Philippa Hilber


Beautiful girl who danced at every show, acted in every production in her birth town, who dreamed of becoming an actress from as long as she can remember. Sounds familiar? There were thousands of such girls, and Philippa Hilber was one of them. Unlike most, she actually got somewhere – she signed a contract with a major studio and started in bits and pieces.The problem was that she never got beyond that stage. In the end, she married and left the screen.


Phillippa A. Hilber was born on January 22, 1918, in Los Angeles, California, to Phillip Melbourne Hilber and Vera Thornton. Her father was a professional photographer, born in Michigan.

Her parents separated when she was a toddler, and she went on to live with her maternal grandparents, Alvin and Addie Thornton. In 1920, Vera and Philippa lived with Alvin and Addie and Vera’s younger brother, Richard Scott. Alvin and Addie were both Mississippi natives that married in the late 1880s, had six children, and came to California in the early 1910s. After the divorce, Vera never remarried. Phillip remarried to Hazel Hilber and had a son, Charles, born in 1930.

Philippa grew up in San Bernardino, and integrated herself with the entertainment world while very young – she appeared in school plays aged only 11, and was about 14 years old when she danced ballet in various summer concerts. Here is an excerpt of a newspaper article, dating from July 1931, about a concert at the Biltmore Bowl:

Suited particularly to this out-of-doors theater, and offering an atmospheric bit which will, in all probability, long be remembered, is the ballet “Clouds,” danced to the music of Debussy. Of the sixty dancers included in the personnel of this ballet, only six will appear as individual figures. The others are completely covered beneath more than 1000 yards of veiling, shading in color from foggy grays to brilliant orange: Representing the. clouds at sunset, the dancers drift in their rhythmic patterns about the stage, finally disappearing, leaving but one tragic little cloud who has strayed away from the rest, but who scurries away when she discovers she has been left alone. Hiding behind the clouds, but emerging in their full brilliance when the last bit of chiffon has drifted away, are five stars and, as a final climax, the moon. Featured in this ballet are Evelyn Wenger, Edith Jane. Elise Relman. Helen Doty, Phillipa Hilber and Dorothy Wagner

Philippa continued to dance at various revenues, and hope for movie stardom. And that came soon enough – she signed a movie contract in November 1934, when she was just 16 years old, and started her movie career. On the side, we have to note that she waited to finish high school in 1936, when she was already a working actress.


Philippa started as a dancer, and as such appeared in uncredited roles of chorus girls. Her first appearance was in Arizona to Broadway, a sadly forgotten but not-all-that-bad comedy about con men trying to out-con each other. The underrated and tragic James Dunn plays the male lead, and my favorite Joan Bennett is the female lead. What’s not to like? Philippa then appeared in Roman Scandals, the seminal Eddie Cantor comedy.

philippahilber1This was followed by a show girl role in Moulin Rouge, a charming but shallow pre-code comedy with Constance Bennett playing dual roles and Franchot Tone as the husband. As you can imagine when there are dual roles involved, it’s about mistaken identities and so on. Predictable, but fun non the less. Then came Stand Up and Cheer!, which is less of a movie and more of an excuse to put one variety act after another. Avoid if you don’t like your movies without a plausible plot.

Philippa was a rumba specialist dancer in Redheads on Parade, a sadly totally forgotten Dixie Lee musical, with our favorite wooden actor, John Boles. She danced ballet in one of the few Spanish movies Hollywood made, Piernas de seda.

King of Burlesque, Philippa’s next feature, was an early Alice Faye movie with a plot that would become a genre staple in the 1940s – The low-class man aspiring to high society and married above himself, shunning his low-class sweetheart, who then goes abroad to sing and becomes a big success on the stage there. Faye actually played the shunned lady twice more, but this was the first time. The husband/cad is Warren Baxter, and socialite wife is Mona Barrie – decent cast, good dancing and singing acts, and what more do you need?

philippa-hilber-2Philippa appeared in two Loretta Young movies – Wife, Doctor and Nurse and Second Honeymoon. The former is actually an interesting take on the typical love triangle, with Loretta playing the wife – the latter is a lackluster Loretta/Tyrone Power pairing, devoid of any energy and wit (a must for a screwball comedy, which it feigns to be). She also appeared in Girls’ Dormitory, a flat movie that aimed to shock but of course is more boring than anything,  and You Can’t Have Everything, a breezy, charming Alice Faye/Don Ameche movie (where you need to forget the plot and just enjoy the music!)

Philippa ended her career with two total misses – Love and Hisses, a dismal movie at best, about  a rado feud between columnist Walter Winchell and band leader Ben Bernie(since neither knows how to act, you can imagine how good the movie is), and Kentucky Moonshine, a lesser movie of the Ritz brothers (and they were the poor man’s Marx brothers).

Philippa left movies to raise her children after this.


In 1934, Philippa gave a Beauty hint for her fans:

FOR a facial that leaves the skin smooth and soft, mix equal parts of sweet almond oil and honey, cover the face and allow to remain on half an hour. Remove with cold cream or lukewarm, damp towels. through several waters. Do not wring them out, but hang up dripping. Dry celery leaves and parsley, then pulverize. Keep in salt shakers. They are worth the trouble to prepare and make a tasty garnish.

philippa_hilber_make_upPhilippa dated Doodle Weaver for a few months in 1935. She married Bill Goodwin on March 11, 1936, in Yuma, Arizona. They just hoped into Goodwin’s car one day and of they went! William Nettles Goodwin was born on July 28, 1910, in San Francisco, California, to . Goodwin attended the University of California. He acted in stage productions on the West Coast before he began working in radio in 1930. After working on a station in Portland, Oregon, he worked at stations in Sacramento and Los Angeles. he would act in Hollywood movies, and work with George Burns and Gracie Allen.

Philippa promised that marriage would not interfere one bit with her career. Typical sentence, spoken by dozens of starlets – with typical results. Yes – within three years, Phillipa was pregnant and leaving movies for good.

philippafamilyThe couple had four children – Jill (born on December 20, 1939), William Richard (born on January 8, 1942), Lynn (born on October 18, 1943), and Sally (born on June 29, 1945). In 1945, she was named Glamour Mother of the Year by infantry men fighting in Europe. In 1951, there was thing short item in the papers about Philippa: People are always asking Philippa Goodwin, wife of Bill Goodwin, how she finds time to raise four children. “It’s the same as raising one,”, explains Philippa. “When Jill, our firstborn, arrived, she took all my time. What can three more do?”

Philippa and Bill enjoyed a happy and fulfilling marriage, and even had their own radio program. Unfortunately, Bill died from a sudden heart attack on 1958. In the 1970s, Philippa worked as a successful real estate agent, based in Los Angeles.

Philippa never remarried, retired in the 1980s and moved to Palm Desert to enjoy her golden years.

Philippa Hilber Goodwin died on April 1996 in Palm Desert, California.

Mildred Stone


Beautiful and a wonderful vocalist, Mildred Stone had all the pluses to make it in Hollywood. And just when she started her road to riches, she got married and gave it up. As we know from previous posts, such was the story of many women in 1930s Hollywood.


Mildred I. Stone was born on January 13, 1914, in Hanford, California to Cedric A Stone and Harriet Berachig Wilson. Her younger sister Dorothy was born in 1920. Both of the girls grew up in Lucene, Kings County, where their father had a farm.

Sadly, her father died on November 29, 1925, aged only 35. Harriet took the girls to Hanford, where both of them attended Hanford High School.

While there, Mildred was tutored by elocution and voice expert Mary Hobson Crowe, who was once a star of the stage. This gave her . She played leads in Mikado, the Indian Operetta, Lela Walla and other productions. She also studied for a bit with a voice coach in San Francisco.  She had to return to Hanford to earn money to continue her education – Hanford chamber of Commerce staged a recital to help her. Then, she had her first solo concert in October 1933 – she was accompanied by her mother on the piano.She also did some work for Hanford Players to supplement her income.

After bagging some money, she returned to San Francisco studied with the prior mentioned voice coach for some more time, and then moved to Los Angeles to further her career. There she won a contest and nabbed a role in a at a Clark and McCollough comedy. Not long after she got a contract with KMTR radio, and did gigs at famous nightclubs:

In mid 1934, she was let go from her KMTR contract and signed with Jimmy Grier at the Biltmore bowl, where she sang 7 nights a week. On the side, she tried for a movie career. Her break came as a total lark – she was noticed in a nightclub by a talent scout, who arranged for her screen test. She passed with flying colors.

Mildred signed her first motion-picture contract, a seven-year agreement with Paramount Productions under which she was to. receive $50 a week to start with, her salary ascending on a sliding scale to $450 a week. And her movie career started…


Mildred made only two movies after she signed her contract with Paramount. And both were in uncredited roles. So much about becoming a film star…

mildredsantaellaHer first movie was the Bing Crosby vehicle, Mississippi. Most of his early to mid 1930s movies fall into the same basket – funny, charming, paper-thin plot wise musicals. Of course, they are of varying quality, but neither veers too much of the charted track. Mississippi falls somewhere in the middle of the road, being neither the best nor the worst of the Crosby offerings. The flimsy plot (taken from a reviewer on imdb): Bing is cast as a northerner set to marry a southern woman who lives in one of those great plantations, and who has a prettier younger sister. He is challenged by an evil ex-suitor, but won’t duel with him. So Bing is cast out in disgrace to sing on Fields’ riverboat. Bing has to somehow survive Fields’ influence, get back on shore and re-claim his marital “prize”. But she is married to the “bad guy”. What does Bing do? What is his relationship with the cute younger sister?

