found her dining delightedly with two other young gentlemen in a festive spot. Hightower supposedly was disturbed by this sight. He allegedly attempted to carry Audrey out of this festive center. But the two young gentlemen, according to the popular story, persuaded Mr. Hightower to unhand Mrs. Hightower and gave him a few assorted black eyes to balance things. Audrey left her husband in disgust. She also said her husband is tardy with her alimony and suggested jail. Typical Hollywood mumbo jumbo divorce. It went on and off for some time, but the divorce never came. Why? Well, because, tragically, Hightower died on September 2, 1943, another casualty of World War 2. He and Audrey were separated for a long time by then, but it was devastating for Audrey non the less.

As for Audrey’s relationship with Arthur, it lasted until August 1943, and that was the last we hear from the younger Lewis. Then, in 1944, Audrey met the man she was to marry.

She married her second husband, David Enton Friedkin, on March 31, 1945, in Los Angeles. David was born on on March 8, 1912, to Benjamin Friedkin and Anna Lapatin, in Kansas City, Missouri. her had an older brother, Morris, born in 1910. Both of his parents were Russian immigrants. Now, lets fast forward and say something about his career. Friedkin was a noted writer and director – he and his collaborator Mort Fine developed and produced the milestone series “I Spy” in association with Sheldon Leonard Productions. The duo wrote some of television’s most memorable scripts dating back to the first adult TV western. Frontier. They also wrote a number of movies, including “The Pawnbroker,” which won them the Writers Guild Award. As a director, Mr. Friedkin was probably best known for the Emmy-winning “The Price of Tomatoes,” which won him the Directors Guild Award. He directed many of the scripts which he wrote with Fine and which the pair produced, including the movies “Hot Summer Night” and “Handle With Care.”

Audrey and David had two children: Gregory Enton Friedkin, born on May 23, 1946, and Anthony Enton Friedkin, born on May 26, 1949.  By 1950 Her movie career over for sure, Audrey lived the high life in Beverly Hills with her husband, and they hosted many movers and shakers over the years. They were devoted Democrats and often had Democratic fundraisers at their home.

Their son Gregory became a actor/playwright, and hung out with the likes of Blackie Dammett, the famous  and father of Red Hot Chilli Peppers frontman, Anthony Kiedis. Thjeir other son, Anthony, became a noted photographer.

David died on October 15, 1976, in California from cancer. Audrey never remarried and lived the rest of her life in California.

Audrey Westphall Friedkin died on February 6, 1999, in Santa Monica, California.

PS – HAPPY CHRISTMAS!!!

 

 

Lucy Knoch

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A beautiful southern belle with a peaches-and-cream complexion, Lucy Knoch survived for over 10 years in the hostile climate of Hollywood, and none can dispute the fact that she accomplished a career much better than most starlets. Yet, she is miles away from standing toe to toe with proper actresses that left a mark on the film world.

EARLY LIFE

Lucy Claire Knoch was born on June 30, 1923, in DavidsonNashville, Tennessee, to Beverly and Annie Lee Knoch. She was the fourth of children – her older siblings were Beverly Louise, Horace and William, her younger siblings were Dorothy and Charles. Her father ran his own hardware shop.

She grew up in Nashville and attended school there. A lively, imaginative child, was active in school theatrics. In 1937, Lucy, then in the eighth grade students. and bunch of her classmates organized a program honoring the Constitution of the United States.

Lucy later told an interviewer Cordon Allemand the story of her childhood:

When Lucy become a model at the Hollywood Photographic Studio in the Nashville Arcade, never suspecting what the word “Hollywood” would someday mean to her future. Today this fortunate young lady, Lucy Knoch, it on her way to stardom at the Paramount Studios in the real Hollywood, which ia now her home. Lucy Knoch’s success story was related to me one afternoon in the living room of her home in Hollywood’s luxurious Alta Nido Apartments. Her warm Southern smile that’ makes you feel right at home is one of the first things I noticed about Lucy, and making me feel even more at ease was her genuine delight in learning that her interviewer was “homefolks” from back in Tennessee. “Honestly?” Lucy cried. “Why I was at Central High in 1939. I went to Woodbine grammar school out the Nolensville Pike. Nearly all my family live in Nashville and are in business there.” “Well just how did you get from Nashville to a Paramount contract?” I questioned. And this is Lucy’s story. “I suppose I was like lots of girls. All of us kids, my sister, Dorothy, and two brothers, William and Horace, went to Woodbine. I dreamed of being a movie star, but thought the nearest I’d .ever get to a stage was when I went to high school and joined the debating “team. A good one too, because we got several cups and ribbons.” She went on to tell of an early love for dancing and of being sent to dancing school three times a week. As a dancing team she and sister Dorothy appeared at many Tennessee festivals. Then came an end to school days and her first job. “I worked in the studio there for quite a while. Modeling. Maybe some of the Nashville people will remember me there. … Read the rest in the Profile section.

And she was in Hollywood in 1945, and started her career for Paramount.

CAREER

Lucy made her movie debut in The Affairs of Susan, a charming, well made Joan Fontaine vechicle. While no big brainer, it’s a delightful comedy with a good cast (Joan, George Brent, Dennis O’Keefe, Walter Abel). Lucy then continued to appear in movies of the same vein – decently made romance movies that never made it into the top category and are not that well-remembered today. Those are You Came Along (with Bob Cumings and Lizabeth Scott, an unusual but actually pretty good pairing), Incendiary Blonde and the short You Hit the Spot.

Then, Lucy’s career took an upswing and she stated to appear in some genuine classics. To Each His Own, Olivia de Havilland’s only Oscar win, The Blue Dahlia, one of the ultimate film noirs, and Blue Skies, a wonderful musical. 

lucyknoch5After reaching such a high point, there was a let down again, and she was back to the A budget mid tier movies. The first was Cross My Heart a True Confessions remake with Betty Hutton in the lead. The movie, a lackluster one ta best, still boasts a wonderful supporting cast – Michael Chekov, Iris Adrian and Howard Freeman. Sonny Tufts is his typical wooden  and Betty an energetic, fine performer, but no great actress.

Lucy then appeared in The Imperfect Lady, one of the rare Hollywood romances that goes for something slightly more mature. This is no fluffy, feel good, happy movie, and while it’s not a terribly dark movie either, it deals with some more tricky aspects fo the Victorian culture. Ray Milland and Teresa Wright lead a capable cast, and it’s generally a well dome movie, worth watching. Next came Welcome Stranger, a decent enough Bing Crosby/Joan Caulfield movie. What can I say about Crosby’s movies? Same old same old, but it certainly worked back then!

Lucy then appeared in the film noir classic, The Big Clock – now this is a movie more than worth your time! Slick, with a superb cast, nicely photographed and with an impeccable pacing, it takes a pretty simple story and makes it an intensive exercise in elegant filmmaking! Kudos for the always wonderful Charles Laughton as one heck of a villain, and to Ray Milland as the hero.

After appearing the short musical, Footlight Rhythm, Lucy was in Two Tickets to Broadway, a sub par Broadway pastiche musical. She then hit the jackpot again with The Bad and the Beautiful, one of the best outlook on Hollywood that Hollywood ever producer (whoa, this is one difficult sentence)! Kirk Douglas plays the ultimate fight-dirty producer who’ll do ANYTHIGN to get what he wants.

lucyknoch3Lucy started 1953 with The Clown, a nostalgic, sentimental story about a professional clown who barely makes ends meet but can’t give it up since he has a son to support. Nice, touching, with the right degree of pathos, and Red Skelton is pretty good in the leading role. Next was Sabre Jet , an insipid movie about the men who flew combat aircraft known as Sabre Jets during the Korean War. This ain’t Top Gun people, and the characters and the story if thin at best. Robert Stack, never my favorite actor, never quite manages to make it work as a romantic lead.

Half a Hero is a mediocre movie about a pretty much everyday theme – normal couple Red Skelton and Jean Hagen decide to move the family from New York City to the suburbs. Trouble ensures. Lucy had the biggest role in her career in Executive Suite, a well made Her last movie in 1954 was Athena, a Jane Powell musical with a surprisingly modern outlook on food and lifestyle!

Lucy worked for a time for Red Skelton, and changed her name. She did some minor movie work: appeared in Anything Goes, the Marilyn Monroe movie Bus Stop  and the swashbuckler The Buccaneer. Under her original name, she made one more movie, Frank Sinatra’s The Joker Is Wild , before retiring.