You get the drift. The best thing about this movie is the pairing of Bing Crosby and W.C. Fields – the only time they worked together. Shame, as they were on the top in their prospective fields: Bing a top crooner and Fields a top comedian. The movie’s one major downfall is its mild but still very much apparent racism. Hollywood of the 1930s was very ambivalent about racism – as one reviewer correctly wrote: “For every serious film that grasped at racial tragedy in this country (the US) (IMITATION OF LIFE with Louise Beavers and Freddy Washington, or IN THIS OUR LIFE with Bette Davis) there were hundreds which were made that insulted millions of African-Americans for laughs.”

mildresstone2Mildred’s second movie was 13 Hours by Air, a brisk, well made thriller. It offers little more than that, but let’s me real, nobody expects it to be a top feature. he plot is a bit convoluted, with planes, jewel robbers, high society ladies, corrupt counts and so on, but the cast is pretty good – Fred MacMurray and Joan Bennett in the leads, and John Howard , Ruth Donnelly, Alan Baxter and Zasu Pitts in the supports. Mildred plays a (what else) stewardess. Also worth watching out is a small role by the forgotten silent movie queen, Marie Prevost.

Mildred gave up acting to starts a family after this, and her Paramount contract was broken.  She returned to movie making in 1947, with her last feature, The Shocking Miss Pilgrim, a truly enjoyable fare. Without insulting the sensibilities of the all mighty production code, it manages to be a commentary on the early women’s right movement in the late 19th Century. It’s also a delightful love story and ultimately musical with some irresistible music by Ira Gershwin. Yep, win-win situation on all accounts. Special plus is seeing Betty Grable and Dick Haymes paired on the screen.

And that was it from Mildred.


Mildred was a petite woman, standing at just 5′ 2″, but was of shapely build. She was nicknamed Midge by family and friends. She gave her beauty hint to the public in 1934:

If your blonde hair looks dull, try using a tablespoon full of vinegar in the lukewarm rinse water after a shampoo.

Short, sweet and very much true!

mildredstone3Now for her love life. While working at the KMTR radio, Mildred met Salvatore Santaella, the charming, suave musical director. Santaella was born on September 12, 1896, in Mexico City, Mexico, of Italian extraction, to Pasquale and Anna Maria Santaella. He immigrated to the States with his parents in 1908. They settled in Detroit, where he finished high school. A gifted pianist, he became a professional musician. In 1920, he married his first wife, Lillian Hansen. The couple moved to New York in 1921 and renewed their vows in 1922. Their daughter Dorothy G. was born not long after, in Oregon.

Santaella moved to Los Angeles at some time in the mid 1920s, and started to work in the radio and movie industries. He and Lillie divorced at some point. Santaella played piano solos for the George Arliss movie, The Man Who Played God, and became the KMTR musical director. He also wrote songs on the side, and even collaborated with Jan Rubini, famous composed who was the husband of another starlet I profiled on this blog, Terry Walker.

Mildred and Salvadore dated from at least mid 1934. He had already let her out of the KMTR contract so she can sign with Jimmy Grier and appear in movies. He obviously had misgivings about letting her go – not just professional ones mind you!

the_bee_thu__jan_10__1935_They married on  September 14, 1935, in Los Angeles. Their daughter, Linda, was born on October 3, 1935, in Los Angeles (now, look at the dates – Linda was born just 20 days after they married. Pretty steamy stuff for 1935. I wonder why they married so late? Divorces, or?).

Mildred slowly gave up her budding career to become a housewife. By 1939, she was not working any more, and the family lived in 6506 Lindenhurst Avenue. She was close to her mother’s family, the Wilsons, and sometimes popped up in the local Californian newspapers in the society pages.

Saltavore Santaella died on January 11, 1964. I have no idea what happened to Mildred afterwards – the IMDB claims she died in 1989, but I could not a death certificate.

As always, I hope she had a good life.

Perdita Chandler


A stunning Elizabeth-Taylor-look-alike, Perdita Chandler acted only for fun – thus, she never expected anything big and never got anything big from Hollywood. However, despite the thin number of movies she appeared in, their quality is quite impressive – isn’t it enough to say that she appeared in same movies as Greer Garson, Spencer Tracy and John Wayne?


Perdita Chandler was born in 1928 in Los Angeles, California. She was the daughter of a local physician. The family lives in Santa Monica for a time.

The family moved to Salt Lake City in the late 1930s. When Perdita was 13 years old, she fell from a roof. The doctors gave her parents a grim prognosis – Perdita will never walk again. However, the determined child gritted her teeth and refused to give up – she worked every day, and she was back on her feet (wobbly a bit but a step forward) in a couple of months. In order to strengthen her back, she started taking dancing lessons.

Soon, Perdita was a serious dancer, enjoying it very much and hoping to make a career out of it. Not long after she started to sing, and joined the Mormon Tarbenacle Choir. She sang there for four years – encouraged by her success, she left for New York int he mid 1940s. Her father, however, did not wish for her daughter to be in showbiz – but it did not deter Perdita!

Beautiful, tall and well-built, she became a Powers model in no time. She also sang in nightclubs and made an appearance on Broadway in The Firebrand of Florence, a Kurt Weill musical. In 1949, she left New York for Hollywood, and there our story starts!


Perdita made her debut in The Great Jewel Robber, a David Brian veclicle. What can I say, Brian is a new favorite of time, after seeing him in The Damned Don’t Cry. he wasn’t PerditaChandlerOlivier, but he had a menacing vibe and was largely magnetic on-screen. it’s an interesting film at any rate – Brian plays the titular jewel robber, who uses anyone and anything to live off his trade. It’s just what he is, and he will never be anything else. this grim, serious outlook on a man is something we don’t see too much in saintly Hollywood. he won’t change – he doesn’t want to. he’ll use any woman he meets to achieve his cause (the women are played by Perdita, Marjorie Reynolds and Jacqueline DeWit). Wonderful start for Perdita, despite the B movie status, but did she match it up?

Unfortunately, she would never again play a credited role. But she did appear uncredited in some pretty good movies! First in the list – The Glass Menagerie, an overall successful adaptation of the Tennessee Williams classic. Mister 880, her next movie, is a well made Burt Lancaster thriller about a Secret Service Agent trying to catch a cold case counterfeiter and a United Nations translator. Since Burt made tons of good movies, it gets drowned out and is barely remembered today. This is the only time Burt played opposite the enchanting Dorothy McGuire.

The People Against O’Hara is essentially a character study about an alcoholic lawyer who tires to redeem himself by defending a youth from the wrong side on the tracks during a murder trial. Luckily, the lawyer is played by Spencer Tracy – few actors could pull of the role with such a mixture of ease and heaviness. It’s not an edge of your seat, thrilling movie, but it works on most levels.

Phone Call from a Stranger  is a small, non-bombastic movie, but very well-acted, directed and scripted film, with a surprisingly good ending. It deals, directly, with loss – how people cope when they suddenly lose somebody. The leads are played by Gary Merrill, Shelley Winters and Michaell Rennie, all fine enough thespians.

The Merry Widow is a lukewarm adaptations of the famous operetta, which was filmed before (in 1932) with a (IMHO) better cast – Maurice Chavalier and Jeannette MacDonald. The 1932 movie is generally a better one than this one (by miles). Lana Turner, who plays the widow of the title, is as lackluster as always. What can I say about her? No great actress, but she did have the star quality and managed to pull off more good movies than many more talented actresses. The male lead was taken over by Fernando Lamas – since I’m not a fan of the Latin lover types, I’ll just say skip.

Perdita’s lats movie under contract was Scandal at Scourie, a later Greer Garson movie. By 1952, Greer was not the major star she was in the early to mid 1940s – her movies were never as good as they were back then. However, she was always extremely watchable and could lively up even mundane material. Here she is again paired with Walter Pidgeon, in a touching story about.

Perdita made only one more movie, in 1957, John Wayne’s Jet Pilot. After that she completely dissipated from the Hollywood scene.


In early 1950, not long after she came to Hollywood, Perdita was seen with Ronald Reagan. It didn’t last long, unfortunately. Fortunately, another man came into his place.

The_Jacksonville_Daily_Journal_Fri__Dec_18__1953_His name was Felix Ferry, known as Fefe or Fifi Ferry, a famous movie agent. Ferry sure had a colorful life. Born in 1897 in Romania, he moved to Monaco and helped make Monte Carlo the hubbub of European jet set. He came to the States and opened and former owned of a top-notch New York restaurant, Monte Carlo. Ferry had connection with some shady characters, including mobster Frank Costello. He was also engaged for a time to dancer Hilda Knight. Ann Woodward, who famously killed her wealthy husband William Woodward, was a dancer at one of Fefe’s nightclubs before her marriage.

Fefe was a slight man, under 5’5”, but with a magnetic presence and great charisma. As Fefe’s fiancee, Perdita mingled with the higher-ups of Hollywood (she was often likened to Elizabeth Taylor, whom she knew personally), and was a good friend of famous astrologer Carroll Righter.

In June 1953, Perdita went to Europe for the first time. She was to be married to Ferry in Germany. The couple traveled around a great deal before the nuptials were to take place. However, during one such trip, Fefe died from a sudden heart attack. The wedding was only three days away. Perdita, who was expecting to get married to a wealthy man, brought only a small sum of money with her. Fefe was dead, she was not his legal successor – she had no right to any of his inheritance. She didn’t have enough even to return back to the States. Fiercely independent and unwilling to fall onto the kindness of strangers, she hitch hiked to Paris, talked to some of Fefe’s friends, and got herself a spot as the chanteuse in the posh nightclub, the Elephant Blanc. Her show was a smash – soon she was overrun with offers for other engagements. She appeared for a time in Carroll’s, another fashionable nights spot, and toured a great deal (most notably to Egypt).

When an US newspaperman interviewed her in 1954, almost a year later, Perdita expressed her deep sorrow over Fefe’s death, but also a certain satisfaction over her present situation. She had no plans to return to the US any time soon, and she obviously enjoyed the “French living”.

In early 1955, Perdita became an ambassador for French wine. She gushed to the papers how wonderful French wine was, much better than sodas or coffee back in the States. In September of that year, Perdita was seriously injured in a car crash near Milan. She managed to recuperate and after such a life or death situation, came to the conclusion that it was time to return to the States in 1956, to continue her movie career.

What happened afterwards is a mystery to me. She returned to Europe and didn’t make another movie. Perdita got married to a French man, a Mr. Dalbavie, after 1958. Her son, Marc-André Dalbavie, was born on February 10, 1961. He became a famous composer.

I have no idea where Perdita is today, but I hope she had a good life!

Maxine Reiner


Maxine Reiner was a gorgeous model who came to Hollywood with the sole intention of making it as an actress. Her looks warranted her a contract, but we all know that’s only a starting point for something more substantial. After some uncredited bits, she was given a prominent role in a movie series and it was either make or break – sadly, she did not make the grade and her career ended not long after.


Maxine Frances Reiner was born on March 16, 1916, in Philadelphia, Pennsylvania, to Bernard Reiner and Ida Eisenberg. Her younger sister Naomi was born in 1923. Maxine grew up in Philadelphia and attended schools there.

During her high school years, to make some money, Maxine worked as a model in Philadelphia. She was best known for the cigarette ads (despite the fact that she never smoked). Upon graduation, her father gifted her with a train ticket to Los Angeles. Piqued by the light of Hollywood, she left for the West coast with her mother and sister. She did the usual studio rounds, but no luck. Then, one day, an agent was reviewing a screen test trying to decide will he sign an actress of not. Maxine was in the same screen test – the agent finally decided to sign Maxine and not the girl he was originally . She got a contract with Universal Studios and started her career.


Maxine was uncredited in her first feature, Wanderer of the Wasteland, a forgotten movie based on a Zane Grey novel. The cast is good enough for sure (Dean Jagger and Gail Patrick in the leads), but MaxineReiner5there is nothing further I can say about the movie. She had another uncredited role in Professional Soldier, a fun and delightful romp, a perfect Sunday afternoon movie. The plot is simple enough – Former real-life mercenary Victor McLaglen plays a professional soldier who is hired to kidnap the Russian king, Peter II, but he gets much more than he bargained for in Freddie Bartholomew (who play Peter). it’s not about the plot for sure – it’s about the great interplay between McLagen and Bartholomew, the fast and elegant action scenes, and witty dialogue. Rita Hayworth and Maxine play gypsy dancers.

She continued her uncredited adventure with It Had to Happen, one of the less known George Raft movies. He plays an Italian immigrant who makes it big in America. Same old, same old story. Rosalind Russell plays the female lead. Nothing to yawn about.

Maxine struck cinematic gold that catapulted her out of the uncredited pool with Charlie Chan at the Circus. Was it the best way to become a star? Heck no, but it was a god start. What can I say about Charlie Chan movies?  Like most movie serials, they were made on a shoestring budget and with mediocre writing, and this particular entry is a mid tier one. Some love it, some find it uninteresting, but it’s enjoyable any way you look at it. Charlie Chan is, as the title suggests, in the circus and gets embroiled in the complex behind the scenes hierarchy. Maxine plays a trapeze artist. What was supposed to be her ticket to stardom only buried her further. Maxine did no make the grade, and her roles suffered.

MaxineReiner3She had a smaller role in Sins of Man, a long-winded, heavy drama with Don Ameche playing dual roles of two brothers. It’s more or less completely forgotten today.

Maxine had a slightly more prominent role in The Girl on the Front Page, a Gloria Stuart vehicle where she plays a rich girl who starts to work at her dad’s paper incognito and managed to bust a counterfeit ring. While I love a heroine who is proactive and does things, the rich girl going to work narrative is a bit boring, I have to admit. Yet Gloria is such a lovely presence, you can forgive some plot holes.

Maxine’s last movie was Flying Hostess, a movie about the lives and loves of airline stewardesses (they were called flying hostesses back in the 1930s). It’s a pretty minor, forgotten movie. Aware that her career was going nowhere, Maxine gave up her contract to become a wife and later, mother.


Maxine was a budding novelist, and wrote the novel Stranger in Manhattan in 1935. It deals with the sophisticated life in New York. I have no idea if it was ever published, but it’s never bad to write, so kudos to Maxine.

MaxineReiner4Maxine married Joseph “Joe” I. Myerson on July 11, 1935, in an orthodox ceremony in Los Angeles. The studio gave her two weeks to go on a honeymoon. Joe was born on December 6, 1905, to Victor Myerson and Ida Hoffman, the fifth of six children. He grew up in California but moved to Yuma, Arizona in the late 1920s. He returned to Los Angeles in the mid 1930s and worked as a wholesale clothing merchant.

The marriage ended in a separation on October 18. They finally hit the divorce courts in February 1936, where she asked for separate maintenance and he claimed that it’s stupid to pay her alimony since she earned more than him. Finally, she was awarded $185 a month alimony.

Myerson remarried to Jean Morantz on June 20, 1937. He died on December 1986, in Pima, Arizona.

Maxine married Harry Eliot Sokolov on April 29, 1937. The couple waited for two months to reveal their marriage to the press. Harry was born on December 23, 1899 in Baltimore, Maryland to Jacob Sokolov and Anita Azrael, second of seven children. He graduated from Central High School in Washington DC. In 1921, while studying law, he helped organize an eight piece orchestra that was to stage a George Washington musical. In 1925, he and his brother opened a Realty Corporation in Brooklyn. He became a practicing attorney and moved to Los Angeles after 1930. He and Maxine lived in Beverly Hills.

Maxine2Now, something more about her husband. In 1939, he, along with several other luminaries, founded the Producers Corporation of America.  Harry Sokolov was a very active and energetic man who served as an attorney to several stars (Patsy Ruth Miller comes to mind), was the CEO to Harry Sokolov and Sons, a construction company, and later became an executive producer at 20th Century Fox and close associate of Richard Zanuck. He also was a member of the advisory board of the California State Park Foundation and a member of the California Superior Court Arbitrators.

On January 22, 1943, the Sokolov’s only child, son Thomas Reiner Sokolov, was born. Maxine’s sister Naomi lived with them until her own marriage the same year. Maxine was active in the local social life and dedicated a lot of her time to charitable causes.

The couple divorced at some point before 1956. Sokolov died in 1977.

Maxine married Frank Maury Grossman on August 5, 1956. He was born in January 21, 1915 in Canada, to Harry Gorssman and Florence Claman. They divorced afterwards. Grossman died on June 16, 1988.

Maxine Frances Reiner died on June 19, 2003, in Los Angeles, California.

Eileen O’Hearn


Lovely Eileen O’Hearn was a sure bet for stardom at Columbia Studios in the early 1940s, along with Jinx Falkenburg, Patti McCarthy and Kay Harris. Need I say more about what happened to them? None of the girls achieved even a modicum of success in movies. Only Jinx Falkenburg became famous, but only later and in a different venue. I have profiled both Patti and Kay, and I can easily say I have no idea why such beautiful girls failed in Hollywood. Let’s try and see what happened to Eileen.


Mary Eileen O’Hearn was born on November 8, 1913, in Kansas City, Missouri, to Michael J. O’Hearn and Teresa O’Hearn. Her father was born in Ireland and immigrated to the US in the early 1900s, and settled in Kansas City where he married Eileen’s mother (who was 18 years younger than him and a native of Missouri). Michael worked as a local contractor, and the family lived in their own home by 1920.

Eileen grew up in Kansas City, attended schools there and started singing from an early age. At some point she was taking serious singing lessons and turned into a talented lyrical soprano. She gave several open air concerts and even did some radio shows in Kansas City.

The O’Hearns moved to Santa Monica in 1937. She entered the University of California at Los Angeles and enrolled in the drama class.

While studying, she was doing some acting work on the side. She had played the ingenue lead in U.C.L.A.’s presentation of “Of Thee I Sing,” and had acted in the Westwood Community Theater and Pasadena Community Playhouse. It was during the run of “Cradle Song” that a scout saw her and offered her a test by Columbia Pictures Corp. She passed it with flying colors but nothing happened. Disenchanted, Eileen put her acting dreams on hold for a moment, quit college and started working as a stenographer at The Times in Los Angeles. Some time passed, and Columbia finally summoned her to sign a contract. And her movie career was on!


Eileen appeared in my favorite genre (IRONY), low-budget western, for a start. Thunder Over the Prairie was her first movie, and her first lead role (now that is a great leap for any actress. Even if it’s a low-budget western. Can’t believe I am saying this). The studio took  a gamble with Eileen, since she officially was not a trained actress nor did she have prior movie acting experience. She was partially seasoned in live theater, but was far from an acting pro, any way you look at it.

EileenOhearn3Her second lead was in the weak comedy, The Richest Man in Town, with low-budget comedians Frank Carver and Roger Pryor. She was lauded as a true discovery in the press, but she movie generated little interest and failed at the

Unfortunately, Eileen did not live up to the studio’s expectations, and instead of going up, she went down. She was to be uncredited or play supporting roles until the end of her career. She appeared in Honolulu Lu, a charming but thin as air Lupe Velez musical, The Man Who Returned to Life, actually a more than decent thrilled with John Howard in the lead, but sadly completely forgotten today and not a hit back when it was released either.