PRIVATE LIFE

Here is everything you need to know about Lucy in short, as written in a newspaper from the 1950s:

Lucille Knox has been a movie fan since she was five years old. Her favorite dolls were named Greta Garbo and Norma Shearer. When she daydreamed herself a husband it was always Clark Gable. When Lucy was a teen-ager she and sister Dorothy drove from their hometown of Nashville, Tennessee, to visit relatives in Tucson, Arizona. At dinner one night in a local .-hotel their eyes almost popped out when they saw Paulette Goddard at a nearby table. Naturally Lucy asked for an autograph. Miss Goddard was cordial and said, “If you girls ever come to Hollywood look me up at Paramount.” Shortly after that Lucy and Dorothy arrived in Hollywood. “Miss Goddard,” they were told at the studio, “is in San Francisco.” “We were disappointed and hungry,” said Lucille. “A restaurant a block away caught my attention because of its name: Lucey’s. The place was jumping with movie stars. We met Everett Crosby, Bing’s brother. I told him that Paulette had promised to show us the Paramount studios. ” ‘Well,’ he said, ‘since Paulette Isn’t here, I’ll show you the studio and I’ll also introduce you to the casting director.’ He did. And we both were signed to a Paramount contract.”

Lucille and her sister were not popular with the other girls on the lot. “We were real naive. In all the fan magazines we’d read back in Nashville all you did in Hollywood was sat at a soda fountain or in a popular restaurant and you were discovered. We thought getting a contract on the first day was par for the course. We didn’t know that some of these kids had waited years for a break.” Another day, another restaurant. Lucille was having lunch at the Tail of the Cock. Red Skelton was at the next table. “Would you be interested in television work?” he asked. For two years Lucille was an important part of the Skelton show. M-G-M director Vincente Minnelli saw her on the show and gave her the part of Gilbert Roland’s steak-eating girl friend in The Bad and the Beautiful. After that she played Louis Calhern’s sexy girl friend in Executive Suite and a process-server in Esther Williams’ Athena. Lucille Knox was born Lucy Knoch. Red Skelton changed the Lucy to Lucille. And she herself recently changed the Knoch to Knox. She’s 5 feet 5′,inches tall, weighs 119 pounds and is married to an insurance man. Skelton once wrote an article about her titled, “The Young Lucille Ball.” She has been carefully avoiding Desi’g Lucy ever since. She figures she’s been lucky enough just being herself.

lucyknoch4However, what Hollywood didn’t know was that Lucy came to town as a married woman – she was wed to Michael Joseph Rose on September 11, 1941, in Davison, Tennessee. the newlywed had scarcely any time to enjoy their wedded bliss – Rose went into the army in October 1945. Rose was born in 1915, son of Tony and Marie Rose. Little else is known about him. The marriage was short-lived however, and they divorced sometime prior to 1945.

When Lucy first came to Hollywood, she gave another interview:

Lucy stayed on and has just signed a new contract. “It’s been wonderful here at Paramount,” she said. “When it was learned that we were two Southern girls alone in Hollywood, everybody from producers snd directors on down helped and advised us. A Southern accent is no handicap when it comes to making friends. Everybody around the studio calls me ‘Honey Chile’ and ‘Tennessee’ and ‘Lucy Belle.’ And anybody from the South visiting the lot is rushed over to meet me.” “Nevertheless,” Lucy said, “I am trying to lose my Southern accent because you can’t play many roles with a Tennessee drawl.” AFTER she signed her contract Lucy’s days were occupied with a rigid training program, as they still are. As a member of the Paramount Starlet School she receives instruction in dramatics, diction, calesthenics, dancing. “I even had to learn to walk all over again.” she exclaimed. Also part of the training program has been Lucy’s appearance in IS major films. As a show girl, dancer, nurse, maid, Lucy has had experience before the camera. “It was a terrifying ordeal those first few weeks on the set. There are directors, assistant directors, cameramen, wardrobe women, scenery men, electricians, all watching you as if you were a trained seal going through your tricks. But I finally got used to it and don’t mind the shooting now.” Among the major films in which Lucy Knoch has appeared , are “Road to Utopia.” “Incendiary Blond.” “The Blue Dahlia.” “The Lost Weekend” and “Miss Susie Slagle’s.” Her newest pictures, all with Bing Crosby, are “Welcome Stranger,” “Blue Skies.” and “The Emperor’s Walta.” Honey-haired Lucy is 23 years old. five feet six inches tall, and weighs 121 pounds. She plays golf and rides, but her favorite sport is fishing. ‘ With her husband, tall dark Nicholas Can-cellieri (trucking-line owner whom she married in 1945), she spend most of her free momertts deep-sea fishing off Catalina or Malibu. The starlet loves California but misses the neighborliness of ber home town. “Here in California things are so big that your friends may be 20 or 30 miles away. And most of the time you scarcely have the opportunity to say more than “hello’ to the people in the neat apartment. It’s awful in a way. But you can’t have everything.” According to Paramount officials, however. Lucy Knoch does have everything, and it is easy to see why stardom for her is their prediction. And she seems to have Lady Luck on her side.

lucyknochlouiscalhernBut before he go farther, let’s look at her Hollywood private life. Lucy’s first serious beau in Hollywood was the former vaudeville star, Lyle Latell. He also dated starlet Beverly Thompson, so you can guess Lucy was not really a number one priority in his life. Then, she met THE MAN.

Lucy married Nicholas Cancellieri in 1945. He was a trucking company owner, as noted in the quote above. Nicholas was very supportive of his wife and her career, and she continued to act for more than a decade after the married. In the late 1950s, after being in Hollywood for 15 years, Lucy gave up her movie work to raise a family with Cancellieri.

Their first son, Jerry D., was born on August 1,1960. Their second son, Dominic, was born on October 19, 1964. The family lived in California.

Lucy Cancellieri died on July 22, 1990, in San Bernardino, California.

 

 

 

 

Barbara Freking

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One of the model-turn-actress crop, Barbara Frekign gave Hollywood a go for a few times, and achieved no bug success. However, she remained a highly succesful model for a long period of years and did more than well for herself!

EARLY LIFE

Barbara Freking was born on January 28, 1920, in Chicago, Illinois,to Henry Louis Freking and Dorothy Edredge.Her father was a newspaper publisher, born in Louisville, Kentucky. Her mother was a housewife born in South Carolina. She had an older brother, Henry Louis, born on May 4, 1918 (who sadly died on May 7, 1918), and a younger brother, also named Henry Louis, born on July 21, 1922.

Henry, born in 1878, was already married once before Dorothy, to Ida Naomi Long, in 1900. They divorced sometime in the 1910s. Dorothy and Henry married in about 1915, lived in Indiana for a short while, moved to Chicago, where their first son and Barbara were born, and then moved to Michigan where the younger Henry was born. From there, they moved to Spencer, Indiana and later Atlanta, Georgia, where Barbara grew up and attended high school.

Her parents later moved to Bucks County, Pennsylvania, but by this time Barbara had already left their home and was living and working as a model in New York. She landed in Hollywood in 1947, when she was an experienced, mature 27-year-old looking to break into movies.

CAREER

Barbara made her debut in If You Knew Susie, a entertaining,mid tier Eddie Cantor/Joan Davis comedy. While nothing outstanding, it’s a shining example of casual, nice, benevolent 1940s movies, led by some seriously talented people. Her second movie was the poor man’s Body and soul, In This Corner. We haven’t got John Garfield and Lili Palmer, but Scott Brady, a handsome but highly wooden actor, and Anabel Shaw, a nice looking but not overly talented actress. The story however is a good one, with tight noir moments and plenty of sleazy boxing underworld elements. Appointment with Murder was another entry into the Falcon movie series, and it any much better or much worse than the rest of them. The Falcon is played by notable magician John Calvert, who lived to perform at the ripe old age of 100 (interesting man!).

barbarafreking5Barbara moved up a notch with the A movie, East Side, West Side, a grim story of a shallow society man who ruins hi smarriage for a brief dalliance with an old flame. Boasting  a strong and capable cast, the movie is good enough, but not outsanding. Barbara Stanwyck, for one, is too old to play the leading female role, and James Mason, otherwise a wonderful actor, is pretty much wasted in his bland role. The supporting players have it better – Van Helfin is great, and is Ava Gardner. Next, Barbara was one of the Petty girls in The Petty Girl, a handsome but none too deep musical with Joan Caulfield (beautiful for sure, but not a good thespian), and Bob Cummings. Barbara then appeared in a string of prestige movies, not al of the same quality:

The Lemon Drop Kid is one of Bob Hope’s better movies, a brisk, witty piece of amusement, about a likable but flawed con artist who has to repay a debt. His Kind of Woman was a guilty pleasure, the type of movie you can only make when the leading man is Robert Mitchum and the leading lady is Jane Russell. Forget the story, the supporting characters or the direction – there are important but secondary – Bob and Jane are the reason to watch this. Two Tickets to Broadway is another one of those insipid, dull musicals that are ultimately likable enough to watch at least once. The Las Vegas Story is another Jane Russell movie, this time with Victor Mature instead of Bob Mitchum. And Vincent Price on the side. Barbara was then again in a Bob Hope movie – Casanova’s Big Night,. not one of his best effords but far from a total waste. Plus his leading lady is the outstanding Joan Fontaine.

Barbara’s last movie was Jet Pilot, a John Wayne vehicle. After this, Barbara went back to modeling full-time.

PRIVATE LIFE

Barbara was a seasoned New York model by the time she landed in Hollywood, and probably had more amorous experiences than most starlets (of which we sadly know nothing about!)

In early 1949, Barbara went to Costa Rica to participate in the making of a documentary about a fabulous treasure-hunt expedition, led by James Forbes, by filmmaker Paul Parry. About that time, barbara was dating Horace Schmidlapp, former husband (and official widower) of Carole Landis. As Horace was shorter than Barbara, she often had to take of her shoes when the two went dancing. By April she was back from Costa Rica, and dating Franchot Tone (boy, that man really dated almost all of the Hollywood starlets!)

barbarafreking4By May, she was seen with Ralph Dandies. Barbara then moved to Columbia joining two other b.b.s from New York, Vera Lee and Marjorie Slapp In December 1949, she was beaued by Sterling Edwards, and they were often seen at the Mocambo. Edwards was far from the only man in Barbara’s life – she also dated rich Spaniard Ricky De Vega on the side.

In early 1950, Barbara took up with Howard Lee, wealthy Texan oilman and future husband of Hedy Lamarr and Gene Tierney. That man sure had taste! Then in mid 1951, Barbara started to date that man who would change her life – Oleg Cassini.

What to say about Cassini? Slick as a snake, handsome in a dry, Continental way, a true connoisseur of fashion and beauty, he had his good sides – but plenty of bad sides to match them. He was women as objects that needed to be conquered, put himself first and was the supreme bon vivant egoist. Cassini was still married to Gene Tierney when they hooked up, and by January 1952, it was clear that Gene would divorce Cassini, and that Barbara could seize her chance of becoming the next Mrs. Cassini.

In march, there was this article in the papers: The Hollywood models who know.her best say that Barbara Freking will never wed dress designer Oleg Cassini, who’s been divorced by Gene Tierney. You know what? And they were right. 50 years after the fact, I do know that Barbara would never marry Cassini… But neither Barbara nor Cassini probably knew it back then. And I can only say – all the better for it. As a first danger signal – Cassini was also dating another model, June Myers, at the same time.

barbarafreking3Barbara spat back by dating producer Charles Feldman for a short time in late march/early april. She then dated a string of men – attorney Ralph Fields, Dan Dailey, theatrical producer Herman Levin, and returned to new York. obviously there was some correspondence between Cassini and Barbara, and when she came back to Los Angeles in October 1952, they were again seen together.

Everything was swell and fancy until April 1953, when things turned once again sour. Barbara was despondent, and in a fit of depression, took an overdose of sleeping pills. Only the quick thinking of her mother, who called the ambulance saved her from a grim fate – the doctors came just in time to save her. After this unfortunate incident, Barbara and Cassini reunited, both professionally and privately. A newspaper article followed:

 The Cassini charm was in full force yesterday for the opening duo of fashion shows presented by the Children’s Museum Guild In the William II. Block Company auditorium. Count Oleg was master of ceremonies, pointing out the highlights of his fall and winter collection. AH the guild members who modeled were sent out to buy waist cinehers to do .justice to his shepherdess line around the middle, and often came on the runway in pairs to show the same dress with belt or without. Asked about his stand in the hemline controversy, he said: “For the tight sheath I think a little shorter is all right. It is effective with a straiefit skirt, but full skirts I think should be longer.” Two New York models accompanied him for the show, Miss Carol Walker and Miss Barbara Freking. As Barbara was walking around the elaborate centerpiece the guild had created at the foot of the runway, Cassini asked her to tell whore she came from. Her answer vas “Spencer, Ind.” She still has friends there although her career has taken her to South Carolina and California before New York. The show will be repeated at 12:30 o’clock today.

They shuffled between California and New York and were firmly a couple, until another spat. The spat was named Grace Kelly, and it effectively ended their relationship… For then. Barbara was clearly devastated, and here you can see how Cassini operated – he just changed one beautiful woman for another. Barbara, obviously madly in love, couldn’t see the signs and always went back to him – Grace, on the other hand, was much more frugal and understood just what a cad Cassini was. She enjoyed his company for a time, then sacked him for a more suitable man. I can’t say I’m sorry for Cassini – IMHO, if you operate this way, you shouldn’t be surprised when it hits you right back in the heart.

barbarafreking2Barbara started to date mobster John Sorrenti in March 1954. Then she reunited with Ralph Fields, and casually dated Bill Eaton, famous man about town. In early 1955, Orrin Lehmann took over, and squired her all around New York. Jerry Herzfeld, the race track ace, took over by may 1955 from Orrin.

However, Cassini was never far from Barbara’s mind. They reunited yet again in early 1956. of Barbara, will you never learn! The relationnship lasted for a year-and-somethig this time. They broke up in early 1957. By June, she was dating Jerry Herzfeld again. Then Cassini cut in, AGAIN. They dated until late 1957. In January 1958, she was seen with Hugh O’Brian. By that time, Barbara and six other aspiring actresses lived in a sorority house they called “House of the Seven Garbos”.

It seems that Barbara and Cassini were business partners, and if they did date, it was half-hearted. Barbara kept Jerry Herzfeld on a short leash for a time, but he also settled for another lady in the end.

In his autobiography, actor/comedian Don Harron claims that Barbara had an affair with his second wife, actress Virginia Leith, before the two were married. If this is true, then Barbara was a bisexual, but this of course had to be kept from the tabloids of the time. Yep, it was expected of all women back then to be lilly-white and family oriented.

It seems that Barbara never married, and worked as a model for a long time. She retired to Connecticut at some point.

Barbara Freking died on August 25, 2008, in Greenwich, Connecticut.

Evelyn Lovequist

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Many girls come to Hollywood via the chorus line, with no dramatic experience but with impressive physical attributes. Another variation of that theme are the girls who landed in Hollywood via the beauty pageant route. They often have no dramatic background, but are young, nimble and beautiful. Evelyn Lovequist was one of these girls, and she experienced first-hand how unfortunate and ungrateful it was to be a pageant winner who came to Hollywood hoping for a career. Nobody took you seriously and you could amount to little more than an extra. Some broke the mold, the vast majority did not. Evelyn, for all her striving, never did break the mold. She did have, however, a successful secondary and career and ended up quite the businesswoman.

EARLY LIFE

Evelyn Ellen Lovequist was born on March 30, 1931, in Chicago, Illinois, to Martin Lovequist and Helen Mackey. Her younger sister Myrna was born on March 9, 1939, in Chicago.

Her father, who was born in Sweden and emigrated to the US in the 1920s, was a manufacturer of tools for sewing machines and dies for sewing. He owned his very own company (Lovequist Inc.) and was well off. In his youth he was a keen amateur boxer. Her mother was born in Wisconsin and was a housewife.

The family moved to Los Angeles in the mid 1940s. Evelyn graduated from Hollywod high school in California, and became a serious contender on the beauty pageant scene. She won hundreds of titles, and she became Miss USA in 1950, and this netted her a contract with a movie studio.

CAREER

Evelyn started her career in Two Tickets to Broadway, one of the thinner 1950s musicals. The plot: Janet Leigh, Gloria de Haven, and Ann Miller want to make it big in show-business, and decide to stage a show that they hope will be taken up by the Bob Crosby Show (brother of the better known Bing). Enter Tony Martin as the male love interest. It’s can’t compete with the cream de la crem of the genre, despite a good cast and not so bad music. Ah well!

evelyn2She switched studios and appeared in more serious fare, The Las Vegas Story. While no master piece, it’s a late film noir worth watching for some good chemistry between the leads – Jane Russell, Victor Mature and Vincent Price. Neither was a top thespian, but all three have immense charisma and charm and they rub of each other deliciously well. The story is atypical love triangle with gangster thrown in, but as I said, nobody is going to watch it for the plot. Evelyn then appeared in Aaron Slick from Punkin Crick, a insipid, totally mediocre movie about a county bumpkin who lands in the great big city and of course, falls in a jam with gangsters and swindlers. People nowadays only watch it to see Dinah Shore in one of her “most embarrassing roles”- since I’m not a great fan, no reason to see it in fact.