The Adventures of Martin Eden was the most prestigious movie for Eileen, a semi successful adaptation of the Jack London classic. Like most literary adaptations, fans either love or hate it – some praise Glenn Ford, some find him a failure. Some find the ending fitting for the time and place it was made, some things it’s a disgrace for London. It’s usually best to leave it up to personal preferences in this case – the movie isn’t a bad one (all in all), the script is good, the actors are far from untalented, and rest is up to you.

Next Eileen appeared in the delightful Two Yanks in Trinidad. I love it when Hollywood takes two character actors and gives them a movie where they can show their often considerable talents. Let’s be real, character actor were often more talented than leading ladies and men – and both Pat O’Brien and Brian Donlevy are sterling examples of this. The plot even fades in comparison to the interplay between those two. Anyway, it’s fun fun fun. Eileen was then shuffled into two serials: Alias Boston Blackie and Blondie’s Blessed Event. What can I say about both of these serials? if you love the first movie, you’ll love the rest, if not, just skip.

EileenOhearn4After How Spry I Am, a comedy short, Eileen finally got her billing, but again in a low budget western – The Devil’s Trail. The less I say about the movie, the better. Next Eileen landed in one of th ebets movies of her career – Not a Ladies’ Man. The title is wildly misleading – the protagonist is, believe it or not, a 8-year-old boy who developed a passionate case of female dislike after his mother left him. Hollywood rarely tackled with such sensitive, real life problems, and I applaud the studio for trying, at least on a light weight level, to deal with this. Problems start when his father falls for his teacher. The cast is good – Paul Kelly (interesting man, read more about him) and Fay Wray, and the youngster is played by Douglas Croft.

Eileen was again uncredited in Meet the Stewarts, another lightweight family drama. However, a wonderful cast brightens this one up – William Holden and Frances Dee are the couple in question. And the plot, dealing with everyday life of a pair of newlyweds, is sure something not seen in movies frequently. Charming and simple, it’s a perfect movie to watch on a Sunday afternoon.

Eileen’s last two movies were war movies: Submarine Raider and Parachute Nurse. She gave it all up for family in late 1942.


Eileen gave an interview in 1941, where she claimed that she refuses to appear with a drink and cigarette in her hand on-screen since off-screen since she neither drinks nor smokes in real life. “You can be an actress without sacrificing your ideals” – was her quote. Columnist Wood Soanes was quick to reprimand her – in a very condescending article, he tried to illustrate how actors are not the characters they play on-screen. I have to say I agree with Woods here, as Eileen does comes of as a self-righteous puritan, not an actress who strives to embody a role to the best of her ability. The irony is that Eileen was right, that you can be an actress without sacrificing your ideals, but appearing on-screen without a cigarette in your mouth is not quite the way to do it.

EileenOhearn2Eileen’s other outrages claim was that her ancestor was a Irish princess, Briget O’Hara, who ran a fleet of pirate ships of the coast of Ireland. This, however, was a standard publicity stunt of the time and thus nothing out of the ordinary.

At least Eileen was true to her views. She never made any headlines and seemed to have a sedate love life. She married Frederick Pate on March 7, 1942, in Yuma, Arizona. Pate was born on June 17, 1913. He was a technician at Columbia Pictures (officially, they both Eileen and Frederick belonged to the same studio, they just didn’t work on the same positions! He was a manual worker and Eileen was a movie star! How cute, a story almost out of the movies.)

Their daughter, Susan Eileen, was born on January 2, 1943, in Hollywood. Eileen decided to retire in 1944 and devote her time to her small family.

The Pates lived in California for the first few years of Susan’s life before moving to Normandy Park, Washington. In 1947 her son and last child, William, was born. Susan and William later attended school in nearby Des Moines, Washington.

The Pates were avid boaters and many family vacations were spent cruising Puget Sound and the San Juan Islands. They also raised chinchillas for a period of time.

Frederick Pate died on September 1969 after a happy marriage. Eileen moved to Alaska to be with her daughter Susan. She never remarried and enjoyed a close relationship with her children.

Eileen O’Hearn Pate died on September 22, 1993 in Kodiak, Alaska.

Toni Seven


Toni Seven is proof that a girl who lands in Hollywood, has money to burn, a great press agent and more than enough beauty, can still end up a complete unknown. Toni tried to attain stardom several times, and the second time, an extensive campaign to catapult her to stardom was coined by PR guru Russell Birdwell, but she just crashed and burned pretty soon. What a waste! Toni truly was a beautiful woman and probably had some talent in her. Too bad too much publicity killer her.


June Elizabeth Millarde was born on July 6, 1922, in New York City, to Henry F. Millarde and Helen Elizabeth Lawson. Her mother was professionally known as June Caprice, an actress of major prominence in Hollywood, and her father was an succesful movie director. His most famous movie was If Winter comes, from 1916. by the time she was born, her parents had amassed quite a fortune and retired from active movie work. June grew up in Long Island, and attended school at Great Neck, Long Island.

On November 2, 1931, June’s father died from a heart attack, aged only 45. June was raised by her mother form them on, but sadly the elder June succumbed to a heart attack while fighting cancer in 1936. The 14 year old June was left in the care of her maternal grandparents in Long Island.

While June was materially well of, as a heiress of a considerable fortune (rumored to have been 3 million dollars), she wanted to act not for the fortune but for the fame. She moved to the West Coast after graduating from high school, and undertook extensive dramatic training before deciding to crash movies.

June signed with MGM in 1941, owning of course to her late parents friendship with producer Bob Leonard. Unfortunately, she left Metro after just a month, unhappy how they only posed her to leg art. She signed with Warner Bros and started her career anew.


Pretty slim! Toni appeared in only five movies, although I have to say they are 5 decent movies at least! Her first movie was We Were Dancing, based on a Noel Coward play. When i say based on a ToniSeven2Noel Coward play, it means it’s a witty, sparkling, lightweight fare. And this movie is just that. don’t look for deeper, hidden meanings and something profound. Norma Shearer is delightful int he leading role. Coward + Norma = a good combo. Some people would disagree with me, but heck, Norma was perfect for sophisticated, drawing room comedies. Here she is ably supported by Mervyn Douglas, Gail Patrick and Lee Bowman.

She then followed it with Yankee Doodle Dandy, one of the best musicals to come out of her 1940s. Jimmy Cagney, what more do you need? Toni’s last movie under her Warner Bros contract was Wings for the Eagle, a love triangle set amidst  Southern California aircraft production in WWII. The lovers? Ann Sheridan, Denis Morgan and Jack Carson. What ca I say, I’m a sucker for Ann, she was such a luminous actress, but I am not a fan of either Crason or Morgan, so for me, it’s a skip.

ToniSeven1Aware that her career went nowhere fast, Toni hired Russel Birdwell and tried anew (again!). The result were only two movies – Ladies Courageous and Once Upon a Time. While not the bottom of the waist basket quality, they are far from good solid movies that Toni needed to build a career. Ladies courageous is a weird, weird, anti feminist movie (despite the more than a decent cast – ). Once upon a time is one of the lesser Cary Grant movies – it’s a movie with a strange kind of charm, unusual story (A cash-strapped theater producer promotes a nine-year-old boy’s dancing caterpillar) and features the stunning Janet Blair as Cary’s leading lady, but it’s not top tier movie making and it did little favors to anyone involved.

Toni gave up her career and publicity campaign and settled in Washington DC after this.  


This is where Toni shines. If she is at all remembered today, it is because of her private life, not her slim movie career.

Toni was 5 feet, four and a half inched tall, weighted about 108 lbs, was a great horsewoman who rode frequently, and was also a good swimmer and tennis player. She disliked gossipy women, bad movies and prize fights.

TonISeven4In march 1943, she was just one of the many girls that dated Errol Flynn. She also banked heavily on her parents’ fame. A quote from a newspaper:

“Director Al Hall is giving June Millarde a break in “My Client Curly,” the Cary Grant-Janet Blair . The person who gave Al his first acting role role was Harry Millarde, June’s ‘ father, who was king bee on the old ‘Fox lot and frequently directing June Caprice (June’s mother). As time went by Al gave up his acting ambitions and became a director, but he never forgot the Millardes. So when their ‘ daughter June was up for a role in ; “Curly,” Al directed the test and saw she got the best cameraman at Columbia.”

In 1944, Toni hired Russell Birdwell to become her press agent. Birdwell was a wildly oscillating guy. While ha had major success with Jane Russell (and her bust and bra) and the search for Scarlett O’Hara (he was the brain behind this superb publicity stunt) most of his other “finds” ended up complete unknowns after a period of intense publicity frenzy. And he really tried with Toni, he really did. It just didn’t pay. For instance, Toni posed with a mama cat that gave birth to a litter of kitten with 7 toes on their paws. She also posed with a man’s black shirt, claiming she uses them as nightgowns. On the right ear she wears nothing; on the left, a large gold loop, and in the center of it, a cut out 7! She made bread with exactly 7 ingredients. She wore earrings with 7 precious stones dangling from them. Her phone number ended in 7. You get the picture…

She was supposed to star in a revue by Fort Ord, but nothing came out of it. She was very active in the war effort, going to rallies, signing pictures. Birdwell sent thousands of her pictures to the GI-as around the world – she was named the most popular pin up for the boys int he European Theater in 1945. Her photos could be found on obscure Pacific islands where there was literary nothing else!

Toni Seven has bought herself a little house in Benedict canyon. By her own admission, she knows nothing about antiques, yet is furnishing it exclusively in early American stuff.

In March 1945, Toni and five other starlets staged a strip poker session at the United National Clothing Drive. The other starlets were Ann Miller, Evelyn Ankers, Nina Foch and Renee de Marco. They all had better careers than Toni (even De Marco, who did not have a great movie career). She was also good friend with starlet Frances Vorne, who also posed for Yank. They often threw big dinner parties for their swains.

ToniSeven5In early 1946, Toni went back to her old moniker, but still remained an active pin up girl – her legs were claimed to have been “perfect” by a lieu of eminent photographers.

By 1948, June was out of Hollywood, out of movies, and living of her inheritance. She entered a hospital in October 1948 for a serious operation, and was recuperating in November 1948 in Hollywood.

Then, she was again back in the newspaper fold. How? Love! In January 1949, a certain senator Warren Magnuson, the famous lothario of Washington and a very sought after bachelor, missed the opening of Congress. Why? Because he was allegedly with Toni! There was much press furor re over the fact. His friend kindly noted to the press that Warren had been doing the Seattle nightspots with Toni for some time now. However, in September 1949 she sailed for Europe, and was beaued by Peruvian playboy, Alfredo Carreo.

More about Warren, who ended one of the most meaningful men in Toni’s life. He was born on April 12, 1905, in Minnesota, and was adopted by the Magnuson family (due to his surname, he was known as Maggie to friends). He attended college in Seattle, Washington, and settled there permanently. A member of the Democratic Party, he served as a U.S. Representative (1937–1944) and a U.S. Senator from 1944. In 1928, he was married to Eleanor Peggy “Peggins” Maddieux, but they divorced in 1935. Warren dated all around the States from then on, escorting women like actress Carole Parker and Austine McDonnell.

Toni and the senator dated on off from 1948 until 1953, although some papers pin them together in 1955. It is known that the senator married in 1964 to a Seattle widow, Jermaine Peralta, and thus he obviously never married Toni. Toni gave up her career (which is not saying much) to cater to Warren. She acted as his hostess at social functions, they traveled around a great deal, often visiting Hawaii. Warren’s close friends said that Toni was absolutely loyal to Warren, but liked to drink to much. Warren also had a weakness for vodka – it seems they were well matched here (sadly!).

ToniSeven6I sympathies with Toni on this one. She obviously wanted to get married, and talked constantly to the press about her upcoming nuptials, but the senator obliviously rebuffed her every time, until they were done. I have no idea why they broke up – but I can only guess. Maybe Toni had had enough? Maybe Warren passed on to another woman? He later romanced Monique van Vooren, another luscious starlet. He died on May 20, 1989 in Seattle, Washington. His wife died in 2011.

In 1952, Toni was seen with Hank Fisher, of the “Joe Palooka” fame.

In 1959, it was reported that June was to marry Eric Stanley, prominent in the art circles, that June. I could not find any information that proved this as a fact. She then completely falls of the radar.

June Elizabeth Millarde died in 1991.


Daun Kennedy

Yank Girls Continued… More sexy and alluring than beautiful, Daun Kennedy tried pretty hard to build a solid filmography during her brief sojourn in Hollywood. Unfortunately, like most non-trained actresses who came to Tinsel Town via either the chorus or modeling jobs, she was not a natural-born actress and thus didn’t have much to recommend her except her curvy figure and pleasing face. Predictably, she was out of Hollywood after a thin career in a few years.


Carmen S. Kennedy was born on November 13, 1922, in Seattle, Washington, to Robert F. Kennedy and Shirley Heuston. Her mother worked as a seamstress. Her parents divorced in the 1930s, and Daun went to live with her mom in Los Angeles. However, the papers have a slightly different version of her pre-Hollywood years:

Daun started her working life as a canary with the Seattle Opera company. Laryngitis put a temporary stop to her warbling, and she took a job with the Boeing Aircraft corporation. Then Cupid nudged her in the ribs and called attention to a fellow worker, Fred MacDowell. Came a time when MacDowell thought he could better himself elsewhere, so he headed south for Lockheed. Daun promptly took after him, and likewise signed up to punch rivets into Lockheed P-38’s. Then Fred MacDowell left Lockheed, went to work for RKO as a film cutter. “He can’t do this to vie,” murmured Daun Kennedy, as she hustled right over to the same picture factory and got a job as a messenger girl. Two hours after she went to work, the new messenger was sent on an errand to the set where Kay Kyser was emoting in “Around the World.” Producer-Director Allan Dwan got an eyeful: Said Dwan to Daun: “C’mon.” Wherewith, he took the bewildered blonde to the office of Ben Piazza, head of the studio’s new talent department. And that evening Daun Kennedy’s signature was on an acting contract.

Daun Kennedy, they mean Daun Kennedy, who flew from the Lockheed Aircraft plant to become a messenger girl at RKO, circled the studio once and made a happy landing as an actress. Brown-eyed, shapely, with hair like combed corn silk, she’s currently delivering a message of personal beauty in the Eddie Cantor production, “Show Business.”The next day, also, her engagement to Fred MacDowell was announced but since then the same engagement has been broken ! Daun made her movie debut in “Around the World” and followed that performance with parts in “Government Girl,” “Gildersleeve on Broadway,” and “Show Business.”

This is somehow misleading since, based on this story, Daun was in Seattle in the early 1940s. But let’s roll with the newspaper version, and see what happened with her career!


Daun made her debut in Gildersleeve on BroadwayThe third in RKO’s series of four movies based on radio show The Great Gildersleeve. This one has Gildersleeve traveling to New York to help out his friend Peavy. In order to help Peavy out, he has to cozy up to widowed drug company president Billie DaunKennedy2Burke. He also attracts the attention of a gold digger. The situation gets even trickier when Gildersleeve’s girlfriend shows up unexpectedly. It’s a fun comedy, a treat for all lovers of screwball. Government Girl is a lame wartime comedy with Olivia de Havilland in the lead. The Falcon and the Co-eds is one of the Falcon series of movies, with Tom Conway as the Saint. It’s a solidly made thriller, with a decent cast, but formulaic enough not to fall into a higher category.

Around the World is a wartime propaganda musical, cute fluffy and upbeat. Fans of Kay Kysler should definitely watch it. Higher and Higher is the typical movie that can’t be considered high art, but is an enjoyable, light-hearted piece. Special plus is a very young Frank Sinatra in the lead. The Falcon Out West is another of the Falcon series, more of the same old same old. Seven Days Ashore is another fluffy musical. Show Business surely fits into the “Nothing major, but it’s a lot of fun” movie. The story of a vaudeville team (Eddie Cantor in the lead), their ups and downs, it’s interesting today if nothing than a memory lane piece about times long gone.

Marine Raiders is a WW2 movie, typical example of the genre and the time. War movies made during the war often used live footage of battles, and they all boiled down to “rally round the flag, boys”! The leads are played by two fine actors, Pat O’Brien and Robert Ryan. Of course, there is a love story, with the charming Ruth Hussey (I love intelligent, everyday, non-extremely-beautiful actresses like Ruth!) in the middle. Bride by Mistake is a mid tier romance movie – but an absolute highlight is the stunning Laraine Day in the lead. I love Laraine, she was such a gentle, beautiful actress! Unfortunately, Daun followed some decent movies with Youth Runs Wild, a movie about juvenile delinquency that fares like most movies about the topic – pretty badly. This ain’t no Rebel without a cause. Then came Heavenly Days, a Fibber and DaunKennedy3Molly McGee movie. Like most series, it’s a rec is you like that kind of humor – if not, stay away. Daun went back to musicals with, Girl Rush a standard Western gold rush comedy with all of the cliches and not enough good things to recommend it. Daun finally hit it big with Murder, My Sweet, a superb example of the mid 1940 film noir. Based on Raymond Chandler’s book, Dick Powell plays an excellent Phillip Marlowe. While Bogart may be the ultimate Marlowe, several other actors made a very good job of playing him, and Powell, IMHO; is a close second. He is just the right mix of soft and hard, of success and failure, of idealism and disillusionment to be Marlowe (whom I consider to be one of the best written fictional detective). Powell aside, the story is solid and with enough twists to keep anyone occupied, the supporting cast is wonderful and the atmosphere is spot on. Almost nothing to subtract from its brilliance. Next was Mademoiselle Fifi, a movie that has divided its critics. Based on a Guy De Maupassant short story and dealing with some very relevant issues (as back then as today), it’s hampered in a major way by the production code and censorship. Yes, this is the gaping wound of so many -could-have-been-wonderful movies from the decade. Yet, some praise it’s actors (Simone Simon!) and the story that ultimately inspired the western classic Stagecoach.

Daun-Kennedy-photo-by-Ernest-Bachrach-p412Duan was one of the much revered Salome Girls in the notorious camp classic, Salome Where She Danced. The long and arduous process of finding Salome girls was well documented in the press, and thanks to this movie, Daun got tons of publicity. It was this boost that got her a leading role! Yaay finally! On the flip side (there is always a flip side!) the movie is The Royal Mounted Rides Again and it’s a (guess!) … LOW BUDGET WESTERN. Oh yes, you know what I think of those… Anyway, it got her absolutely nowhere. She returned to the uncredited tier in This Love of Ours, a Merle Oberon tearjerker (too bad she appeared in such a large number of those she was a gifted comedienne!). It was followed by another Merle Oberon movie, Night in Paradise, a wacky and unusual movie for sure, but deeply flawed. A Scandal in Paris is a George Sanders vehicle, and the great man plays the same character he always plays – himself. This time his name is François Eugène Vidocq (famous french criminal) and the place is (duh!) Paris. But more of the same old, same old. Next she appeared in the Bowery boys movie, Bowery Bombshell, and then was the female lead in the forgotten DuanKennedy5serial, Son of the Guardsman. Too bad that this didn’t pan out – maybe Daun could have caught at least a bit of fame that way. Meanwhile, the serial was actually decent enough, with a solid story and decent production values – one wonders what went wrong?