Evelyn’s last movie under her contract ended up being Eight Iron Men, one of the few low-key war movie with little to no action and plenty of drama. The movie shows the relations between eight GIs stuck in a small town during WW2. They are all on the edge, mentally and physically, after fighting for what seems like an eternity. It’s a mature and serious movie, and there is nothing breezy and fleezy about it. The cast is made out of actors who, with the exception of Lee Marvin, never reached upper echelons of stardom – Arthur Franz, Dickie Moore, and Richar Kiley, but they are all good in their roles and make it work.

evelyn1Evelyn took a hiatus from movie work, and returned only in 1955, with Son of Sinbad, a movie made for visual enjoyment and little more. Plot, acting, anything of depth – no sirree. But beautiful women, great costumes and other eye candy – yes please! The movie even gently spoof the sword-and-sandal genre, so ti does have at least a bit of depth (nothing much, mind you!).

Her last movie appearance was the Three Stooges short comedy skit, Hot Stuff. And that was that from Evelyn and the big screen. She did some theater work in the late 1960s, was a regular in Bob Cummings Show, appeared in a string of unknown TV series, and then retired from acting for good.

PRIVATE LIFE

Evelyn married Warren Homer Smith on September 24, 1949, when she was only 18 years old. Warren was only a few year older, born on January 27, 1928 in Los Angeles, to Warren Smith and Mildred Miller. I could not find any information about Warren, so I have no idea what he did for a living and how did the two meet. The marriage was of brief duration – the next year, Evelyn competed to become Miss America, so she was quite probably divorced by then. Warren later married Audrey Blanche James on November 12, 1955, divorced her, and married Alayne L Harmon in 1980. He slips from view from then on.

Evelyn married her second husband, James Robert McClelland, on January 4, 1953. McClelland was born in 1926 in Ohio, to William McClelland and Marion Lamond. He moved to California ta some point and started working for her father’s firm, and that’s how they met. They settled in Los Angeles. Their son, James Martin McClelland, was born on November 7, 1954.

evelyn4Evelyn was very dismissed of her career as a beauty queen later, when she became an actress. She claimed that nobody took beauty queens seriously, nobody even expected them to be anything but pretty faces. Her acting career was not helped but rather hampered by this. She liked the publicity a beauty queen got, but it lasted only a brief time and never amounted to much more. She claimed she would have done it differently is she could do it al over again, and go to drama school and the stage first, and then

Here is a short article about Evelyn from 1956:

Ever wonder what happens to the hopeful beauty after she becomes Miss America or loses to Miss Universe and packs her bathing suit and goes home? Well, everybody thinks they marry millionaire playboys and live happily ever after but some of them don’t, since it’s the fashion today to have brains as well as beauty. They’re doing things that require brains as well as beauty. Like Evelyn Lovequist. She was named Miss America in 1950 and she cashed in on her title to some extent by doing professional modeling and some acting. In Exclusive Club She’s a member of another exclusive club, the Bob Cummings Girls’ Club, which is a unique organization composed of beauties “second to none,” says Bob, who have appeared on his show. But acting and modeling are only a sideline with Evelyn. She has a profession that has nothing to do with show business and one that will last long after her professional beauty days are over. She’s a sales engineer. Of course, she got the job the easy way. She works for her dad. But that doesn’t stop her from being a real good sales engineer. She knows such uninteresting and unexciting things as schematic diagrams, cost indexes and variable condensers. She goes on the road representing Lovequist Engineering Co. of Van Nuys and she brings home the MISS AMERICA trophy for 1950 decorates modern desk of Evelyn Lovequist, singer, dancer, actress, model and tales engineer, and she accomplished it all with figures. wid world potato bacon, which in this case is the order that keeps the firm’s wheels turning. In Seattle recently, Evelyn had an appointment with the office manager of a local firm who got the surprise of his life when the expected “contact man” walked into his office complete with brief case and a breath-taking red knit outfit that didn’t do its wearer a bit of harm with her impressionable customer. In fact, it may have had some- in today’s busy world?

Orders invited on pettyskirt thing to do with her landing the desired contract. Evelyn is no girl to hide her natural talents under a bushel. When she goes on the road, she carries enough wardrobe changes and applies her make-up -as deftly as though she was about to walk on stage. Easy and Attractive “There’s just no use kidding ourselves,” she says. “Men are men, thank goodness, and there’s no use pretending that they aren’t impressionable. I always feel that it’s a good idea to make their work as easy and attractive as possible, and I choose my wardrobe with an eye to that end.” In addition to her professional and business life, Evelyn is a successful wife and mother. She’s married to James McClelland, who’s sales manager at the Lovequist plant, and the McClellands have a 2-year-old son James Jr. Jim and Evelyn are considering buying their own plane to expedite their coverage of business conferences and conventions in all parts of the country and Evelyn is taking flying lessons and will get her pilot’s license soon. We tried to figure out just how and why a professional beauty should be such a success in business and we think we have it. Figures! Whether they’re mathematical or physical, figures are the answer. Slide rule or bathing suit, it’s figures that bring success to a beauty who also has brains and who has time for the other kind.

Evelyn also always stressed out the importance to good posture and a ladylike carriage. In a Lydia Lane article from 1957, she claimed that it was her posture that won her the title of Miss USA – there were more beautiful women than her on the pageant, but she always stood straight as a pole and won her due.

Evelyn and James divorced sometime before 1960. Evelyn married her last husband, David J Levinson, on December 30, 1961. Levinson was born in 1916, making him a bit older than Evelyn. Little is known of the marriage. They divorced in 1977.

Evelyn Lovequist Levinson died on May 31, 1996 in Los Angeles, California.

Lorraine Allen Breecher

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Lorraine Allen Breecher achieved a minor level of fame by dating a string of prominent men – Busby Berkeley and George Raft, ultimately marrying rhumba king Xavier Cugat. Even after her movie career failed, she rallied and became one of the few female bandleaders, giving her husband, Cugat, more than a run for his money.

EARLY LIFE

Lorraine Stein was born on July 22, 1916 in Chicago, Illinois, to Herman Stein and Ethel Rubin. Her younger brother Jack was born in 1923.

Lorraine’s father worked as a garment merchant, her mother was a housewife. The family lived with her maternal grandparents, Barney and Bessie Rubin before Jack’s birth – afterwards they lived with lodgers. Lorraine grew up and was educated in Chicago. I have no idea how she landed in Los Angeles and into movies, but she was there by 1943.

CAREER

Lorraine appeared in only two movies, and it’s clear her movie career is not truly her forte. A dancer, she appeared in the capacity in The Gang’s All Here, an Alice Faye musical, directed by her one time fiancee, Busby Berkeley. You know the drift – plot – non existent, a great deal of singing, dancing and good sense of camaraderie between the cast.  The comedy is okay, nothing to sneer at. Carmen Miranda is in it, so that is a plus also.

lorraineallen5Her second appearance was in Cinderella Jones, one of Joan Leslie’s lesser efforts (I wrote about this movie at least 3 times, next!). After this, Lorraine took a breather from the movie industry.

Under the name of Lorraine Allen, she appeared in only one movie – Holiday in Mexico, and only thanx to her association with Cugat. The plot is simple, even a bit bare-boned – The U.S. Ambassador’s (Walter Pidgeon) daughter (Jane Powell) falls for a Mexican pianist (Jose Iturbi) old enough to be her grandfather. But what more can you ask from a Jane Powell musical? Nothing – the music is wonderful, the dialogue is witty, the cast is very good, it all moves around nicely. Totally forgettable movie, but more than worth a look

PRIVATE LIFE

Lorraine married and divorced her first husband, a Mr. Breecher, sometime prior to 1943. Unfortunately, I didn’t manage to find any more info on this…

Lorraine hits the news in 1943, when she became the prime woman in director Busby Berkeley’s life. Berkeley was born in, making him 21 years Lorraine’s senior.

lorraineallen6They got engaged in early August 1943, and were to be wed in 1944 after he got his final divorce decree from starlet Claire James. Busby gifted her with a expensive diamond sparkler. They were seen all around town in fancy nightclubs. Busby broke his arm in early 1944, and wore a sling over the injured arm, but this did not stop them from going out dancing.

In his biography of Berkeley, author  Jeffery Spivak claims that perhaps the reason Lorraine and Busby broke up was the fact that Busby was at heart a mama’s boy, and he deferred to Gertrude’s wishes more than she found acceptable. Anyway, I was not surprised they didn’t make it to the altar – with three or four wives behind him, Busby was a man prone to bursts of intense feeling that simply ended, and so did his infatuation.

Lorraine wasted no time in entering the dating pool again (I never understood these Hollywood people, they would plunge head first into dating the minute they were free, maybe even before! Did they really think that was the answer to their present mental and emotional state? tough luck, my pretties, it just shows that it ain’t never learned). She was seen with George Raft in October 1944, and in November 1944, she was the swain of attorney Seymour Chotiner. Later it was Steven Crane, the former husband of Lana Turner. She and Raft dated on off for about six of seven months. In May 1945, she was seen with Nat Pearlsten.

Then, in about March 1945, Lorraine got hot and heavy with her future husband, another major celebrity of the time – Xavier Cugat. Cugat was born on January 1, 1900, in Barcelona, Spain, and emigrated with his family to Cuba when he was 5 years old. He was married twice before, to Rita Montaner and Carmen Castillo.

lorraineallenThey traveled abroad together, and by June 1946, the papers were full of stories how Cugat’s marital state (he was still married to his second wife) was the only obstacle to matrimony. That same months, she got her engagement ring (another diamond stunner!). To add to his infatuation, he took Lorraine to a exclusive clothes shop and told her to pick anything she wanted. She took a almost 300$ cocktail dress. Cugar forgot to pay for it, and he was sued by the boutique not long after. They settled out of court. Cugat also persuaded his friend, Joe Pasternak, to test Lorraine for an MGM contract. Nothing came of it (she made only one movie).

In early 1947, Cugat announced Lorraine and he will be wed on October 3, in Mexico, after his divorce becomes final. However, as the date drew nearer, they had to push it day by day, and ultimately give up the option to get married in Mexico. Lorraine kept herself busy by preparing for the upcoming martial life and buying things like orange squeezers, can openers, bacon grills, etc., for their future home.

They married on October 15, 1947 in Philadelphia, Pennsylvania, in a civil ceremony conducted by Municipal Judge Adrian Bonnelly, and later they had their wedding soiree at Palumbo restaurant. It was second marriage for her and third for him. Cugat gifted his new wife with a magnificent kohinoor mink coat and a muff to match.

lorraineallen2Cugar later recounted how his good friend Joe Pasternak wanted to know the exact date and time of the ceremony, but Cugat was suspicious so he avoided telling him. With good reason – Pasternak wanted to get him arrested half an hour before the ceremony. Sly trickster. Anyway, Cugat bought a gorgeous six-acre estate in Westwood for Lorraine. Famous Mexican artist, Miguel Covarrubias, helped decorate the place. They allegedly had a mink rimmed bathtub.

In february 1948, Cugat Lorraine and fashion designer-cum-playboy Oleg Cassini made newspaper fodder when Cugat flipped after Lorraine danced with Cassini at the Mocambo club. With good cause, as Cassini most certantly was a rake who liked the ladies, and the ladies like him. Lorraine later claimed Cassini did nothing improper, but it was enough for Cugat to ask Cassini for a duel outside the club. They got into a brawl, and Cugat lost. Ah, men and their pride! Anyway, Cugat injured his finger, and Lorraine was livid with him, and refused to speak for two days with him. Cracks were more than visible in their shiny, new marriage.

However, things didn’t get any better. Just a few days later, Lorraine appeared at Ciros, another posh nightclub, with Mary Kunody, sister of insurance broker Arnold Kunody, and her fiancee Charlie Morrison – but Cugat was nowhere in sight. Since Cugat was known to be an explosive, jealous lover, everybody was wondering what happened? Lorraine told the story that he was detained and would return shortly. And Cugie did return – but instead of sitting down with his wife and friends, he sat down with Harry James and Betty Grable. What? Rumors began to circulate in Hollywood abotu the state of the marriage. They made up very publicly a few days later, when she embraced him in front view of the whole audience at the Mocambo, but hah! We all knew it won’t last long.

lorraineallen3However, rumors never lot down. It went so far that the magistrate that married them, Adrian Bonnelly, sent them a letter and urged them to think before separating for good. By September, rumors were rampart that the marriage was on the verge of collapsing. They stuck together for some more time. In early 1949, the couple moved for a time to Brazil. she returned for a few days in June, and all was okay. She flew back to Brazil. Then, when she returned to the US in July, nothing was right. She was to return to Brazil, but had no idea when she would see Cugie. By August, the patched up their quarrel via long distance phone, and she was to return to Brazil. NOT! Something happened between them, and Lorraine filed for divorce in New York on August 19, 1949. They were wed for less than two years. Cogie flew back to New York, and they managed to patch up their differences. In fact, Cugie’s jealousy seemed to be the main reason for the separation. They were badly matched at any rate – Lorraine was a beautiful former starlet who knew her assets and liked flaunting them – Cugie was madly jealous at any man who just looked at her. Bad, bad combo…

Guess what? After a brief idyll, Lorraine sued again in late December 1949, and in January, the divorce made all the papers. She seeker 2000$ temporary alimony a month, Cugie didn’t want to give it to her, he threatened to stay outside of California territory for years, so that the divorce can never be finalizes and so on… The drama wen on and on. For a time Lorraine even threatened to call off the divorce – since Cugat decided to marry his newest singer, Abbe Lane, in the meantime, this was a huge torn at his side. While waiting for the divorce to come trough, Lorraine almost went bankrupt. She also filed a complaint that Cugie cheated on her with six women, one of them Abbe. It was truly a nasty divorce case that dragged for months with no end in sight.

Thing went from bad to worse when Loraine hired detectives that burst into Abbe’s room after a show with Cugat. They allegedly found them naked… You connect the dots. There was much newspaper coverage of the event.  They claimed she was only changing her gowns, that is why she was naked… I can say I was not unpleasantly surprised when I read this… To go this far.. It was clear to everybody that Cugat and Abbe were an item, so why do all the fuss? Why did Lorraine persist in this? Was it a case of wounded feeling or purely material gain? Anyway, Cugat was not much better than Lorraine was. Both acted like spoiled, overgrown children. And on and on it went… Until January 1953, when it was finally settled.

After the divorce was finally given, Lorraine dated oilman Bob Calhoun, agent George Wood and Glenn Ford. She also headed her very own rhumba band, trying to become serious competition to her ex-husband. She even sailed to Europe to look for new talent in 1953.

By November 1953, she was dating millionaire Robert Altman. In April 1954, she married Stanley Stalford, a Los Angeles millionaire banker. The two honeymooned in Europe and visited Paris.

Stanley Murray Stalford was born on April 10, 1919 in New Yersey. He moved to California in the 1940s and got into the banking business. Lorraine retired from showbiz after the marriage, and the couple lived in Beverly Hills. However, they divorced in 1960.

Stalford remarried in 1962, to Joan Frank, and his son, Stanley Jr., was born on January 19, 1964. The boy made newspaper headlines when he was kidnapped in 1968 and held for random for two days before FBI rescued him. Stalford died on June 10, 1980 in California.

In 1964, Lorraine dated songwriter Sammy Khan. That was the last I could find about Lorraine. I have no idea is she alive or dead today. As always, I hope she had a good wife.

Phyllis Adair

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Beautiful and regal Phyllis Adair showed an early promise by appearing in a number of low budget westerns. However, when the time came for her to spring up and manage a step forward, career-wise, like many of her contemporaries, she just didn’t make it.

EARLY LIFE:

Phyllis Louise Wilsnack was born on May 1, 1919, in Chicago, Illinois, to George and Louise Wilsnack.  Her older sister, Priscilla Mary, was born on August 5, 1911 in Chicago.

Her father, a direct descendant of the noble von Wilsnack line (his great grandfather was count von Wilsnack), was born in 1886 in Berlin, Germany and after finishing his education in Europe, in 1908 he emigrated to the US and settled Chicago, Illinois. Her worked as a chemical engineer, specializing in making cement. Her mother, Louise Wingertier, was born in Buffalo, New York and came from a prominent Swiss family.

The family lived in Chicago, where Phyllis and Priscilla grew up. The family moved to Easton, Pennsylvania, in the early 1930s. After living in Easton for a few years, they departed for Los Angeles after Phyllis graduated from high school so she can attend college in Los Angeles.

Phyllis enrolled into college in Los Angeles (could not find which one), and there met her first husband. In the meantime, she started to act professionally, appearing in several little theater productions. She was seen by a talent scout, and soon started her movie career.

CAREER

Phyllis appeared in a great deal of low-budget westerns (oh my!). The list is as follows: Wild Horse ValleyBilly the Kid’s Fighting PalsLand of Hunted MenRiders of the Dawn and Gunning for Vengeance. As per usual, I’m not going to write anything about these charming movies, I am definitely not a fan of big budget, much less low budget westerns.