Daun appeared in only two more movies, both featuring the characters Jiggs and Maggie (played by Joe Yule, Mickey Rooney’s pop, and British actress Reine Riano), Bringing Up Father and Jiggs and Maggie in Society. It was clear that Daun used all of her showbiz lives and it was time to retire. And retire she did.


The Kennedy lass lives in a Hollywood apartment with another young actress, took music lessons, liked an occasional game of tennis, Bowled a great deal, and had never kept a budget, never had been in debt.  She admitted she was a bum cook. Daun was a very popular pin-up during the war, being named Miss Iceberg Warmer and Miss Optometrists. In 1946, contemporary publicity shamelessly pegged her as the descendant of Mary Queen of Scots.

DAUN KENNEDY_1361832226Duan was engaged to her first boyfriend, Fred L. McDowell, when she came to Hollywood in 1944. She engagement was terminated due to unknown reasons. In 1945, Daun first dated Rod Cameron, then almost married to agent John Lindsay.

In the end, she married her first fiancée, Fred L. McDowell. He was born on September 5, 1916, in Derby Line, Vermont. Somehow he ended up in the Boeing Aircraft corporation, and met Duan (the story is in the Early life section). He was in Hollywood from the early 1940s, but only in 1954 did he get his first credit as an editor.

Their daughter Linda Carol was born on October 28, 1955. Their second daughter, Tamara L., was born on November 17, 1959. Sadly, McDowell died on June 4, 1960, when their younger daughter was but a baby.

I have no idea what happened to Daun afterwards, or if she is indeed alive today. As always, I hope she had a good life.



More Yank Cover Girls – Part IV

And we continue with the charming Yank Pin Up girls…

May Moniz


There is almost nothing about May Moniz on the web. Yet, she was the only Yank Cover girl to come out of Hawaii, where WW2 started for the US.

This is almost the only article I could find about May:

There are some outstanding reasons why May Moniz, who is only 17 years old, has already become one of the most photographed lovelies on Oahu – as any fool can plainly see. Her talents include dancing in various USO shows which have toured the island, as well as sitting around swimming pools occupying black silk bathing suits like this. BRIEF hereby endorses any world planner who will include May – or a reasonable facsimile – as one plank in a Postwar Plan for the Returning Soldier. The photo is by our incredible Cpl Harold Klee, who spent two long years out here photographing Oahu beauties as a hobby. He is now Down Under, where his opportunities are slightly more curtailed.

Who was May? It’s just a uneasy coincidence that there were 2 May Monizes in Hawaii, both born in 1928 in Honolulu. Which one is our May I have no idea. One lived with her widowed mother, younger sister and lodgers, the other with her aunt and uncle and younger sister.

What I do know is that May was supposed to graduate from Roosevelt High School in Honolulu and then relocate to New York to become a model. During the war, she danced along with her fellow Hawaiian girls in The Flanderettes, a USO troupe directed by Josephine Flanders. Unfortunately, all mentions of May afterwards are nonexistent.

May L. Moniz died in 1984 in Hawaii, and it’s very much open to discussion if this is our May.

Sylvia Opert


Sylvia Opert was born in 1924, in Johannesburg, South African Republic, daughter of Maurice and Fannie Opert, Lithuanian immigrants. The family moved to California several years after her birth (and lived there at least from 1929). Maurice and Fannie divorced in the mid 1930s, and Sylvia stayed with her mother. The two lived in Beverly Hills, with Sylvia working as a dancer since high school. She danced ballet originally, and by 1940 was a part of the Ada Broadbent Ballet troupe.

Various newspaper articles claimed she studied music and composition in France and Switzerland. While this could be true, it means that she lived in the US and commuted to France and Switzerland during the 1930s. Sylvia spoke flawless French, and this later helped her land movie roles. She also specializes in exotic and native dances, as he filmography can readily show.

SylviaOpert2She made her movie debut in 1942, in Road to Morocco. Her next movie was Happy Go Lucky, a breezy, simple and very endearing Dick Powell musical. His co-star is Mary martin, who worked better in theater than she ever did on film, but she was truly no slouch! The plot is typical for the genre – Martin plays a gold digger who wants to nag a rich husband. Powell plays a beach boy who sees right through her, but decided to help her to spite his long time enemy (rich yacht boy, played by Rudy Vallee). but true highlight of the movie is the pairing of Eddie Bracken and Betty Hutton. Boy, those were some dynamos! Then came Background to Danger, tightly plotted, well made spy thriller. Yep, it’s a Casablanca rip off, but like most rip offs, it never hits the high ground. Perhaps part of the reason lies in George Raft, a menacing man who could do wonders on the screen but not a particularly good actor (imagine him in Shakespearean plays! Exactly!). The supporting cast is top notch and worth of better leads like Humphrey Bogart – Sydney Greenstreet, Peter Lorre, Brenda Marshall. It never was and never will be a top-tier movie, but it’s a decent example of the genre and keeps you on the edge of the seat.

And of course, like many others in Hollywood, Sylvia appeared in Thank Your Lucky Stars. She then had a small but memorable role in The Desert Song. She took some time of to get married, but as soon as she divorced, she was back in the saddle with two short features – Princess Papaya and Dance Comique. Sylvia’s last movie was Devotion, about the lives of the Bronte sisters. It’s a typical over the top drama, Hollywood style, but nobody can say that Olivia de Havilland and Ida Lupino are not good actresses – their warm and engaging performances give the movie a shining quality it otherwise wouldn’t deserve. The supporting cast is pretty good also – Sydney Greenstreet, Nancy Coleman, Arthur Kennedy, Dame May Whitty.

SylviaOpertIn 1944, there were stories that LeRoy Prinz discovered her while eating lunch in the studio commissary. Again, I assume this is just a publicity plot, as Sylvia was a seasoned dancer who did her bit, not a wide eyed starlet who just came to Hollywood hoping for a lucky break. That beak sadly never came, and her movie career ended in 1946. She continued dancing in revenues and nightclubs, but most probably gave up her career upon her second marriage in 1946.

Now something about her private life. Sylvia married Newell O. Roberts on April 30, 1943. Roberts was born on August 7, 1916, in Texas. A medical doctor, he enlisted into the army in 1940, and later became a Captain, serving in the 94th Fighter Squadron with 5 victories. I guess this was a typical wartime marriage between two people who hardy knew each other. Accordingly, the marriage lasted only a short time and they divorced in 1945. Roberts returned to his native Texas after the war, and went on to marry Carolyn Ann Roberts in 1956, divorce her and then marry Patricia A. Winkler in 1969, and later divorce her in 1979. He died on June 6, 2010, in Comal, Texas.

Sylvia moved fast onto her next husband. On January 15, 1946 she married Jack H. Spiro. Spiro was born on November 24, 1906 (making him almost 20 years older than Sylvia) in Pennsylvania, to Louis and Sadie Spiro. They moved to New York, where he worked as a jewelry salesman. The couple settled in Los Angeles. They had two sons, Lee Mark, born on December 14, 1949, and Richard Martin, born on August 20, 1954. They divorced sometime after 1954. Spiro died on January 3, 1976.

In December 1967, Sylvia married Harvey Bernstein. They divorced in April 1969. On May 1, 1974, she married a Mr. Strauss or a Nathan Boxer in Dade, Florida.

Unfortunately, I could not find any additional information about Sylvia, so I have no idea if she is alive or dead. As always, I hope she had a good life.

Helen Talbot

Helen Talbot2-Yank


Helen Darling was born on April 7, 1924, in Concordia, Kansas, to Edward and Arby Darling. She had an older sister, Dorothy, born in 1909, and an older brother, Daniel. Her parents were already in middle age when she was born – her mother was 45, her father 54. She grew up in Concord. Both of her parents died by 1937, and she was adopted by the Smith family. She lived with them until 1941, when she relocated to Los Angeles to live with her brother Dan and his wife. She graduated from high school in Los Angeles and started to work as a model by 1942.

Helen was allegedly discovered by fashion designer Don Loper in 1943, and this catapulted her to Hollywood. She then worked with Don Red Barry on his show, and started a movie career not long after. Her filmography is full of low-budget westerns (Canyon CityPistol Packin’ MamaCalifornia JoeOutlaws of Santa FeSong of NevadaSan Fernando ValleyCorpus Christi BanditsLone Texas RangerBells of RosaritaTrail of Kit CarsonSong of MexicoDon’t Fence Me In ) which I will not even try to review as everybody who reads the blog knowns of my dislike for the subgenre.

Helentalbot4Her other movies were a mixed bag at best. She appeared in Up in Arms (after all this time, this movie pops up again and again) and Rosie the Riveter, both light fare but fun movies. And then came a horror, The Lady and the Monster, bases on Curt Siomdak’s novel, Donovan’s Brain.  The plot: In a rural castle two medical men and a woman assistant are experimenting with brain chemistry and energy. After an airplane crash, they take a human brain of one of the victims to continue their work. The brain is of a criminal mind that gradually takes over the medical assistant’s mind periodically to do more evil. The movie is polarizing in so many ways – it has decent direction and very good set design. Cinematography is also on the level. However, the actors are a mixed bag here. Erich Von Stronheim is as menacing as always, but Richard Arlen is a tad stiff and Vera Ralston is, as always, absolutely terrible. It’s not a particularly god movie, but a watchable one. The 1953 remake with Lew Ayres is superior in every way.

Helen appeared in two Jane Withers vehicles, first Faces in the Fog, a long forgotten but actually not-the-worst movie about two youngsters who fall in love and everybody and everything stands in the way of their happiness, and then in Affairs of Geraldine, a similar convoluted love story. Swingin’ on a Rainbow was another Jane Frazee musical, low-budget but pleasing enough.