Her filmography is peppered with more valiant tries. her first ever movie, made in 1939, was All Women Have Secrets, in what seems like an interesting movie about few young people (students to be precise) who pool their resources to make their life better. Hollywood rarely tackled with such everyday problems, and it’s sure a breeze of fresh air to see movies like this. The cast has some hidden gems that would surface later – Jeanne Cagney, Janet Waldo and Veronica Lake.

phyllis-adair-and-max-terhune-1Phyllis made another movie in 1944, Abroad with Two Yanks, about (guess!) Two US soldiers and their adventures in Australia during WW2. The movie was made as a morale booster and thus hold little merit outside that field. it’s not a bad lot, but it’s a lightweight comedy and that’s about it…At least William Bendix and Helen Walker (in the lead roles) manage to do their job admirably.

God Is My Co-Pilot is perhaps the best known movie of Phyllis’a career, and yet it’s far from a full pledges classic everybody knows today. However, the movie, about Robert Lee Scott, a Georgia native who became a flying Tiger and did miraculous things during WW2, is well made and solid, if anything else. Scott is played by Warner Bros favorite bland and uninteresting every-guy, Dennis Morgan! I know, I may be harsh towards Morgan, but I’ve seen a few of his movies and I truly never understood his appeal. He was neither handsome not a particularly good actor… He’s far from the wooden magnificence of John Boles or John Gavin, but he just doesn’t do it for me. The supporting cast is much better – Dane Clark, Raymond Massey, Andrea King.

In 1945, Phyllis appeared in Kitty, a wonderful historical movie about the rise and rise of a simple London wench, with Paulette Goddard and Ray Milland in the lead roles. Just as I don’t like Morgan, thus I like Milland. He had some limitations as an actor, but he sure managed to leave a mark in most movies he appeared in. Paulette, in a similar vein, was not a great actress, but had screen presence and a feline, alluring vibe. What the film does right is putting these two actors in roles absolutely perfect for them – Milland as a charming cad and Paulette as a feisty gold digger. Add to this a solid script, great costumes and set design, and we have a winner!

dennis-moore-and-phyllis-adairTo Each His Own was another great entry into Phyllis’ filmography, a very good example of a weepy woman’s picture done right. When you have Paulette Goddard, Olivia de Havilland and Charles Boyer, you can’t really go wrong, now can you? They truly don’t make them like this no more! The Glass Alibi is a so-so thrilled with some good twists in it. Sadly, the cast is lackluster (low tier stars like Douglas Fowler and Maris Wrixon) and the director just can’t make this a truly memorable movie experience. Phyllis’ last movie was Of Human Bondage, the lesser remake of a great book. This is the problem when you try to film movies that already have ultimate adaptations. Paul Henreid takes Leslie Howard’s role – too bad he can’t hold a candle to him (despite a strangely charming melancholy strike, Henreid was a sadly mediocre actor). Eleanor Parker is good in Bette Davis’ role, but let’s be real, nobody can top Davis is that kind of paranoid, nervous roles.

Phyllis returned to the theater even before her movie career ended. Example, from 1948: “Beaux Arts Theater will reopen Dec. 25 with “Holiday Lady,” a new comedy-drama by Luther Yantls, who has also written “Killers,” “Souvenir Sadie” and “Loose Ladles.” The production will be offered by Irving Thorns and Jack Moser. Its plot concerns a young girl of the early 1900’s whose view of life was “far ahead” of the period In which she found herself. Phyllis Adair and Jack Murray will be the principals in a company of 15. ”

By 1949, Phyllis was out of showbiz and raising a family.

PRIVATE LIFE

Phyllis’ private life was barely mentioned by tabloids, so there is so little information… Anyway, let’s squeeze what we have. First, Phyllis was a stand-in for Peggy Cummins during the filming of Forever Amber. However, we do know that Peggy was ultimately sacked and Linda Darnell took over.

Phyllis married her first husband, med student William Fredrick Eschrich, on February 14, 1940, in Los Angeles. Both of them were in college, and lived with her parents who supported them (bad idea!).

dennis-moore-and-phyllis-adairEschrich was born on February 19, 1916, in Los Angeles, to Julius Eschrich and Aurelia Mountain. He started to attended med school in his home town and met Phyllis during his studies. Sadly, the marriage was terminated in about 1943. After the divorce, William graduated from med school and became a successful doctor. He married Marcella Phillips and had two sons, Gary, born on March 9, 1948 and Tyler, born on January 21, 1950. William practiced medicine in California for the rest of his life and died on January 3, 1990, in Los Angeles.

Phyllis married her second husband, Edward David Bronaugh, in Los Angeles on August 27, 1945. Bronaugh was born on July 12, 1918, to Ruby Rheinhart and Eugene Bronaugh, in Kansas, Missouri. He trained as a pilot and became a commercial airline pilot. He served in the Air Forces during WW2, and spent two and a half years overseas. He was married once before to Mary Louise Boswell – it was a wartime marriage that started on March 12, 1943 and ended that same year.

Phyllis and Edward’s marriage also proved to be very short – they divorced in 1946 or 1947. Bronaugh later moved to GlendaleArizona and got married again, to a woman named Francoise. They had two children, Kelly and Stephane. He died on August 3, 1987 in Arizona.

Phyllis married her third husband, a Mr. Stevenson, in 1948. Their son, Scot Bruce, was born on July 3, 1949. Long retired from showbiz by then, she devoted her time to her family and lived the rest of her days in California.

Phyllis Stevenson died on February 23, 1990 in Los Angeles, California.

 

Virginia Maples

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Virginia Maples was an Earl Carroll dancer who crashed Hollywood and actually managed to get in front of the camera. However, her true claim to fame were not her acting chops, but the man she dated – she was a serious contender to become both Mrs. Phil Silvers and Mrs. George Raft. Let’s hear her story.

EARLY LIFE

Virginia Lillian Maples was born to on January 13, 1921, in Los Angeles, California to Cornelius William Maples and the former Evelyn Rae Kavanaugh. Her father was an army captain who headed the Camp Tulelake. Her younger brother, Richard, was born on March 25, 1926.

Virginia grew up in Manhattan Beach, and dreamed to being an actress/dancer from early childhood. She started dancing before she went to school. In 1937, at just 16 years old, Virginia won the title of Miss Los Angeles. Earl Carroll saw her, liked what he saw, and signed her to become a Carroll girl. Barely 16 years old, Virginia was on her way to greater and bigger things.

There are several version of the story how Virginia was discovered for the movies. In a newspaper article she claimed she was discovered on a beach near her mother’s house. Years later, she claimed she came to the studios gates one day, and said to the guards she wanted to act. Luckily, they needed a dancer that very day, and she got the part. While I can’t be sure, I just think that her engagement in Earl Carroll’s vanities catapulted her to the screen. Anyway, she signed with a major studio in 1941 and started her career.

CAREER

Virginia made her debut in 1941 with Week-End in Havana, a fun, no-brains-required Alice Faye musical with her standard stock actors – John Payne, Carmen Miranda and Cesar Romero. Truly, Alice’s 1930s and 1940s movies were pure enjoyment, perfect escapism at the end of another mundane working day. The plot is pretty silly (from imdb: In this case it’s Alice Faye, a shopgirl who saved her money for a cruise and in this case the cruise ship ran aground on a reef on the Cuban coast. She just doesn’t want to sign a waiver to get the company off the hook for a lawsuit. So John Payne who is about to become Barbier’s son-in-law is sent to get that waiver by hook or crook.), but you know it’s just an excuse to paste together several singing and dancing scenes.

oakland_tribune_sun__jan_2__1944_Virginia started 1942 with The Mad Martindales, a movie more or less lost today. It’s a pity – the movie seems like a charming, likable family romp with Jane Withers in her usual perky role. Next Virginia appeared in the highly sanitized and inaccurate biography or Ernst Ball, an Irish songwriter, called Irish Eyes Are Smiling. If you watched any musical/biographies, you know the drift – the plot only has minor similarities with the real life of the man it portrays, and there is plenty of nice music and dancing. Dick Haymes, in the leading role, was not a good actor for sure , but he sings well enough, and June Haver witth her happy go lucky act and nice snging saves the day.   

Virginia appeared in only one more musicals – the “war musical” Something for the Boys. Like most propaganda movies, it’s thin int he art but abundant in the fun/morale department. It’s entertaining and nice to watch, but easily forgettable (even Carmen Miranda and Vivian Blaine can’t elevate it to a upper tier status).

virginia-maplesYou know it’s the beginning of the end, or a beginning of a new career when you start appearing in low budget westerns, like Virginia did with Wildfire. After that, you either sink and leave acting, or swim and become a B western heroine. Since the movie was easily forgettable, Virginia left movies for a period of time. She worked in nightclubs and so on.