Helen Talbot1She also did appear in two serials, which are her only claim to fame today:  . The info is taken from the superb Files of Jerry Blake site:

Sooner or later, most of Republic’s contract players found themselves cast in a serial, and Helen was no exception. The first of her two chapter plays was 1945’s Federal Operator 99, which starred Marten Lamont as Jerry Blake, a FBI agent out to capture the suave master criminal Jim Belmont (George J. Lewis), and co-starred Talbot as Joyce Kingston, Blake’s trusty secretary and assistant. The serial’s plot consisted of a series of duels between Belmont–who concocted various impressive heists only to be  thwarted by the federal agent–and Blake–who kept checkmating Belmont but failing to capture him. This cat-and-mouse game was augmented by a clever script, some excellent action scenes and some innovative cliffhanger sequences, several of which centered around Helen’s character. The indefatigable Joyce was almost perpetually endangered throughout the serial, but managed to survive a cremation chamber, avoid being shredded by an airplane propeller, and escape rolling off a cliff in a laundry basket. While Talbot’s youthful and ingenuous appearance kept her from seeming entirely convincing as an FBI operative, it also made her character instantly appealing; the audience found it easy to be concerned about this sweet-looking girl’s perils.

Her second serial was King of the Forest Rangers. Another quote: 

Talbot’s second and final serial was King of the Forest Rangers (Republic, 1946). One of the last Republic serials filmed largely on location (in the picturesque pine woods of California’s Big Bear Lake), this cliffhanger dealt with the attempts of the villainous Professor Carver (Stuart Hamblen) to get his hands on valuable minerals concealed in some ancient Indian towers. Forest ranger Steve King (Larry Thompson) investigated the crimes spawned by Carver’s schemes, with the help of local trading post proprietor Marion Brennan (Helen Talbot). A good serial that could have been better, King of the Forest Rangers featured two rather lackluster leading performances; hero Thompson was low-key to the point of dullness, while villain Hamblen was too unthreatening in voice and appearance to make his character suitably sinister. However, both actors received an assist from their energetic aides–Hamblen from nasty henchman Anthony Warde and Thompson from the chipper Helen, whose wholesome, “All-American” good looks suited the serial’s rustic, outdoorsy milieu nicely.

Helen Talbot3And now for some private life information. In early 1944, Helen was deeply involved with Don “Red” Barry, and they were engaged in August 1944. They dated for a few months more, and were often seen around town in various posh restaurants. Barry was known as a charismatic man, but with a nasty temper and an over inflated ego.

Thus, it came as so surprise to me that, in the end, Helen married her high school chum, Richard M. Hearn, in the mid 1945. Hearn was a navy flyer during the war. They moved to South Bend, Iowa where he attended Notre Dame University and earned his degree in Corporate Law before returning to West Los Angeles.

Her daughter Kathleen Mary Hearn was born on November 15, 1950 in Los Angeles. Hearn died in about 1962. In 1969 Helen married Larry Bailey, owner of a bakery in Northridge, California. Larry died about 1980 and Helen moved to La Jolla, California.

Helen Darling Bailey died on January 29, 2010, in La Jolla, California.

More Yank Cover Girls – Part III

Moving on to the next installment of these short biographies… We have one more installment like this to go before going back to normal full length bios…

Eileen Coghlan

Eileen Coghlan

Eileen Coghlan was born on to Charles F. Coghlan and his first wife, Margaret Johnson, in the early 1920s. Her older sister, Rosamond, was born in 1919. Her mother, born in Wisconsin on February 9, 1898, was the daughter of noted silent actor, Arthur V. Johnson (who died of tuberculosis in 1916, just a year before they married). Her father, Charles, born in 1897 in Massachusetts, sure had an interesting life story!

Taken from his obituary:

Coghlan had an illustrious theatrical background. His mother was the famous actress Rose Coghlan, a leading lady from 1885 to 1915. He was born in Boston where his mother was playing at the time. His father, playwright Charles Jordon, died six months after he was born. Both parents came to America from England. He attended Staunton Military Academy and Fordham University. He got his start in the theatrical world when he was only ten.

In 1918, he appeared with his mother and Ethel Barrymore in “The Lady of the Camelias.” He associated with the great names of show business, often appearing with them in various productions. He numbered among his friends the Barrymores, Eugene O’Neill and Jasper Deeter. Coghlan not only appeared in many stock shows but turned to the motion picture field in his early days. He played with such stars of the day as William S. Hart and Pearl White.

The Coghlans moved a lot, owning to where his father found work. They lived for a time in Hollywood, where her sister married her first husband.

The Coghlans moved to Harrisburg, Pennsylvania, where Charles became director of the Harrisburg Community Theatre, in 1942. In 1945, he joined Gene and the Henry Otto to reopen the Gretna Playhouse in 1945. The theater at Mt. Gretna had been started by A.E. Scott, who ran it for years before World War II forced it to close down.

It was here that both Rosamond and Eileen did much of their thespian work. In 1943, Eileen, already a seasoned theater actress, made her Hollywood debut in Thousands Cheer, a lively, happy go lucky and well made musical. Eileen was signed with Columbia, and appeared in two of their movies: Swing Out the Blues, a minor and completely forgotten musical, and the superb None Shall Escape, a chilling and ominous piece of work, brutally honest in depiction of Nazi atrocities during WW2. Special highlight of the movie is Alexander Knox, a wonderful actor, who plays a normal man gone completely wicked and twisted under the Nazi regime. Marsha Hunt, always a welcome presence in any movie, rounds it up nicely. Eileen appeared in only one more movie, Dark Waters, a mediocre Merle Oberon thriller, before she took a breather.

During WW2, Eileen was a very popular pin up, and even traveled to Mexico so that the Life photographer could take her photos. She continued to act after the war.

She returned to the theater for a time, and only came back to Hollywood in 1948. She made two movies for Enterprise Productions. The first is No Minor Vices, a lukewarm remake of Unfaithfully Yours. I really like Dana Andrews, but boy, it’s true, he wasn’t a comedy actor in the slightest. Louis Jourdan, such a good actor, plays plays the same charming rouge role as he did in most of his movies. Sad, sad. The second is Force of Evil, a excellent movie with a tour de force performance by John Garfield.

Eileen took another breather and then came back in 1950 with Bright Leaf. Now, this movie has everything for it – solid script, great cast, good production values, but it ends up a tasteless mush. Okay, it’s not that bad, but it’s not nearly as good as it could have been. I Can Get It for You Wholesale is a very well made, plotted and acted movie with Susan Hayward in the lead. She then had an uncredited appearance Lightning Strikes Twice, an atmospheric if formulaic movie with Ruth Roman and Richard Todd. Eileen’s last three movies were cute and funny 1950s fluff – they can brighten your day, but are far removed from art and profound movie making – Two Tickets to BroadwayThe French Line and My Sister Eileen

In 1954, Eileen went to Italy and met Fabio Fiorentino a handsome hotel owner. Fiorentino was born on November 28, 1929 in Italy. They married there the same year, and returned to the States, opting to live in California. Eileen retired from movies to devote herself to family life.

Her daughter Lydia was born on September 22, 1956, and her daughter Vivian was born on August 30, 1960.

Eileen and her husband live in Newport Beach, California.

Selene Mahri


Let’s get one thing straight – Selene was not an actress, and she does not have one credited performance anywhere, not the cinema and not the theater. But finally we have another socially butterfly at our disposal. Her lack of movie roles is more than made up by her rather impressive marital record.

Solveig Ann Mari Eklund was born on December 17, 1924, in Finland, to Karl and Thyra Eklund. Little is known about her childhood, but she and her mother came to the US in 1942 (due to the war perhaps? The papers claimed they just came to see a fair, but somehow I don’t buy it). Solveig was easily noticed by scouts and she started modeling, rising to the top pretty quickly.  Allegedly, she could speak five languages (as far as I know, Finish, Swedish, German, what are the other two?) but very little English. Within a short time she was earning as much as $25 for an hour. She was well known for her silky blonde hair. She was on the WAC recruitment poster and was could be found on as many as 8 covers yearly.

Now, it’s Selene’s private life that is of interest. In September 1943, she dated Victor Mature, stationed in the Coast guard. She then dated Emilio Tagli, wealthy Chilean, for some time in early 1944. By June 1944, there were rumors the two would wed. She was also courted by Stavros Niarchos, wealthy Greek shipping magnate.

In 1947, Selene revealed a bit about herself – she worked only with photographer she liked, was easy to make enemies because she chose to do things her own way. She never went below 40$ an hour for a session and never worked before noon. She lived in Long Island and raised pet poodles in her house.

In August 1947, Selene married millionaire Albert George Rupp in Garden City. They divorced in 1949 and she married John Wendell Anderson II in Grosse Point, Michigan that same year. John was born on September 16, 1923 in Pittsburgh, Pennsylvania. In his later years, Anderson was described as a former industrialist, world traveler, avid sports fisherman and golf enthusiast. He came from a prominent Michigan family. They had two sons: John and Christopher. They divorced in 1957. In 1958, Jack married starlet Lisa Ferraday.

On January 2, 1958, she married her third millionaire, William Weaver. That year, it was revealed that Selene was a passionate deep sea fisher, dabbled in painting for a time, was a good piano player (Chopin being her favorite), that she played bridge frequently, that she was an arm chair golfer and a frustrated interior designer. Her favorite piece of jewelry was her husbands Phi Beta Kappa Key that she wore on a bracelet. The couple moved to New York not long after.

Selene and William divorced in 1972. She kept his surname and didn’t remarry.

Selene E. Weaver lived in New York City in 2009. I hope she is alive and kicking today.