She only returned to Hollywood in 1954, to appear in tow glossy, high class productions: Woman’s World and Black Widow. Woman’s world is one oft he best movies made abut the corporate world, about three hotshot salesmen and their wives, and the rat race to get ahead int he business. Black Widow is a mixed bag of pleasures. The plot is something right out of Hitchcock (taken from imdb: Van Heflin gives a striking, forceful performance as a theatrical producer in New York City who befriends a lonely 20-year-old girl at a party; she’s a would-be writer hoping for success, he takes a shine to her and offers a helping hand…but then she turns up dead!), and the actors are good enough, but it’s all so overtly dramatic it hurts!

Virginia left movies for good after this.

PRIVATE LIFE

While Virginia was one of the Earl Carroll girls, she dated Lionel Newman, the Earl Carroll orchestra leader, and there was talk the two would wed. They never did.

virginia-maples2After Newman, Virginia was seen several times with Laurence Tibbett Jr. In May 1942, she was seen with Victor Mature.

Then, in September 1943, Virginia started dating comedian Phil Silvers. Things got serious pretty soon, but theirs was a turbulent, love/hate relationship that just went up and down for about six months. They were cooing one moment, next they were fighting, then they were separated, then they were buying jewelry… it was pretty obvious the relationship would not last. They broke up in April 1943.

Virginia then took up with another famous beau, George Raft. To be sure, George was a notorious skirt chaser that dated all the girls in Hollywood (slight exaggeration, but just slight). He had just come out of a intensive relationship with Betty Grable, who ditched him when his wife refused to grant him a divorce (he used his wife a great many times to excuse himself from remarriage). Betty was furious when she found out that George started dating Virginia, and she tried to make her life a bit more complicated – only an intervention from the studio brass managed to calm down the situation.

George allegedly carried a huge torch for Betty. Since Virginia was a dear ringer for Betty in terms of looks, you can guess where that comes from… To my surprise, they actually dated for a long time – three months!!

virginia-maples3In July 1943, she switched to Tex Feldman. Then dirty laundry came out. Allegedly, when Virginia replaces Betty as George’s number one lady, he forced her to imitate Betty in everything from waling to fashion style. Virginia got sick of it and left him for Feldman. What can I say about Raft? The more I read about him and his ladies,s the less I like him. The guy obviously had some ego problems, as he dated ladies by the load but never remotely considered getting divorced from his wife who lived on the other side of the country. Some sources claim he was unable to divorce his wife, but hey, I think there are means of divorcing somebody if you really want to! Good for Virginia to get out of such a distressing relationship.

But then (WAIT FOR IT!) they got together, again!! Ugh. And they stayed together for two more years. George went overseas during the war to tour war camps, and left his car to Virginia. It must have been love 😛 Anyway, he returned and they continued their idyll, until about mid 1945.

albuquerque_journal_sun__may_7__1944_After that, Virginia, started to date Bill Burton, Dick Haymes’ manager. Then she was seen with hotshot lawyer, Bentley Ryan. Then she dated Arturo de Cordova in December 1945. Virginia Maples worked as an exotic dancer at the Club Riviera, and was out of the movies.

Virginia’s last known Hollywood beau was Walter Kane, Howard Hughes’ right hand man. They dated in early 1946 for several months, but she denied reports she was to marry him.

Then, Virginia met and fell in love with a handsome Brazilian, Envidio Sanctos (they met at one of Carmen Miranda’s parties). They eloped in 1947 and got married in Brazil. She effectively left behind her career to live in the Amazon jungle with her new husband. They spent their time between Brazil and the US. Their daughter, Diana, was born on April 17, 1950, in Kansas City, Missouri. The couple separated and divorced in 1962.

In 1975, Virginia moved to Isles of Capri and opened a gift shop, Diana’s Gifts, in East Naples. She continued working until she was 70 years old, and retired in Naples after that. She was a much loved member of the community.

Virginia Maples Sanctos died on January 13, 2010, in Naples, Florida.

 

Marbeth Wright

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Pretty, well-built and with a fine singing voice, Marbeth Wright was just 14 when she signed her first contract and hope for the best. For whatever reason, her movie career never got oft he ground – however she found luck in other revues of showbiz and achieved a better career in Europe.

EARLY LIFE

Marbeth Wright was born on July 9, 1915, in Crawford, Texas, to James C. Wright and Mabel Anderson, their only child. Her father was a police officer. The family moved to Los Angeles, California sometime after 1920, and Marbeth grew up and attended school there.

Marbeth started performing at the tender age of 11 – on a gathering in her home town,  she sang popular songs, including “Honey Bunch,” “What a Man’ and several others, and won much applause for her skills. She was bitten by the showbiz bug, and there was no other path – she would become an actress. Although only 11 years old, she started working hard to achieve her dreams, and from then on was a regular at the pageant and dancing scenes.

Marbeth won Cecil De DeMille’s personality Contest, actually a lure to find new talent they could exploit in movies. Marbeth was allegedly Miss Los Angeles in 1928, which would make her only 13 years old when she won the title. Was that even legal? Yet, all the documents attest that she was born in 1915. Weird. I would put her at least in 1913, if not 1912. After winning this title, the doors to Hollywood were wide open for the beautiful girl, and she signed a studio contract in 1929 and started her career the same year.

CAREER

After three silent films that I won’t cover here (The Great Gabbo, Happy Days and The Bridge), Marbeth appeared in Just Imagine, one of the most bizarre movies to get out of Hollywood. The forced and generally unfunny comedian, El Brendel, plays a normal guy (huh, touch luck with calling his humor normal) who is struck by lightning in 1930, and winds up in 1980 New York. And you imagine how people in 1930 imagined 1980! They sure didn’t expect the shoulder pads and the hair spray! Needless to say, it’s campy, it’s ridiculous and it’s so bad it’s good! As one reviewer wrote, “There are relays of airplane roads above the city, babies are dropped from coin fed machines, and outfits are made reversible for day and evening wear.” Don’t tell me you don’t want to see this!

marbeth-wright-01Marbeth next appeared in The Trial of Vivienne Ware, a well made and sturdy drama with Joan Bennett as the innocent female lead, pushed into a nasty court trial. She was again a dancer in It’s Great to Be Alive, another bizarre one. The plot already goes south in the first sentence: An aviator who crash landed on an island in the South Pacific returns home to find that he is the last fertile man left on Earth after an epidemic of masculitus. A reviewer wrote about it on IMDB: “It’s Great to Be Alive” is one of the weirdest movies I’ve ever seen. It’s a science-fiction comedy, similar in spirit to “Just Imagine” (1930), although not quite as musicalised. This is a dumb movie, but it’s so cheerful in its mindlessness that you’ll have a good time watching it …. What more do I need to say? Hollywood sure made some very strange movies back in the day.

Marbeth took a hiatus from movies – I have no idea what exactly was she doing, I always suspect, when an actresses disappears, that she got married and then divorced, but perhaps this is not the case with her. When she returned in 1935, she appeared in The Lottery Lover, a conventional and only average movie about the misadventures of military cadets in Paris. Like most movies set in Paris in the 1930s, it features the Folies Bergere prominently. Lavish costumes and great sets can’t manage to save a dull script and insipid story.

Guess what? Marbeth then appeared in a movie aptly titled Folies Bergère de Paris. And guess what again? The movie is actually not a bad one. Headed by the effortlessly charming Maurice Chevalier (the king of precode, oh la la), it’s a story about an entertainer impersonates a banker who looks just like him, causing confusion for the bankers wife and his girlfriend. It has all the right ingredients – the witty banter, good music and decent actors. She continued her dancing output in George White’s 1935 Scandals, a typical George White movie, full of pretty girls dancing and with little to no plot.

Marbeth appeared in another idiotic musical, and that movie is truly and well forgotten, Redheads on Parade. Next, she was not a dancer but rather a secretary in The Girl Friend, only a modesty funny comedy with Ann Sothern, Jack Haley and Roger Pryor. Nothing to write home about! She finished her movie career with Music Is Magic – this is officially an Alice Faye movie, the true star is  Bebe Daniels, a 34-year-old star who refuses to acknowledge that her prime is past that she must choose roles in accordance to her advanced age! I cannot stress enough how this movie shows, unintentionally, how Hollywood treats women. While I’m the first to say that casting people who are too old for some roles is not a perfect solution, the lack of substantial roles for women above 35 years of age is alarming. And Daniels, still beautiful and with tons of charisma, is a better actress than the younger Faye and truly steals the show.

Marbeth moved to other forms of showbiz, and never made another movie.

PRIVATE LIFE

Marbeth was 5’5” tall, and tried to get into the papers like any dutiful starlet tries, but she never caused a scandal or sensation. It was her baking skills that got her into the papers in 1929 – she baked a very nice bread man for a culinary fair.