Peggy Corday


Such a shame that Peggy Corday, truly an unique looking lady, got so little coverage in the press during her heyday. Thus, the info on her is slim indeed. Her pin up is another favorite – she is a wonderful combination of youthful vivacity with elegance. Just look at her hand, the way she modestly hold her negligee… Whauza! Peggy was probably born in the early 1920s (but I have no idea where or who her parents were. Searching for Margaret Corday gave me no conclusive evidence).

In 1943, she got her first newspaper mention: “Red-haired Peggy Corday, who will portray Venus in the forthcoming musical, “Helen of Troy”, is being groomed for her role by Mikhail Mordkin.” She did play Venus in the mentioned play – her Yank cover photo show her during one such a performance. Very good choice for Venus, I must say. Unfortunately, this did not catapult her to any stardom.

Peggy was the assistant to Robert Ripley, from Ripley’s Believe it or not, in 1959, when Ripley died after a show. Nothing else is known about her.

Ernie Clarke

Ernie Clarke

Another interesting woman, Ernie Clarke was the scion of a acrobatic family who did trapeze acts from the time she was 9 years old. Imagine that! Anyway, everything you need to know about Ernestine in her obituary in the Telegraph web site. I’ll copy paste most of it here:

She was born in New York on October 16 1921 and christened Elizabeth Laura Clarke, although she was always known as Ernestine after a friend of her father’s made play of a family resemblance and dubbed her “Little Ernie”. By the time she was three months old she was travelling to engagements with her parents, and she made her debut in the ring when she was big enough to be put on a horse.

Her parents passed on their circus skills to her and at the age of nine she joined the family act, graduating to the trapeze when she was 11. “The first time I missed the flying bar in practice,” Ernestine later recalled, “my mother was watching. As I fell into the net she fainted and they had to carry her out.”

In the late 1930s, the Clarkes appeared with Poodles Hanneford’s comedy riding act and then in the musical Jumbo at the Hippodrome in New York. They also worked with Tom Mix, the star of many Western films. By 1941, Ernestine Clarke was beginning to make her own reputation, and the writer Earl Chapin May raved about her “unusual beauty of features and figure, high intelligence, charm and character.

“She can be built up,” he went on, “to be a star in the circus, on the stage and the movies. As either a rider or flyer she has grace, personality and a definite histrionic ability. Moreover, she has the carriage of a ballet dancer.”

Although the entry of America into the Second World War led to the break-up of the family act when her uncles were called up for war work, by 1942 Ernestine Clarke’s own career appeared to be going from strength to strength. That year, she was signed to the Ringling Brothers and Barnum & Bailey Circus, where she was to present her own equestrian act and to ride with the highly regarded Italian troupe The Cristianis at a salary of $350 per week.

But when she arrived in Florida to rehearse with the circus, she discovered that its manager John Ringling North had been ousted from his post by other members of the family, and her contract had been effectively cancelled.

She stayed on with Ringlings, however, as a replacement for Antoinette Concello, the star of the show’s trapeze act, who had injured her shoulder. When the Concellos then left the circus, Ernestine Clarke was invited to form her own trapeze troupe, which she did with catcher Eddie Ward and flyer Clayton Behee.

In 1944, she presented a solo riding spot and her own flying act for Ringlings, and appeared on the cover of the show’s programme that year. She was with the circus in July 1944 when at Hartford, Connecticut, the big top burst into flames and 168 people were killed and almost 500 more injured.

As for her private life, she married actor Parley Baer on April 9, 1946. Born Parley Edward Baer on August 5, 1914, he was also from a circus background, studied at the University of Utah, worked in a radio station, served in WW2 and started his Hollywood and TV career in the late 1940s.

The couple had two children: daughters Kathleen Baer, born on June 29, 1952, and Elizabeth Baer, born on February 18, 1957. Both worked as trapeze artists in their professional life. Ernie and Parley lived for years in Encino, where they were active in their local St. Nicholas Episcopal Church.

Elizabeth Laura “Ernie” Clarke Baer died on August 5, 2000. Parley died on November 22, 2002.


More Yank Girls – Part II

Lets keep on moving with the Yank Cover Girls…

Gloria Anderson


I have very little info about Gloria, sadly. I don’t even know if Gloria Anderson was her real name. Gloria was born, I assume, in the late 1910 or early 1920s, and lived in New York in the early 1940s. She worked first as a Powers Model, then as a chorus girl in the Broadway show, Stars and Garters. There she met dance director Georgie Hale, who was a Broadway staple in the 1920s, and worked in Hollywood occasionally. Georgie, a dancer by trade, was born in 1901, making him quite a bit older than Gloria.

They started dating in early 1943. Not long after, George went ot Hollywood to work as a dance director. They managed a long distance relationship for a few months, and then Gloria moved to the West coast and started her Hollywood career. She appeared mostly in musicals: Up in ArmsShow BusinessSwing Parade of 1946Night and Day (and pretty decent ones at that, although I can’t say I like those types of movies). She also appeared in three non musical movies: Life with Blondie, another of the Blondie comedies with Penny SingletonA Guy Could Change, a surprisingly decent romantic comedy, and Two Smart People, the best movie of the bunch, a Jules Dassin  half film noir half romantic comedy.

Gloria and Georgie briefly split in November 1944, just to get back again a few weeks later. They married during the Christmas season 1944. They stayed in Hollywood until mid 1946, when Goergie went back to Broadway and Gloria retired.

Their daughter Stephanie was born sometime after this (a date I believe could be correct is November 19, 1948). Georgie enjoyed major success as a producer, and their marriage was considered a very solid one. However, the couple split in mid 1955. Gloria moved out and took Stephanie with her. In 1956, Georgie was dating chorus girl Honny Gray and Gloria was in Miami, Florida for a divorce. Everything came to a halt when Georgie died unexpectedly on August 20, 1956.

Gloria was officially Georgie’s widow as they were not divorced when he died. I have no idea what happened to her afterwards – there were news that she was working as a fat check girl to make ends meet. IMDB claims she made movies in 2004, 2009 and 2016, but it remains to be seen if this really is our Gloria Anderson.

Frances Vorne


FrancesVorne1Frances’ past is shuddered in mystery. It was noted by the papers that she was of the Ukrainian extraction – this prompted me to connect Frances with the Vorne family, who immigrated from Russia (Ukraine was part of Russia back then) in the 1910s. The names were Jacob and Pearl (parents) and two younger brothers, Daniel and Martin, and a sister, Zelda. This is from the 1940 census – Frances perhaps did not live with them at that time. I assume she was born in about 1920, like most of the Yank cover girls. May 30, 1920, New York is a possible date/place. She was five feet six and a half inches tall and weighted 126 lbs, with an 36 inch bust.

FrancesVorne2Frances was a regular in the papers in about 1945, mostly due to publicity stunts. For instance, this news flash: Frances Vorne has a soldier friend who came home from overseas a few days ago with a present of the remnants of a German parachute. Frances, who likes to swim more than anything else, found that there was just enough cloth left to make a swimming suit. Frances wanted to be an actress, but she never made a movie (if IMDB is to be believed).

My own guess was that Frances was already married by 1945. She divorced her groom in 1946. She continued working as a model at least until 1949. She falls of the newspaper radar from then on.

Frances Vorne (possibly) died on August 8, 1990, in New York.

Betty Anne Cregan


While you can find at least tidbits of information about every other cover girl, Betty is completely shuddered in mystery. There is literary nothing on her. Such a shame, for her cover is a great one. I assumed that her full name was Elizabeth Anne Cregan, or even Elizabeth Anne Creegan. There is a Betty Anne Creegan born in 1928 (who died in 2012), but that’s all I could find. It could be our Betty, as she girl on the cover looks about 18, 19 years old. Otherwise, no luck so far. If anybody knows anything, please help!

Virginia Kavanaugh


Little info here I’m afraid. She didn’t make any movies so no go as far as IMDB is concerned. She was born Virginia Kavanaugh on August 15, 1927, in New York City, to Thomas A. Kavanaugh and his wife, Frances Hopkins. She had one brother, William T. Kavanaugh, born in 1932. Her father was a secretary for a football team.

In March 1945, Virginia was chosen, by her modeling agency, Walter Thornton Agency, as the prettiest Irish American model, and posed with a shamrock on her head for St. Patrick’s day. She then falls of the radar until 1952, when she’s in a Glamour column. We learn that she is married to John T. Landry, a advertising executive (Mad men, anyone?), and that they are parents of an adorable baby daughter Sharon (born on March 27, 1950). She was a skating champion in 1944, but switched to ice skating upon her marriage to accommodate her husband. They were both outdoorsy people who enjoyed long distance walking.
Now, something about her husband (from his obit from the New York Times):

Mr. Landry spent most of his career at the Philip Morris Companies, which he joined in the mid-1950’s. He retired in 1984 as senior vice president and director of marketing and as a member of the board, to which he was elected in 1972.

He reached the top of his profession in 1963, when he oversaw development of the ”Marlboro Country” advertising campaigns, in which the Marlboro Man rode to fame around the world. He also played key roles in the development and marketing of several other Philip Morris brands, including Virginia Slims, Benson & Hedges and Marlboro Lights cigarettes.

They had three more children: daughter Jennifer (born on September 16, 1952) and sons Jack Jr. (born on November 23, 1956) and Thomas (born on October 9, 1958).
Her husband was a passionate thoroughbred bred horses (I assume she took part in it too). Another quote:

Mr. Landry was also an owner and breeder of thoroughbred race horses. His passion for the sport of kings prompted him to found the Marlboro Cup horse race, the richest thoroughbred event at the time. It was an invitational race sponsored by Philip Morris and was run each fall from 1973 through 1987.

Her husband died in 1997. Virginia was still alive in 2007. I hope she has had a happy life.