Marbeth also gave a handy beauty hint to readers:

An alluring note is added to light summer gowns by the use of fresh flowers in the hair. A cluster of mess rosebuds, gardenias, or a pink camellia is especially attractive.

Marbeth’s life gets interesting in about 1936, when she was allegedly summoned to Maurice Chevalier to appear with him in a revue show in Paris. The story goes like this (taken from a contemporary newspaper):

Marbeth Wright has signed a contract to go to Paris and appear at the Casino there and also play in a picture with Maurice Chevalier. I’m not saying there’s a romance, but I hear Maurice selected this young lady, who played Just a bit in “Folles Bergere,” as the object of his special attention when they were making the picture and chose her also for the new Job.

marbeth-wright-3I was highly suspicions of this story. Chevalier, one of the most famous stars in the world, asking for a complete unknown for a co-star, and he’s not even a friend or a lover? While possible, I doubted this very much. However, after some digging around, I found out something that could be reason – it seems that Marbeth was involved, romantically of course, with Max Rippo, who was at the time Chavelier’s secretary. Now, this makes much more sense – Rippo recommended his lover to Chevalier, he obviously liked what he saw and signed her. This way I guess Rippo and Marbeth could continue their liaison in Paris.

Marbeth sailed for Paris in 1936, and stayed there for the next three years,  singing in the Monte Cristo casino. If we only knew what other stories of Paris Marbeth could have told us…

Marbeth only returned to US in mid 1939, when it became absolutely clear that bad times were looming over Europe – she returned to Los Angeles, where her parents lived, but she did not sign a contract with any studio nor did any nightclub work. One has to wonder what happened to Marbeth? Why the termination of her career? Could there be a revival?

Unfortunately, there was to be no revival. Marbeth Wright died from a dental infection on September 17, 1939, 16 days after was declared in Europe . She was just 24 years old, and we can say that it was a tragedy she died so young.

Philippa Hilber

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Beautiful girl who danced at every show, acted in every production in her birth town, who dreamed of becoming an actress from as long as she can remember. Sounds familiar? There were thousands of such girls, and Philippa Hilber was one of them. Unlike most, she actually got somewhere – she signed a contract with a major studio and started in bits and pieces.The problem was that she never got beyond that stage. In the end, she married and left the screen.

EARLY LIFE

Phillippa A. Hilber was born on January 22, 1918, in Los Angeles, California, to Phillip Melbourne Hilber and Vera Thornton. Her father was a professional photographer, born in Michigan.

Her parents separated when she was a toddler, and she went on to live with her maternal grandparents, Alvin and Addie Thornton. In 1920, Vera and Philippa lived with Alvin and Addie and Vera’s younger brother, Richard Scott. Alvin and Addie were both Mississippi natives that married in the late 1880s, had six children, and came to California in the early 1910s. After the divorce, Vera never remarried. Phillip remarried to Hazel Hilber and had a son, Charles, born in 1930.

Philippa grew up in San Bernardino, and integrated herself with the entertainment world while very young – she appeared in school plays aged only 11, and was about 14 years old when she danced ballet in various summer concerts. Here is an excerpt of a newspaper article, dating from July 1931, about a concert at the Biltmore Bowl:

Suited particularly to this out-of-doors theater, and offering an atmospheric bit which will, in all probability, long be remembered, is the ballet “Clouds,” danced to the music of Debussy. Of the sixty dancers included in the personnel of this ballet, only six will appear as individual figures. The others are completely covered beneath more than 1000 yards of veiling, shading in color from foggy grays to brilliant orange: Representing the. clouds at sunset, the dancers drift in their rhythmic patterns about the stage, finally disappearing, leaving but one tragic little cloud who has strayed away from the rest, but who scurries away when she discovers she has been left alone. Hiding behind the clouds, but emerging in their full brilliance when the last bit of chiffon has drifted away, are five stars and, as a final climax, the moon. Featured in this ballet are Evelyn Wenger, Edith Jane. Elise Relman. Helen Doty, Phillipa Hilber and Dorothy Wagner

Philippa continued to dance at various revenues, and hope for movie stardom. And that came soon enough – she signed a movie contract in November 1934, when she was just 16 years old, and started her movie career. On the side, we have to note that she waited to finish high school in 1936, when she was already a working actress.

CAREER

Philippa started as a dancer, and as such appeared in uncredited roles of chorus girls. Her first appearance was in Arizona to Broadway, a sadly forgotten but not-all-that-bad comedy about con men trying to out-con each other. The underrated and tragic James Dunn plays the male lead, and my favorite Joan Bennett is the female lead. What’s not to like? Philippa then appeared in Roman Scandals, the seminal Eddie Cantor comedy.

philippahilber1This was followed by a show girl role in Moulin Rouge, a charming but shallow pre-code comedy with Constance Bennett playing dual roles and Franchot Tone as the husband. As you can imagine when there are dual roles involved, it’s about mistaken identities and so on. Predictable, but fun non the less. Then came Stand Up and Cheer!, which is less of a movie and more of an excuse to put one variety act after another. Avoid if you don’t like your movies without a plausible plot.

Philippa was a rumba specialist dancer in Redheads on Parade, a sadly totally forgotten Dixie Lee musical, with our favorite wooden actor, John Boles. She danced ballet in one of the few Spanish movies Hollywood made, Piernas de seda.

King of Burlesque, Philippa’s next feature, was an early Alice Faye movie with a plot that would become a genre staple in the 1940s – The low-class man aspiring to high society and married above himself, shunning his low-class sweetheart, who then goes abroad to sing and becomes a big success on the stage there. Faye actually played the shunned lady twice more, but this was the first time. The husband/cad is Warren Baxter, and socialite wife is Mona Barrie – decent cast, good dancing and singing acts, and what more do you need?

philippa-hilber-2Philippa appeared in two Loretta Young movies – Wife, Doctor and Nurse and Second Honeymoon. The former is actually an interesting take on the typical love triangle, with Loretta playing the wife – the latter is a lackluster Loretta/Tyrone Power pairing, devoid of any energy and wit (a must for a screwball comedy, which it feigns to be). She also appeared in Girls’ Dormitory, a flat movie that aimed to shock but of course is more boring than anything,  and You Can’t Have Everything, a breezy, charming Alice Faye/Don Ameche movie (where you need to forget the plot and just enjoy the music!)

Philippa ended her career with two total misses – Love and Hisses, a dismal movie at best, about  a rado feud between columnist Walter Winchell and band leader Ben Bernie(since neither knows how to act, you can imagine how good the movie is), and Kentucky Moonshine, a lesser movie of the Ritz brothers (and they were the poor man’s Marx brothers).

Philippa left movies to raise her children after this.

PRIVATE LIFE

In 1934, Philippa gave a Beauty hint for her fans:

FOR a facial that leaves the skin smooth and soft, mix equal parts of sweet almond oil and honey, cover the face and allow to remain on half an hour. Remove with cold cream or lukewarm, damp towels. through several waters. Do not wring them out, but hang up dripping. Dry celery leaves and parsley, then pulverize. Keep in salt shakers. They are worth the trouble to prepare and make a tasty garnish.

philippa_hilber_make_upPhilippa dated Doodle Weaver for a few months in 1935. She married Bill Goodwin on March 11, 1936, in Yuma, Arizona. They just hoped into Goodwin’s car one day and of they went! William Nettles Goodwin was born on July 28, 1910, in San Francisco, California, to . Goodwin attended the University of California. He acted in stage productions on the West Coast before he began working in radio in 1930. After working on a station in Portland, Oregon, he worked at stations in Sacramento and Los Angeles. he would act in Hollywood movies, and work with George Burns and Gracie Allen.

Philippa promised that marriage would not interfere one bit with her career. Typical sentence, spoken by dozens of starlets – with typical results. Yes – within three years, Phillipa was pregnant and leaving movies for good.

philippafamilyThe couple had four children – Jill (born on December 20, 1939), William Richard (born on January 8, 1942), Lynn (born on October 18, 1943), and Sally (born on June 29, 1945). In 1945, she was named Glamour Mother of the Year by infantry men fighting in Europe. In 1951, there was thing short item in the papers about Philippa: People are always asking Philippa Goodwin, wife of Bill Goodwin, how she finds time to raise four children. “It’s the same as raising one,”, explains Philippa. “When Jill, our firstborn, arrived, she took all my time. What can three more do?”

Philippa and Bill enjoyed a happy and fulfilling marriage, and even had their own radio program. Unfortunately, Bill died from a sudden heart attack on 1958. In the 1970s, Philippa worked as a successful real estate agent, based in Los Angeles.

Philippa never remarried, retired in the 1980s and moved to Palm Desert to enjoy her golden years.

Philippa Hilber Goodwin died on April 1996 in Palm Desert, California.